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Beyond the Boat
Beyond the Boat RIVER CRUISE EXTENSION TOURS Welcome! We know the gift of travel is a valuable experience that connects people and places in many special ways. When tourism closed its doors during the difficult months of the COVID-19 outbreak, Germany ranked as the second safest country in the world by the London Deep Knowled- ge Group, furthering its trust as a destination. When you are ready to explore, river cruises continue to be a great way of traveling around Germany and this handy brochure provides tour ideas for those looking to venture beyond the boat or plan a stand-alone dream trip to Bavaria. The special tips inside capture the spirit of Bavaria – traditio- nally different and full of surprises. Safe travel planning! bavaria.by/rivercruise facebook.com/visitbavaria instagram.com/bayern Post your Bavarian experiences at #visitbavaria. Feel free to contact our US-based Bavaria expert Diana Gonzalez: [email protected] TIP: Stay up to date with our trade newsletter. Register at: bavaria.by/newsletter Publisher: Photos: p. 1: istock – bkindler | p. 2: BayTM – Peter von Felbert, Gert Krautbauer | p. 3: BayTM – Peter von Felbert, fotolia – BAYERN TOURISMUS herculaneum79 | p. 4/5: BayTM – Peter von Felbert | p. 6: BayTM – Gert Krautbauer | p. 7: BayTM – Peter von Felbert, Gert Kraut- Marketing GmbH bauer (2), Gregor Lengler, Florian Trykowski (2), Burg Rabenstein | p. 8: BayTM – Gert Krautbauer | p. 9: FC Bayern München, Arabellastr. 17 Burg Rabenstein, fotolia – atira | p. 10: BayTM – Peter von Felbert | p. 11: Käthe Wohlfahrt | p. 12: BayTM – Jan Greune, Gert Kraut- 81925 Munich, Germany bauer | p. -
Year of Le Nôtre
ch VER ât Sail ecouverture conférence de presse version déf.indd 1 aules 18/01/2012 13:01:48 3 CONTENTS Press conference - 26 january 2012 Foreword 4 Versailles on the move 7 The exhibitions in versailles 8 Versailles to arras 12 Events 13 Shows 15 Versailles rediscovered 19 Refurnishing versailles 21 What the rooms were used for 26 Versailles and its research centre 28 Versailles for all 31 2011, Better knowledge of the visitors to versailles 32 A better welcome, more information 34 Winning the loyalty of visitors 40 Versailles under construction 42 The development plan 43 Safeguarding and developing our heritage 48 More on versailles 60 Budget 61 Developing and enhancing the brand 63 Sponsors of versailles 64 Versailles in figures 65 Appendices 67 Background of the palace of versailles 68 Versailles in brief 70 Sponsors of the palace of versailles 72 List of the acquisitions 74 Advice for visitors 78 Contacts 80 4 Foreword This is the first time since I was appointed the effects of the work programme of the first phase President of the Public Establishment of the Palace, of the “Grand Versailles” development plan will be Museum and National Estate of Versailles that I considerable. But the creation of this gallery which have had the pleasure of meeting the press. will present the transformations of the estate since Flanked by the team that marks the continuity Louis XIII built his hunting lodge here marks our and the solidity of this institution, I will review the determination to provide better reception facilities remarkable results of 2011 and, above all, the major for our constantly growing numbers of visitors by projects of the year ahead of us. -
Court of Versailles: the Reign of Louis XIV
Court of Versailles: The Reign of Louis XIV BearMUN 2020 Chair: Tarun Sreedhar Crisis Director: Nicole Ru Table of Contents Welcome Letters 2 France before Louis XIV 4 Religious History in France 4 Rise of Calvinism 4 Religious Violence Takes Hold 5 Henry IV and the Edict of Nantes 6 Louis XIII 7 Louis XIII and Huguenot Uprisings 7 Domestic and Foreign Policy before under Louis XIII 9 The Influence of Cardinal Richelieu 9 Early Days of Louis XIV’s Reign (1643-1661) 12 Anne of Austria & Cardinal Jules Mazarin 12 Foreign Policy 12 Internal Unrest 15 Louis XIV Assumes Control 17 Economy 17 Religion 19 Foreign Policy 20 War of Devolution 20 Franco-Dutch War 21 Internal Politics 22 Arts 24 Construction of the Palace of Versailles 24 Current Situation 25 Questions to Consider 26 Character List 31 BearMUN 2020 1 Delegates, My name is Tarun Sreedhar and as your Chair, it's my pleasure to welcome you to the Court of Versailles! Having a great interest in European and political history, I'm eager to observe how the court balances issues regarding the French economy and foreign policy, all the while maintaining a good relationship with the King regardless of in-court politics. About me: I'm double majoring in Computer Science and Business at Cal, with a minor in Public Policy. I've been involved in MUN in both the high school and college circuits for 6 years now. Besides MUN, I'm also involved in tech startup incubation and consulting both on and off-campus. When I'm free, I'm either binging TV (favorite shows are Game of Thrones, House of Cards, and Peaky Blinders) or rooting for the Lakers. -
The Petite Commande of 1664: Burlesque in the Gardens of Versailles Thomasf
The Petite Commande of 1664: Burlesque in the Gardens of Versailles ThomasF. Hedin It was Pierre Francastel who christened the most famous the west (Figs. 1, 2, both showing the expanded zone four program of sculpture in the history of Versailles: the Grande years later). We know the northern end of the axis as the Commande of 1674.1 The program consisted of twenty-four Allee d'Eau. The upper half of the zone, which is divided into statues and was planned for the Parterre d'Eau, a square two identical halves, is known to us today as the Parterre du puzzle of basins that lay on the terrace in front of the main Nord (Fig. 2). The axis terminates in a round pool, known in western facade for about ten years. The puzzle itself was the sources as "le rondeau" and sometimes "le grand ron- designed by Andre Le N6tre or Charles Le Brun, or by the deau."2 The wall in back of it takes a series of ninety-degree two artists working together, but the two dozen statues were turns as it travels along, leaving two niches in the middle and designed by Le Brun alone. They break down into six quar- another to either side (Fig. 1). The woods on the pool's tets: the Elements, the Seasons, the Parts of the Day, the Parts of southern side have four right-angled niches of their own, the World, the Temperamentsof Man, and the Poems. The balancing those in the wall. On July 17, 1664, during the Grande Commande of 1674 was not the first program of construction of the wall, Le Notre informed the king by statues in the gardens of Versailles, although it certainly was memo that he was erecting an iron gate, some seventy feet the largest and most elaborate from an iconographic point of long, in the middle of it.3 Along with his text he sent a view. -
OF Versailles
THE CHÂTEAU DE VErSAILLES PrESENTS science & CUrIOSITIES AT THE COUrT OF versailles AN EXHIBITION FrOM 26 OCTOBEr 2010 TO 27 FEBrUArY 2011 3 Science and Curiosities at the Court of Versailles CONTENTS IT HAPPENED AT VErSAILLES... 5 FOrEWOrD BY JEAN-JACqUES AILLAGON 7 FOrEWOrD BY BÉATrIX SAULE 9 PrESS rELEASE 11 PArT I 1 THE EXHIBITION - Floor plan 3 - Th e exhibition route by Béatrix Saule 5 - Th e exhibition’s design 21 - Multimedia in the exhibition 22 PArT II 1 ArOUND THE EXHIBITION - Online: an Internet site, and TV web, a teachers’ blog platform 3 - Publications 4 - Educational activities 10 - Symposium 12 PArT III 1 THE EXHIBITION’S PArTNErS - Sponsors 3 - Th e royal foundations’ institutional heirs 7 - Partners 14 APPENDICES 1 USEFUL INFOrMATION 3 ILLUSTrATIONS AND AUDIOVISUAL rESOUrCES 5 5 Science and Curiosities at the Court of Versailles IT HAPPENED AT VErSAILLES... DISSECTION OF AN Since then he has had a glass globe made that ELEPHANT WITH LOUIS XIV is moved by a big heated wheel warmed by holding IN ATTENDANCE the said globe in his hand... He performed several experiments, all of which were successful, before Th e dissection took place at Versailles in January conducting one in the big gallery here... it was 1681 aft er the death of an elephant from highly successful and very easy to feel... we held the Congo that the king of Portugal had given hands on the parquet fl oor, just having to make Louis XIV as a gift : “Th e Academy was ordered sure our clothes did not touch each other.” to dissect an elephant from the Versailles Mémoires du duc de Luynes Menagerie that had died; Mr. -
The Baroque Era 1. Title 2. Anthony Van Dyke, Charles I Dismounted, Oil on Canvas, 1635 3. Diego Velázquez, King Philip IV Of
The Baroque Era 1. Title 2. Anthony van Dyke, Charles I Dismounted, oil on canvas, 1635 3. Diego Velázquez, King Philip IV of Spain (Fraga Philip), oil on canvas, 1644 4. Charles leBrun, Apotheosis of Louis XIV, oil on canvas, 1677 5. Hyacinthe Rigaud, Portrait of Louis XIV, oil on canvas, 1701; 6. Aerial view, Palace of Versailles, Louis Le Vau and Jules Hardouin-Mansart, architects; interior design Le Vau and Hardouin-Mansart with Charles LeBrun, masonry, stone, wood, iron and gold leaf; sculpture in bronze and marble; original gardens designed by André LeNôtre, Versailles, France, begun 1669 7. Plan of Versailles and gardens 8. “Le Vau envelop,” courtyard 9. alternate view of above 10. Louis Le Vau, Jules Hardouin-Mansart, and Charles LeBrun, Hall of Mirrors, Chateau de Versailles, ca. 1680 11. Louis Le Vau, Jules Hardouin-Mansart, and Charles LeBrun, Hall of Mirrors, Chateau de Versailles, ca. 1680 (after 2007 restoration) 12. Charles LeBrun, The King Governs by Himself, from the ceiling of the Hall of Mirrors 13. Jules Hardouin-Mansart and Charles Le Brun, Salon de la Guerre, Chateau de Versailles, ca. 1680 14. Jules Hardouin-Mansart and Charles Le Brun, detail of bas relief of Louis XIV on Horseback, Salon de la Guerre, Chateau de Versailles, ca. 1680 15. Jules Hardouin-Mansart and Charles Le Brun, Salon de la Paix, Chateau de Versailles, ca. 1681-1686 16. Charles LeBrun, La Salle des Gardes de la Reine 17. Jules Hardouin-Mansart, Royal Chapel, upper level, Chateau de Versailles, 1698 18. Palace of Versailles, gardens originally designed by André LeNôtre 19. -
A Survey of Anton Von Werner's Proclamation of the German Empire
A Survey of Anton von Werner’s Proclamation of the German Empire Paintings Berri Bottomley HIST 133A December 11, 2018 1 Anton von Werner (1843-1915), created four images of the proclamation of the German Empire, which took place on January 18, 1871, in the Hall of Mirrors at the Palace of Versailles. Von Werner had been summoned to Versailles by the Grand Duke of Baden. He was present and made sketches at the event, and was subsequently commissioned by various members of the court to create various images over time. He appears to have changed the focus of the composition and other details to correspond with the donors’ purposes for each version. The four versions are: 1) The Palace Version (1877), commissioned by the Grand Duke of Baden and other German Princes for Kaiser Wilhelm I’s 80th birthday. It was hung in Berlin’s City Palace but was destroyed in WWII. It is preserved only as a black-and-white photograph.1 2) The Woodcut Version (1880), is identified as a woodcut after a drawing by von Werner and a print is listed as in the Berlin collection at the Archiv für Kunst und Geschichte.2 3) The Zeughaus Version (1882), commissioned by William I for the Hall of Fame of the Prussian Army housed in Berlin’s Zeughaus. The painting was apparently lost at the end of WWII.3 4) The Friedrichsruh Version (1885), commissioned by the Prussian royal family for Bismarck’s 70th birthday. This painting is extant at Bismarck’s former estate in Friedrichsruh.4 Anton von Werner was born in Frankfurt an der Oder in 1843 and apprenticed to a housepainter.5 He won a fellowship to the Academic Institute of Fine Arts in Berlin, and later studied with painter Adolph Schroeder (his future father-in-law) in Karlsruhe. -
Louis XIV: Art As Persuasion Supporting the Dominance of France in 17Th Century Europe
Lindenwood University Digital Commons@Lindenwood University Student Research Papers Research, Scholarship, and Resources Fall 11-30-2010 Louis XIV: Art as Persuasion Supporting the Dominance of France in 17th Century Europe Matthew Noblett [email protected] Follow this and additional works at: https://digitalcommons.lindenwood.edu/student-research-papers Part of the Arts and Humanities Commons Recommended Citation Noblett, Matthew, "Louis XIV: Art as Persuasion Supporting the Dominance of France in 17th Century Europe" (2010). Student Research Papers. 1. https://digitalcommons.lindenwood.edu/student-research-papers/1 This Research Paper is brought to you for free and open access by the Research, Scholarship, and Resources at Digital Commons@Lindenwood University. It has been accepted for inclusion in Student Research Papers by an authorized administrator of Digital Commons@Lindenwood University. For more information, please contact [email protected]. Louis XIV: Art as Persuasion Supporting the Dominance of France in 17th Century Europe Matthew D. Noblett 11/30/10 Dr. James Hutson ART 55400.31 Lindenwood University Noblett 1 In 17th century France there was national funding combined with strict controls placed on the arts and all areas of the administration of Louis XIV. This was imperative to present the country as one of the greatest European powers of its time. It was done by creating personas of Louis as the Sun King, sole administrator of France or “'L'etat c' est moi” (I am the State) and conqueror. All were reinforced and often invented in rigid confines through state funded propaganda. His name has become synonymous with the French arts of the 17th century through significant investments in all forms of media, from poetry, music and theatre to painting, sculpture and architecture. -
The Year of the Animal in France
1668 The Year of the Animal in France Peter Sahlins ZONE BOOKS • NEW YORK 2017 © 2017 Peter Sahlins zone books 633 Vanderbilt Street Brooklyn, NY 11218 All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, including electronic, mechanical, photocopying, microfilming, recording, or otherwise (except for that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the Publisher. Printed in Canada. Distributed by The MIT Press, Cambridge, Massachusetts, and London, England Permissions from the publishers to incorporate from the following previously published works is greatly appreciated: “The Royal Menageries of Louis XIV and the Civilizing Process Revisited,” was originally published in French Historical Studies 35.2, pp. 226–46. © 2012 Society of French Historical Studies. All rights reserved. Republished by permission of the copyright holder, and the present publisher, Duke University Press. www.dukeupress.edu; “A Tale of Three Chameleons: The Animal between Literature and Science in the Age of Louis XIV,” was originally published in French Thinking About Animals, eds. Louisa MacKenzie and Stephanie Posthumus, pp. 15–30. © 2014 Michigan State University Press; “Where the Sun Don’t Shine: The Royal Labyrinth at Versailles, 1668– 1674,” was originally published in Animals and Early Modern Identity, ed. Pia Cuneo, pp. 67–88. © 2014 Ashgate: Surrey, England and Burlington, VT, 2014. Reprinted by permission from Taylor & Francis; “The Beast Within: Animals and the First Xenotransfusion Experiments in France, 1667–68,” was originally published in Representations 129, pp. -
Paris Le Meurice
PARIS LE MEURICE Two day itinerary: Parks & Gardens The city of Paris is home to more than 400 green spaces, ranging from grandiose historic parks to quaint hidden gardens frequented only by those who know where to find them. When in need of some peace and quiet, follow Parisians into secret corners of solace around the city, discover rare plant life in the capital’s botanical gardens, or relax in the impressive grounds of noble estates that date back many centuries. Day One Walk across the road from the hotel to the Jardin des Tuileries. JARDIN DES TUILERIES Rue de Rivoli, 75001 Paris Overlooked by the Louvre, Tuileries Gardens is more than a garden; it’s a historic landmark. Created by Queen Catherine de Medici, the park stretches alongside the River Seine and is a beautiful spot for a morning amble. Stroll along the picturesque avenues and soak up the imperial ambience of the Palais des Tuileries, which once stood there, or picnic by the ponds. Next, take a 15-minute drive to Jardin Anne-Frank. JARDIN ANNE-FRANK 14 Impasse Berthaud, 75003 Paris Located next to the Musée d’Art et d’Histoire du Judaïsme, Jardin Anne-Frank is a small walled garden with great symbolism. The little-known space is dedicated to Anne Frank, author of one of the most famous diaries in the world. In a prime spot a treasured chestnut tree grows, cultivated from saplings taken from a tree Frank had admired from the window of her Amsterdam apartment. Take a 15-minute walk to Square René Viviani. -
Motion in Art, Chapter 1
Motion in Art, chapter 1 Introduction In the deepest part of the Altamira caves, in the North of Spain, the walls and ceilings are covered with images. The most surprising are the polychrome paintings on the ceiling. They cover a surface of 18 meters by 9 and we see deer and wild boar as well as the massive shapes of bison. These images, which were made between 18 000 and 14 000 BC, are of a surprisingly high artistic quality. We are not sure why they were made. Some historians offer religious reasons. The place of the paintings, in the deepest, darkest, and most inaccessible part of the cave, as far from reality as possible, would indicate an area of ritual acts. Maybe they were made to summon an abundance of game, or bravery during the hunt? Other historians believe that, due to the remarkable artistic quality of the images, they are unique, individual creations. To support their claim, they draw our attention to the clever use the artist made of the unevenness of the walls and ceiling to give the animals relief and, in that way, emphasize to their weighty presence. Or they mention the variation in color and hue, or the exquisite treatment of shadow and light. Art historian Siegfried Giedion adds another aspect to the paintings. Motion. The photo-images we look at can be deceptive when we try to discover what purpose these paintings served. As Giedion explains, these images should be examined by the flickering light of a torch, or that of a wick floating in animal fat. -
Reflecting the Sun: Mirrors, Masculinity, and Monarchy Under Louis Xiv
REFLECTING THE SUN: MIRRORS, MASCULINITY, AND MONARCHY UNDER LOUIS XIV By ALEC MOORE A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF THE ARTS UNIVERSITY OF FLORIDA 2018 1 © 2018 Alec Moore 2 To my dear sweet Lou-Lou Bae 3 ACKNOWLEDGMENTS I would like to thank my committee members Melissa Hyde, Elizabeth Ross, and Rori Bloom for their time, attention and patience in the completion of this thesis. I owe Melissa Hyde a particular debt of gratitude for advising me over the course of my time here at the University of Florida. Additionally, I would like to thank all those who supported me during my time here in Gainesville: Jennaca Taipulus, Sarah Sloan, Ivy Margosian, Mark Hodge, Chase Machado — and few I know I am forgetting — your comradery meant the world to me. Jennifer Jurgens is due a special “thank you” for her eternal commitment to keeping me sane. As always I would not have made it this far without the support of my family whose continued investment in my success made all the difference. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF FIGURES .......................................................................................................... 6 ABSTRACT ..................................................................................................................... 8 CHAPTER 1 INTRODUCTION .........................................................................................................