DOCSLIB.ORG

PASCAL FLAMMER Dipl. Arch. ETH / SIA Rötelstrasse 20 / 8006 Zürich

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PASCAL FLAMMER Dipl. Arch. ETH / SIA Rötelstrasse 20 / 8006 Zürich PASCAL FLAMMER ARCHITEKTEN AG Riedtlistrasse 27 / 8006 Zürich / CH +41 (0)41 201 45 01 +41 (0)76 561 51 31 [email protected] Sept 2021 Pascal Flammer works and lives in Zurich. He opened his office in 2005 and has been given a.o. the Swiss Art Award, the Weissenhof Architecture Award or the Best Family House Award. He has taught at the Accademia di Architettura di Mendrisio, the GSD at Harvard University, the Sandberg Insti- tuut in Amsterdam, ETH in Zurich, at Princeton University School of Architecture and at the Oslo School of Architecture and Design. 1973 born in Fribourg, Switzerland 1994 – 01 School of Architecture, ETH Zurich, TU Delft, EPF Lausanne 2001 MSc ETH Arch 1998 – 05 Valerio Olgiati 2005 own practice in Zurich Teaching 2020 - 20 The Oslo School of Architecture and Design, guest professor 2017 – 18 Princeton University School of Architecture, visiting lecturer 2014 – 16 ETH Zurich, Gastdozent Entwurf, 4 Semester 2013 – 14 Sandberg Instituut, Amsterdam, Gastdozent Entwurf, 2 semester 2009 GSD Harvard University, Kenzo Tange Chair, visiting lecturer with Valerio Olgiati, 1 semester 2006 – 12 Accademia di Architettura di Mendrisio, chair of Valerio Olgiati, teaching assistant Workshops 2019 Labird Summer School, Nanjing, China 2018 Pontificia Universidad Católica de Chile School of Architecture in Santiago, visiting lecturer, summer school 2014 San Rocco Summer School in Tirana 2013 Porto Academy ‘13, Gastdozent Sommerschule 2010 4th Concrete Design Competition, Istanbul, Gastdozent Sommerschule Projects and Buildings 2021 Hotel in Congo, direct commission 2020 A Space inA Garden, Langenthal, direct commission 2020 Test planning Triple gymnasium in Stäfa 2019 Xiong’An Urban Facilities Schematic Design, in collaboration with AHO, invitational competition, 3rd prize 2019 - Neubau Campus Platztor der Universität St. Gallen, competition, 1.st prize 2019 - Three Houses in Oberwil, direct commission 2019 - Urban housing, Bolligen, Switzerland, direct commission 2019 - Refurbishment ETH Zurich, main building by Gottfried Semper 2018 - House Beiges in Zürich 2018 Three apartments, roof extension in Zürich 2018 - Kindergarten in Schlieren, Zurich 2018 OlmaNeuland St.Gallen, invitational competition 2018 Urban housing, Carmenstrasse, Zurich, Switzerland, invitational competition 2018 Test planning extention Lanzeln in Thalwil, Switzerland, on invitation 2018 Test planning Posthof in Neuhausen, Switzerland, on invitation 2017 - House for an Artist in Amsterdam, Netherlands, direct comission 2017 Three apartments in Stäfa, Switzerland, private commission 2017 Urban housing, Wil, Switzerland, invitational competition 2017 – Mixed-use development, Oberwinterthur, Switzerland, invitational competition, 1.st prize 2017 Two apartment buildings, Balsthal, Switzerland, invitational competition 2016 Case Study Steel House, Apartment building in Rapperswil, Switzerland, invitational competition 2016 Multipurpose hall and school extension,V als, Switzerland, invitational competition 2016 – House over the Lake Gruyère, direct comission (ongoing) 2016 House on a stepped garden, Solothurn, Switzerland, preliminary design 2016 Atelier and accommodation in Appenzell, Lutzenberg, Switzerland, invitational competition 2015 Extension of the Accademia di architettura, Mendrisio, Switzerland, invitational competition 2014 House with Two Rooms, Balsthal, Switzerland 2014 A right-angled triangle - an architect’s office, Balsthal, Switzerland 2014 House 7x7, Sonvilier, Switzerland 2014 Office & Showroom in Reiden, Switzerland 2013 Communication Center, Dessel, Belgium, invitational competition, 3rd prize 2013 House with View on Isle of Skye, Harris, Scotland 2012 House in a Forest, Frankfurt am Main 2012 30 Apartments, Berlin, with Sohrab Zafari 2012 House on a Slope for an Artist and Family, Switzerland 2012 Restaurant & Bungalows at Campsite, Switzerland, invitational competition, 2nd prize 2012 Clubhouse at a Golf Course, Switzerland, invitational competition 2012 University Building, Bruxelles, invitational competition 2012 Police Building, Zurich, invitational competition 2012 Funeral Chapel, Steinhausen, Switzerland, invitational competition, 2nd prize 2011 Crematory, Zemst, Belgium, invitational competition, 2nd prize 2011 Museum Old Armory, Solothurn, invitational competition, 2nd prize 2011 Nursery School, Stallikon, invitational competition, 4th prize 2011 House RR, Belgium 2010 Housing, Zurich, competition 2010 Lido Mythenquai, Zurich, competition 2010 Place LallaY eddouna in the Medina of Fez, Morocco, competition 2010 One Room Hotel, Rio de Janeiro 2010 Town Hall, Richterswil, Switzerland, competition 2009 – House in Liguria, Italy, with Marta Casagrande, direct commission 2007 – 14 House in Balsthal, Switzerland 2006 Extension Museum of Fine Arts Bern, competition 2005 Centro Comunitario Julio Otoni, Rio de Janeiro 2005 Church in Seon, Switzerland, competition 2002 House Rosenberg, Switzerland 2001 Theater in Lugano, Switzerland, project 2000 Architecture Office in a Large Garden with Two Stairs, Zurich, Switzerland, project 1999 Highrise with Offices and Apartments, Zurich, Switzerland, project Awards 2019 Build Magazine: Best Family Home Architecture & Design Firm 2019 - Europe 2016 AIT-AWARD, Living / Housing 2014 Prix Européen d’architecture Philippe Rotthier - meilleure intervention dans un paysage naturel 2013 Architecture Award Kanton Solothurn, Switzerland 2013 Auszeichnung Häuser des Jahres – Die besten Einfamilienhäuser 2013 2012 Best Family House 2012 / Public’s Choice / Ideales Heim 2012 Bau des Jahres 2012 / Swiss-Architects.com / 3rd prize 2006 SWISS ART AWARD / awarded by the Ministry of Culture, Switzerland 2006 Weissenhof Architecture Award @ Valerio Olgiati 2001 – 05 House K+N, Wollerau, Switzerland 2005 Housing and commercial complex, Tirana, Albania 2004 National Palace Museum,T aiwan (invitational competition) 2004 Learning Center, EPFL Lausanne, Switzerland (invitational competition) 2002 – 08 Visiting Center, Swiss National Park, Zernez, Switzerland 2003 University Luzern, Switzerland (competition 1. price) 2002 – 08 Atelier Bardill, Scharans, Switzerland 2002 Museum Rietberg, Zurich (competition) 2002 Exhibition Valerio Olgiati, Bolzano, Italy 2001 Office Complex Binz, Zurich, Switzerland (competition 1. price) 1999 House Sari d’Orcino, Corsica, France (project) 1999 Apartment building in Chur, Switzerland (project) 1995 – 99 Museum «Das Gelbe Haus», Flims, Switzerland 1998 Lake Cauma Project, Flims, Switzerland (project) 1999 ExhibitionV alerio Olgiati, ETH Zürich 1998 Exhibition Valerio Olgiati, Milano Single Exhibitions 2014 Zurich, BALTSprojects, Nov 20 - Jan 17 2012 Architekturgalerie am Weißenhof, Stuttgart 2012 Oxford Brookes University 2012 London MET Group Exhibitions 2017 Chicago Architecture Biennal, Make New History, Sept. 16, 2017 - Jan. 17, 2018 2015 Projects nobody asked for, Balts projects, Zurich, 18. Dez -16. Jan 2015 „Vorstellungen“ – Positionen junger Architekten, Museum für Architektur und Ingenieurkunst NRW, Oct 13 - Dez 13 2015 Book for Architects, ETH Zurich / gta, 30. Sept - 4. Dec 2015 ISLAND: Eight houses for the Isle of Harris, the Lighthouse, Glasgow, 24 Jul – 04 Oct 2015 Storefront for Art and Architecture, BLUEPRINT,NY, Jan 23 - March 21 2015 Details: architecture seen in section, Politecnico di Milano, Feb 11-27 2014 Island - Eight new houses for the Isle of Harris, Edinburgh, Nov 8 2014 Prix Européen d’architecture Philippe Rotthier à la Fondation pour l’Architecture, Bruxelles 2014 architektur 0.14, Maag Halle, Zürich 2014 DETAILS. Architecture seen in section, 14th Venice Architecture Biennale 2014 CASS, Young Swiss Public, London 2014 Airbnb Pavilion, 14thV enice Architecture Biennale 2014 SAM - Schweizerisches Architekturmuseum, Basel - Vorstellungen. Junge Schweizer Architekten 2013 Velux Stiftung, Tageslicht-Award 2014, ETH Zürich 2013 Auguste Perret, Huit Chefs-d’œuvre !/? - Palais d’Iéna, Paris 2013 Architectural Association, London - San Rocco / Book of Copies 2013 architektur 0.13, Maag Halle, Zürich 2013 Deutsches Architektur Museum, Frankfurt 2013 ETH Hönggerberg, Zürich 2013 Bauen + Wohnen 2013, Messe Luzern 2013 Swiss Art Award, Basel 2012 architektur 0.12, Maag Halle, Zürich 2010 Museo da Casa Brasileira, Sao Paulo 2009 International Architecture Biennale Rotterdam 2009 Swiss Art Award, Basel 2007 Swiss Art Award, Basel 2007 Weissenhof Architecture Award, Berlin 2007 Weissenhof Architecture Award, Freiburg 2007 Weissenhof Architecture Award, Stuttgart 2006 Swiss Art Award, Basel Essays 2016 On Body Building, Abhelakh, Anneke & Flammer, Pascal, San Rocco 13 Pure Beauty, Winter 2016 2006 Ambivalent Systems - On the Formation of Olgiati’s Design, Flammer, Pascal & Zumstein, David, GG, Barcelona, April 2006 2004 Dialektisch, Flammer, Pascal (2004), AIT, 1/2-2004 Lectures 2021 University of Virginia, School of Architecture, March 18 2020 Beijing International Urban and Architecture Biennial, Sept 27 2020 Sino-Swiss Dialogues on Structure,W allpaper Magazine, Power Station of Arts Shanghai, keynote lecture, Sept 11 2019 Baukunst an der Kunstakademie Düsseldorf, Germany,Nov11 2019 Long Museum, Shanghai, China, Aug 16 2019 Labird Summer School, Nanjing, Aug 6 2019 Cooper University, School of Architecture of the Cooper Union Student Lecture Series, New York 2019 Architektur Schweiz 2019, THINK RADICAL – Today and Tomorrow, KOSMOS Zurich, March 8 2018 Pontificia Universidad Católica de Chile School of Architecture in Santiago, Oct11 2018 The Barbican, London,
Load more

Recommended publications
  • Inszenierte Struktur : Ein Wohnhaus Von Valerio Olgiati in Zug
    Inszenierte Struktur : ein Wohnhaus von Valerio Olgiati in Zug Autor(en): Vuilleumier-Schreibner, Jana Objekttyp: Article Zeitschrift: Werk, Bauen + Wohnen Band (Jahr): 99 (2012) Heft 5: Balkone und Loggien = Balcons et loggias = Balconies and Loggias PDF erstellt am: 05.10.2021 Persistenter Link: http://doi.org/10.5169/seals-349101 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz,
    [Show full text]
  • The Name Books Catalogue 16
    Name The Name Books Catalogue 2016 In June 2014, we founded our new publishing company The Name Books AG in Switzerland. Its name was inspired by a Barnett Newman painting entitled The Name – noth- ing easier than finding a name for a new publishing business! – We are three shareholders. Martina Baer trained as a ‘Verlagsbuchhändlerin’ at Stämpfli Verlag Berne and completed a bachelors degree in busi- ness administration at FH Basel; she worked for a few years as a consultant at a corporate identity agency in Zurich. Bruno Margreth did his training as a typographer at Fischer Druck Münsingen and studied graphic design at Basel Art School; he has worked for various publishers for more than fifteen years.Dino Simonett trained as a carpenter at Gasser Haldenstein and did his masters at Berlin Film School DFFB. He has been creating and publishing books for more than three decades. There is more interesting personal stuff about us a bit further down. The First Five Books In this initial catalogue, we are presenting a com- pletely newly arranged and designed second edition of the bestseller The Images of Architects, edited by Valerio Olgiati. The now lighter and ‘younger’ book is conquering the world again, and we like it! – The “flatbook”-book Thirty-Six Views of Mount Fuji by the legendary Japanese artist and art director Masayoshi Nakajo, creator of Shishei- do’s Hanatsubaki Magazine is our second book. It is a true artist’s book and Nakajo thinks this is his best book so far. – As our third book, we proudly present the sensational highlight of this catalogue: a book about one of the most fascinating and widely discussed architectural buildings of our time.
    [Show full text]
  • House in Uehara, Kazuo Shinohara Andreas Amodio, Giulia Furlan, Mario Beeli
    House in Uehara, Kazuo Shinohara Andreas Amodio, Giulia Furlan, Mario Beeli After coming to the conclu- sion that the most relevant and commonly shared value nowadays is experience, we sat together and shared our memories, thoughts, ideas about buildings we had seen and experienced or just found triggering as architects. We did this avoiding to look at plans and images, and trans- lated our dialogues into sket- ches. The attempt of drawing existing buildings by heart, based on nothing else than experience soon enough lost any aim of showing things how they really are. We en- ded up bringing in fanta- sies, personal memories and perceptions, interpretations, desires, critiques and so on. A collection of fictional ima- ges grown out of experience of many existing buildings was suddenly on the table. It shows the fictional cores of these pieces of architecture beyond the limitations of re- ality, just as felt in person and stored in our head. What we found out is that how we see things and decode them into ideas and feelings is the fic- tional potential within the real world. CARTHA17 / II2017 48 Villa Tugendhat, Mies van der Rohe, Brno, Czech Republic Andreas Amodio, Giulia Furlan, Mario Beeli CARTHA17 / II2017 49 Andreas Amodio (1982) is an Italian architect based in Milan. He studied at the Academy of architecture of Mendrisio, USI, Switzerland, and gra- duated in 2007. He opened his own practice in 2008 and later on the same year became a teaching assistant at the Chair of Valerio Olgiati in Mendri- sio. He taught and worked in Switzerland for over 7 years and in 2015 re- turned to Italy, where he currently continues his practice.
    [Show full text]
  • About the Book Valerio Olgiati - Bas Princen
    VISUAL SPACES OF CHANGE: DESIGNING INTERIORITY SHELTER, SHAPE, PLACE, ATMOSPHERE ISSN: 2183-8976 [PRINT] 2183-9468 [ONLINE] Volume 5, Issue 1 | Publication year: 2020 DOI 10.24840/2183-8976_2020-0005_0001_10 © SCOPIO EDITIONS HOMEPAGE: HTTPS://WWW.SOPHIAJOURNAL.NET About the Book Valerio Olgiati - Bas Princen . A Talk on Architecture in Photography Images From Valerio Olgiati Personal Archive And Photographs By Bas Princen by Pedro Leão Neto As editor of scopio Editions it is a great honour to be writing this closing text about the present book which communicates our last Duelo/Dueto session of Architecture, Art and Image (AAI) series that had as invited authors Valerio Olgiati and Bas Princen. I will start by talking about the book as a privileged medium for Architecture, Art and Image and then go on focusing on this book in particular and its authors. This conference series had from the start planned a publication for each session with the contribution of the invited speakers and the organization because we believe that the physical book, without prejudice towards the potential of digital publications, is still a tool of paramount importance for preserving and building knowledge, not just for students and academics, but also for all professionals and non-scholars. The physical book somehow allows the understanding of what was discussed and debated in Duelo/Dueto sessions in a different manner, encouraging and giving the right time to each 96 viewer for a deeper thinking. The reading of these sessions also means that these events of rich exchange of ideas and personal experience between significant authors coming from AAI universe are preserved for future studies.
    [Show full text]
  • Valerio Olgiati Exhibition
    Schweize rische Eidgenossenschaft Embassy of Switzerland in Japan Confédération suisse Confederazione Svizzera State Secretariat for Education and Research SER Confederaziun svizra Valerio Olgiati Exhibition at the National Museum of Modern Art, Tokyo Opening ceremony: October 31, 2011 • Exhibition: November 1, 2011 - January 15, 2012 The National Museum of Modern Art Tokyo, Embassy of Switzerland in Japan Why an architecture exhibition in Japan? • Common interest: Since many years, Switzerland and Japan have been admiring the works of each other and sharing common interest, be it for their common fascination for good handcraft or for their special organization of structural thinking. The exhibition on Valerio Olgiati represents the strong collaboration between the two countries over the past years and is another step in establishing a continuous presence of Swiss architecture in one of the most prestigious, active and influential countries in this field. • World famous architecture: Valerio Olgiati’s buildings and competition entries are attracting widespread respect in both national and international architectural circles. Especially in Japan, his works meet a very important interest and has been extensively presented in the specialized press, as for example by the renowned Japanese architecture magazine Architecture and Urbanism (a+u). The Japanese audience to Olgiati’s work is one of the most adverted internationally. The exhibition meets great interest and attracts the media and the broad public . With the exhibition ‘Peter Märkli and Jun Aoki’, Swiss architecture has already been very successfully presented at the MOMAT in 2008 and widely recognized through strong media awareness. • Japanese Nobel Prize for Architecture: The Praemium Imperiale Prize, given by the imperial family of Japan and considered to be the Nobel Prize in the field of architecture, was awarded to the Swiss architects Herzog & de Meuron in 2007 and Peter Zumthor in 2008.
    [Show full text]
  • Whatever Happened to Analogue Architecture Adam Caruso
    Whatever Happened to Analogue Architecture Adam Caruso AA Files (London, UK: Autumn 2009) Issue 59, pp.74–75 Books about architecture used to be rather straightforward and were not that numerous. Historical writing had few, if any illustrations and presupposed a considerable knowledge of the subject. Monographs were usually reserved for the mature or dead practitioner and would have a short text followed by a few photographs and enough drawings to understand the ‘parti’ and the construction principles of each project. These volumes were rarely more than 200 pages long and they satisfied a modernist precept of what architecture was, privileging the built artefact over any discourse about the geographical or cultural context in which it was produced. In 1978, Rem Koolhaas’s ‘Delirious New York’ marked a decisive shift in architectural publishing. Other architects had written historical and polemical tracts before, but few were such good writers. Nobody before had the skill and the intelligence to combine the novelist’s ear with the architect’s eye into such a seamless instance of fact and fiction, theory and application. Although Venturi and Rossi provide obvious models for this kind of book, neither ‘Complexity and Contradiction’, nor ‘Architecture of the City’ are architectural projects the way Koolhaas’s book is. With ‘Delirious New York’ and its much messier progeny ‘SMLXL’, Koolhaas had started the unfortunate trend of ‘the book as practice’ that is now perpetuated by lonely academics and vast commercial practices alike. These authors are motivated, by the desire to practice ‘critically’, by vanity, by self promotion, or often by all of these.
    [Show full text]
  • Étude D'une Pensée Constructive D'architecte
    TP1 ÉTUDE D’UNE PENSÉE CONSTRUCTIVE D’ARCHITECTE http://www.elcroquis.es/Shop/Issue/Details/46?ptID=1&shPg=2 Valerio Olgiati Atelier Bardill, 2002 - 2007 Par : Laurent Généreux Stéphanie Lamenta Denis Simard Mélanie Watchman http://openbuildings.com/buildings/atelier-bardill-profile-2900# ARC-6021 - LA PENSÉE CONSTRUCTIVE EN ARCHITECTURE | Semestre A-14 A. APPROCHE DE L’ARCHITECTE À LA CONCEPTION / À LA CONSTRUCTION Cherchant constamment à repousser ses limites comme penseur et comme son qu’il définit la nouveauté comme étant sa plus haute aspiration et qu’il architecte, il qualifie son architecture idéale de « non-référentielle ». Autre- est encore à la recherche de cette matérialisation et réalisation parfaite d’un ment dit, il souhaite se détacher complètement du passé et de ses tradi- désir conceptuel dans la réalité (El Croquis, 2011, p.25). tions afin de n’avoir d’autre choix que d’inventer une nouvelle architecture, une architecture « pure » qui naît d’une idée sans origine et sans histoire (Neustein, 2013, en ligne). Il donne d’ailleurs comme exemple, les temples Mayas à Tikal au Guatemala qui sont, pour lui, non-référentiels en raison de « We’re only ever fascinated by leur caractère originel. En opposition à ce caractère non-référentiel, qu’il re- cherche avec une ardeur zélée, il met aussi de l’avant le terme « abstraction things we don’t fully grasp, things ». Il prend ici l’exemple des temples à Angkor Wat au Cambodge qu’il décrit comme ayant un point de départ, une généalogie. C’est pour cette raison that are open ended and defy qu’il les considère moins impressionnants du point de vue conceptuel que ceux des Mayas (El Croquis, 2011, p.16).
    [Show full text]
  • Contemporary Itinerary
    contemporary itinerary Swiss German edited by Andrea Benelli biblio-165.indd 169 03/07/19 17:50 contemporary itinerary: Swiss German A4 A7 2 A1 Basilea A3 A51 41 A22 A2 A18 15 16 40 Winterthur Baden 17 A1 D A1 1 Zurigo REGIONAL NATURE PARK THAL C A4 LAGO DI ZURIGO 39 Zugo CHASSERAL REGIONAL PARK E Lucerna A6 A1 A1 UNESCO 63 64 BIOSPHÄRE ENTLEBUCH Berna A12 01. Therme Vals, Peter Zumthor 13. Helvetia Headquarters, 25. Frietag fl aship store, 37. Stadion Letzigrund, Frei&Enrensperger 02. Villa Vals, Esch Sintzel Herzog&DeMeuron Spilmann.schsle Architekten 38. Kiss Apartment, Evolution Design 03. Visitor center Viamala gorge 14. New School in Thal, Angela Deuber 26. Limmmatplaz Tramway Station, 39. Residential Building Zug Schleife Iseppi Kurath 15. Kunstmuseum winterthur extension, Baumann Roserens Architekten Valerio Olgiati 04. House for Musician, Gigon Guyer Architekten 27. Europaalle 21, Max Dudler 40. Sportentrum Mülimatt windisch Valerio Olgiati 16. Oskar reinhart collection am 28. Extension to the Swiss National Studio Vacchini 05. Oberalda Chapel, Christian Kerez römerholz, Gigon Guyer Architekten Museum, 41 SBB Switching Stations, 06. Yellow House, Valerio Olgiati 17. Front building of chlirienthalle, Christ & Gantenbein Morger & Degelo 07. Shelter for roman archaeological site, Frei+Saarinen Architekten 29. Eisgasse House, Max Dudler 42. Südpark, Herzog&DeMeuron Peter Zumthor 18. Im birch school, Peter Märkli 30. Freischutzgasse house, 43. St. Jakob Turm, Herzog&DeMeuron 08. Graubunden Museum of fi ne arts, 19. MFO-Park, Burckhardt+Partner AG David Chipperfi eld Architects 44. Markthalle Basel, Diener & Diener Barozzi Veiga Studio 20. Teater 11, Em2n 31. Library of Institute of Law, 45.
    [Show full text]
  • Eurotrip Switzerland .Projects 50 Created 27-Aug-10
    eurotrip switzerland .Projects 50 Created 27-Aug-10 . By Pawe? Dadok, Gorki Wielkie, Poland . .. A Gathering Space 4 Annalisa Zumthor House 14 . Venice, Italy Vals, Switzerland . Gareth Hoskins Architects Peter Zumthor . pavilion private house . G1-G2 Residential building in La 5 Church San Benedetg 15 . Giudecca Sumvitg, Switzerland . Venice, Italy Peter Zumthor . Cino Zucchi church . housing . Hugo Boss development centre 6 HTW Chur 16 . Coldrerio, Switzerland Chur, Switzerland . Matteo Thun Jüngling & Hagmann Architekten . office education . Casa Bianchi 7 Shelters for Roman Archaeological Site 17 . Riva San Vitale, Switzerland Chur, Switzerland . Mario Botta Peter Zumthor . private house exposition space, landmark, shed . Cappella di Santa Maria degli Angeli 8 Tschuggen Bergoase 18 . Rivera, Switzerland Arosa, Switzerland . Mario Botta Mario Botta . chapel spa, hotel . Viamala Raststätte Thusis 9 Vineyard Estate Gantenbein 19 . Thusis, Switzerland Fläsch, Switzerland . Iseppi Kurath Bearth & Deplazes . car park, gas station, restaurant winery . House for a Musician 10 Stadtlounge 20 . Scharans, Switzerland Sankt Gallen, Switzerland . Valerio Olgiati Pipilotti Rist . atelier, private house art, square . Paspels School 11 Leutschenbach School 21 . Paspels, Switzerland Zurich, Switzerland . Valerio Olgiati Christian Kerez . secondary school kindergarten, primary school, sport . Das Gelbe Haus 12 Theater 11 22 . Flims, Switzerland Zurich, Switzerland . Valerio Olgiati EM2N . museum auditorium, theatre . Therme Vals 13 Im Viadukt 23 . Vals, Switzerland Zurich, Switzerland . Peter Zumthor EM2N . spa commercial space, market, mixed-use . development . http://www.mimoa.eu/users/paweldadok/Guides/eurotrip%20switzerland/ 1 . this page is part of Mi guide 'eurotrip switzerland' made by Pawe? Dadok, Gorki Wielkie, Poland . Architect's and Artist's Apartment 24 Beyeler museum 34 . House Riehen, Switzerland .
    [Show full text]
  • VALERIO OLGIATI – English Texts Quart Publishers Laurent Stalder and Sandra Bradvic, Foreword 14
    VALERIO OLGIATI – English texts Quart Publishers Laurent Stalder and Sandra Bradvic, Foreword 14 Caumasee Project, Flims 14 Laurent Stalder, Fifty-five Images 20 Office Valerio Olgiati, Flims 20 Medical Center, UAE 38 Residential Building Ardia Palace, Tirana 44 Residential Building Zug Süd Schleife, Zug 50 National Palace Museum Taiwan, Taipei 54 PERM Museum XXI, Perm 62 Community Center Bäckerareal, Zurich 68 School Building Paspels, Paspels 70 Bruno Reichlin, This is not Das Gelbe Haus 74 House K+N, Wollerau 80 Das Gelbe Haus, Flims 96 Studio Bardill, Scharans 110 Extension Museum Rietberg, Zurich 124 Mario Carpo, On Both Sides of the Fence 128 Projection Room Gornergrat, Zermatt 128 Learningcenter EPFL, Lausanne 134 Master Plan Cuncas, Sils 142 Residence Sari d’Orcino, Ajaccio 146 Municipal Museum Aarau, Aarau 152 Office Building Binz, Zurich 158 Multifamily Residence K, Zurich 164 National Park Center, Zernez 170 Laurent Stalder and Sandra Finally the texts, which arise from the Bradvic Foreword To begin at the architectural work, are illustrated with small beginning: classi­­cal architectural theory puts format pic tures from the architect’s Icono gra- the drawing at the beginning. Due to its phic Autobiography, which as a personal abstract­­­ness and universality the drawing is compilation of mental images in turn served the most obvious adjunct to the idea and is as a basis for the projects. Each different therefore laced at the beginning of the design viewpoint allows a different beginning: it is process, whereas other forms of the text that stipulates the order of the representation such as perspectives or projects; it is the illustrations from the models—antici pations of built reality—are Iconographic Auto biog raphy that are updated intended as a means to examin a building and in the projects; it is the plan that precedes its compo nents prior to their realization.
    [Show full text]
  • Architecture Landscape Architecture Design
    ARCHITECTURE LANDSCAPE ARCHITECTURE DESIGN neW titles spring 2010 Birkhäuser avedition CONTENT 128 Colors Material Design see page 10 see page 13 BIRKHÄUSER ARCHITECTURE LANDSCAPE ARCHITECTURE DESIGN Construction/Materials 19 Urban Green 22 Thomas Feichtner – Edge to Edge 4 Plastics 20 ’scape 23 1D – The First Dimension 5 The Articulate Surface 20 Field Studies 24 Typo Lyrics 6 Façades 21 Under the Open Sky 26 Creating Desired Futures 7 SCALE – Enclose | Build 27 iF product design award 8 Detail Practice: Photovoltaics yearbook 2010 9 Interiors Construction Manual 27 form – The Making of Design Architectural Design 10 128 Colors 12 Digital Culture in Architecture 13 Material Design Types/Functions 14 Building with Water 15 In Detail: Small Structures Architects/Buildings 16 Dado – Built and Inhabited by Rudolf Olgiati and Valerio Olgiati 17 Ideas Exchange 17 Michele Arnaboldi Architect Cities/Regions/Urbanism 18 Drawing the Ground – Landscape Urbanism Today CONTENT Urban Green Typo Lyrics see page 19 see page 24/25 AVEDITION ALREADY ANNOUNCED 28 Formguide 31 Basics Set 28 Design Manuals 29 New Exhibition Design 02 30 Universal Design – Best Practice Volume 1 PROMOTION 30 red dot design concept yearbook 2009 / 2010 32 BACKLIST 34 Topseller Birkhäuser 36 Birkhäuser 42 Basics 43 avedition 4 | CONSTRUCTION | MATERIALS New Stephan Engelsmann, Valerie Spalding, Stefan Peters Series Plastics in Architecture and Construction PAGES approx. 168 ILLS. approx. 140 in color, 40 b/w, 100 drawings FORMAT 22.0 x 28.0 cm BINDING Hardcover PRICE approx. EUR 49.90 / GBP 45.00 ISBN 978-3-0346-0322-5 English Available April 2010 Plastics in architecture: a comprehensive introduction Plastics are high-performance materials of tecture.
    [Show full text]
  • Continuity and Wholeness in Architecture
    Continuity and Wholeness in Architecture Three Recent Examples from Switzerland Nicholas Elliott Prof. Harry Gugger, Prof. Roberto Gargiani EPFL Enoncé théorique 15 January 2018 1 Intentions 5 Concept of the Swiss Project 35 Miller & Maranta Object: Volta School, Basel, CH, 1997-2000 49 Edelaar Mosayebi Inderbitzen (EMI) Object: Glattpark, Zurich, CH, 2013-2016 63 Pascal Flammer Object: House with Two Rooms, Balsthal, CH, 2014 75 Impressions 77 Bibliography Intentions Architecture straddles a line between convention and invention similar to its vague position between engineering and art. Creativity is privileged as a high expression of human culture and thus architects are pushed to develop inventive designs. As Venturi has argued, architects often throw out well working established ideas without being capable of replacing them, which shows their ego and ignorance. This results in a lot of unsuccessful buildings. Simultaneously, true architectural innovation is prized. The Dom-ino system, the curtain wall and the light and air they let in actually offered something new to human habitation. The invention was so useful that it was truly innovative, replacing older forms of construction and becoming a new standard. Modernism was a period of large scale innovation. But there are also more subtle signs of creativity that bring richness to daily life. This is a type of creativity that appears ambiguously between convention and invention, and thus it is fully architectural. This concept is linked to the notion of architectural autonomy that developed in the 1960s. This discourse maintains that architecture must look within itself (its history, forms, materials) for inspiration in architectural design.
    [Show full text]