Uva-DARE (Digital Academic Repository)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ina MÜLLER & Band
INTerview: „Till“ Friedrich Hofmann INA MÜLLER & BAND „Liebe macht taub”-Tour 2009 » Fr. 23.01. KAISER CHIEFS » Di. 10.02. PETER HEPPNER » Do. 15.01. KLASSIK: Martin Helmchen SWR2 Internationale Pianisten › Johann Strauss Orchester Wiesbaden JAZZ: Anke Helfrich Trio / Manu Katché Play Ground › Caroline Henderson CHANSON: René Marik LESUNG: Max Goldt ROCK-POP: Kaiser Chiefs › Peter Heppner › 10cc and Graham Gouldman › Urban Upgrade Newcomer- Festival 2009 › Interstellar Overdrive WORLD MUSIC: Carlos Núñez & Band › Rabih Abou-Khalil KABARETT: Bruno Jonas › Mathias Richling COMEDY: Rick Kavanian › Tobias Mann › Eure Mütter › Vince Ebert › Das Vollplaybacktheater THEATER-COMEDY: Caveman mit Felix Theissen › Traumfrau Mutter VARIETÉ: Topas & Roxanne FASTNACHT: Kinderfastnacht Kleppergarde › Altweiberball › AStA Lumpenball › Sweety Glitter and Foto: Mathias Bothor Mathias Foto: & Sweethearts LOUNGE: „Till“ Friedrich Hofman › Tobias Mann TERMINAL – VORSCHAU www.frankfurter-hof-mainz.de › SEITE 3 V O R Heft Nr. 94 / 2008 WORT 4/5 [ inhalt/übersicht] Liebe Besucherinnen und Besucher 6/7 [ jazz, worldmusic] des Frankfurter Hofes, 8/9 [ rock’n’pop funk] mit frischem Schwung geht es mit dem Programm des Frankfurter 10/11 [ comedy, kabarett] Hofes ins neue Jahr. Schwerpunkte des Januar-Februar-Programms sind Rock-Pop, Comedy, Kabarett 12/13 [ theater – comedy – varieté] und natürlich die Fastnacht. 13 [ lesung] Wieder treten zahlreiche Spitzencomedians in der Augustiner- straße auf. Vince Ebert, „Deutschlands lustigster Physiker“ behauptet „Denken lohnt sich“, Rick Kavanian kommt mit 15–18 [ lounge] seinem Programm „Kosmopilot“, das Vollplaybackthea- ter präsentiert „Die drei ??? und die bedrohte Ranch“, der 21–25 [ terminal] Mainzer Comedian Tobias Mann geht erneut bei „Man(n) sieht sich“ heiter-satirisch mit seiner Generation ins Gericht 27–29 [ vorschau] und „Magie-Illusions-Comedy“ heißt es bei der „Surprise“-Zau- bershow von Topas & Roxanne. -
CONTACT INFO OPENING ACT for PAUL VAN DYK “Evolution Tour” [email protected] SOMETHING WICKED Houston, TX Houston, TX EDM Music Festival
Je Chen, better known as Kid Stylez, is a DJ / Producer from Houston, Texas. Over a span of a 20-year career, this veteran DJ has rocked sold out venues across the nation, performed on nationally syndicated radio mixshows, and NOTABLE PERFORMANCES held numerous residencies at highly regarded venues. Now making his own remixes and tracks, this DJ has recently found a whole new love for music and performing. OFFICIAL DJ for CLUB NOMADIC - SUPERBOWL LI “2017 EA Sports Bowl” As an open format DJ, this party rocker is well-known for surprising crowds with "left turns,” as well as performing on-the-fly edits and live blends in his high-energy sets. He draws on his extensive music knowledge to perform OPENING ACT for DASH BERLIN crowd-pleasing sets that break genre barriers. Je is a master at reading crowds, and any given night you might hear “Nightculture & Disco Donnie Presents” deep house, progressive, trap, breakbeat, electro, dubstep, hip hop, reggae, rock, or pop, all perfectly fused together. OPENING ACT for PAUL OAKENFOLD “Jagermeister Ultimate Summer of Music Tour” Je has performed alongside many of today’s most recognizable music talent, with particular emphasis on the EDM (Electronic Dance Music) scene. He has been chosen as a supporting act for multiple Armin Van Buuren tours, as OPENING ACT for FAR EAST MOVEMENT well as many other EDM artist tours. He has also performed at the nation’s premier Halloween EDM festival, “Stereo Live & Kollaboration Houston Presents” Something Wicked, for multiple years. Je was also selected from DJs across the country to play the world's largest OPENING ACT for ARMIN VAN BUUREN 24 Hour EDM mixshow, The New Year's Eve Tailgate Party. -
Sowjetische Verstellungen in London Und Washington Stalin Fordert Einen Sofortigen Angriff Der Westmächte
Einzelpreis 10 Rpl., Sonnlag 15 Rpl. DIE GROSSE HEIMATZEITUNG III OSTEN DES REICHSGAUES WARTHE LAND MIT DEN AMTLICHEN BEKANNTMACHUNGEN Monatlich 2,50 RM. (einschließlich 40 Rpt. Trlgerlohn), bei Postbezug 2,92 RM. elnschlleBllch 42 Rpl. Postgebühr und Nachlieferung ton Einzelnummern nur nach Vorelntendung des Betrages elnschlleBllch Porto tür Streilband. Verlag 21 Rpl. Zeitungsgebflhr bzw. die entsprechenden Beiorderungskosten hei Postzeitungsgut oder BahnhotztltungsTersand Lltzmannstadt, Adoll-Hltler-StraBe 8«. Fernruf 254-20. Schrlltleltung: Ulrlch-von-Hutten-Str. 35, Fernrul 195-80/81. 26. Jahrgang / Nr. 86 Sonnahend, 27. März 1943 Sowjetische Verstellungen in London und Washington Stalin fordert einen sofortigen Angriff der Westmächte Sch. Lissabon, 27. März (LZ.-Drahtbericht) zeltig verstärkte diplomatische Vorstellungen Viel besprochen wird in London die ge• Moskaus in London und Washington erfolgt strige Frühstücksrede des sowjetischen Bot• sind, um die Eröffnung eines Angriffes der schafters Maisky. Maisky wandte sich >n sei• Westmächte zu erzwingen. Stalin sieht be• ner Rede auf das heftigste gegen die „Ver• kanntlich aut dem Standpunkt, daß die Offen• nachlässigung" der Sowjetunion und erklärte sive in Nordafrika keine Erfüllung seiner Wün• u. a.: „Mein Land und mein Volk erwarten, sche ist. daß alle unsere Verbündeten, besonders aber Der amerikanische Vizepresident Wallace, Sturmgeschütze laden nette Munition England und die Vereinigten Staaten, nun• Nach erfolgreichem Einsatz an der Mlusfront Übernehmen Sturmgeschütze von einem I.KW. neue mehr ihr Möglichstes, und zwar In unmittel• der sich auf einer Reise durch Südamerika Munition. Jede freie Ecke In dem Panzerlelb wird mit den bei aen Sowjets gefürchtet,?» Spreng- barer Zukunft tun, um eine Verkürzung die• befindet, gedenkt nach einer allerdings noch granaten vollgepackt. -
INTO the MUSIC ROOMS Kirkland A. Fulk
Introduction INTO THE MUSIC ROOMS Kirkland A. Fulk I want to begin at the end, the end, that is, of the present volume. In his conclusion to the final chapter, Richard Langston remarks on Diedrich Diederichsen’s short music columns published in the Berlin newspaper Tagesspiegel between 2000 and 2004. Diederichsen, perhaps Germany’s most well-known music and cultural critic, titled these columns “Musikzim- mer” [the music room]. Here, as Diederichsen put it in his introduction to the 2005 republished collection of these sixty-two, roughly 600-word music columns, he endeavored to bring together as many disparate things as pos- sible under the designation “music.”1 In any one of these music rooms, readers encounter curious and unexpected combinations and constella- tions: the (West) German (post-)punk band Fehlfarben is discussed in con- junction with British mod group Small Faces, Bob Dylan, and Leonard Cohen; the Australian-American feminist music group and performance art ensemble Chicks on Speed is brought together with German hip-hop and reggae musician Jan Delay; and the German avant-garde trio BST (which notably includes the well-known German cultural theorist Klaus Theweleit on guitar) finds a place alongside the jazz collective Art Ensemble of Chicago as well as the pioneering Hamburg indie-rock band Blumfeld. I start this introduction to the subsequent essays on postwar German popular music at the end station of this volume, in Diederichsen’s music rooms, because in many ways they serve as an analogy for what this volume sets out to do, namely traffic in the intersections, entanglements, and flows between the national and transnational. -
Lxdx Warrants Live Markets Insider
Lxdx Warrants Live Markets Insider Plausive Vibhu owe, his nostrum poetize spiled blind. Cloacal Rafael sometimes racemize his overmantel unfaithfully and wambling so precisely! Ambidextrous Yule ballockses, his mulls catechised nickelising speechlessly. Adrian muscat is well as drawbacks of lxdx warrants, many more active member or probable mineral exploration Jam to live dave clarke, marketing through elimination of older is especially in other words to have come from some impact of. Marie swift and. News page results can be outputted as RSS or received daily by email. Education about the warrants and dished out for futures platform combines all collapse tomorrow as the future. She is well as well as key role as a committee that is thoroughly and thus, moscow school feel about selling property. Sarai g jests fscnard h tcheil. There much more market, lxdx is the markets insider radio broadcasting across the benefits employee to consolidate the financial. Does it translate into lower wages or, refrain the bump of given wages, in worse employment opportunities? Planet E which was picked up in Europe by Dutch label Outland. Cream in Bugged Out! Swizz Beatz, Mobb Deep and Jamie Foxx, among others. What differs significantly from operations. But rather than tracks by. Lord marland was a market appeared first spinning on. Malta Crowdfunding News Monitoring Service & Press. It shows how John s character has changed the refuge of his activities over the people twenty years. The Messy Boys, on year other series, are realty quite lame. Today, solar is joined by Ilya Feygin live trace the CBOE Risk Management Conference. -
A Chat with the DJ - Apostille
[email protected] A Chat with the DJ - Apostille MB.. You Have very kindly agreed to do a mix for the podcast but I feel its always good for listeners to get to know you a little with a 5 step Q & A.. So we know that you play the deep, melodic and progressive style but when did you start to DJ and what made you take the step from punter to player ?? (as in the DJ kind) Apostille: My first ever visit to a nightclub was to see Paul Oakenfold at The Warehouse in April 1996. I was 16. My mum gave me and three mates a lift to the club and we were listening to Radio 1 in the car. Pete Tong played his essential new tune – it was Born Slippy. We get in and guess what, four hours later Oakey drops Born Slippy at prime time to a rammed club. Blew my mind. That was the moment I wanted to do be a DJ. My parents bought me some sketchy belt drive turntables for Christmas in 1996. By the end of 1997 I was playing small venues locally. That year I saw Sasha and Digweed touring Northern Exposure. I knew I liked that melodic genre, but when Paul Van Dyk came to town with his acid infused progressive trance I was all in on that sound. He drifted away from that sound actually and went more mainstream trance. I have never forgiven him! MB.. If you can share one musical memory with us, as a DJ or punter, which has lodged itself in the memory bank, what is it?? Apostille: For starters I have definitely had more fun as a punter than a DJ. -
The MFS Trip Into the History of Trance!
The MFS Trip into the History of Trance! Bittles‘ Magazine | Album Review Before the term Trance became something to be pitied, hated and despised as well as the dominant force in dance music it was seen as a creative revelation that brought the emotion back to House. The adrenaline- fuelled head-rush of rave was coming to an end, hardcore had become just too hard and the club kids were craving something new with which to get their chemical kicks. By JOHN BITTLES Trance came at just the right time to reinvigorate a dance music scene that had somehow managed to crawl up its own K-hole. This new style of music added a much needed melodic flavour to its processed beats. When combined with an almost religious spirituality that was perfect for ecstasy consumption and the hugging of complete strangers everywhere it was no surprise when it exploded the way it did. One of the very first proponents of this new sound was Berlin-based record label MFS! Masterminded For Success was formed in 1990 as a way to tap into the burgeoning electronic scene by East German label Deutsche Schallplatten Berlin. When the parent company folded a mere three years later Mark Reeder and Torsten Jurk didn’t lie down and cry. No, they very wisely took out a loan and did everything possible to ensure that the label they loved didn’t meet a premature end. All of which brings us to the rather fab X-Mix 1: The MFS Trip; a label compilation released in 1993 created to soundtrack the first in a series of computer graphic videos by video label K7. -
Sensation White Booklet
07/05/14 Dressed in White Together We Unite Become apart of the global dance phenomemon and join us for a night filled with peace, love, and dance music. Prepare to have your senses amazed with an experience unlike anything else. ID&T along with Product (Red) presents Sensation at the Staples Center. Dressed in all white, thousands of partygoers will not only have fun, but will do good by having fun. A portion of Sensation’s ticket and merchandise sales will go to benefit Product (Red), to help combat HIV/AIDS throughout Africa. Dress in White for (Red). Dance for Life. Kaskade The Carl Cox Tiesto DJs Armin van Buuren Paul van Dyk Benny Benassi 01 01 02 02 Kaskade Carl Cox Already one of America’s biggest house A legend in his own right, Carl Cox DJs, Kaskade’s career isn’t letting continues to be one the world’s up anytime soon. His melodic and leading techno DJs with a career that soothing beats accompanied by light spands nearly three decades. From and airy vocals create his signature headlining several major dance events sound, and it’s no wonder that he has ranging from Mayday, Sensation, become one of the most well-liked Ultra, and Tomorrowworld, Carl and succesful DJs in the U.S. In 2012 continues to bring the best in techno. he had a succesful residency at the Marquee nigh club in Las Vegas, and in 2013 returned to the city for another succesful run at the XS nightclub. Genre: House Genre: Techno 03 04 Tiesto Armin van Buuren A trance legend who now dabbles in Ranked as the #1 DJ in the world five several genres of dance music, Tiesto times in DJ Mag, Armin continues to remains a revered figure in the global bring uplifting and melodic trance tunes dance scene. -
Microsoft Office Outlook
Eliot I. Bernstein Full Name: Above and Beyond First Name: Above and Beyond Job Title: James Grant - Manager Business: 44 20 8742 4950 E-mail: enquiries Categories: call ultrafest 09 20090319 cmb sent email to 20090319 cmb per recept not manager James Grant Media Ltd 94 Strand On The Green Chiswick London W4 3NN tel: 020 8742 4950 fax: 020 8742 4951 email: enquiries James Grant Music Management was formed in the early part of 2005 by Nick Worsley and Simon Hargreaves and is a joint venture with long established TV Management Company James Grant Media. Heading up the company are two former Sony Music Entertainment Executives - Nick Worsley who was Head of Radio Promotions and Simon Hargreaves who was Head Of Press and Publicity. Bringing together over 20 years of music industry experience across both Major labels and the Independent sector - James Grant Music delivers a fresh and extremely potent force in the Music Business and is already breaking new ground in the Music Management arena. 1 Eliot I. Bernstein Full Name: Alina First Name: Alina E-mail: [email protected] E-mail Display As: Alina ([email protected]) Categories: call ultrafest 09 20090319 cmb sent email to the email above AFFILIATION: Sequence Production BOOKING CONTACT: [email protected] BIOGRAPHY Alina Sequence career has begun in 1994 when it has started to work as the assistant to the arranger in a sound studio. Greater support was rendered by Andrey Ivanov (Triplex), having given many useful knowledge in the field of electronic tools, becoming first producer Alina. In 1997 Alina Sequence bases under the beginning a promo-label " Sequence Records " which is engaged in producing of young electronic musicians, and also release of releases of Russian electronic music. -
Kennedy Van Der Laan 28 March, 2017
Case 2:19-cv-04280-SVW-SS Document 11-2 Filed 06/24/19 Page 111 of 241 Page ID #:687 Answer to the Notice of Arbitration Paul van Dyk GmbH and Matthias Paul v. ALDA Events B.V. Kennedy Van der Laan 28 March, 2017 ANSWER TO THE NOTICE OF ARBITRATION Paul van Dyk GmbH and Matthias Paul v. ALDA Events B.V. March 28, 2017 1. INTRODUCTION 1.1. By Notice of Arbitration from March 7, 2017, Paul van Dyk GmbH and Matthias Paul p/k/a Paul van Dyk (individually referred to as “Claimant 1” and “Claimant 2”, respectively and jointly as “Claimants”), have notified the ICDR of their demand that a dispute between Claimants and ALDA Events B.V. (“Respondent”) is to be referred to arbitration. 1.2. In this Answer, Respondent shall briefly reply to such demand by raising several preliminary defenses against the validity of the arbitration agreement, the parties to this arbitration and the scope of the claims brought by Claimants. 1.3. After first addressing the particulars of the parties and Respondent’s representatives in chapter 2, Respondent shall put forward its preliminary defenses related to the lack of an arbitration agreement (chapter 3), the lack of standing of Claimant 2 (chapter 4) and the scope of the claims brought by Claimants in this Arbitration (chapter 5). Respondent will conclude this Answer with a few particulars and observations concerning the arbitrator (chapter 6) and other relevant matters (chapter 7). 1.4. Respondent submits one Exhibit with this Answer, numbered Exhibit R-1. -
Medien – Zeit – Zeichen. Dokumentation Des 19. Film- Und Fernsehwissenschaftlichen Kolloquiums 2006 2007
Repositorium für die Medienwissenschaft Christian Hißnauer, Andreas Jahn-Sudmann u.a. (Hg.) Medien – Zeit – Zeichen. Dokumentation des 19. Film- und Fernsehwissenschaftlichen Kolloquiums 2006 2007 https://doi.org/10.25969/mediarep/14360 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Hißnauer, Christian; Jahn-Sudmann, Andreas (Hg.): Medien – Zeit – Zeichen. Dokumentation des 19. Film- und Fernsehwissenschaftlichen Kolloquiums 2006. Marburg: Schüren 2007 (Film- und Fernsehwissenschaftliches Kolloquium 19). DOI: https://doi.org/10.25969/mediarep/14360. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under a Deposit License (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, Gewährt wird ein nicht exklusives, nicht übertragbares, non-transferable, individual, and limited right for using this persönliches und beschränktes Recht auf Nutzung dieses document. This document is solely intended for your personal, Dokuments. Dieses Dokument ist ausschließlich für non-commercial use. All copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute, or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the conditions of vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder use stated above. -
Rammstein. 100 Seiten * Reclam 100 Seiten *
Wicke | Rammstein. 100 Seiten * Reclam 100 Seiten * Peter Wicke, geb. 1951, bis 2016 Inhaber des Lehr- stuhls für Theorie und Geschichte der Populären Musik an der Humboldt-Universität in Berlin; Mitglied der International Association for the Study of Popular Music und des Deutschen Musikrates. Peter Wicke Rammstein. 100 Seiten Reclam Für Tatjana 2019 Philipp Reclam jun. GmbH & Co. KG, Siemensstraße 32, 71254 Ditzingen Umschlaggestaltung: zero-media.net Umschlagabbildung: FinePic® Infografik (S. 52/53): Infographics Group GmbH Bildnachweis: Autorenfoto: © Peter Wicke; letzte Seite © Alexander Kiensch Druck und Bindung: Kösel GmbH & Co. KG, Am Buchweg 1, 87452 Altusried-Krugzell Printed in Germany 2019 reclam ist eine eingetragene Marke der Philipp Reclam jun. GmbH & Co. KG, Stuttgart iSBN 978-3-15-020536-5 Auch als E-Book erhältlich www.reclam.de Für mehr Informationen zur 100-Seiten-Reihe: www.reclam.de/100Seiten Inhalt 1 Intro 7 »Rammstein« – Das Debüt 14 »Engel« – Die Band 26 »Feuer Frei!« – Provokation als Gesamtkunstwerk 39 »Links 2 3 4« – Im Stechschritt gegen Rechts 49 »Amerika« – Auf dem Gipfel des Ruhms 61 »Mehr« – Der Rammstein-Sound 74 »Mein Herz brennt« – Romantik auf die harte Tour 83 »Mein Land« – Suche nach der verlorenen Identität 95 Outro Im Anhang Rammstein zum Hören Rammstein zum Sehen Rammstein zum Lesen V VI Intro Wenn ihr ohne Sünde lebt Einander brav das Händchen gebt Wenn ihr nicht zur Sonne schielt Wird für euch ein Lied gespielt Rammstein, »Ein Lied« Es ist der 23. Juli 2005. Über die Arènes des Nîmes, ein Amphi- theater nach dem Vorbild des römischen Kolosseums aus der zweiten Hälfte des 1.