Murder, Mystery and ’s Dead City

Swiss laundering of stolen Austrian art

Judisches Museum, Berlin 18 May 2009 7:30 pm

Raymond J. Dowd Partner – Dunnington Bartholow & Miller LLP New York NY Entartete Kunst “Degenerate Art”

In 1937, the Nazis declared a large number of artworks as “degenerate” if “un-German” or Jewish. To mock “degenerate” artists, the Nazis presented “Entartete Kunst” a traveling art exhibit, in 1937. Degenerate art was stripped from museums, artists boycotted or exiled. Hitler visits the Entartete Kunst exhibit in 1937

2 1933-1945 – Jews Stripped of Artworks

• 25% Reich Flight Tax • 25% Atonement Tax • 96% Confiscatory foreign exchange rate for Jews • Blocked bank accounts • Sham transactions • Wholesale confiscations of Jews • Tens of thousands of artworks left Germany and entered the U.S. directly and through Switzerland • Snapped up by U.S. museums and wealthy collectors 3 On Nazi-Looted Art: “This is such a gigantic issue,” Cleveland Museum of Art Director Robert P. Bergman said. ``We're talking about hundreds of thousands of objects. I believe that for the rest of my professional career, this issue will face the museums of the world.'‘ (AP/Akron Beacon Journal 3/1/1998). Bergman died at age 54 in 1999 after a two-week illness of a rare blood disorder (NY Times 5/7/99). 4 Scope of current Nazi-art problem

• “the amount of research to be undertaken on the tens of thousands of works of art that, by definition, may have Nazi-era provenance problems is significant, requiring large allocations of staff time and money, allocations U.S. art museums have made and will make until the job is done.”

- Testimony of AAMD President James Cuno to Congress July 27, 2006

5 Egon Schiele’s – 1998 Morgenthau Seizure from MOMA as stolen --- with Fritz Grunbaum’s Dead City 6 1999 Seizure Quashed, U.S. Attorney Seizes Portrait of Wally

• Rita and Tim Reif assert claims in New York to Fritz Grunbaum’s artworks, D.A. Morgenthau seizure at MoMA • New York Court of Appeals quashes D.A. Morgenthau’s subpoena of Portrait of Wally and Dead City • Orders MoMA to return artworks to Austria • Next day, U.S. Attorney seizes only Portrait of Wally • Missing heirs for Grunbaum’s Dead City – returned to Austria, now at Leopold Museum in • Portrait of Wally case still pending 11 years later before Judge Preska in the SDNY – summary judgment

motions being briefed this Spring 7 1999 Morgenthau Seizure

• Tremendous international scandal • Led to Austria opening archives to return Jewish property to comply with 1955 Austrian State Treaty • Austria reformed laws to permit claims to stolen art in museums only • Led to Washington conference on stolen art • Museums agreed to “Washington Principles” – research their collections, favorable evidentiary burdens, encouraging heirs to come forward • Museums promised to publish all provenance research, welcome heirs • www.lootedartcommission.com/Washington-principles

8 U.S. Museums and Auction Houses Violate the Washington Principles

• Failed to hire provenance researchers and public research • Publishing false, misleading and incomplete provenance research making research impossible • Suing Jewish heirs, accusing heirs of greed and extortion • Auction houses peddle unprovenanced works • Toledo and Detroit museums, Museum of Fine Arts Boston, • MoMA and Guggenheim sued heirs of Holocaust victims • U.S. museums assert laches and statute of limitations defenses • U.S. museums claim Jews voluntarily sold artworks during Holocaust • Museums and auction houses falsely claim Holocaust- looted art was unknown until 1990’s in U.S. 9 2009 Prague Conference on Stolen Art • June 26-31, 2009 • Decade after Washington Conference • U.S. State Department sending envoy to get world’s museums to agree to return stolen art • Will be a major issue for Obama Administration • Proposal for a U.S. Restitution Commission likely • Wrongful actions of U.S. museums likely to be a diplomatic sore spot

10 Fritz Grunbaum Born April 7, 1880 Brno, Moravia Died January 14, 1941 Dachau Concentration Camp 11 www.imdb.com -Famous film star Berlin -Famous cabaret performer -Famous writer

Part of Austria’s “Abbott & Costello” – style comedy team 12 Hitler Invades Austria March 12, 1938

The Nazis reach Vienna

Hitler salutes his troops marching into Austria

13 Fritz at Dachau – Arrested 3/22/1938 – Died in Captivity

While at Dachau, Fritz and other prisoners participated in Cabaret performances to keep spirits up. Performances were supported by the Nazis and scheduled on the same day as trains taking prisoners to

death camps. 14 Heirs’ Claim to Title: Heirs of Fritz Grunbaum • Austrian co-heirs under 2003 Estate Assignment Certificate (Probate Decree) • Fritz predeceased wife, no issue • Fritz and Elizabeth (“Lily”) had separate property Under Austrian law: • Fritz’s heirs take 50% of Fritz’s property • Elizabeth’s (“Lily”) heirs take 50% of Fritz’s property 15 Jewish Property Declarations

• April 26, 1938 Law - penalty of imprisonment/confiscation • Required for Jews with over 5,000 RM • Filed every three months until property gone or left Reich • November 12, 1938 Property became available to the Reich • Systematically liquidated through Aryan trustees • Art Collection Category IV “Other Property” 16 Fritz Grunbaum Jewish Property Declarations – Filed by Lily under power of attorney, pain of imprisonment – Six declarations filed July, 1938 through June 30, 1939 – Contained art collection Franz Kieslinger appraisal at 5,791 RM – Last time art collection declared was June 30, 1939 – almost a year after Mathilde Lukacs left Vienna

17 Grunbaum Assets1938-1942 (Per Jewish Property Declarations)

18 Kieslinger Inventory

• Annexed to July 1938 Fritz Grunbaum property declaration • Fritz was at Dachau since March 1938 • Lists 449 artworks belonging to Fritz • 81 Schieles • 5 Schiele oils by name – Dead City, Town on the Blue River • 76 Drawings and watercolors (untitled)

19 Kieslinger Inventory

• Establishes unequivocally that Dead City stolen from Fritz Grunbaum’s Vienna apartment • Fritz died penniless in Dachau in January 1941 • Artworks never restituted to him or his family

20 The Kieslinger Inventory

“Large drawing by Schiele, 55 works colored, 20 drawings and 1 print by Schiele”

Dead City

21 Who were Kajetan Muhlmann and Franz Kieslinger? • Muhlmann based Nazi operations in Holland to oversee laundering of title to artworks looted throughout the Reich. • Franz Kieslinger was Muhlmann’s Muhlmann has been henchman described as “arguably the single • In July, 1938 Kieslinger most prodigious art plunderer in the inventoried Fritz Grunbaum’s art history of human collection civilization”*

* Petropoulos, Jonathan, The Faustian Bargain (Oxford University Press 1990) at 170-204). 22 Vienna’s Dorotheum – Sales Outlet for Stolen Jewish Property

• According to Sotheby’s Lucien Simmons “a clearinghouse for the Gestapo” • Franz Kieslinger was a Dorotheum expert • Following inventory of FG collection Kieslinger went on to become a notorious Nazi art looter • Managing director of Aryanized Weinmuller Auction house in late 1938 • Shows corruption, opportunity, motive and probability 23 November 18, 1938 Nazi Finance Ministry Decree on Jewish Property

24 11/18/1938 Nazi Finance Ministry Report “Other Property” Refers to Category IV in Jewish Property Declarations 1. Shows Nazis considered Jewish art collections “available to the Reich” and liquid assets 2. Shows Nazis liquidating Jewish art collections to finance war machine as of November 18, 1938

25 At least nine percent of the Nazi total government budget in 1938-39 was stolen from Jews (approximately 1.5 billion Reichsmarks).

Aly, Goetz, Hitler’s Beneficiaries (Metropolitan Books 2006) at 48.

26 Evidence Fritz’s Art Collection Stolen

• Art collection Category IV (“Other Property”) • “Gesperrt” stamp in Category IV • “Erledigt” stamp in Category IV • Shows Nazis considered Grunbaum “case closed” 27 Grunbaum’s Aryan Trustee – Ludwig Rochlitzer • By Nazi law of December 3, 1938, Aryan trustees were empowered to transfer and sell Jewish assets and to render proceeds to the Reich to finance the Nazi war machine (DBM 5806-5812) • By letter dated January 31, 1939, Rochlitzer informs Lily he is in charge of her property and demands extortionate fees • Rochlitzer’s fee and expenses = 6,500 RM

28 Letter dated January 31, 1939 Establishes Lily and Fritz lost legal control of assets practical ability to transfer any assets as of January 31, 1939 29 Art Collection Spoliation Timeline

• April 26, 1938 – Jewish Property Declaration Law gives Marshal Hermann Goering control over Jewish assets • September 8, 1938 – Grunbaum’s collection deposited with Nazi storage company (Schenker) • November 12, 1938 – Jewish Property Declared “available” to the Reich • January 31, 1939 – Aryan trustee appointed to control and liquidate Grunbaum property • June 30, 1939 – Lily declares intact art collection to Nazis • November 14, 1941 – Fritz is dead, Lily’s only remaining property is estate in Slovakia • October 5, 1942 – Lily murdered penniless in death camp in Minsk, Belarus 30 Power of Attorney Used To Steal Fritz’s Property • Art collection listed as Fritz’s in Jewish Property Declarations • Lily needed power of attorney from Fritz to liquidate property and life insurance policy • Power of attorney executed in Dachau • Powers of attorney void as a matter of Austrian law - used to systematically force Jews in concentration camps to liquidate property • Thus, during Fritz’s stay in Dachau, any transfers by illegal power of attorney were void

31 Minsk

Lily Grunbaum was deported to Minsk where she died on October 5, 1942. Minsk was a death camp.

32 Powers of Attorney

“There is a curious respect for legal formalities. The signature of the person despoiled is always obtained, even if the person in question has to be sent to Dachau in order to break down his resistance.”

- U.S. Consul General in Vienna

33 Grunbaum’s Dachau Power of Attorney

• July 1938 - Fritz Grunbaum executes a power of attorney permitting his wife to liquidate his property, including life insurance policies

• 1946 Austrian Nullification Act – Austria nullifies all transactions flowing from powers of attorney executed by concentration camp inmates

34 Additional Evidence Grunbaum Collection Stolen By Nazis • Franz Kieslinger connoisseur and fan of Schiele • Nazis valued Schiele during war – auction prices high – officially displayed in Austria • BDA Employee Otto Demus inventoried Grunbaum collection in Nazi employ • According to Austrian government, no export license for Grunbaum Schiele’s ever obtained 1938-1960’s 35 Schenker Export Application September 8, 1938

• Elizabeth Grunbaum submits while Fritz in Dachau • Stamped with Swastikas by Nazi functionary Otto Demus on or around September 8, 1938 • Roughly same number of artworks as Kieslinger Inventory (three envelopes of graphics) • Export license expired December 8, 1938 • No customs stamps indicating collection left Vienna during WWII • No Bundesdenkmalamt (“BDA”) export licenses during Nazi era, indicating collection did not leave Austria during WW II 36 Lily’s Schenker Inventory

21 Oil Paintings 15 Water Colors 2 Pastel s 6 Miniatures 2 Oil Miniatures 10 Drawings 278 Drawings (some in color) 7 graphics 3 envelopes with misc. graphics 66 graphic prints 1 collage

37 Edmund Veesenmayer: Board of Directors of Schenker

Nazi War Criminal 38 What is Schenker?

• World’s largest freight forwarding company • Purchased secretly in Switzerland in early 1930’s by Germany • Controlled centrally from Berlin from early ’30’s • Edmund Veesenmayer used Schenker to prepare for Anschluss • Schenker used to export Jews to Palestine • Thoroughly Nazified entity • Refused to account for Fritz Grunbaum’s property • Official freight forwarder of the Beijing Olympics 39 Where is Fritz Grunbaum’s Stolen Dead City?

40 Egon Schiele’s Dead City Now in Leopold Museum in Vienna 41 What is the Leopold Museum?

• Created as “private foundation” by Austria to purchase Rudolph Leopold’s collection of art looted from Jewish victims • Austria pretends that this “private foundation” (owned by Austrian government) is exempt from ban on Austria owning looted Jewish art • Austria owns major portion of museum during Rudolph Leopold’s lifetime, will inherit upon Leopold’s death 42 Who is Rudoph Leopold?

• Protégé of Franz Kieslinger • Kieslinger convinced Leopold to collect Schieles at a Dorotheum auction • Austria investigating collection for looted artworks

43 How Did Leopold Get Dead City?

• Austria to Switzerland (early 1956) • Switzerland to New York (September 1956) • 1958 - New York to Austria (Leopold swap with Otto Kallir for eight Schieles and a Klimt) • 1997 - Austrian loan to MoMA in New York • 1999 - Morgenthau/MoMA – Dead City given to Leopold Museum Austria

44 Dead City’s Journey Through Austrian Corruption Egon Schiele

Arthur Roessler

Fritz Grunbaum – 3/22/38

Edmund Veesenmayer’s Schenker? Otto Demus’ BDA? 9/8/38 – 4/24/56

Eberhard Kornfeld (Switzerland) 4/24/56

Otto Kallir (9/18/56 Invoice, Possession of Drawing Delivered in New York)

1958 – Swapped to Rudolph Leopold for 8 Schieles and a Klimt

45 Swiss Financing of Nazi Art Sales

46 47 Nazi Reich Laundered Artworks Through FIDES

• FIDES – Treuhand of Zurich • Established 1910 • Subsidiary of Credit Suisse • Offered 30% discounts to Americans and British • Laundered sales of Nazi art • Attempted to buy all degenerate art from Nazis • Never investigated by the Swiss • Visit www.fides.ch • Bergier Report mentioning FIDES laundering www.uek.ch (best information in Vol. 1 not online) 48 Why Has The Massive Swiss Laundering of Nazi Art Not Been Investigated?

49 Bern, Switzerland April 24, 1956

50 Eberhard Kornfeld

Gutekunst & Klipstein Kornfeld & Klipstein Klipstein & Assocs. Galerie Kornfeld

51 Significance of 81 Schieles in Weighing the Evidence

• Rare and exotic collection • Each artwork unique • JK identifies only 76 Schiele collectors and dealers who knew the artist • JK Identifies only 26 Major collectors and dealers after Schiele’s death (including Grunbaum) • Small competitive group of collectors who knew each other • Provenance paperwork critical to establish value of these artworks • Rare stolen works cannot be sold while witnesses are alive Egon Schiele’s “Dead City” 1911 52 Pre-War Publications Showing Fritz Grunbaum’s Schiele Collection Known to Kornfeld and Kallir

• 1928 /Neue Galerie Correspondence • 1925 Wurthle Gallery Catalog • 1930 Otto Kallir Catalog Raisonnee • Famous art collection of famous political dissident would surely not escape Nazi scrutiny

53 Kornfeld 1956 Schiele Catalog

#1 Dead City with provenance from Otto Kallir’s 1930 catalogue raisonnée 53 other Schieles with no provenance listed Kornfeld testifies that all Schieles in ’56 catalog came from Grunbaum

54 Dead City’s Provenance Published in ’56 Kornfeld Catalog Shows: 1925 Wurthle Exhibition, 1928 Hagenbund Exhibition and Fritz Grunbaum’s Ownership

• K 01 H DBM(06366) OK30 94 H DBM(06366) 55 Gutekunst & Klipstein

• According to Swiss government’s Bergier Report, Gutekunst & Klipstein selling confiscated works for Nazis • Selling Nazi confiscated Kandinskys to Solomon Guggenheim in New York • German govt report – Gutekunst & Klipstein major seller of Nazi looted art • Bergier Commission never used subpoena powers – a true whitewash

56 Galerie Kornfeld to Sotheby’s Legant February 14, 2005 • Kornfeld claims no written documentation of acquisition

P. Ex. 120 at DBM 2400

57 Kornfeld’s Sworn Deposition

• Kornfeld swore his gallery has all documentation since 1919 • Thus Kornfeld’s claims to Sotheby’s that all documents destroyed was false

58 Kornfeld’s Ludicrous New Claim

• Fritz Grunbaum’s sister-in-law allegedly sold him 54 Schieles • Kornfeld never asked where she got them • Sister-in-law had no heirship rights under Austrian law •Thus, Dead City stolen while Fritz in Dachau, never given to any heir

59 Evidence Kornfeld Forged Lukacs’ Signatures • Lukacs misspelled own name • Handwriting expert expressed “massive doubts” writings came from same hand • Kornfeld blocked access of heirs to handwriting expert for inspection of original signatures • Kornfeld hiding in Switzerland • Artworks mentioned in correspondence don’t match up

60 Dead City Entry in Kornfeld Inventory

61 5/22/56 Bound Inventory Volume

There is no seller listed in ink

62 Pencil Receipt for Two Deliveries

63 Receipt dated April 24, 1956 Excluded notation

Pencil signature No invoice

64 Purported Acquisition of Dead City April 24, 1956 • 4/24/1956 – Kornfeld claims he paid cash for Dead City and 45 other Schieles • Receipt signed in pencil • Receipt was payment for “4/24/1956 Invoice” (Kornfeld refused to provide this document) • Payment was for 2/7/1956 delivery of 20 Schieles and 25 additional Schieles including Dead City entered in EK inventory on 5/22/1956 with 23 other Schieles • Seller’s name not recorded • “Lukacs” added later in pencil by Kornfeld 65 Kornfeld’s Acquisitions for Personal Collection - Red Blouse - JK 1394

•K 28 66 Chief Inspector Benesch - JK 2098

• K 43 H20 DBM(06366) 67 Portrait of the Art Critic Arthur Roessler JK 1631 Female Nude with Raised dress -JK 1308

•K 31 68 Evidence of Kornfeld’s Bad Faith • Warned not to acquire art from Nazi-occupied Austria by Swiss government • Swiss art dealers are a profession requiring due diligence under Swiss law • Schiele’s works (Austrian artist whose collectors murdered) a “red flag” to Kornfeld • Kornfeld knew of Grunbaum provenance of Dead City and was on notice of contents of 1925 Wurthle catalog showing other ’56 sale items as Grunbaum’s • No Austrian export license • No Swiss import documents • Failed to record seller’s name in ink in business records • Lukacs had no ownership documents • Concealment of Lukacs name until late 1990’s until Lukacs conveniently dead 69 Why Did Kornfeld Keep Images of Benesch and Roessler?

70 How Did Leopold Get Dead City?

Egon Schiele’s Chief Inspector Heinrich Benesch and His Son Otto (1913 71 Otto Benesch

• Knew Egon Schiele • Art dealer and Schiele expert • Knew Otto Kallir in Vienna • Taught at Harvard When Kallir in New York • Director of Albertina Post-WW II • Conducted major sale of Albertina works on paper through Gutekunst & Klipstein in May 1956 • Wrote introduction to 1956 Kornfeld Schiele Catalog containing Grunbaum works • Wrote introduction for Kallir’s 1957 Galerie St. Etienne Catalog containing Grunbaum works • Knew Schieles illegally exported from Austria and belonged to Grunbaum • Personal friend of Eberhard Kornfeld 72 Arthur Roessler

Egon Schiele’s Portrait of Arthur Roessler 73 Arthur Roessler

• Knew Egon Schiele • Owned Dead City before Fritz Grunbaum • Knew Otto Kallir in Vienna • Wrote essay for 1956 Kornfeld Schiele Catalog • Knew artworks stolen from Fritz Grunbaum

74 Otto Demus

President, Bundesdenkmalamt 1946-1964

75 Otto Demus

• Inventoried Fritz Grunbaum’s Schiele collection for Schenker in September 1938 • In charge of BDA which required export licenses for Schieles 1946-1964 • Would have had to approve May 1956 sale of Albertina’s works on paper through Gutekunst & Klipstein • Would have had to approve export of Schieles in 1956 to Switzerland • Worked closely with Albertina head Otto Benesch following World War II • Impossible Demus was ignorant of Swiss Schiele laundering • Postwar Demus persecuted Jews by forcing them to make donations to Austrian museums in exchange for export licenses 76 Mathilde Lukacs: Red Herring? Why the Sister-in-law Story Fails Under Austrian Law

• Mathilde Lukacs story complete fabrication • Even if Mathilde Lukacs had managed to come into possession of Fritz Grunbaum’s art collection she would have had no authority to sell it under Austrian inheritance law • Mathilde Lukacs story irrelevant under Austrian Civil Code

77 Otto Kallir

1923 - Neue Galerie, Vienna

1939 – Galerie St. Etienne, New York 78 Otto Kallir’s 1930 Catalogue Raisonée Shows Grunbaum’s Ownership

• Kallir was Fritz Grunbaum’s Vienna Dealer, founder Neue Galerie • Borrowed Dead City and 25 Schieles including Girl with Black Hair from FG’s collection in 1928 for Hagenbund Show

Egon Schiele’s “Dead City” 1911 79 9/18/1956 Kornfeld Invoice

K 1 Fritz Grunbaum’s Dead City

80 Otto Kallir’s Direct Knowledge Dead City and Other Artworks Were Grunbaum’s

81 82 Kallir/Kornfeld Connection

• Kallir Moved to New York in 1939 • Tried to do business with Nazis 1939 • 1955 Kallir co-published Kollwitz catalogue raisonnée with Kornfeld • 1956 Kallir bought 20 Schieles from 1956 Kornfeld catalog including Dead City • Not an arm’s-length transaction

83 Kornfeld and Kallir: World’s Largest Collections of Unprovenanced Kaethe Kollwitz Works • Dr. August Klipstein of Gutekunst & Klipstein published Kaethe Kollwitz catalogue raisonnée • Kaethe Kollwitz artworks stripped from German museums by Nazis • 1955 Kollwitz catalog republished jointly between Otto Kallir and Eberhard Kornfeld • Today, Kallir’s Galerie St. Etienne in New York has world’s largest inventory of Kollwitz works • Today, Kollwitzs sold freely without provenances

84 U.S. Museums Falsifying Provenance - Example

Oberlin College – Egon Schiele’s Girl With Black Hair

85 Kornfeld 1956 Schiele Catalog #14 – Girl With Black Hair

86 87 Litt, Steven: Paintings In Oberlin Linked to War Looting The Plain Dealer, March 1, 1998

• “The Schiele drawing, which depicts a young woman nude from the waist up, may have been looted by the Nazis from the collection of Fritz Grunbaum, who died in Dachau in 1940” • “Rudolph Leopold, benefactor of the Leopold Museum, has said that in addition to Dead City, 16 other Schieles in American museums, including Girl With Black Hair in Oberlin, share the same ownership history.” (emphasis supplied) 88 Art Loss Register

• Oberlin asked Art Loss Register to check provenance of Girl With Black Hair in 2003 • ALR reported to Oberlin that Girl was possibly Grunbaum’s • ALR told Oberlin that the Mathilde Lukacs/Switzerland story was doubtful • Told Oberlin to research pre-war catalogs • Oberlin did nothing

89 Art Loss Register

• Private organization • Owned/formed by auction houses to operate at a profit • Conflicts of interest inherent leave advice tainted • Not necessarily an impartial organization

90 1925 Wurthle and 1928 Hagenbund Provenances of Girl with Black Hair

1928 Neue Galerie Receipt List of Works 1925 Wurthle Catalog Provenance from Fritz Grunbaum Sale of Girl with Black Hair on the same September 18, 1956 Invoice with Dead City

K 14 Girl with Black Hair

92 Austria’s Reaction To This Terrible Scandal?

93 2008 Birthday Party/Exhibition of Kornfeld Private Collection at Albertina

ROUTES THROUGH MODERN ART. FROM THE COLLECTION OF EBERHARD W. KORNFELD 7 November 2008 - 8 February 2009 In honour of the 85th birthday of Swiss art dealer Eberhard W. Kornfeld, some 200 works from his remarkable private art collection are on exhibit at the Albertina. The auction house owner and art publisher is a distinguished expert on prints and the author of catalogues raisonnés on Ernst Ludwig Kirchner, Paul Klee, Marc Chagall, Käthe Kollwitz and numerous other artists. Like the collection as a whole, the exhibition focuses on multifaceted selections of their works, as well as works by the collector’s close friends Pablo Picasso, Sam Francis and Alberto Giacometti. 94 Grunbaum Works in Austria Two Standing Female Nudes

• JK 1084 • Currently at the Leopold Museum in Vienna

96 Verchlungene Akte (Umarmung)

• JK 1147 • Currently at the Leopold Museum in Vienna

97 Seated Girl with Yellow Cloth

• JK 1278 • Currently at the Leopold Museum in Vienna

98 Devotion

• JK 1418 • Currently in the Leopold Collection

99 Standing Girl with Orange Stockings

• JK 1488 • Currently in the Leopold Collection

100 Liegende mit hochgeschobener Unterwäsche • JK 1550 • Currently at the Leopold Museum in Vienna

101 Crouching Nude (Self-Portrait)

• JK 2482 • Currently at the Leopold Museum in Vienna

102 Three Female Nudes Backside Female Nude

• JK 511/513 • Currently at the Leopold Museum in Vienna

103 Dead City III

•JK 213 • Currently at the Leopold Museum

104 Grimacing Man

•JK 705 • Currently at the Leopold Museum in Vienna

105 Self-Portrait as Penitent

•JK 942 • Currently at the Leopold Museum in Vienna

106 Standing Man Draped in Red Shawl

• JK 1420 • Currently in the Private Collection of Dr. Leopold

107 Red Blouse

• JK 1394 • Currently at the Leopold Museum

108 Embracing Nudes

• JK 1606 • Currently at the Leopold Museum in Vienna

109 Aunt and Nephew

• JK 1797 • Currently at the Albertina in Vienna

110 Female Nude Seated on Red Draper, Back View

• JK 1504 • Currently at the Albertina in Vienna

111 Grunbaum Works in the United States Chief Inspector Benesch and His Son Otto

• JK 1403/1305 • Currently at the Harvard University Art Museum

113 Kneeling Nude, Front View

• JK 1556 • Currently at the Arkansas Art Center

114 Embrace

• JK 1674 • Currently at the Morgan Library (bequest of Fred Ebb)

115 Self Portrait

•JK 686 • Currently at the Morgan Library (bequest of Fred Ebb)

116 Girl Putting on Shoe

•JK 475 • Currently at the Museum of Modern Art in New York

117 Town on the Blue River

•JK 742 • Whereabouts unknown (formerly on permanent loan to MoMA), possibly with Gerstl family

118 Girl with Black Hair

•JK 861 • Currently at the Allen Memorial Art Museum at Oberlin College in Ohio

119 I Love Antitheses

• JK 1187 • Estee Lauder Trust

120 Sleeping Girl

•JK 769 • Currently at the Galerie St. Etienne in New York

121 Standing Woman (Prostitute)

• JK 1045 • Currently at the Museum of Modern Art in New York

122 Portrait of the Artist´s Wife

• JK 1711 • Formerly Santa Barbara Museum of Art, whereabouts unknown

123 Russian Prisoner of War

• JK 1839/1449 • Currently at the Art Institute of Chicago

124 Portrait of a Man

• JK 2081 • Currently at the Carnegie Museum of Art in Pittsburgh

125 Grunbaum works in Switzerland Back View of Girl with Raised Hands

• JK 1598 • Currently at the Coninx Museum in Zurich

127 Standing Boy

•JK 783 • Currently in the Collection of E.W. Kornfeld

128 Boy in Sailor Suit

• JK 1633 • Currently in a Private Collection

129 Self-Portrait in Profile Facing Right

• JK 1667/1577 • Currently at the Coninx Museum in Zurich

130 Portrait of the Art Critic Arthur Roessler • JK 1631/1308 • Currently in the Collection of E.W. Kornfeld

131 Chief Inspector Benesch

• JK 2098 • Currently in the Collection of E.W. Kornfeld

132 Female Nude, Back View

• JK 1970 • Currently at the Coninx Museum in Zurich

133