Entartete Kunst “Degenerate Art” Murder, Mystery and In 1937, the Nazis declared a large number of artworks as “degenerate” if “un-German” or Jewish. Egon Schiele’s Dead City To mock “degenerate” artists, the Nazis presented “Entartete Kunst” a traveling art exhibit, in 1937. Degenerate art was stripped from museums, artists boycotted or exiled. Swiss laundering of stolen Hitler visits the Entartete Kunst exhibit in 1937 Austrian art

Judisches Museum, Berlin 18 May 2009 7:30 pm

Raymond J. Dowd Partner – Dunnington Bartholow & Miller LLP 2 New York NY

1933-1945 – Jews Stripped of On Nazi-Looted Art: Artworks “This is such a gigantic issue,” Cleveland • 25% Reich Flight Tax Museum of Art Director Robert P. Bergman said. ``We're talking about hundreds of • 25% Atonement Tax thousands of objects. I believe that for the • 96% Confiscatory foreign exchange rate for Jews rest of my professional career, this • Blocked bank accounts issue will face the museums of the • Sham transactions world.'‘ • Wholesale confiscations of Jews (AP/Akron Beacon Journal 3/1/1998). • Tens of thousands of artworks left Germany and Bergman died at age 54 in 1999 after a entered the U.S. directly and through Switzerland two-week illness of a rare blood disorder • Snapped up by U.S. museums and wealthy (NY Times 5/7/99). collectors 3 4

Scope of current Nazi-art problem

• “the amount of research to be undertaken on the tens of thousands of works of art that, by definition, may have Nazi-era provenance problems is significant, requiring large allocations of staff time and money, allocations U.S. art museums have made and will make until the job is done.”

- Testimony of AAMD President James Cuno to Congress July 27, 2006 Egon Schiele’s Portrait of Wally – 1998 Morgenthau Seizure from MOMA as stolen --- with Fritz Grunbaum’s Dead City 5 6

1 1999 Seizure Quashed, U.S. Attorney 1999 Morgenthau Seizure Seizes Portrait of Wally

• Rita and Tim Reif assert claims in New York to Fritz • Tremendous international scandal Grunbaum’s artworks, D.A. Morgenthau seizure at • Led to Austria opening archives to return Jewish MoMA property to comply with 1955 Austrian State Treaty • New York Court of Appeals quashes D.A. Morgenthau’s • Austria reformed laws to permit claims to stolen art in museums only subpoena of Portrait of Wally and Dead City • Led to Washington conference on stolen art • Orders MoMA to return artworks to Austria • Museums agreed to “Washington Principles” – research • Next day, U.S. Attorney seizes only Portrait of Wally their collections, favorable evidentiary burdens, • Missing heirs for Grunbaum’s Dead City – returned to encouraging heirs to come forward Austria, now at Leopold Museum in Vienna • Museums promised to publish all provenance research, • Portrait of Wally case still pending 11 years later before welcome heirs Judge Preska in the SDNY – summary judgment • www.lootedartcommission.com/Washington-principles

motions being briefed this Spring 7 8

U.S. Museums and Auction Houses 2009 Prague Conference on Stolen Violate the Washington Principles Art

• Failed to hire provenance researchers and public research • June 26-31, 2009 • Publishing false, misleading and incomplete provenance • Decade after Washington Conference research making research impossible • Suing Jewish heirs, accusing heirs of greed and extortion • U.S. State Department sending envoy to get • Auction houses peddle unprovenanced works world’s museums to agree to return stolen art • Toledo and Detroit museums, Museum of Fine Arts Boston, • Will be a major issue for Obama Administration • MoMA and Guggenheim sued heirs of Holocaust victims • U.S. museums assert laches and statute of limitations • Proposal for a U.S. Restitution Commission defenses likely • U.S. museums claim Jews voluntarily sold artworks during Holocaust • Wrongful actions of U.S. museums likely to be a • Museums and auction houses falsely claim Holocaust- diplomatic sore spot looted art was unknown until 1990’s in U.S. 9 10

www.imdb.com

-Famous film star Berlin -Famous cabaret performer -Famous writer

Fritz Grunbaum Born April 7, 1880 Brno, Moravia Part of Austria’s “Abbott & Costello” – style Died January 14, 1941 Dachau Concentration Camp 11 comedy team 12

2 Hitler Invades Austria Fritz at Dachau – Arrested March 12, 1938 3/22/1938 – Died in Captivity

The Nazis reach Vienna

While at Dachau, Fritz and other prisoners participated in Cabaret performances to keep spirits up. Performances were Hitler salutes his troops marching into Austria supported by the Nazis and scheduled on the same day as trains taking prisoners to

13 death camps. 14

Heirs’ Claim to Title: Heirs of Fritz Jewish Property Declarations Grunbaum • April 26, 1938 Law - penalty of • Austrian co-heirs under 2003 Estate imprisonment/confiscation Assignment Certificate (Probate Decree) • Required for Jews with over • Fritz predeceased wife, no issue 5,000 RM • Filed every three months • Fritz and Elizabeth (“Lily”) had separate until property gone or left property Reich • November 12, 1938 Under Austrian law: Property became available to the Reich • Fritz’s heirs take 50% of Fritz’s property • Systematically liquidated • Elizabeth’s (“Lily”) heirs take 50% of Fritz’s through Aryan trustees • Art Collection Category IV property “Other Property” 15 16

Fritz Grunbaum Jewish Property Grunbaum Assets1938-1942 Declarations (Per Jewish Property Declarations) – Filed by Lily under power of attorney, pain of imprisonment – Six declarations filed July, 1938 through June 30, 1939 – Contained art collection Franz Kieslinger appraisal at 5,791 RM – Last time art collection declared was June 30, 1939 – almost a year after Mathilde Lukacs left Vienna

17 18

3 Kieslinger Inventory Kieslinger Inventory

• Annexed to July 1938 Fritz Grunbaum • Establishes unequivocally that Dead City property declaration stolen from Fritz Grunbaum’s Vienna • Fritz was at Dachau since March 1938 apartment • Lists 449 artworks belonging to Fritz • Fritz died penniless in Dachau in January • 81 Schieles 1941 • 5 Schiele oils by name – Dead City, Town • Artworks never restituted to him or his on the Blue River family • 76 Drawings and watercolors (untitled)

19 20

The Kieslinger Inventory Who were Kajetan Muhlmann and “Large drawing by Schiele, 55 Franz Kieslinger? works colored, 20 drawings and 1 print by Schiele” • Muhlmann based Nazi operations Dead City in Holland to oversee laundering of title to artworks looted throughout the Reich. • Franz Kieslinger was Muhlmann’s Muhlmann has been henchman described as “arguably the single • In July, 1938 Kieslinger most prodigious art plunderer in the inventoried Fritz Grunbaum’s art history of human collection civilization”*

* Petropoulos, Jonathan, The Faustian Bargain (Oxford 21 University Press 1990) at 170-204). 22

Vienna’s Dorotheum – Sales Outlet for November 18, 1938 Nazi Finance Ministry Stolen Jewish Property Decree on Jewish Property

• According to Sotheby’s Lucien Simmons “a clearinghouse for the Gestapo” • Franz Kieslinger was a Dorotheum expert • Following inventory of FG collection Kieslinger went on to become a notorious Nazi art looter • Managing director of Aryanized Weinmuller Auction house in late 1938 • Shows corruption, opportunity, motive and probability 23 24

4 11/18/1938 Nazi Finance Ministry Report “Other Property” Refers to Category IV in Jewish Property Declarations At least nine percent of the Nazi total 1. Shows Nazis considered Jewish art collections “available to the government budget in 1938-39 was stolen Reich” and liquid assets from Jews (approximately 1.5 billion 2. Shows Nazis liquidating Jewish art collections to finance war Reichsmarks). machine as of November 18, 1938

Aly, Goetz, Hitler’s Beneficiaries (Metropolitan Books 2006) at 48.

25 26

Evidence Fritz’s Art Collection Grunbaum’s Aryan Trustee – Stolen Ludwig Rochlitzer • By Nazi law of December 3, 1938, Aryan • Art collection Category trustees were empowered to transfer and sell IV (“Other Property”) Jewish assets and to render proceeds to the • “Gesperrt” stamp in Reich to finance the Nazi war machine Category IV (DBM 5806-5812) • By letter dated January 31, 1939, Rochlitzer • “Erledigt” stamp in informs Lily he is in charge of her property and Category IV demands extortionate fees • Shows Nazis • Rochlitzer’s fee and expenses = 6,500 RM considered Grunbaum “case closed” 27 28

Art Collection Spoliation Timeline

• April 26, 1938 – Jewish Property Declaration Law gives Marshal Hermann Goering control over Jewish assets • September 8, 1938 – Grunbaum’s collection deposited with Nazi storage company (Schenker) • November 12, 1938 – Jewish Property Declared “available” to the Reich • January 31, 1939 – Aryan trustee appointed to control and liquidate Grunbaum property • June 30, 1939 – Lily declares intact art collection to Nazis Letter dated January 31, 1939 • November 14, 1941 – Fritz is dead, Lily’s only remaining Establishes Lily and Fritz lost legal control of assets practical ability to property is estate in Slovakia transfer any assets as of January 31, • October 5, 1942 – Lily murdered penniless in death camp 1939 29 in Minsk, Belarus 30

5 Power of Attorney Used To Steal Fritz’s Property Minsk • Art collection listed as Fritz’s in Jewish Property Declarations Lily Grunbaum was deported to Minsk where she died on October 5, • Lily needed power of attorney from Fritz to 1942. Minsk was a death camp. liquidate property and life insurance policy • Power of attorney executed in Dachau • Powers of attorney void as a matter of Austrian law - used to systematically force Jews in concentration camps to liquidate property • Thus, during Fritz’s stay in Dachau, any transfers by illegal power of attorney were void

31 32

Powers of Attorney Grunbaum’s Dachau Power of Attorney

“There is a curious respect for legal formalities. The signature of the person • July 1938 - Fritz Grunbaum executes a power of attorney permitting his wife to liquidate his despoiled is always obtained, even if the property, including life insurance policies person in question has to be sent to Dachau in order to break down his • 1946 Austrian Nullification Act – Austria nullifies resistance.” all transactions flowing from powers of attorney executed by concentration camp inmates - U.S. Consul General in Vienna

33 34

Additional Evidence Grunbaum Schenker Export Application Collection Stolen By Nazis September 8, 1938 • Franz Kieslinger connoisseur and fan of • Elizabeth Grunbaum submits while Fritz in Dachau Schiele • Stamped with Swastikas by Nazi functionary Otto • Nazis valued Schiele during war – auction Demus on or around September 8, 1938 prices high – officially displayed in Austria • Roughly same number of artworks as Kieslinger Inventory (three envelopes of graphics) • BDA Employee Otto Demus inventoried • Export license expired December 8, 1938 Grunbaum collection in Nazi employ • No customs stamps indicating collection left Vienna during WWII • According to Austrian government, no • No Bundesdenkmalamt (“BDA”) export licenses export license for Grunbaum Schiele’s during Nazi era, indicating collection did not leave ever obtained 1938-1960’s Austria during WW II 35 36

6 Edmund Veesenmayer: Board of Lily’s Schenker Inventory Directors of Schenker

21 Oil Paintings 15 Water Colors 2 Pastel s 6 Miniatures 2 Oil Miniatures 10 Drawings 278 Drawings (some in color) 7 graphics 3 envelopes with misc. graphics 66 graphic prints 1 collage

Nazi War Criminal 37 38

What is Schenker?

• World’s largest freight forwarding company • Purchased secretly in Switzerland in early 1930’s by Germany • Controlled centrally from Berlin from early ’30’s Where is Fritz Grunbaum’s Stolen • Edmund Veesenmayer used Schenker to Dead City? prepare for Anschluss • Schenker used to export Jews to Palestine • Thoroughly Nazified entity • Refused to account for Fritz Grunbaum’s property • Official freight forwarder of the Beijing Olympics 39 40

What is the Leopold Museum?

• Created as “private foundation” by Austria to purchase Rudolph Leopold’s collection of art looted from Jewish victims • Austria pretends that this “private foundation” (owned by Austrian government) is exempt from ban on Austria owning looted Jewish art • Austria owns major portion of museum during Rudolph Leopold’s lifetime, will Egon Schiele’s Dead City inherit upon Leopold’s death Now in Leopold Museum in Vienna 41 42

7 Who is Rudoph Leopold? How Did Leopold Get Dead City?

• Protégé of Franz Kieslinger • Austria to Switzerland (early 1956) • Kieslinger convinced Leopold to collect • Switzerland to New York (September 1956) Schieles at a Dorotheum auction • 1958 - New York to Austria (Leopold swap • Austria investigating collection for looted with Otto Kallir for eight Schieles and a Klimt) artworks • 1997 - Austrian loan to MoMA in New York • 1999 - Morgenthau/MoMA – Dead City given to Leopold Museum Austria

43 44

Dead City’s Journey Through Austrian Corruption Egon Schiele

Arthur Roessler

Fritz Grunbaum – 3/22/38 Swiss Financing

Edmund Veesenmayer’s Schenker? Otto Demus’ BDA? 9/8/38 – 4/24/56 of Nazi Art Sales

Eberhard Kornfeld (Switzerland) 4/24/56

Otto Kallir (9/18/56 Invoice, Possession of Drawing Delivered in New York)

1958 – Swapped to Rudolph Leopold for 8 Schieles and a Klimt

45 46

Nazi Reich Laundered Artworks Through FIDES

• FIDES – Treuhand of Zurich • Established 1910 • Subsidiary of Credit Suisse • Offered 30% discounts to Americans and British • Laundered sales of Nazi art • Attempted to buy all degenerate art from Nazis • Never investigated by the Swiss • Visit www.fides.ch • Bergier Report mentioning FIDES laundering www.uek.ch (best information in Vol. 1 not online) 47 48

8 Why Has The Massive Swiss Bern, Laundering of Nazi Art Not Been Switzerland Investigated? April 24, 1956

49 50

Significance of 81 Schieles in Weighing the Eberhard Kornfeld Evidence

• Rare and exotic collection • Each artwork unique • JK identifies only 76 Schiele collectors and dealers who knew the artist • JK Identifies only 26 Major collectors and dealers after Schiele’s death (including Grunbaum) • Small competitive group of collectors who knew each other • Provenance paperwork critical to establish value of these Gutekunst & Klipstein Kornfeld & Klipstein artworks • Rare stolen works cannot be Klipstein & Assocs. Galerie Kornfeld sold while witnesses are alive 51 Egon Schiele’s “Dead City” 1911 52

Pre-War Publications Showing Fritz Grunbaum’s Schiele Collection Known to Kornfeld 1956 Kornfeld and Kallir Schiele Catalog

• 1928 Hagenbund/Neue Galerie #1 Dead City with provenance from Otto Correspondence Kallir’s 1930 catalogue • 1925 Wurthle Gallery Catalog raisonnée 53 other Schieles with no • 1930 Otto Kallir Catalog Raisonnee provenance listed • Famous art collection of famous political Kornfeld testifies that all dissident would surely not escape Nazi Schieles in ’56 catalog came scrutiny from Grunbaum

53 54

9 Dead City’s Provenance Published in ’56 Kornfeld Catalog Shows: 1925 Wurthle Exhibition, 1928 Hagenbund Gutekunst & Klipstein Exhibition and Fritz Grunbaum’s Ownership • According to Swiss government’s Bergier Report, Gutekunst & Klipstein selling confiscated works for Nazis • Selling Nazi confiscated Kandinskys to Solomon Guggenheim in New York • German govt report – Gutekunst & Klipstein major seller of Nazi looted art • Bergier Commission never used subpoena powers – a true whitewash

• K 01 H DBM(06366) OK30 94 H DBM(06366) 55 56

Galerie Kornfeld to Sotheby’s Legant February 14, 2005 Kornfeld’s Sworn Deposition • Kornfeld claims no written documentation • Kornfeld swore his gallery has all of acquisition documentation since 1919 • Thus Kornfeld’s claims to Sotheby’s that all documents destroyed was false

P. Ex. 120 at DBM 2400

57 58

Evidence Kornfeld Forged Lukacs’ Kornfeld’s Ludicrous New Claim Signatures • Fritz Grunbaum’s sister-in-law allegedly • Lukacs misspelled own name sold him 54 Schieles • Handwriting expert expressed “massive • Kornfeld never asked where she got them doubts” writings came from same hand • Sister-in-law had no heirship rights under • Kornfeld blocked access of heirs to handwriting expert for inspection of Austrian law original signatures • Thus, Dead City stolen while Fritz in • Kornfeld hiding in Switzerland Dachau, never given to any heir • Artworks mentioned in correspondence don’t match up

59 60

10 5/22/56 Bound Inventory Volume

Dead City Entry in Kornfeld There is no seller listed in ink Inventory

61 62

Receipt dated April 24, 1956 Excluded notation

Pencil Receipt for Two Deliveries

Pencil signature No invoice

63 64

Purported Acquisition of Dead City Kornfeld’s Acquisitions for Personal April 24, 1956 Collection - Red Blouse - JK 1394 • 4/24/1956 – Kornfeld claims he paid cash for Dead City and 45 other Schieles • Receipt signed in pencil • Receipt was payment for “4/24/1956 Invoice” (Kornfeld refused to provide this document) • Payment was for 2/7/1956 delivery of 20 Schieles and 25 additional Schieles including Dead City entered in EK inventory on 5/22/1956 with 23 other Schieles • Seller’s name not recorded 65 •K 28 66 • “Lukacs” added later in pencil by Kornfeld

11 Chief Inspector Benesch - JK 2098 Portrait of the Art Critic Arthur Roessler JK 1631 Female Nude with Raised dress -JK 1308

• K 43 H20 DBM(06366) 67 •K 31 68

Evidence of Kornfeld’s Bad Faith • Warned not to acquire art from Nazi-occupied Austria by Swiss government • Swiss art dealers are a profession requiring due diligence under Swiss law • Schiele’s works (Austrian artist whose collectors murdered) a “red flag” to Kornfeld Why Did Kornfeld Keep Images of • Kornfeld knew of Grunbaum provenance of Dead City Benesch and Roessler? and was on notice of contents of 1925 Wurthle catalog showing other ’56 sale items as Grunbaum’s • No Austrian export license • No Swiss import documents • Failed to record seller’s name in ink in business records • Lukacs had no ownership documents • Concealment of Lukacs name until late 1990’s until Lukacs conveniently dead 69 70

How Did Leopold Get Dead City? Otto Benesch

• Knew Egon Schiele • Art dealer and Schiele expert • Knew Otto Kallir in Vienna • Taught at Harvard When Kallir in New York • Director of Albertina Post-WW II • Conducted major sale of Albertina works on paper through Gutekunst & Klipstein in May 1956 • Wrote introduction to 1956 Kornfeld Schiele Catalog containing Grunbaum works • Wrote introduction for Kallir’s 1957 Galerie St. Etienne Catalog containing Grunbaum works • Knew Schieles illegally exported from Austria and belonged Egon Schiele’s to Grunbaum Chief Inspector Heinrich Benesch and His Son Otto (1913 71 • Personal friend of Eberhard Kornfeld 72

12 Arthur Roessler Arthur Roessler

• Knew Egon Schiele • Owned Dead City before Fritz Grunbaum • Knew Otto Kallir in Vienna • Wrote essay for 1956 Kornfeld Schiele Catalog • Knew artworks stolen from Fritz Grunbaum

Egon Schiele’s Portrait of Arthur Roessler 73 74

Otto Demus Otto Demus

• Inventoried Fritz Grunbaum’s Schiele collection for Schenker in September 1938 • In charge of BDA which required export licenses for Schieles 1946-1964 • Would have had to approve May 1956 sale of Albertina’s works on paper through Gutekunst & Klipstein • Would have had to approve export of Schieles in 1956 to Switzerland • Worked closely with Albertina head Otto Benesch following World War II • Impossible Demus was ignorant of Swiss Schiele laundering • Postwar Demus persecuted Jews by forcing them to make President, Bundesdenkmalamt 1946-1964 donations to Austrian museums in exchange for export licenses 75 76

Mathilde Lukacs: Red Herring? Otto Kallir Why the Sister-in-law Story Fails Under Austrian Law

• Mathilde Lukacs story complete fabrication • Even if Mathilde Lukacs had managed to come into possession of Fritz Grunbaum’s art collection she would have had no authority to sell it under Austrian inheritance law • Mathilde Lukacs story irrelevant under Austrian Civil Code 1923 - Neue Galerie, Vienna

77 1939 – Galerie St. Etienne, New York 78

13 Otto Kallir’s 1930 Catalogue Raisonée 9/18/1956 Kornfeld Invoice Shows Grunbaum’s Ownership

• Kallir was Fritz Grunbaum’s Vienna Dealer, founder Neue Galerie • Borrowed Dead City and 25 Schieles including Girl with Black Hair from FG’s collection in 1928

for Hagenbund Show K 1 Fritz Grunbaum’s Dead City

Egon Schiele’s “Dead City” 1911 79 80

Otto Kallir’s Direct Knowledge Dead City and Other Artworks Were Grunbaum’s

81 82

Kornfeld and Kallir: World’s Largest Kallir/Kornfeld Connection Collections of Unprovenanced Kaethe Kollwitz Works • Dr. August Klipstein of Gutekunst & Klipstein • Kallir Moved to New York in 1939 published Kaethe Kollwitz catalogue raisonnée • Kaethe Kollwitz artworks stripped from German • Tried to do business with Nazis 1939 museums by Nazis • 1955 Kallir co-published Kollwitz catalogue • 1955 Kollwitz catalog republished jointly between raisonnée with Kornfeld Otto Kallir and Eberhard Kornfeld • 1956 Kallir bought 20 Schieles from 1956 • Today, Kallir’s Galerie St. Etienne in New York has Kornfeld catalog including Dead City world’s largest inventory of Kollwitz works • Not an arm’s-length transaction • Today, Kollwitzs sold freely without provenances

83 84

14 U.S. Museums Falsifying Kornfeld 1956 Provenance - Example Schiele Catalog #14 – Girl With Black Hair

Oberlin College – Egon Schiele’s Girl With Black Hair

85 86

Litt, Steven: Paintings In Oberlin Linked to War Looting The Plain Dealer, March 1, 1998

• “The Schiele drawing, which depicts a young woman nude from the waist up, may have been looted by the Nazis from the collection of Fritz Grunbaum, who died in Dachau in 1940” • “Rudolph Leopold, benefactor of the Leopold Museum, has said that in addition to Dead City, 16 other Schieles in American museums, including Girl With Black Hair in Oberlin, share the same ownership history.” (emphasis supplied) 87 88

Art Loss Register Art Loss Register

• Oberlin asked Art Loss Register to check • Private organization provenance of Girl With Black Hair in 2003 • Owned/formed by auction houses to • ALR reported to Oberlin that Girl was operate at a profit possibly Grunbaum’s • Conflicts of interest inherent leave advice • ALR told Oberlin that the Mathilde tainted Lukacs/Switzerland story was doubtful • Not necessarily an impartial organization • Told Oberlin to research pre-war catalogs • Oberlin did nothing

89 90

15 1925 Wurthle and 1928 Hagenbund Sale of Girl with Black Hair on the same September 18, 1956 Invoice with Dead City Provenances of Girl with Black Hair

K 14 Girl with Black Hair

1928 Neue Galerie Receipt List of 1925 Wurthle Catalog Provenance 92 Works from Fritz Grunbaum

2008 Birthday Party/Exhibition of Kornfeld Private Collection at Albertina

ROUTES THROUGH MODERN ART. FROM THE COLLECTION OF EBERHARD W. KORNFELD 7 November 2008 - 8 February 2009 Austria’s Reaction To This Terrible In honour of the 85th birthday of Swiss art dealer Eberhard W. Kornfeld, some 200 works from his Scandal? remarkable private art collection are on exhibit at the Albertina. The auction house owner and art publisher is a distinguished expert on prints and the author of catalogues raisonnés on Ernst Ludwig Kirchner, Paul Klee, Marc Chagall, Käthe Kollwitz and numerous other artists. Like the collection as a whole, the exhibition focuses on multifaceted selections of their works, as well as works by the collector’s close friends Pablo Picasso, Sam Francis and Alberto Giacometti. 93 94

Grunbaum Works in Austria Two Standing Female Nudes

• JK 1084 • Currently at the Leopold Museum in Vienna

96

16 Verchlungene Akte (Umarmung) Seated Girl with Yellow Cloth

• JK 1147 • JK 1278 • Currently at the • Currently at the Leopold Museum in Leopold Museum in Vienna Vienna

97 98

Devotion Standing Girl with Orange Stockings

• JK 1418 • JK 1488 • Currently in the • Currently in the Leopold Collection Leopold Collection

99 100

Liegende mit hochgeschobener Crouching Nude (Self-Portrait) Unterwäsche • JK 1550 • Currently at the • JK 2482 Leopold Museum in • Currently at the Vienna Leopold Museum in Vienna

101 102

17 Three Female Nudes Dead City III Backside Female Nude

• JK 511/513 • JK 213 • Currently at the • Currently at the Leopold Museum in Leopold Museum Vienna

103 104

Grimacing Man Self-Portrait as Penitent

• JK 942 • JK 705 • Currently at the • Currently at the Leopold Museum in Leopold Museum in Vienna Vienna

105 106

Standing Man Draped in Red Red Blouse Shawl • JK 1394 • JK 1420 • Currently at the • Currently in the Leopold Museum Private Collection of Dr. Leopold

107 108

18 Embracing Nudes Aunt and Nephew

• JK 1797 • JK 1606 • Currently at the • Currently at the Albertina in Vienna Leopold Museum in Vienna

109 110

Female Nude Seated on Red Draper, Back View Grunbaum Works in the United States • JK 1504 • Currently at the Albertina in Vienna

111

Chief Inspector Benesch and His Kneeling Nude, Front View Son Otto

• JK 1403/1305 • JK 1556 • Currently at the • Currently at the Harvard University Art Arkansas Art Center Museum

113 114

19 Embrace Self Portrait

• JK 1674 • JK 686 • Currently at the • Currently at the Morgan Library Morgan Library (bequest of Fred Ebb) (bequest of Fred Ebb)

115 116

Girl Putting on Shoe Town on the Blue River

• JK 475 • JK 742 • Currently at the • Whereabouts Museum of Modern unknown (formerly on Art in New York permanent loan to MoMA), possibly with Gerstl family

117 118

Girl with Black Hair I Love Antitheses

• JK 861 • Currently at the Allen • JK 1187 Memorial Art Museum • Estee Lauder Trust at Oberlin College in Ohio

119 120

20 Sleeping Girl Standing Woman (Prostitute)

• JK 769 • Currently at the • JK 1045 Galerie St. Etienne in • Currently at the New York Museum of Modern Art in New York

121 122

Portrait of the Artist´s Wife Russian Prisoner of War

• JK 1711 • Formerly Santa • JK 1839/1449 Barbara Museum of • Currently at the Art Art, whereabouts Institute of Chicago unknown

123 124

Portrait of a Man Grunbaum works in

• JK 2081 Switzerland • Currently at the Carnegie Museum of Art in Pittsburgh

125

21 Back View of Girl with Raised Standing Boy Hands

• JK 1598 • JK 783 • Currently at the • Currently in the Coninx Museum in Collection of E.W. Zurich Kornfeld

127 128

Boy in Sailor Suit Self-Portrait in Profile Facing Right

• JK 1667/1577 • JK 1633 • Currently at the • Currently in a Private Coninx Museum in Collection Zurich

129 130

Portrait of the Art Critic Arthur Chief Inspector Benesch Roessler • JK 1631/1308 • Currently in the • JK 2098 Collection of E.W. • Currently in the Kornfeld Collection of E.W. Kornfeld

131 132

22 Female Nude, Back View

• JK 1970 • Currently at the Coninx Museum in Zurich

133

23