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The Comforts: the Image of Home in <I>The Hobbit</I>
Volume 14 Number 1 Article 6 Fall 10-15-1987 All the Comforts: The Image of Home in The Hobbit & The Lord of the Rings Wayne G. Hammond Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Hammond, Wayne G. (1987) "All the Comforts: The Image of Home in The Hobbit & The Lord of the Rings," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 14 : No. 1 , Article 6. Available at: https://dc.swosu.edu/mythlore/vol14/iss1/6 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Examines the importance of home, especially the Shire, as metaphor in The Hobbit and The Lord of the Rings. Relates it to the importance of change vs. permanence as a recurring theme in both works. -
4 STAR Dragon Word Problems 1. in January, There Were 34,371 New
4 STAR Dragon Word Problems 1. In January, there were 34,371 new born dragons. In February, another 61,428 dragons were born. However, in March, 42,985 dragons died. How many dragons are there? 2. The Iron Swords Company employed 62,134 men, but then the industry experienced a decline, and 3,986 men left. However, business began to pick up again, and the Iron Swords Company increased its employment of men by 761 men. How many men work at the Iron Swords Company now? 3. The great dragons of the west burnt 19,426 houses in their first week. They burnt 73,645 houses in their second week and more in their third week. In total, 155, 478 houses were burnt. How many did they burn in week 3? 4. The dragon master trained 34,417 dragons, but sadly, 1,259 of those dragons died. The dragon master needs 50,000 dragons. How many more dragons does he need? 5. Merlin trained 82,016 dragons, Miss Peters trained 399 dragons and Mrs Durose trained 31,427 dragons. What is the difference in the amount of dragons trained by Miss Peters and Mrs.Durose? 6. The dragon keeper had 93,502 dragon eggs in a deep cave. A powerful magician had 419 dragon eggs less than the dragon keeper. A witch had 7,654 dragons. What is the total amount of dragon eggs? 7. Merlin was selling 63,004 dragon spikes a month, and 3,265 dragon teeth. After a year, the sales of dragon spikes decreased by 7,567. -
1. Smaug, the Treasure Keeper
How have dragons evolved in modern literature? First we will study the classical representation of the fierce treasure- keeping monster in The Hobbit, then we will discuss its evolution as a potential ally or member of the family in Harry Potter and the Philosopher’s Stone and A Clash of Kings. We will also compare the film and television series adaptations of these works with the novels and evaluate the choices made to represent these dragons on screen. 1. Smaug, the treasure keeper This 1998 book cover edition of The Hobbit (published in 1937) written by J.R.R. Tolkien for his children. He invented a whole universe and an associated mythology. He is considered the father of Heroic Fantasy. Tolkien also translated Beowulf and it inspired him to create Smaug. Heroic fantasy is a subgenre of fantasy in which events occur in a world where magic is prevalent and modern technology is non-existent. Smaug is a dragon and the main antagonist in the novel The Hobbit, his treasure and the mountain he lives in being the goal of the quest. Powerful and fearsome, he invaded the Dwarf kingdom of Erebor 150 years prior to the events described in the novel. A group of thirteen dwarves mounted a quest to take the kingdom back, aided by the wizard Gandalf and the hobbit Bilbo Baggins. In The Hobbit, Thorin describes Smaug as "a most specially greedy, strong and wicked worm". The text is set just after Bilbo has stolen a cup from Smaug’s lair for his companions. The dragon is furious and he chases them as they escape through a tunnel. -
Treasures of Middle Earth
T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25 -
Beowulf: the Monsters and the Critics
SIR ISRAEL GOLLANCZ LECTURE 1936 BEOWULF: THE MONSTERS AND THE CRITICS BY J. R. R. TOLKIEN Read 25 November 1936 IN 1864 the Reverend Oswald Cockayne wrote of the Reverend Doctor Joseph Bosworth, Rawlinsonian Professor of Anglo-Saxon: 'I have tried to lend to others the con-viction I have long entertained that Dr. Bosworth is not a man so diligent in his special walk as duly to read the books ... which have been printed in our old English, or so-called Anglosaxon tongue. He may do very well for a professor.'1 These words were inspired by dissatisfaction with Bosworth's dictionary, and were doubtless unfair. If Bosworth were still alive, a modern Cockayne would probably accuse him of not reading the 'literature' of his subject, the books written about the books in the so-called Anglo-Saxon tongue. The original books are nearly buried. Of none is this so true as of The Beowulf, as it used to be called. I have, of course, read The Beowulf, as have most (but not all) of those who have criticized it. But I fear that, unworthy successor and beneficiary of Joseph Bosworth, I have not been a man so diligent in my special walk as duly to read all that has been printed on, or touching on, this poem. But I have read enough, I think, to venture the opinion that Beowulfiana is, while rich in many departments, specially poor in one. It is poor in criticism, criticism that is directed to the understanding of a poem as a poem. -
Mythmoot VI: Dragons!
Mythmoot VI: Dragons! Abstracts for Friday, June 28, 2019 Academic Presentations (10:30 am – 12:00 noon) Main Room The Genetics of Elven Hair Color – Marie Prosser & Ellen S. "[Middle-earth] is only (as yet) an incompletely imagined world, a rudimentary 'secondary'; but if it pleased the Creator to give it (in a corrected form) Reality on any plane, then you would just have to enter it and begin studying its different biology, that is all." J.R.R. Tolkien (Letter 153) While not as contentious a topic as the wingédness of balrogs or the origin of Tom Bombadil, discussions of elven hair color among fans of Tolkien's work have always been surprisingly rampant. Any artist who has represented the elves has been informed by fans (rightly or wrongly) as to what hair color a character ought to have. While we do not seek to definitely answer that question for the elves whose hair color was not described by Tolkien (sorry, Legolas), we would like to explore the genetics of elven hair color using Tolkien's descriptions, his family trees of the elves, and the genetics of Caucasian human hair color as a starting point. Tolkien's hobbit and elven genealogies and descriptions are (perhaps surprisingly) very consistent with the concepts of heredity known to us now with the advent of genetics, with a few uniquely elvish traits such as silver hair (even in children), the mingled silver and gold of Galadriel's hair, and the dark black color of Melian's hair passed down in Lúthien's line. -
Dragon Magazine #171
SPECIAL ATTRACTIONS Issue #171 AD&D Trading Cards Richard Brown Vol. XVI, No. 2 Insert July 1991 A preview of brand-new product, coming to a store near you! Publisher REGULAR FEATURES James M. Ward Guest Editorial Michael A. Stackpole Editor 6 Role-playing and reality: The dividing line is thicker than some people Roger E. Moore think. Whos Who Among Dragons Bruce A. Heard Fiction editor 9 Dragons, too, rule kingdoms in the D&D® Known World. Barbara G. Young Hunting Tanks is Fun and Easy! Thomas M. Kane 13 Dragons, Hellfires, and the LAW: Antitank weapons in the TOP Assistant editor Dale A. Donovan SECRET/S.I. game. The Making of a Monster Matthew Iden Art director 16 If ya wanna play an orc, ya gotta think like an orc. Larry W. Smith Care For a Drink? David W. Montgomery and Jim Milner 20 It can break a siege, end a drought, slay your enemies, and water Production staff your garden. What is it? Gaye OKeefe Angelika Lokotz Tracey Zamagne The MARVEL®-Phile Steven E. Schend 31 Chris Powell needed an edge against crime. He got itand how! Subscriptions The Role of Books John C. Bunnell Janet L. Winters 34 The woman who outsmarted Sherlock Holmes takes on her own murder-mystery adventure. U.S. advertising Roseann Schnering The Voyage of the Princess Ark Bruce A. Heard 39 They dont call it the Savage Coast for nothing. U.K. correspondent The Nature of the Beast Zoe Bell Hurst and U.K. advertising 48 A dozen people have a dozen ways to paint a griffon. -
Copyrightx: Final Examination Spring 2019 Professor William Fisher
CopyrightX: Final Examination Spring 2019 Professor William Fisher Question #1 Dragons have appeared in many stories. Famous dragons include the one guarding the golden fleece in Argonautica (third century BC); the one slain by St. George in The Golden Legend (1260); and the seven-headed dragon who appears in one of the Grimm’s Fairy Tales (1812). Most dragons have been unnamed. An exception is Smaug, the principal villain in J.R.R. Tolkien’s novel, The Hobbit, published in 1937. The passage from the novel in which Smaug is first described is set forth below: There he lay, a vast red-golden dragon, fast asleep; a thrumming came from his jaws and nostrils, and wisps of smoke, but his fires were low in slumber. Beneath him, under all his limbs and his huge coiled tail, and about him on all sides stretching away across the unseen floors, lay countless piles of precious things, gold wrought and un-wrought, gems and jewels, and silver red-stained in the ruddy light. Smaug lay, with wings folded like an immeasurable bat, turned partly on one side, so that the hobbit could see his underparts and his long pale belly crusted with gems and fragments of gold from his long lying on his costly bed. Behind him where the walls were nearest could dimly be seen coats of mail, helms and axes, swords and spears hanging; and there in rows stood great jars and vessels filled with a wealth that could not be guessed.” Unlike most of his predecessors, Smaug has some traits more often associated with humans: intelligence, greed, and vindictiveness. -
Advanced Dungeons & Dragons 5Th Edition (AD&D5E) The
Advanced Dungeons & Dragons 5th edition (AD&D5E) The Orc This product contains optional variant rules for the Orc race in the Dungeons & Dragons 5th Edition game, and is considered official for use in the Advanced Dungeons and Dragons 5th Edition game. Sample file AD&D5E Game Terms The following are some terms and acronyms used and what they mean. Ability Score Adjustment (ASA). Raises the maximum an ability score can be increased to. Ability Score Improvement (ASI). Increases an ability score by the stated amount, but does not raise the maximum the ability score can be increased to. Ability Score Maximum (ASM). The maximum an ability score can be increased naturally. All player character's ability scores have a natural maximum of 20. Racial Ability Score Adjustment (RASA). The ability score adjustment your character receives for being a member of a certain race, subrace, and/or variant options. Racial Ability Score Improvement (RASI). Increases the chosen ability score by the amount given, but does not raise the maximum the ability score can be increased to. Racial Ability Score Maximum (RASM). The maximum an ability score can be increased naturally beyond 20 as a result of your race, subrace, and/or variant options. Customizing Your Race You can use your RASI's to customize your ability scores outside of your race's norm, but your RASM does not deviate from your RASA. Alternative Game Terms While some players may have particular sensitivities or triggers in regards to the term "race" and "subrace", the following alternatives can be used to mean the same thing: Origin = Race, and Lineage = Subrace. -
Nature and Technology: Angelic and Sacrificial Strategies in Tolkien╎s
Marshall University Marshall Digital Scholar English Faculty Research English 1993 Nature and Technology: Angelic and Sacrificial Strategies in Tolkien’s The Lord of the Rings Gwenyth Hood Marshall University, [email protected] Follow this and additional works at: http://mds.marshall.edu/english_faculty Part of the English Language and Literature Commons, and the Rhetoric and Composition Commons Recommended Citation Gwenyth Hood. “Nature and Technology: Angelic and Sacrificial Strategies in Tolkien’s The Lord of the Rings.” Mythlore 74 (1993): 6-12. Print This Article is brought to you for free and open access by the English at Marshall Digital Scholar. It has been accepted for inclusion in English Faculty Research by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. PA.GE6 lSSUE 74 - A.UTUOJN 1993 JVIVTlJLORE ~~® ~C§) T~lli>WJ©1L©XW ANGEl.lC ANO SACRlR.CIAl. STRATEGIES lN TOl.klEN"S Tb€ LoRt:J Of= Tbe RlNGJS GW€NYT1J l)oob olkien is often lightly accused of having a roman to their thoughts the secret fire, being well pleased" tic view of nature, in that he portrays the natural (Silmarillion 15-16). At the Second Music, all created beings environment as an embodiment of goodness, including Melkor, will learn, as Iluvatar says, that "no while technology is evil. Indeed, more than one theme may be played that hath not its uttermost source in critic has seen The Lord of the Rings as an attack on modem me" (Silmarillion 17). science and technology. This view is more commonly However, this Second Music lies in the distant future. -
Tolkien's Japonisme: Prints, Dragons, and a Great Wave
University of Wollongong Research Online Deputy Vice-Chancellor (Academic) - Papers Deputy Vice-Chancellor (Academic) 2013 Tolkien’s Japonisme: Prints, Dragons, and a Great Wave Michael Organ University of Wollongong, [email protected] Publication Details Organ, M. 2013, 'Tolkien’s Japonisme: Prints, Dragons, and a Great Wave', Tolkein Studies, vol. 10, pp. 105-122. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Tolkien’s Japonisme: Prints, Dragons, and a Great Wave Abstract The original September 1937 George Allen & Unwin edition of The oH bbit features artwork by J.R.R. Tolkien along with an accompanying dust jacket. This latter work is a modern, stylized graphic design composed of a not entirely symmetrical view of a Middle-earth landscape (night to the left, day to the right), with the Lonely Mountain rising in the distant center, flanked by steeply sloped, snow-covered Misty Mountains and in the foreground Mirkwood’s dense, impenetrable forests. Additional features include a crescent moon, the sun, a dragon, eagles, a lake village, and a rapier-like path—a straight road— heading toward a darkened, megalithic trapezoidal door at the base of the mountain.1 The runes which form the border read: “The oH bbit or There and Back Again, being the record of a year’s journey made by Bilbo Baggins; compiled from his memoirs by J.R.R. Tolkien and published by George Allen & Unwin.” Keywords japonisme, prints, dragons, tolkien, great, wave Disciplines Arts and Humanities | Social and Behavioral Sciences Publication Details Organ, M. -
The Five Shires Are D&D® Game Players Will Need to Bring a Are Also Sensitive to the Needs of Other Almost Entirely (96 Percent) Halfling
Player's Booklet FiV€ by Ed Greenwood ff VOgfH?WW «W5W»»SJ Table of Contents Introduction 2 The People 2 Clans 6 Government & Justice In The Shires 9 Language 11 Of The Telling of Tales 13 Music of the Halflings 15 Of Pipesmoke 16 Home 17 Money & Hade 18 High-Level Halfling Characters 19 The Master: A Halfling Sub-Class 19 Credits: Design: Ed Greenwood DUNGEONS & DRAGONS, and D&D are registered Editing: John Fitzgerald trademarks owned by TSR, Inc. Product Manager: Bruce Heard SamplePRODUCT fileS OF YOUR IMAGINATION and the TSR logo are Coordinators: Bruce Heard, Karen S. Boomgarden trademarks owned by TSR, Inc. Cover Artist: Clyde Caldwell Distributed to the book trade in the United States by Random Interior Artist: Artie Ruiz House, Inc., and in Canada by Random House of Canada, Ltd. Graphic Design: Stephanie Tabat, Dave Sutherland, and Distributed to the toy and hobby trade by regional distributors. Dennis Kauth Distributed in the United Kingdom by TSR UK Ltd. Cartography: Dave Sutherland, Dennis Kauth, and , , . , , c p . • This module is protected under the copyright laws of the United „ u n ci States of America. Any reproduction or other unauthorized use 1 ypography: Betty fclmore of the wrkten matcria] or artwork herein is prohibited without the express written permission of TSR, Inc. Dedication This one's for Grandma and Aunt Clara. See? There still are magic kingdoms. ®1988 TSR, Inc. All Rights Reserved. Printed in U.S.A. TSR Inc. TSR UK Ltd. POB 756 The Mill, Rathmore Road Lake Geneva, Cambridge CB14AD WI 53147 USA United Kingdom ISBN 0-88038-592-8 9232 iNtRODUCtiON Welcome to the Players Guide To The about it; just run off and have fun.