Chapter 2. I Thank Columbia University Press for Granting Permission to Quote Yang 1945:90, a Chinese Village
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Collecting Karamono Kodō 唐物古銅 in Meiji Japan: Archaistic Chinese Bronzes in the Chiossone Museum, Genoa, Italy
Transcultural Perspectives 4/2020 - 1 Gonatella Failla "ollecting karamono kod( 唐物古銅 in Mei3i Japan: Archaistic Chinese 4ronzes in the Chiossone Museum, Genoa, Ital* Introduction public in the special e>hibition 7ood for the The Museum of Oriental Art, enoa, holds the Ancestors, 7lo#ers for the ods: Transformations of !apanese and Chinese art collections #hich Edoardo Archaistic 4ronzes in China and !apan01 The e>hibits Chiossone % enoa 1833-T()*( 1898) -athered during #ere organised in 5ve main cate-ories: archaistic his t#enty-three-year sta* in !apan, from !anuary copies and imitations of archaic ritual 2ronzes; 1875 until his death in April 1898. A distinguished 4uddhist ritual altar sets in archaistic styleC )aramono professor of design and engraving techniques, )od( hanaike, i.e0 Chinese @o#er 2ronzes collected in Chiossone #as hired 2* the Meiji -overnment to !apan; Chinese 2ronzes for the scholar’s studioC install modern machinery and esta2lish industrial !apan’s reinvention of Chinese archaismB 2ronze and production procedures at the Imperial Printing iron for chanoyu %tea ceremony), for 2unjincha %tea of 4ureau, T()*(, to instruct the youn- -eneration of the literati,, and for @o#er arrangement in the formal designers and engravers, and to produce securit* rik)a style0 printed products such as 2anknotes, state 2ond 4esides documenting the a-es-old, multifaceted certificates, monopoly and posta-e stamps. He #as interest of China in its o#n antiquit* and its unceasing #ell-)no#n also as a portraitist of contemporaneous revivals, the Chiossone 2ronze collection attests to historic 5-ures, most nota2ly Philipp-7ranz von the !apanese tradition of -athering Chinese 2ronzes 9ie2old %1796-1866, and Emperor Meiji %1852-1912, r. -
Appendix 2. Co-Investigators (Members of the China Kadoorie Biobank Collaborative Group)
Appendix 2. Co-investigators (Members of the China Kadoorie Biobank collaborative group) Name Location Role Contribution Rory Collins, MBBS, University of Oxford, Oxford, International Steering Study design and MSc UK Committee coordination Richard Peto, MD, University of Oxford, Oxford, International Steering Study design and MSc UK Committee coordination Robert Clarke, MD, University of Oxford, Oxford, International Steering Study design and MSc UK Committee coordination Robin Walters, PhD University of Oxford, Oxford, International Steering Study design and UK Committee coordination Xiao Han, BSc Chinese Academy of Medical Member of National Co- Data cleaning, verification, Sciences, Beijing, China ordinating Centre, Beijing and coordination Can Hou, BSc Chinese Academy of Medical Member of National Co- Data cleaning, verification, Sciences, Beijing, China ordinating Centre, Beijing and coordination Biao Jing, BSc Chinese Academy of Medical Member of National Co- Data cleaning, verification, Sciences, Beijing, China ordinating Centre, Beijing and coordination Chao Liu, BSc Chinese Academy of Medical Member of National Co- Data cleaning, verification, Sciences, Beijing, China ordinating Centre, Beijing and coordination Pei Pei, BSc Chinese Academy of Medical Member of National Co- Data cleaning, verification, Sciences, Beijing, China ordinating Centre, Beijing and coordination Yunlong Tan, BSc Chinese Academy of Medical Member of National Co- Data cleaning, verification, Sciences, Beijing, China ordinating Centre, Beijing and coordination -
Qingdao Port International Co., Ltd. 青島港國際股份有限公司
Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this announcement, make no representation as to its accuracy or completeness, and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this announcement. Qingdao Port International Co., Ltd. 青 島 港 國 際 股 份 有 限 公 司 (A joint stock company established in the People’s Republic of China with limited liability) (Stock Code: 06198) VOLUNTARY ANNOUNCEMENT UPDATE ON THE PHASE III OF OIL PIPELINE PROJECT This is a voluntary announcement made by Qingdao Port International Co., Ltd. (the “Company”, together with its subsidiaries, the “Group”). Reference is made to the voluntary announcement of the Company dated 28 December 2018, in relation to the groundbreaking ceremony for the phase III of the Dongjiakou Port-Weifang-Central and Northern Shandong oil pipeline construction project (the “Phase III of Oil Pipeline Project”). The Phase III of Oil Pipeline Project was put into trial operation on 8 January 2020. As of the date of this announcement, the Dongjiakou Port-Weifang-Central and Northern Shandong oil pipeline has extended to Dongying City in the north, opening the “Golden Channel” of crude oil industry chain from the Yellow Sea to the Bohai Bay. SUMMARY OF THE PHASE III OF OIL PIPELINE PROJECT The Phase III of Oil Pipeline Project is the key project for the transformation of old and new energy in Shandong Province, and the key construction project of the Group. -
Standardization of Chinese Local History Compilations
Submitted on: 11.09.2019 Title of the Satellite Meeting: Local History and Genealogy Satellite Meeting 2019 Date: 21-22 August 2019 Location: University library “Svetozar Marković”, Belgrade, Serbia Standardization of Chinese Local History Compilations Qiu Xinli [email protected] Zhou Youngjin [email protected] Copyright © 2019 by Qiu Xinli and Zhou Youngjin. This work is made available under the terms of the Creative Commons Attribution 4.0 International License: http://creativecommons.org/licenses/by/4.0 Abstract: There is a close racial relationship between Taiwan’s aborigines and New Zealand’s Māori people. During process of immigration from Taiwan to New Zealand, revealing the two races connected. Through evidence of the words “Genealogy”, “Whakapapa” “Family Chronicles” which have similarity but also differences. The language differences existed but in what extent the differences are. The major objective of this study is to compare the differences among these concepts of whakapapa, genealogy and family chronicles to explore the meanings beyond these three words. Authors retrieved Māori and related literature to find out the differences. The difficulties came from that aborigines did not have archives or written records of the history. However, there are not sufficient information available. With limited information, authors extract valuable concept worth further exploration. Authors suggest that public libraries of these two area should systematically collect related information. The other suggestion is to produce oral history of local aborigines in order to maintain the language heritage and cultural development. Keywords: Traditional Chinese Historiography, Local History, Chinese Local Chronicle, Standardized Management I. Introduction The archaeological ruins of Liangzhu City in Hangzhou, China, was officially included on the World Heritage List at the 43rd World Heritage Conference held in Baku, Azerbaijani, on July 6, 2019. -
PB the Walls of Utopia
Gao Brothers, The Utopia of Construction n°5 (2014), c-print, 150x150cm Between the Walls of Utopia Gao Brothers ● solotentoonstelling Vernissage vrijdag 11 september 2015, 17u - 21u Expositie van 12 september tot en met 29 november 2015 open van donderdag tot zondag, 10u - 19u rue des renards/vossenstraat 28 • 1000 brussels • belgium 中国上海市万航渡路 733 号 / 733 wanhangdu road • shanghai 200040 • china +32 2 502 40 58 • [email protected] ifa-gallery.com Between the Walls of Utopia "Between the Walls of Utopia" is de eerste solotentoonstelling in Brussel van het gerenommeerde kunstenaarsduo de Gao Brothers (Gao Zhen & Gao Qiang). Ze worden internationaal geprezen. Vertrekkende vanuit het Chinese voobeeld plaatsen ze al meer dan twee decennia vraagtekens bij de positie van de mens in de hedendaagse samenleving om zo tot een universeel standpunt te komen. Hun eerste belangrijke installatie in een reeks van gewaagde werken was te zien op “China/Avant-Garde” (National Gallery of Beijing) in 1989. Deze tentoonstelling was van grote betekenis voor de Chinese hedendaagse kunst. Hun sociale en artistieke betrokkenheid tijdens de demonstraties op het Tiananmen-plein kostte hen hun paspoort gedurende meerdere jaren. De Gao Brothers hebben inderdaad een aandeel in de kritische getuigenissen op de Chinese samenleving. Dit uiten ze in hun kunst via verscheidene media zoals fotografie, video, schilder- en beeldhouwkunst, theater, performances, kritische essays en zelfs via hun rol als curatoren en het organiseren van tentoonstellingen met andere artiesten. De Culturele Revolutie (1966-1976) had tragische gevolgen voor hun familie. Ze streven dan ook naar een grotere vrijheid van meningsuiting. Dit is het zichtbaarst in hun reeks politieke schilderijen en sculpturen, zoals de groteske Miss Mao of de Executie van Christus door een Mao Zedong regiment. -
Summary of Mass Lead Poisoning Incidents
Summary of Mass Lead Poisoning Incidents Lead has been used for thousands of years in products including paints, gasoline, cosmetics, and even children’s toys, but lead battery production is by far the largest consumer of lead. Although chronic exposures to lead affect both children and adults, there have also been many reports of localized mass acute lead poisonings. Below we outline some of the largest lead poisoning incidents related to the manufacturing and recycling of lead batteries that have been reported since 1987. Shanghai, China 2011 Twenty-five children living in Kanghua New Village were found to have elevated blood lead levels. At least ten of these children were hospitalized for treatment. As a result, the Shanghai Environmental Protection Bureau shut down two factories for additional investigations that are reportedly located approximately 700 meters away from the village. One of the two factories was a lead battery manufacturing plant operated by the U.S. company, Johnson Controls. The other, Shanghai Xinmingyuan Automobile Accessory Co., made lead-containing wheel weights. Jiangsu Province, China 2011 One-third of the employees at Taiwanese-owned Changzhou Ri Cun Battery Technology Company in eastern Jiangsu province were found with elevated BLLs between 28- 48ug/dL. All employees of the lead battery plant were tested after a pregnant employee discovered through testing her BLL was twice the level of concern. Production at the factory was temporarily suspended. Yangxunqiao, Zhejiang Province, China 2011 More than 600 people (including 103 children) working in and living around a cluster of aluminum foil fabricating workshops were found with excessive blood lead levels (BLLs). -
Ceramic's Influence on Chinese Bronze Development
Ceramic’s Influence on Chinese Bronze Development Behzad Bavarian and Lisa Reiner Dept. of MSEM College of Engineering and Computer Science September 2007 Photos on cover page Jue from late Shang period decorated with Painted clay gang with bird, fish and axe whorl and thunder patterns and taotie design from the Neolithic Yangshao creatures, H: 20.3 cm [34]. culture, H: 47 cm [14]. Flat-based jue from early Shang culture Pou vessel from late Shang period decorated decorated with taotie beasts. This vessel with taotie creatures and thunder patterns, H: is characteristic of the Erligang period, 24.5 cm [34]. H: 14 cm [34]. ii Table of Contents Abstract Approximate timeline 1 Introduction 2 Map of Chinese Provinces 3 Neolithic culture 4 Bronze Development 10 Clay Mold Production at Houma Foundry 15 Coins 16 Mining and Smelting at Tonglushan 18 China’s First Emperor 19 Conclusion 21 References 22 iii The transition from the Neolithic pottery making to the emergence of metalworking around 2000 BC held significant importance for the Chinese metal workers. Chinese techniques sharply contrasted with the Middle Eastern and European bronze development that relied on annealing, cold working and hammering. The bronze alloys were difficult to shape by hammering due to the alloy combination of the natural ores found in China. Furthermore, China had an abundance of clay and loess materials and the Chinese had spent the Neolithic period working with and mastering clay, to the point that it has been said that bronze casting was made possible only because the bronze makers had access to superior ceramic technology. -
Social Complexity in North China During the Early Bronze Age: a Comparative Study of the Erlitou and Lower Xiajiadian Cultures
Social Complexity in North China during the Early Bronze Age: A Comparative Study of the Erlitou and Lower Xiajiadian Cultures GIDEON SHELACH ACCORDING TO TRADITIONAL Chinese historiography, the earliest Chinese state was the Xia dynasty (twenty-first-seventeenth centuries B.C.), which was lo cated in the Zhongyuan area (the Central Plain). The traditional viewpoint also relates that, over the next two millennia, complex societies emerged in other parts of present-day China through the process of political expansion and cul tural diffusion from the Zhongyuan. Some scholars recently have challenged this model because it is unilinear and does not allow for significant contributions to the emergence of social compleXity from areas outside the Zhongyuan. Recent syntheses usually view the archaeological landscape of the late Neolithic Period (the second half of the third millennium B.C.) as a mosaic of cultures of compar able social complexity that interacted and influenced each other (Chang 1986; Tong 1981). Nevertheless, when dealing with the Early Bronze Age, the period identified with the Xia dynasty, most archaeologists still accept the main premises of the traditional model. They regard the culture or cultures of the Zhongyuan as the most developed and see intercultural interaction as occurring, if at all, only within the boundaries of that area. One of the most heated debates among Chinese archaeologists in recent years has been over the archaeological identification of the Xia dynasty. The partici pants in this debate accept the authenticity of the historical documents, most of which were written more than a thousand years after the events, and try to cor relate names of historical places and peoples to known archaeological sites and cultures. -
Chinese Ritual Bronzes: Meaning and Explanation,"Lqoi.Com
ChineseRitual Bronzes: The pqrplexitvgf vesselgr4a{nentation ffiffi ChadMorris ANTH 445-A1A: Technologyof Cultural Materials- Metals Prof.C. Reedy 10 December2002 Monis 1 ene of the great artistic achievemenfsof fhe makersof ancient Chinesebronzes was the feat of binging togetherthe sfrapeof a vessel,which the artisanwas not free to choose,and an abstractanimal fonn, which wasgovemed by its symbolic, perhaps even magic significance...without"subiecting one element ta the uncompromisingexpressiveness of fhe other.' Thus beginsa 1965essay by Eleanorvon Erdberg. In this statement,she has summatedthe entireworld of Chinesebronze ritual vessels, calling attention to boththe strict parametersof vesselform and the mysteryof vesselomamentation. Through much study it has beenfound that, in ancientChina, vessel form was restrictedby functionality.The studyof their ornamentation,houever, has been,since the beginnlngsof regearchof Chinesebronze, a perplexingguestion burning in the mindsof thoseconcerned with the significanceof these bronzesin China'svast history. Thereforethe questionof the intrinsicvalue and implicationsof the ornamentationof Chineseritual bronze vessels in ancientChinese ociety shallbe the focus of this paper. The originsand meaningsof the ornamentationon Chinesebronze ritualvessels have beenspeculated about at leastsince the SongDynasty; houever, the originsof bronze metallurgyin Chinahave only recentlybegun to be understood.lt has beentheorized for many yearsthat bronze-workingtechnology in Chinahad beenintroduced from an outsideculture such as Siberiaor West or $outhemAsia. Recentevidence and study,though, has createda much strongerargument for the independentdevelopment of this technologyin the fairly isolated HuangheBasin. The earliestexample of metaluse in Chinahas comein the form of h^/ocopper pendants.These were discovered in 1955,and have beenattributed to the LongshanCulture of presentdayHunan Province, dating to about40@ yearsago. Bothare unadorned,have a hole at one end and lrreremost likely worn as ornamentg. -
Originally, the Descendants of Hua Xia Were Not the Descendants of Yan Huang
E-Leader Brno 2019 Originally, the Descendants of Hua Xia were not the Descendants of Yan Huang Soleilmavis Liu, Activist Peacepink, Yantai, Shandong, China Many Chinese people claimed that they are descendants of Yan Huang, while claiming that they are descendants of Hua Xia. (Yan refers to Yan Di, Huang refers to Huang Di and Xia refers to the Xia Dynasty). Are these true or false? We will find out from Shanhaijing ’s records and modern archaeological discoveries. Abstract Shanhaijing (Classic of Mountains and Seas ) records many ancient groups of people in Neolithic China. The five biggest were: Yan Di, Huang Di, Zhuan Xu, Di Jun and Shao Hao. These were not only the names of groups, but also the names of individuals, who were regarded by many groups as common male ancestors. These groups first lived in the Pamirs Plateau, soon gathered in the north of the Tibetan Plateau and west of the Qinghai Lake and learned from each other advanced sciences and technologies, later spread out to other places of China and built their unique ancient cultures during the Neolithic Age. The Yan Di’s offspring spread out to the west of the Taklamakan Desert;The Huang Di’s offspring spread out to the north of the Chishui River, Tianshan Mountains and further northern and northeastern areas;The Di Jun’s and Shao Hao’s offspring spread out to the middle and lower reaches of the Yellow River, where the Di Jun’s offspring lived in the west of the Shao Hao’s territories, which were near the sea or in the Shandong Peninsula.Modern archaeological discoveries have revealed the authenticity of Shanhaijing ’s records. -
The Late Northern Dynasties Buddhist Statues at Qingzhou and the Qingzhou Style
The Late Northern Dynasties Buddhist Statues at Qingzhou and the Qingzhou Style Liu Fengjun Keywords: late Northern Dynasties Qingzhou area Buddhist statues Qingzhou style In recent years fragmentary Buddhist statues have been Northern Qi period. (3) In the winter of 1979, 40 small frequently unearthed in large numbers in Qingzhou 青州 and large fragmentary statues and some lotus socles were and the surrounding area, including Boxing 博兴, discovered at the Xingguo Temple 兴国寺 site in Gaoqing 高青, Wudi 无棣, Linqu 临朐, Zhucheng 诸 Qingzhou, mainly produced between the end of North- 城, and Qingdao 青岛. Especially notable are the large ern Wei and Northern Qi period. There were also two quantities of statues at the site of the Longxing Temple Buddha head sculptures of the Sui and Tang periods. (4) 龙兴寺 at Qingzhou. The discovery of these statues drew In the 1970s, seven stone statues were discovered at great attention from academic circles. The significance He’an 何庵 Village, Wudi County. Four of them bear of these statues is manifold. I merely intend to under take Northern Qi dates. (5) In November 1987, one single a tentative study of the causes and date of the destruction round Bodhisattva stone sculpture of the Eastern Wei of the Buddhist statues and of the artistic features of the period and one round Buddhist stone sculpture of the Qingzhou style statues. Northern Qi period were discovered on the South Road of Qingzhou. Both works were painted colorfully and I. Fragmentary Buddhist Statues of the Late partly gilt. They were preserved intact and remained Northern Dynasties Unearthed in the Qingzhou Area colorful. -
Adaptation and Invention During the Spread of Agriculture to Southwest China
Adaptation and Invention during the Spread of Agriculture to Southwest China The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation D'Alpoim Guedes, Jade. 2013. Adaptation and Invention during the Spread of Agriculture to Southwest China. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:11002762 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Adaptation and Invention during the Spread of Agriculture to Southwest China A dissertation presented by Jade D’Alpoim Guedes to The Department of Anthropology in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Anthropology Harvard University Cambridge, Massachusetts March 2013 © 2013 – Jade D‘Alpoim Guedes All rights reserved Professor Rowan Flad (Advisor) Jade D’Alpoim Guedes Adaptation and Invention during the Spread of Agriculture to Southwest China Abstract The spread of an agricultural lifestyle played a crucial role in the development of social complexity and in defining trajectories of human history. This dissertation presents the results of research into how agricultural strategies were modified during the spread of agriculture into Southwest China. By incorporating advances from the fields of plant biology and ecological niche modeling into archaeological research, this dissertation addresses how humans adapted their agricultural strategies or invented appropriate technologies to deal with the challenges presented by the myriad of ecological niches in southwest China.