Graduate Student Handbook
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Neuroscience 2013 SEE YOU IN San Diego November 9 – 13, 2013 Join the Society for Neuroscience Are you an SfN member? Join now and save on annual meeting registration. You’ll also enjoy these member-only benefits: • Abstract submission — only SfN members can submit abstracts for the annual meeting • Lower registration rates and more housing choices for the annual meeting • The Journal of Neuroscience — access The Journal online and receive a discounted subscription on the print version • Free essential color charges for The Journal of Neuroscience manuscripts, when first and last authors are members • Free online access to the European Journal of Neuroscience • Premium services on NeuroJobs, SfN’s online career resource • Member newsletters, including Neuroscience Quarterly and Nexus If you are not a member or let your membership lapse, there’s never been a better time to join or renew. Visit www.sfn.org/joinnow and start receiving your member benefits today. www.sfn.org/joinnow membership_full_page_ad.indd 1 1/25/10 2:27:58 PM The #1 Cited Journal in Neuroscience* Read The Journal of Neuroscience every week to keep up on what’s happening in the field. s4HENUMBERONECITEDJOURNAL INNEUROSCIENCE s4HEMOSTNEUROSCIENCEARTICLES PUBLISHEDEACHYEARNEARLY in 2011 s )MPACTFACTOR s 0UBLISHEDTIMESAYEAR ,EARNMOREABOUTMEMBERAND INSTITUTIONALSUBSCRIPTIONSAT *.EUROSCIORGSUBSCRIPTIONS *ISI Journal Citation Reports, 2011 The Journal of Neuroscience 4HE/FlCIAL*OURNALOFTHE3OCIETYFOR.EUROSCIENCE THE HISTORY OF NEUROSCIENCE IN AUTOBIOGRAPHY THE LIVES AND DISCOVERIES OF EMINENT SENIOR NEUROSCIENTISTS CAPTURED IN AUTOBIOGRAPHICAL BOOKS AND VIDEOS The History of Neuroscience in Autobiography Series Edited by Larry R. Squire Outstanding neuroscientists tell the stories of their scientific work in this fascinating series of autobiographical essays. -
Cognitive Psychology
COGNITIVE PSYCHOLOGY PSYCH 126 Acknowledgements College of the Canyons would like to extend appreciation to the following people and organizations for allowing this textbook to be created: California Community Colleges Chancellor’s Office Chancellor Diane Van Hook Santa Clarita Community College District College of the Canyons Distance Learning Office In providing content for this textbook, the following professionals were invaluable: Mehgan Andrade, who was the major contributor and compiler of this work and Neil Walker, without whose help the book could not have been completed. Special Thank You to Trudi Radtke for editing, formatting, readability, and aesthetics. The contents of this textbook were developed under the Title V grant from the Department of Education (Award #P031S140092). However, those contents do not necessarily represent the policy of the Department of Education, and you should not assume endorsement by the Federal Government. Unless otherwise noted, the content in this textbook is licensed under CC BY 4.0 Table of Contents Psychology .................................................................................................................................................... 1 126 ................................................................................................................................................................ 1 Chapter 1 - History of Cognitive Psychology ............................................................................................. 7 Definition of Cognitive Psychology -
Major Issues in the Study of Visual Search: Part 2 of “40 Years of Feature Integration: Special Issue in Memory of Anne Treisman”
Attention, Perception, & Psychophysics (2020) 82:383–393 https://doi.org/10.3758/s13414-020-02022-1 Major issues in the study of visual search: Part 2 of “40 Years of Feature Integration: Special Issue in Memory of Anne Treisman” Jeremy M Wolfe1,2 Published online: 10 April 2020 # The Psychonomic Society, Inc. 2020 When we announced a special issue of Attention Feature search Perception and Psychophysics to mark the 40th anniversa- ry of Feature Integration Theory (A. Treisman & Gelade, One of the pillars of Treisman’s Feature Integration Theory 1980), we might have been getting a bit ahead of our- (FIT) was the idea that a limited set of basic features were selves. It was 2018 and Treisman’s seminal paper had processed in parallel, across the visual field or, at least, across come out in 1980. In the end, our timing was perfect. large swathes of the field in a single step. The classic evidence Here it is, 2020, and here we offer up the second part of for this was that the slopes of RT x set size functions were near “40 Years of Feature Integration: Special Issue in Memory zero for simple feature searches. Earlier models (including of Anne Treisman”. The choice to put a paper in the first versions of my Guided Search model (Wolfe, 1994; Wolfe, or second issue was driven by acceptance date, rather Cave, & Franzel, 1989) tended to treat this feature processing than, for example, topic. Thus, many topics appear in both step as essentially instantaneous and undifferentiated across issues. Within this second issue, papers are organized tasks. -
Memory-Modulation: Self-Improvement Or Self-Depletion?
HYPOTHESIS AND THEORY published: 05 April 2018 doi: 10.3389/fpsyg.2018.00469 Memory-Modulation: Self-Improvement or Self-Depletion? Andrea Lavazza* Neuroethics, Centro Universitario Internazionale, Arezzo, Italy Autobiographical memory is fundamental to the process of self-construction. Therefore, the possibility of modifying autobiographical memories, in particular with memory-modulation and memory-erasing, is a very important topic both from the theoretical and from the practical point of view. The aim of this paper is to illustrate the state of the art of some of the most promising areas of memory-modulation and memory-erasing, considering how they can affect the self and the overall balance of the “self and autobiographical memory” system. Indeed, different conceptualizations of the self and of personal identity in relation to autobiographical memory are what makes memory-modulation and memory-erasing more or less desirable. Because of the current limitations (both practical and ethical) to interventions on memory, I can Edited by: only sketch some hypotheses. However, it can be argued that the choice to mitigate Rossella Guerini, painful memories (or edit memories for other reasons) is somehow problematic, from an Università degli Studi Roma Tre, Italy ethical point of view, according to some of the theories of the self and personal identity Reviewed by: in relation to autobiographical memory, in particular for the so-called narrative theories Tillmann Vierkant, University of Edinburgh, of personal identity, chosen here as the main case of study. Other conceptualizations of United Kingdom the “self and autobiographical memory” system, namely the constructivist theories, do Antonella Marchetti, Università Cattolica del Sacro Cuore, not have this sort of critical concerns. -
Concert Brian Lee, Piano Riverside Recital Hall 7:30 P.M
U N I V E R S I T Y O F I O W A S C H O O L of M U S I C UPCOMING EVENTS TROMBONE CHOIR .........................................................................................March 11, 2015 at 7:30 p.m. Riverside Recital Hall FACULTY/GUEST ARTIST..............................................................................March 23, 2015 at 7:30 p.m. Daniel Shapiro and Uriel Tsachor, piano Riverside Recital Hall Center for New Music SYMPHONY ORCHESTRA ..............................................................................March 25, 2015 at 7:30 p.m. Dr. William LaRue Jones, conductor IMU Main Lounge GUEST ARTIST ...................................................................................................March 26, 2015 at 7:30 p.m. Concert Brian Lee, piano Riverside Recital Hall 7:30 p.m. Tuesday, March 10, 2015 GUEST ARTIST ...................................................................................................March 27, 2015 at 7:30 p.m. Frank Almond, violin Riverside Recital Hall Riverside Recital Hall GUEST ARTIST ...................................................................................................March 27, 2015 at 7:30 p.m. David Gompper David Werden, euphonium UCC Recital Hall Center for New Music director A LITTLE LUNCH MUSIC .............................................................................March 27, 2015 at 12:00 p.m. UCC Breakroom Season 49 Concert XII PERCUSSION SPECTACULAR .......................................................................March 29, 2015 at 3:00 p.m. Riverside -
The Mind's Storehouse
Lesson 12 (Memory) The Mind’s Storehouse Assignments Reading: Chapter 9, “Memory” in Psychology by David Myers (Modules 24, 25, 26, 27, and 28 in the modular version of Psychology) Video: Episode 12, “The Mind’s Storehouse” LEARNING OUTCOMES Familiarize yourself with the Learning Outcomes for this Storage: Retaining Information lesson before you begin the assignments. Return to them (Module 26) to check your learning after completing the Steps to Learning Success. Careful work on these materials should 8. Compare the capacity and duration of storage for equip you to accomplish the outcomes. iconic and echoic sensory memory, short-term memory, and long-term memory, and describe the The Phenomenon of Memory relationship between these processes. (Module 24) 9. Summarize evidence relating memory to neural processes, brain areas, and hormones. 1. Describe examples and cases that illustrate the extremes of memory and forgetting. 10. Describe and compare implicit and explicit memory, and offer examples of each. 2. Explain encoding, storage, and retrieval and discuss the relationships among these processes. Retrieval: Getting Information Out 3. Summarize the basic features of the three-stage (Module 27) information processing model developed by Atkinson and Shiffrin. 11. Distinguish between recall, recognition, and relearn- ing tests of memory, and provide examples of each. Encoding: Getting Information In 12. Identify and discuss retrieval cues, context effects, (Module 25) and state-dependent and mood-congruent memory. 13. List and explain the mechanisms involved in for- 4. Distinguish between automatic and effortful informa- getting, providing examples and evidence for each. tion processing, and provide examples of each. 5. -
Acknowledgment of Contributors and Patron Members President's Circle
Acknowledgment of Contributors and Patron Members The Board of Directors gratefully acknowledges the individuals and organizations whose commitment to AAAS has sustained our activities to advance science in the service of society and supported new activities in 2009. Lifetime Giving Society The Lifetime Giving Society recognizes our most generous donors—individuals who have contributed a cumulative total of $100,000 or more during the course of their involvement with AAAS. Philip H. and Neva Abelson* Fred Kavli The Roger & Ellen Revelle David E. Shaw & Esther Hoffman Beller* Daniel E. Koshland, Jr.* Family Beth Kobliner Shaw William T. Golden* Alan I. & Agnes Leshner Edgar J. Saltsman* Martin L. & Rose Wachtel* Caryl & Edna Haskins* Edith D. Neimark President’s Circle Individuals who made significant pledges and contributions to sustain our most timely and important activities in 2009 are highlighted here as members of the President’s Circle, a new initiative to recognize our top donors each year. $50,000 and above $1,000 - $2,499 Paul H. Klingbiel Anonymous (3) William A. Lester, Jr. Karen Artzt Robert & Margaret Hazen Peter Agre Carol B. Lynch Charles W. Axten Fred Kavli Gary K. Beauchamp J. Howard Marshall III Mary C. Barber Alan I. & Agnes Leshner Bernard Becker Richard J. Massey Steven J. Battel David E. Shaw & Nicholas A. Begovich Walter & Shirley Massey Gordon T. Beaham Beth Kobliner Shaw Monica M. & E. James Bradford Richard A. Meserve Edward C. Bessey Edward C. Brady $25,000 - $49,999 Ronald D. Miller Margaret B. Binette Andrew L. Brill Ernest J. Moniz Herman Birch Bruce M. & Betty Alberts Jean B. -
Four Hours a Day.”
Notes & Additional Resources - Focus & Excellence “How we deploy our attention determines what we see,” Anne Treisman – Prof. Princeton University “Information consumes the attention of its recipients, therefore a wealth of information creates a poverty of attention,” Herbert Simon, Nobel economist… A poverty of attention results in a lack of focus, and thus diluted excellence. “Mind’s Limit Found: 4 Things at Once,” Clara Moskowitz LiveScience, April 27, 2008 “The most precious resource in a computer system is no longer its processor, memory, disk or network, but rather human attention,” Carnegie Mellon University researchers David Garlan et al., Pervasive Computing, 2002 “About half of a humans thoughts are daydreams,” Eric Klinger Handbook of Imagination and Mental Stimulation, 2009 “Imagination is more important than knowledge,” Albert Einstein What Life Means to Einstein, 1929 “Perhaps we should consider that when our thoughts wander, rather than wandering away from what counts, we may be wandering toward something of value,” Kalina Christoff Brain Research, 2012 “Benefits come from adjusting your execution over and over to get closer to your goal, rather than mechanical repetition,” Anders Ericsson Florida State University on the 10,000 hour rule of thumb. “You have to continuously tweak, allowing for more errors at first. Also, focused attention gets fatigued and as such world-class competitors in any discipline typically limit arduous practice to no more than about four hours a day.” Trent Leopold [email protected] Suggested Additional Resources – • Daniel Goleman, FOCUS The Hidden Driver of Excellence. New York: HarperCollins, 2013. • Thomas Davenport and John Beck, The Attention Economy: Understanding the New Currency of Business. -
Regen-Kanon" (Sphären, IV)
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2011 Sound image and organic form in Höller's "Regen-Kanon" (Sphären, IV). Adriana Guzman 1977- University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Guzman, Adriana 1977-, "Sound image and organic form in Höller's "Regen-Kanon" (Sphären, IV)." (2011). Electronic Theses and Dissertations. Paper 551. https://doi.org/10.18297/etd/551 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. SOUND IMAGE AND ORGANIC FORM IN HOLLER'S "REGEN-KANON" (SPHAREN, IV) By Adriana Guzman B.S., Pontificia Universidad Javeriana, 2003 A Thesis Submitted to the Faculty of the School of Music of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Music Division of Music Theory and Composition School of Music University of Louisville Louisville, Kentucky May 2011 Copyright 2011 by Adriana Guzman All rights reserved SOUND IMAGE AND ORGANIC FORM IN HOLLER'S "REGEN-KANON" (SPHAREN, IV) By Adriana Guzman B.S., Pontificia Universidad Javeriana, 2003 A Thesis Approved on April 21, 2011 By the following Thesis Committee: Thesis (rl)irector ii DEDICATION This thesis is dedicated to my parents Maria Doris Umana And Hernan Guzman PIes ted Who have given me invaluable support and love. -
An Analysis of the Lost Art of Letter Writing By
u. 0 >> ~.X 1-tu ., 0 (j) z :I 0 a:o ~ m L'\J >- G :!! (/) c: ... z o a :l 0 a:: UNIVERSITY OF SYDNEY Con Music Rare Book Q 784.272 0281 1 Thesis An analysis of "The Lost art of letter writing" by Brett Dean THE UNIVERSITY OF SYDNEY COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51(2) of the Copyright Act permits an authorised officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorised officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author's moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author's reputation For further information contact the University's Director of Copyright Services sydney.edu.au/copyright AN ANALYSIS OF 'THE LOST ART OF LETTER WRITING' BY BRETT DEAN Clare Miller A thesis submitted in partial fulfilment of requirements for the degree of Master of Music (Music Performance) Sydney Conservatorium of Music University of Sydney 2010 II I declare that the research presented here is my own original work and has not been submitted to any other institution for the award of a degree. -
New Music Festival November 5-9, 2018
University of Louisville School of Music Presents the Annual New Music Festival November 5-9, 2018 FEATURED GUEST COMPOSER Amy Williams GUEST ARTISTS Sam Pluta Elysian Trombone Consort A/Tonal Ensemble New Music Festival November 5-9, 2018 Amy Williams featured composer Table of Contents Greetings From Dr. Christopher Doane, Dean of the School of Music 3 Biography Amy Williams, Featured Composer 5 Sunday, November 4 Morton Feldman: His Life & Works Program 6 Monday, November 5 Faculty Chamber Music Program 10 Tuesday, November 6 Electronic Music Program 18 Wednesday, November 7 University Symphony Orchestra Program 22 Personnel 25 Thursday, November 8 Collegiate Chorale & Cardinal Singers Program 26 Personnel 32 Friday, November 9 New Music Ensemble & Wind Ensemble Program 34 Personnel 40 Guest Artist Biographies 41 Composer Biographies 43 1 Media partnership provided by Louisville Public Media 502-852-6907 louisville.edu/music facebook.com/uoflmusic Additional 2018 New Music Festival Events: Monday, November 5, 2018 Music Building Room LL28 Computer Music Composition Seminar with Sam Pluta Wednesday, November 7, 2018 Music Building Room 125 Composition Seminar with Amy Williams Thursday, November 8, 2018 Bird Recital Hall Convocation Lecture with Amy Williams To access the New Music Festival program: For Apple users, please scan the accompanying QR code. For Android users, please visit www.qrstuff.com/scan and allow the website to access your device’s camera. The New Music Festival Organizing Committee Dr. John Ritz, chair Dr. Kent Hatteberg Professor Kimcherie Lloyd Dr. Frederick Speck Dr. Krzysztof Wołek 2 The School of Music at the University of Louisville is strongly identified with the performance of contemporary music and the creation of new music. -
Aaron Jay Kernis.” – Forbes
“In the 20th century there were giants in the land. Charles Ives, Duke Ellington, George Gershwin, Aaron Copland, and Leonard Bernstein. But who is filling those shoes now? Heading many lists is Aaron Jay Kernis.” – Forbes Winner of the coveted 2002 Grawemeyer Award for Music Composition and one of the youngest composers ever to be awarded the Pulitzer Prize, AARON JAY KERNIS is among the most esteemed musical figures of his generation. With "fearless originality [and] powerful voice" (The New York Times), each new Kernis work is eagerly awaited by audiences and musicians alike, and he is one of today's most frequently performed composers. His music, full of variety and dynamic energy, is rich in lyric beauty, poetic imagery, and brilliant instrumental color. His works figure prominently on orchestral, chamber, and recital programs world-wide and have been commissioned by many of America‘s foremost performers, including sopranos Renee Fleming and Dawn Upshaw, violinists Joshua Bell, Pamela Frank, Nadja Salerno-Sonnenberg and James Ehnes (for the BBC Proms), pianist Christopher O'Riley and guitarist Sharon Isbin, and such musical institutions as the New York Philharmonic, Philadelphia Orchestra (for the inauguration of its new home at the Kimmel Center), Walt Disney Company, Rose Center for Earth and Space at New York’s American Museum of Natural History, Ravinia Festival (for James Conlon’s inaugural season), San Francisco and Singapore Symphonies, Minnesota Orchestra, Lincoln Center Great Performers Series, American Public Radio; Los Angeles and Saint Paul Chamber Orchestras, and Aspen Music Festival and programs from Philadelphia to Amsterdam (Concertgebouw, Amsterdam Sinfonietta), Santa Barbara to France (Orchestra National De France) throughout Europe and beyond.