Broadway Bound 2014 Broadway Bound 2014 Production Staff Musical Numbers
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AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr. -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Abigail Volk, Soprano
Seattle Pacific University Music Department Presents Junior Recital Abigail Volk, soprano with Riley Kua, piano Tuesday, April 20, 2021 | 8:00pm Live Stream from Nickerson Studios Program Ave Maria Franz Schubert (1797-1828) Alleluia Wolfgang Amadeus Mozart (1756-1791) The Lass from the Low Countree John Jacob Niles (1892-1980) The K’e Celius Dougherty (1902-1986) Everywhere I Look Molly Carew (1886-1953) Intermission Mi Sueño Edward Kilenyi (1884-1968) Capullito Set by: Irma Urteaga (b. 1929) Think of Me Phantom of the Opera Andrew Lloyd Webber (b. 1948) (I’m in love with) A Wonderful Guy South Pacific Richard Rogers (1902-1979) Oscar Hammerstein II (1895-1960) White Baby Grand from the TV show Smash Marc Shaiman (b. 1959) Scott Wittman (b. 1954) Translations Mi Sueño “My Dream” ¡Ay! ¡sin tu amor morirè, Oh! Without your love I’ll die, sí mujer! indeed my dear! Porque tú eres ilusión. Because you are an illusion. Tú le das al corazón, You give my heart, La ventura que soné. The chance of which I dream. No me mires así, Don’t look at me so, porque voy a morir, because I will die. Pues no puedo vivir, con desprecio de ti. Well, I can’t live with your scorn. ¡Ay! Vuelve tú a mirar, Oh! Look again, que es mi adoración, which is my adoration Tener tú con passion, to have you with passion, ¡Angel de amor! Angel of love! Que aquí vengo a pedir That here I come to beg E implore el perdón, and plead forgiveness. por si fuse a morir, And if I should die ¡Adiós, Adiós! Farewell, Farewell! Capullito “Little Cocoon” Duerme entre mis brazos, Sleep in my arms, Capullito mio my little cocoon Mira que el ocaso está por llegar look that the sunset is yet to come. -
Special Thanks for Colleen Mcdonough and Larissa Belezos for Rehearsal Assistance
Bridgewater State University Upcoming Music Department events: Department of Music Flute Choir Concert Thursday, April 21st, 8:00pm, Horace Mann Auditorium, Boyden Hall Pop Vocal Ensemble Student Recital-Jiaying (Iris) Zhu Friday, April 22nd, 7:00pm, Horace Mann Auditorium Prof. Heather Holland, Director Chris DiBenedetto, Piano Voice Studio Recital/Opera Ensemble Sunday, April 24th, 3:00pm & 6:00pm, Horace Mann Auditorium Austin DeAndrade, Guitar Vocal Ensemble Patrick Wroge, Bass Guitar Monday, April 25th, 8:00pm, Horace Mann Auditorium Lee Dias, Drums Student Recital-Killian Kerrigan & Austin DeAndrade Tuesday, April 26th, 8:00pm, Maxwell Library Lecture Hall, Room 013 African Drumming Concert Thursday, April 28th, 8:00pm, Horace Mann Auditorium Voice Studio Recital-Prof. Leschishin & Prof. Ferrante Friday, April 29th, 7:00pm, Horace Mann Auditorium Spring Chorale Concert Sunday, May 1st, 3:00pm, Oliver Ames HS, North Easton, MA Jazz Band Concert Monday, May 2nd, 8:00pm, Horace Mann Auditorium FRIENDS OF MUSIC In order to assist talented students in the pursuit of their musical studies and professional goals, the Department of Music has established the Tuesday, April 19, 2016 Music Scholarship Fund. 8:00 pm We welcome donations of any amount for this important undertaking! Please make checks payable to BSU Foundation Horace Mann Auditorium with a note in the memo line: “Friends of Music.” Boyden Hall Mailing address: Bridgewater State University Foundation PO Box 42 Bridgewater, MA 02325 Program Bright Maureen McDonald Kate Morin and Nirorokis Guerrero Blue Skies Irving Berlin Better With A Man Steven Lutvak Full Ensemble Arranged by Roger Emerson from A Gentlemens Guide to Love and Murder Brian Kenny and Killian Kerrigan Home J. -
Alex Koch, Tenor Stephen Carey, Piano
presents Alex Koch, tenor Stephen Carey, piano Sunday, November 15th, 2020 7:00 PM TCU School of Music Wilkommen John Kander From Cabaret (1927-Present) Caro Mio Ben Giuseppe Giordani (1751-1798) The Juices Entwine Christopher Weiss and John de los Santos From Service Provider (1980-Present) (1981-Present) For Forever Benj Pasek and Justin Paul From Dear Evan Hansen (1985-Present) (1985-Present) Time Jeannie Miller (1996-Present) Love, Unrequited, Robs me of my Rest W.S. Gilbert and Arthur Sullivan (1836-1911) (1842-1900) Sure on this Shining Night Samuel Barber (1910-1981) Artwork by Elizabeth Gondolf Les Chemins de l’amour Francis Poulenc (1899-1963) Dance performed by Ali Honchell Freundliche Vision Richard Strauss (1864-1949) Artwork by Ian L. Mr. Koch’s portion of the recital is given in fulfillment of the requirements for Bachelor’s in Music Performance degree. Mr. Koch is a student of Professor Twyla Robinson, Dr. Corey Trahan, and Professor David Gately. The use of recording equipment or taking photographs is prohibited. Please silence all electronic devices. Wilkommen John Kander (1927 – Present) From Cabaret Based off of the 1951 play by queer playwright John Van Druten, Cabaret was written and premiered in 1966 by John Kander, Fred Ebb, and Joe Masteroff. The play by Van Druten, titled I Am a Camera, was inspired by the 1939 novel by Christopher Isherwood, Goodbye to Berlin. This novel is important in the inception of Cabaret as well as I Am a Camera, as it gives the plot, the conflict, and the characters used throughout the play and the musical. -
Mixed Media December Online Supplement | Long Island Pulse
Mixed Media December Online Supplement | Long Island Pulse http://www.lipulse.com/blog/article/mixed-media-december-online-supp... currently 43°F and mostly cloudy on Long Island search advertise | subscribe | free issue Mixed Media December Online Supplement Published: Wednesday, December 09, 2009 U.K. Music Travelouge Get Yer Ya-Ya’s Out and Gimmie Shelter As a followup to our profile of rock photographer Ethan Russell in the November issue, we will now give a little more information on the just-released Rolling Stones projects we discussed with Russell. First up is the reissue of the Rolling Stones album Get Yer Ya-Ya’s Out!. What many consider the best live rock concert album of all time is now available from Abcko in a four-disc box set. Along with the original album there is a disc of five previously unreleased live performances and a DVD of those performances. There is a also a bonus CD of five live tracks from B.B. King and seven from Ike & Tina Turner, who were the opening acts on the tour. There is also a beautiful hardcover book with an essay by Russell, his photographs, fans’ notes and expanded liner notes, along with a lobby card-sized reproduction of the tour poster. Russell’s new book, Let It Bleed (Springboard), is now finally out and it’s a stunning visual look back on the infamous tour and the watershed Altamont concert. Russell doesn’t just provide his historic photos (which would be sufficient), but, like in his previous Dear Mr. Fantasy book, he serves as an insightful eyewitness of the greatest rock tour in history and rock music’s 60’s live Waterloo. -
YCH Monograph TOTAL 140527 Ts
UCLA UCLA Electronic Theses and Dissertations Title Transformation of The Musical: The Hybridization of Tradition and Contemporary Permalink https://escholarship.org/uc/item/1hr7f5x4 Author Hu, Yuchun Chloé Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Transformation of The Musical: The Hybridization of Tradition and Contemporary A dissertation submitted in partial satisfaction of the requirement for the degree Doctor of Philosophy in Music by Yu-Chun Hu 2014 Copyright by Yu-Chun Hu 2014 ABSTRACT OF THE DISSERTATION Transformation of The Musical: The Hybridization of Tradition and Contemporary by Yu-Chun Hu Doctor of Philosophy in Music University of California, Los Angeles, 2014 Professor Ian Krouse, Chair Music and vision are undoubtedly connected to each other despite opera and film. In opera, music is the primary element, supported by the set and costumes. The set and costumes provide a visual interpretation of the music. In film, music and sound play a supporting role. Music and sound create an ambiance in films that aid in telling the story. I consider the musical to be an equal and reciprocal balance of music and vision. More importantly, a successful musical is defined by its plot, music, and visual elements, and how well they are integrated. Observing the transformation of the musical and analyzing many different genres of concert music, I realize that each new concept of transformation always blends traditional and contemporary elements, no matter how advanced the concept is or was at the time. Through my analysis of three musicals, I shed more light on where this ii transformation may be heading and what tradition may be replaced by a new concept, and vice versa. -
PR 2011 Hairspray
* PRESS RELEASE * PRESS RELEASE * PRESS RELEASE * PRESS RELEASE * June 19, 2011 For Immediate Release Contact: Alan Anderson 503.906.2380 [email protected] You Can!t Stop the Beat! Broadway Rose Theatre Company Presents Hairspray Tigard, OR – Broadway Rose Theatre Company launches its 20th summer season with the big musical comedy Hairspray. Directed by Peggy Taphorn, with choreography by Jacob Toth and musical direction by Rick Lewis, Hairspray will be performed at the Deb Fennell Auditorium. Preview performance is June 30 with opening night on Friday, July 1, and performances through July 24, 2011. Evening performances are Thursdays through Saturdays at 7:30 p.m. Matinees are at 2 p.m. on Sundays, on Saturday, July 16, and on Broadway Rose Theatre Company • P.O. Box 231004, Tigard, OR 97281 • 503.620.5262 Saturday, July 23. The Deb Fennell Auditorium is located at 9000 SW Durham Road in Tigard. Tickets prices are $28 to $35 for adults, with $20 tickets available for ages 6 – 25. For a full listing of show performances or to order tickets visit www.broadwayrose.org, or call the box office at 503.620.5262. You'll tap your feet to the beat as Tracy Turnblad and friends triumph over high school bullies, racism, and enemies everywhere of big girls with big hair. With music by Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman, and book by Mark O'Donnell and Thomas Meehan, viewers young and old will be shimmying in their seats as they enjoy hit favorites such as "I Can Hear The Bells" and "You Can't Stop The Beat." The cast includes Blythe Woodland as Tracy Turnblad, Dan Murphy as Edna, Ron Daum as Wilbur, Sara Catherine Wheatley as Velma, Steven Bryan Dawson as Link, Jay Kelly as Seaweed, and !Lacretta Nicole as Motormouth Maybelle. -
November 13 – the Best of Broadway
November 13 – The Best of Broadway SOLOISTS: Bill Brassea Karen Babcock Brassea Rebecca Copley Maggie Spicer Perry Sook PROGRAM Broadway Tonight………………………………………………………………………………………………Arr. Bruce Chase People Will Say We’re in Love from Oklahoma……….…..Rodgers & Hammerstein/Robert Bennett Try to Remember from The Fantasticks…………………………………………………..Jack Elliot/Jack Schmidt Can’t Help Lovin’ Dat Man from Show Boat……………………………Oscar Hammerstein/Jerome Kern/ Robert Russell Bennett Gus: The Theatre Cat from Cats……………………………………….……..…Andrew Lloyd Webber/T.S. Eliot Selections from A Chorus Line…………………………………….……..Marvin Hamlisch/Arr. Robert Lowden Glitter and Be Gay from Candide…………………….………………………………………………Leonard Bernstein Let’s Call the Whole Thing Off from Shall We Dance…….…….……………………George & Ira Gershwin Impossible Dream from Man of La Mancha………………………………………….…Mitch Leigh/Joe Darion Mambo from Westside Story……………………………………………..…………………….…….Leonard Bernstein Somewhere from Westside Story……………………………………….…………………….…….Leonard Bernstein Intermission Seventy-Six Trombones from The Music Man………………………….……………………….Meredith Willson Before the Parade Passes By from Hello, Dolly!……………………………John Herman/Michael Stewart Vanilla Ice Cream from She Loves Me…………..…………....…………………….Sheldon Harnick/Jerry Bock Be a Clown from The Pirate..…………………………………..………………………………………………….Cole Porter Summer Time from Porgy & Bess………………………………………………………….………….George Gershwin Move On from Sunday in the Park with George………….……..Stephen Sondheim/Michael Starobin The Grass is Always Greener from Woman of the Year………….John Kander/Fred Ebb/Peter Stone Phantom of the Opera Overture……………………………………………………………….Andrew Lloyd Webber Music of the Night from Phantom of the Opera…….………………………………….Andrew Lloyd Webber Love Never Dies from Love Never Dies………………..…..……………………………….Andrew Lloyd Webber Over the Rainbow from The Wizard of Oz….……………………………………….Harold Arlen/E.Y. Harburg Arr. Mark Hayes REHEARSALS: Mon., Oct. 17 7 p.m. -
10Th Grade Monologue Packet
10th Grade Monologue Packet M - The Glass Menagerie: Tennessee Williams Tom 2 F - The Crucible: Arthur Miller A bigail (A) 2 F - The Crucible: Arthur Miller A bigail (B) 2 F - A View from the Bridge: A rthur Miller C atherine (A) 2 F - A View from the Bridge: A rthur Miller C atherine (B) 3 M - The Dark at the Top of the Stairs: W illiam Inge S ammy 3 F - N ight, Mother: Marsha Norman Jessie 3 F - A scension Day: Timothy Mason Faith 4 M/F - A unt Dan & Lemon: Wallace Shawn Lemon 4 F - Like Dreaming, Backwards: Kellie Powell N atalie 4 M - M ermaid in Miami: Wade Bradford E mperor Tropico 5 F - M y Fair Lady: Alan Jay Lerner E liza Doolittle 5 M - In Arabia We’d All Be Kings: S tephen Adly Guirgis C harlie 5 M - “Master Harold”…And the Boys: A thol Fugard H ally 6 M - S ammy Carducci’s Guide to Women: R onald Kidd S ammy 6 F - O ur Town: Thornton Wilder E mily 6 F - The Clean House: Sarah Ruhl Virginia 7 F - The Effect of Gamma Rays on Man-In-The-Moon-Marigolds: Paul Zindel Tillie 7 M/F - Till We Meet Again: Colin and Mary Crowther U nknown 7 F - C harlene: Unknown C harlene 8 M/F - Irreconcilable Differences: Nancy Meyers and Charles Shyer C asey 8 F - Juno: Diablo Cody Juno 8 F - D irty Dancing: Eleanor Bergstein Frances 9 F - Felicity: J.J. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
An Afternoon on Broadway Marks the Beginning of the Band’S 33Rd Season
Purpose and History The Community Band of Brevard exists to educate its members, to entertain its audiences, and to serve its community. Our musical director is Mr. Marion Scott. Mr. Scott formed the Band in 1985 to provide a performance outlet for adult musicians in the area. Our membership, currently numbering about 80, includes people of all ages representing many occupations. Most of our concerts have a specific theme upon which the music focuses. Those themes have often led us to include exceedingly difficult works, which we willingly do, and to include special guest artists. The Band gives several concerts throughout the year. Our concerts include many diverse musical genres, composers, and often previously unpublished works for band. Each program is planned to please a variety of musical tastes. If you would like more information about the Band, or wish to join, send us a message to [email protected] or contact David Scarborough at (321) 338-6210. Like us on Facebook at Community Band of Brevard and visit our Web site at http://www.CommunityBandOfBrevard.com. CBOB’S FL DEPARTMENT OF AGRICULTURE & CONSUMER SERVICES REGISTRATION NUMBER IS CH35170. A COPY OF THE OFFICIAL REGISTRATION AND FINANCIAL INFORMATION MAY BE OBTAINED FROM THE DIVISION OF CONSUMER SERVICES BY CALLING TOLL-FREE (800- 435-7352) WITHIN THE STATE. REGISTRATION DOES NOT IMPLY ENDORSEMENT, APPROVAL, OR RECOMMENDATION BY THE STATE. Board of Directors Conductor .............................................................. Marion Scott Chairman ......................................................