AA Library Bibliography
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Connecticut English Gardens!
7/10/2015 Weekly Real Estate Hot List: Top Ten Home & Condos | Jul 07, 2015 Toggle navigation Top Ten Lists Top Ten Florida Condo Lists Florida New Condo Developments Florida Luxury Condos Florida PreConstruction Pompano Beach Condos For Sale Weekly Hot List News Agents Say What? In The Press View All Florida Condos For Sale Connecticut English Gardens! Connecticut English Gardens! New Canaan, Connecticut, a onehour commute from Manhattan, is a town with a lot of history. Always considered one of the wealthiest enclaves in the country, that reputation started when the first rail line came through and wealthy New Yorkers started building their summer mansions there. In time, they began living in New Canaan full time and commuting to Manhattan. It was a town of tradition and all that was old world until the modern explosion took place from the 1940s through the 1960s when the Harvard Five invaded the city. Young architects Philip Johnson, Marcel Breuer, Landis Gores, John M. Johansen and Eliot Noyes ascended and began building their “outlandish” homes. Fogies were in shock and horror as houses with great expanses of glass and open floor plans began popping up. There were eighty of these new fangled houses, twenty of which have now been torn down, that put New Canaan on the architectural map. The city has since been the setting for film, books and the home base of “preppy” style. http://www.toptenrealestatedeals.com/homes/weeklytenbesthomedeals/2015/772015/3/ 1/12 7/10/2015 Weekly Real Estate Hot List: Top Ten Home & Condos | Jul 07, 2015 Now for sale is a 15,000squarefoot English Arts and Crafts/American Shinglestyle residence on 3.71 acres with English gardens, swimming pool terrace, tennis court with viewing platform and a walled children’s playground. -
Street & Number 192 Cross Ridge Road___City Or Town New
NPS Form 10-900 OMB No. 10024-0018 (Oct. 1990) RECEIVED 2280 United States Department of the Interior National Park Service FR 2002 National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete me '" '"'' National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item be marking "x" in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter "N/A" for "not applicable". For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer to complete all items. 1. Name of Property_________________________________________________ historic name LANDIS GORES HOUSE other names/site number N/A 2. Location street & number 192 Cross Ridge Road_________ D not for publication city or town New Canaan________________ _______ D vicinity state Connecticut code CT county Fairfield code 001 zip code .06840. 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this Kl nomination D request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property H meets D does not meet the National Register criteria. I recommend that this property be considered significant DnationaJly-C§ statewide D locally.^£]J5ee continuation sheet for additional comments.) February 4, 2002 Decertifying offfoffirritle ' Date Fohn W. -
Endless House: Intersections of Art and Architecture June 27, 2015–March 6, 2016 the Robert Menschel Architecture and Design Gallery, Third Floor
Endless House: Intersections of Art and Architecture June 27, 2015–March 6, 2016 The Robert Menschel Architecture and Design Gallery, third floor Endless House considers the single-family home and archetypes of dwelling as a theme for the creative endeavors of architects and artists. Through drawings, photographs, video, installations, and architectural models drawn from MoMA’s collection, the exhibition highlights how artists have used the house as a means to explore universal topics, and how architects have tackled the design of residences to expand their discipline in new ways. The exhibition also marks the 50th anniversary of the death of Viennese-born artist and architect Frederick Kiesler (1890–1965). Taking its name from an unrealized project by Kiesler, Endless House celebrates his legacy and the cross-pollination of art and architecture that made Kiesler’s 15-year project a reference point for generations to come. Work by architects and artists spanning more than seven decades are exhibited alongside materials from Kiesler’s Endless House design and images of its presentation in MoMA’s 1960 Visionary Architecture exhibition. Intriguing house designs—ranging from historical projects by Mies van der Rohe, Frank Gehry, Peter Eisenman, and Rem Koolhaas, to new acquisitions from Smiljan Radic and Asymptote Architecture—are juxtaposed with visions from artists such as Louise Bourgeois, Bruce Nauman, Mario Merz, and Rachel Whiteread. Together these works demonstrate how the dwelling occupies a central place in a cultural exchange across generations and disciplines. Organized by Pedro Gadanho, Curator, Department of Architecture and Design, The Museum of Modern Art Architecture and Design Collection Exhibitions are made possible by Hyundai Card and Hyundai Capital America. -
Miller House, Orange New Haven County, Connecticut
Henry F. Miller House, Orange New Haven County, Connecticut I, hereby certify that this property is i/ entered in the National Register __ See continuation sheet. ___ determined eligible for the National Register __ See continuation sheet. ___ determined not eligible for the National Register removed from the National Register other (explain): M______ l^ighature of Keeper Date of Action 5. Classification Ownership of Property (Check as many boxes as apply) X private __ public-local __ public-State __ public-Federal Category of Property (Check only one box) X building(s) __ district site structure object Number of Resources within Property: Contributing Noncontributing 1 ____ buildings ____ ____ sites 1 ____ structures ____ ____ objects 2 0 Total Number of contributing resources previously listed in the National Register: _0 Name of related multiple property listing: N/A 6. Function or Use Historic Functions (Enter categories from instructions) Cat: DOMESTIC_______________ Sub: ____single dwelling Current Functions (Enter categories from instructions Henry F. Miller House, Orange New Haven County, Connecticut Cat: DOMESTIC Sub: single dwelling 7. Description Architectural Classification: ___International Stvle Materials: foundation poured concrete roof built-up walls concrete block; vertical tongue and groove fir sidincr other Narrative Description Describe present and historic physical appearance, X See continuation sheet. NFS Form 10-900-a 0MB No. 1024-0018 (8-86) United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES CONTINUATION SHEET Description Henry F. Miller House, Orange 7-1 New Haven County, CT Narrative Description The Henry F. Miller House is an International Style structure built in 1949 and located on a wooded hillside in the town of Orange, Connecticut. -
Nowe Miasto Pod Ziemią New Underground City
EWA WĘCŁAWOWICZ-GYURKOVICH∗ NOWE MIASTO POD ZIEMIĄ NEW UNDERGROUND CITY Streszczenie Obserwowana na przełomie wieków fascynacja formami organicznymi, zakrzywionymi bądź pofałdowanymi zmusza do sięgania do świata przyrody, by odkrywać ją niejako na nowo. Szeroki kontekst środowiska, pejzaż, większe fragmenty natury nie zaskakują w analizie projektowej. Nie przypadkiem znowu powracamy do obecnej w awangardzie od lat 70. Sztuki Ziemi. Różnorodność bazująca na topografii terenu staje się podstawową wytyczną wszelkich działań. Słowa kluczowe: miasto, architektura współczesna Abstract Fascination with organic, bent, or undulating forms, observable at the turn of centuries, calls for reference to the world of nature to discover it once again. Broad context of the environment, landscape, bigger fragments of nature do not surprise in design analysis. It is not accidental that we return to the Art of Earth, present in avant-garde since the 70s. Variety basing on topography of the site becomes the guideline of all activity. Keywords: city, contemporary architecture ∗ Dr inż. arch. Ewa Węcławowicz-Gyurkovich, Instytut Historii Architektury i Konserwacji Zabytków, Wydział Architektury, Politechnika Krakowska. 196 (...) z miastami jest jak ze snami: wszystko co wyobrażalne może się przyśnić, ale nawet najbardziej zaskakujący sen jest rebusem, który kryje w sobie pragnienie lub jego odwrotną stronę – lęk. Miasta jak sny są zbudowane z pragnień i lęków, nawet jeśli wątek ich mowy jest utajony, zasady – absurdalne, perspektywy – złudne, a każda rzecz kryje w sobie inną (...) Italo Calvino, Niewidzialne miasta1 Nowe Centrum Kulturalne prowincji Galicja w zachodnio-północnej Hiszpanii zajmuje całe wzgó- rze na zachodnim pogórzu Gór Kantabryjskich, na przedmieściach miasta Santiago de Compostela. Region Galicji od X w. p.n.e. -
“Shall We Compete?”
5th International Conference on Competitions 2014 Delft “Shall We Compete?” Pedro Guilherme 35 5th International Conference on Competitions 2014 Delft “Shall we compete?” Author Pedro Miguel Hernandez Salvador Guilherme1 CHAIA (Centre for Art History and Artistic Research), Universidade de Évora, Portugal http://uevora.academia.edu/PedroGuilherme (+351) 962556435 [email protected] Abstract Following previous research on competitions from Portuguese architects abroad we propose to show a risomatic string of politic, economic and sociologic events that show why competitions are so much appealing. We will follow Álvaro Siza Vieira and Eduardo Souto de Moura as the former opens the first doors to competitions and the latter follows the master with renewed strength and research vigour. The European convergence provides the opportunity to develop and confirm other architects whose competences and aesthetics are internationally known and recognized. Competitions become an opportunity to other work, different scales and strategies. By 2000, the downfall of the golden initial European years makes competitions not only an opportunity but the only opportunity for young architects. From the early tentative, explorative years of Siza’s firs competitions to the current massive participation of Portuguese architects in foreign competitions there is a long, cumulative effort of competence and visibility that gives international competitions a symbolic, unquestioned value. Keywords International Architectural Competitions, Portugal, Souto de Moura, Siza Vieira, research, decision making Introduction Architects have for long been competing among themselves in competitions. They have done so because they believed competitions are worth it, despite all its negative aspects. There are immense resources allocated in competitions: human labour, time, competences, stamina, expertizes, costs, energy and materials. -
National Register of Historic Places Registration Form
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: __Norwich Mid-Century Modern Historic District_______ Other names/site number: ______________________________________ Name of related multiple property listing: _N/A__________________________________________________________ (Enter "N/A" if property is not part of a multiple property listing ____________________________________________________________________________ 2. Location Street & number: Parts of Hopson Road, Pine Tree Road, & Spring Pond Road___________ City or town: __Norwich__ State: _Vermont__ County: __Windsor__ Not For Publication: Vicinity: _____________________________________________________________________ _______ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this nomination ___ request for determination of eligibility meets the documentation standards for registering properties -
Marianne Boesky Gallery Frank Stella
MARIANNE BOESKY GALLERY NEW YORK | ASPEN FRANK STELLA BIOGRAPHY 1936 Born in Malden, MA Lives and works in New York, NY EDUCATION 1950 – 1954 Phillips Academy (studied painting under Patrick Morgan), Andover, MA 1954 – 1958 Princeton University (studied History and Art History under Stephen Greene and William Seitz), Princeton, NJ SELECTED SOLO AND TWO-PERSON EXHIBITIONS 2021 Brussels, Belgium, Charles Riva Collection, Frank Stella & Josh Sperling, curated by Matt Black September 8 – November 20, 2021 [two-person exhibition] 2020 Ridgefield, CT, Aldrich Contemporary Art Museum, Frank Stella’s Stars, A Survey, September 21, 2020 – September 6, 2021 Tampa, FL, Tampa Museum of Art, Frank Stella: What You See, April 2 – September 27, 2020 Tampa, FL, Tampa Museum of Art, Frank Stella: Illustrations After El Lissitzky’s Had Gadya, April 2 – September 27, 2020 Stockholm, Sweeden, Wetterling Gallery, Frank Stella, March 19 – August 22, 2020 2019 Los Angeles, CA, Los Angeles County Museum of Art, Frank Stella: Selection from the Permanent Collection, May 5 – September 15, 2019 New York, NY, Marianne Boesky Gallery, Frank Stella: Recent Work, April 25 – June 22, 2019 Eindhoven, The Netherlands, Van Abbemuseum, Tracking Frank Stella: Registering viewing profiles with eye-tracking, February 9 – April 7, 2019 2018 Tuttlingen, Germany, Galerie der Stadt Tuttlingen, FRANK STELLA – Abstract Narration, October 6 – November 25, 2018 Los Angeles, CA, Sprüth Magers, Frank Stella: Recent Work, September 14 – October 26, 2018 Princeton, NJ, Princeton University -
Confronting Privilege and Possibility at SANAA's Grace Farms
The Avery Review Sam holleran – Estate of Grace: Confronting Privilege and Possibility at SANAA’s Grace Farms New Canaan, Connecticut, has long been conflated with the WASPy ur-’burb Citation: Sam Holleran, “Estate of Grace: Confronting Privilege and Possibility at SANAA’s Grace Farms,” depicted in Rick Moody’s 1994 novel-turned-film The Ice Storm: popped in The Avery Review, no. 13 (February 2016), http:// collars, monogrammed bags, and picket fences. This image has been hard to averyreview.com/issues/13/estate-of-grace. shake for this high-income town at the end of a Metro-North rail spur, which is, to be sure, a comfortable place to live—far from the clamor of New York City but close to its jobs (and also reasonably buffered from the poorer, immi- grant-heavy pockets of Fairfield County that line Interstate 95). This community of 20,000 is blessed with rolling hills, charming historic architecture, and budgets big enough for graceful living. Its outskirts are latticed with old stone walls and peppered with luxe farmhouses and grazing deer. The town’s center, or “village district,” is a compact two-block elbow of shops that hinge from the rail depot (the arterial connection to New York City’s capital flows). Their exteriors are municipally regulated by Design Guidelines mandating Colonial building styles—red brick façades with white-framed windows, low-key signage, and other “charm-enhancing” elements. [1] The result is a New Urbanist core [1] The Town of New Canaan Village District Design Guidelines “Town of New Canaan Village District that is relatively pedestrian-friendly and pleasant, if a bit stuffy. -
JASPER JOHNS 1930 Born in Augusta, Georgia Currently Lives
JASPER JOHNS 1930 Born in Augusta, Georgia Currently lives and works in Connecticut and Saint Martin Education 1947-48 Attends University of South Carolina 1949 Parsons School of Design, New York Selected Solo Exhibitions 2009 Focus: Jasper Johns, The Museum of Modern Art, New York 2008 Jasper Johns: Black and White Prints, Bobbie Greenfield Gallery, Santa Monica, California Jasper Johns: The Prints, The Madison Museum of Contemporary Art, Madison, Wisconsin Jasper Johns: Drawings 1997 – 2007, Matthew Marks Gallery, New York Jasper Johns: Gray, Metropolitan Museum of Art, New York 2007 Jasper Johns: From Plate to Print, Yale University Art Gallery, New Haven Jasper Johns: Gray, Art Institute of Chicago; Metropolitan Museum of Art, New York Jasper Johns-An Allegory of Painting, 1955-1965, National Gallery of Art, Washington, DC; Kunstmuseum Basel, Switzerland States and Variations: Prints by Jasper Johns, National Gallery of Art, Washington, D.C. 2006 Jasper Johns: From Plate to Print, Yale University Art Gallery Jasper Johns: Usuyuki, Craig F. Starr Associates, New York 2005 Jasper Johns: Catenary, Matthew Marks Gallery, New York Jasper Johns: Prints, Amarillo Museum of Art, Amarillo, Texas 2004 Jasper Johns: Prints From The Low Road Studio, Leo Castelli Gallery, New York 2003 Jasper Johns: Drawings, The Menil Collection, Houston, Texas Jasper Johns: Numbers, Cleveland Museum of Art, Cleveland; Los Angeles County Museum of Art Past Things and Present: Jasper Johns since 1983, Walker Art Center Minneapolis; Greenville County Museum of -
CT Fairfieldco Stmarksepiscop
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: __St. Mark’s Episcopal Church________________________ Other names/site number: ______________________________________ Name of related multiple property listing: ___N/A________________________________________________________ (Enter "N/A" if property is not part of a multiple property listing ____________________________________________________________________________ 2. Location Street & number: _111 Oenoke Ridge___________________________________ City or town: _New Canaan_____ State: _Connecticut______ County: _Fairfield______ Not For Publication: Vicinity: __________________________________________________________________ __________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this nomination ___ request for determination of eligibility meets the documentation standards for registering properties -
Awaik Across Campus
:" ' , ..~. .' , .. : " scholastic Vol. 119, No.4, November 4, 19'77 Notre ,Dame, Indiana, FEATURES 4 The People Place Clare Leary 7 31 Ways to Leave Your Hunger Liz Donovan 10 Attractions and Distractions , J. P. Morrissey 14 The Music Man Mark Kulyk and Paul Peralta 16 Free Agents: A Million Dollar Investment Ted Robinson 18 A Walk Across Campus Joseph W. Evans 22 The Man After Hours Peggy McGuire 24 Untapped Resources Tom BaJcerek 26 A Rinkside View Ray O'Brien 28 ND Nine Weather Fall Season John Delaney REGULARS CREDITS , Rhonda Kornfeld Illustrations: Therese Kenney 10, 11, 12, 13 21 People At ND I Lee Hendricks 18. Photographs: Tom Everman 3, 5, 6, 7, 8, 9, 29' ,Letter to the Editor " "Fritz Marti 21, 23, 24, 25 / Gary Mills 14 I Bill Ehmann 30 The Last Word Kathleen McElroy 26, 27, 28. Cover: Tom Everman Editor Staff Kathleen McElroy Chuck Sweeney, Clare Leary, Dave Beno, Leo J. Mulcahey" Teri, Thompson, Barb .Frey, Managing Editors' Cole Finegan,Steve Fadul, Dan' Lombardi, MarY DeRoche, Theresa Rebeck, John ,Delaney, Mark J. On dash Fran Gilbert, Rhonda Kornfeld, Sue Hart, Peggy McGuire, liz Donovan, Rick LaBelle, Karen Caruso ' W. Ben Elliot, Tom Westphal, Betsy Birch, Mary Ann Pelczar, John Stavirioha, Susan Art Director Spilman, Bridget Berry, Kathy Leaman,' James Jordan, Therese Phillips, Gabrielle Pentz, Sharon Simon Bill Ehmann, Greg G. Gregory. Production Manager, Julie Runkle, News Editor Hall Representatives: Kim Gumz, Jim Moran; Greg Skranzds,' Sheila Gavan; Wendy For all the games ... running .. tennis, basket:. "No one knows the athlete's foot like lisa Michels Fencl, Paul Peralta, Joe Lauch, Ed Rodgers, Brian Glade, Don Orban, Dave Carrier, Jim Culture Editors Jordan, Paul Coppola, Tom Browne, Russ O'Brien, Ruth Hohl, Andy Smith, Brian Donnelly.