August 2015 Newsletter
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Eagle Rock Entertainment Acquires Worldwide
For Immediate Release Contact: Victoria Varela, Varela Media Email: [email protected] - Phone: 212-332-3485 Eagle Rock Entertainment Acquires Worldwide Rights to Elliott Smith Documentary “Heaven Adores You” -- Partners with SpectiCast on Global Theatrical Release, beginning May 7th, 2015. (March 24th, 2015) Eagle Rock Entertainment, SpectiCast, and the producers of “Heaven Adores You” -- the new feature documentary about the life and music of Elliott Smith (1969-2003) -- are pleased to announce that Eagle Rock has acquired all worldwide rights to the film and will partner with SpectiCast on a global theatrical release, beginning May 7th, 2015. Directed by Nickolas Rossi, and produced by Jeremiah Gurzi, Kevin Moyer and Marc Smolowitz, “Heaven Adores You” is the first comprehensive film about Elliott Smith’s life and music. It features both unheard tracks by the prolific singer/songwriter and over 30 on-screen interviews with Smith’s closest friends and collaborators, creating an intimate and personal history never seen before. The film premiered in May 2014 at the San Francisco International Film Festival and has since gone on to screen at 35+ film festivals on 4 continents, including AFI Docs, DOC NYC, Melbourne International Film Festival, International Documentary Festival Amsterdam, CPH: Dox, among others. “Eagle Rock is happy to be spearheading the world distribution of this excellent film about Elliott Smith, in co-ordination with Universal Music,” said Geoff Kempin, Executive Director of Eagle Rock Entertainment. “‘Heaven Adores You’ has already been very well received at a number of film festivals, and we will be dedicating our distribution network to have the world see it through cinema, DVD, TV and Digital platforms!” SpectiCast Co-founder and President Mark Rupp said, “SpectiCast is excited to partner with Eagle Rock on the theatrical release of this wonderful film.” He added, “Since his death in 2003, the media has portrayed Elliott Smith as a ‘sad-sack’ genius. -
Torment Saint: the Life of Elliott Smith (Book Review)
From the SelectedWorks of Matthew Ryan Smith, Ph.D. 2013 Torment Saint: The Life of Elliott mithS (Book Review) Matthew Ryan Smith, Ph.D. Available at: https://works.bepress.com/matthewryansmith/65/ Compte rendu Ouvrage recensé : William Todd Schultz. 2013. Torment Saint: The Life of Elliott Smith. New York: Bloomsbury. 368 pp. ISBN 978-1-60819-973-0 par Matthew Ryan Smith Intersections: Canadian Journal of Music / Intersections : revue canadienne de musique, vol. 34, n° 1-2, 2014, p. 221-224. Pour citer ce compte rendu, utiliser l'adresse suivante : URI: http://id.erudit.org/iderudit/1030883ar DOI: 10.7202/1030883ar Note : les règles d'écriture des références bibliographiques peuvent varier selon les différents domaines du savoir. Ce document est protégé par la loi sur le droit d'auteur. L'utilisation des services d'Érudit (y compris la reproduction) est assujettie à sa politique d'utilisation que vous pouvez consulter à l'URI https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Érudit est un consortium interuniversitaire sans but lucratif composé de l'Université de Montréal, l'Université Laval et l'Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. Érudit offre des services d'édition numérique de documents scientifiques depuis 1998. Pour communiquer avec les responsables d'Érudit : [email protected] Document téléchargé le 27 juillet 2015 01:42 34/1–2 (2013/2014) 221 Dorith Cooper, 114–23, CanMus Documents 2, Institute for Canadian Music, University of Toronto. Diamond, Beverley. 1994. “Narratives of Canadian Music History.” In Can- adian Music: Issues of Hegemony and Identity, ed. -
Boston LGBT Film Festival
Ah spring. That time of year when the snow (usually) starts to melt, spring is starting to be evident in the air, and Metro Boston goes absolutely film crazy. It’s the perfect time of the year for film buffs, because there are SEVEN full sized film festivals, and a number of film series and special film events, happening in the area. Every year, Kim and I look forward to this season…for some reason…it’s fun and exciting…also utterly exhausting…and we often don’t have time to see everything we want to. We try, and it’s easier when the festivals, publicists, and filmmakers offer up screeners, but still, it’s utterly exhausting. And you know what? We’ll do it again next year, because we can’t get enough of it. You have seven distinct genre festivals, each catering to a specific crowd, and yet, they’re all accessible to everyone. You don’t have to be part of each specific crowd to enjoy the films, because…well, film is supposed to be universal. And diverse as well. And this is the time of year when you find that out. Between March 1 and May 1 every year, Metro Boston plays host to festivals that feature all documentaries, all Irish related films, the lunatic fringe, the LGBT crowd, the middle eastern film goers, films with truly international flair, and that bastion of film festivals everywhere, the independent film. In 2011, as part of this crazy time of year, eCinemaBoston and Subject:CINEMA launched our annual “Boston Springs A Fethival” coverage – it was the first spinoff of our annual January “Fethival of Film Fethivals” podcast which covered all the big early-year fests – Sundance, Slamdance, Palm Springs and Santa Barbara, and which later grew to also include Victoria, Berlinale, and Big Sky Documentary festivals a few years later. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
"/Title/Tt3702160/": {"Director": [["Kimberly Jessy"]], "Plot": ["\Nbeautiful D Anger Is an Animated 3D Made for TV/Short Film
{"/title/tt3702160/": {"director": [["Kimberly Jessy"]], "plot": ["\nBeautiful D anger is an Animated 3D Made for TV/Short Film. It's a Thriller that combines, M TV's Teen Wolf, Pretty Little Liars, Gossip Girl, Sorcery, Twilight, in one film , Epic fight scenes, No-one is who you think they are, Alternate Universes, Teen Young Adult Action Good Verses Evil, flick with tons of Cliff Hangers! It takes place In Dark Oak, CA were the typical mean girl with magical powers tries to t ake over the school with her mean girl clique. Brooke Charles Takes on Kimberly Jesika and her good girl team. Death Becomes Brook cause she keeps coming back, Think Katherine Vampire Diaries. Kimberly has magical powers and so does her cla n. It's a match to the death. No one is who they seem or who they appear to be! Excitement and sitting on the edge of your seat. Written by\nKimb erly Jessy "], "imdb_rating": [], "mpaa_rating": [], "poster_link": [], "stars": [["Kimberly Jessy"], ["Helena Evans"], ["Chloe Benoit"]], "title": "Beautiful D anger 3D Animated Teen Thriller", "genre": [[" Animation"]], "release_date": [], "writer": [["Kimberly Jesika"], ["Doll Face Animated Films"]]}, "/title/tt25692 02/": {"director": [["Emily Gossett"]], "plot": ["\nThe last year of high school has been barely tolerable for Maggie Masters. After being dumped by her three y ear relationship with Chad, to be traded in for a football dream at UF, she has to succumb to her mother leaving for a better life. Maggie is left to pick up th e remains of her fragmented life. When fate intervenes by the touch from the mys terious and handsome Caleb Jacobson, whom she saves, leaves Maggie breathless, s tartled and captivated. -
Honoring a Lesser-Known Music Titan
THE CIFF DAY 6 / MONDAY / 3.23.2015 Sponsored by Honoring a Lesser-Known Music Titan t was a haunting, quiet song that was upstaged by power ballads and the sheer glitter of the Oscars, but anyone who Iwatched the 70th Academy Awards may still be able to hear a quiet croon in their heads: “Do you miss me, miss misery, like you say you do?” It was, technically, Elliott Smith’s most widely-seen performance, of which he only said, “I wouldn’t want to live in that world, but it was fun to walk around on the moon for a day.” ABOVE: A writer, director, Seventeen years later, and more than a cinematographer and editor, in addition to a producer, Jeremiah decade after Smith’s death in an incident that Gurzi’s work ranges from indie shorts still perplexes and divides his fans, producer and to major TV shows. “Heaven Adores You” was a particular labor of love cinematographer Jeremiah Gurzi has released from the moment he and director Nickolas Rossi first discussed it. a tribute film, “Heaven Adores You,” which RIGHT: Musician Elliott Smith was explores the full depths of the talent that the nominated for an Academy Award for “Best Original Song” in 1997 for “Miss world lost. Misery,” which appeared in the film, For Gurzi, the journey of bringing “Good Will Hunting.” Smith’s music to the screen began in the “I was flabbergasted at the amount of summer of 2009. unreleased Elliott Smith music safely preserved “I had coffee with [director] Nickolas in the official archives,” he says. -
Strategic Intertextuality in Three of John Lennon╎s Late Beatles Songs
STRATEGIC INTERTEXTUALITY IN THREE OF JOHN LENNON’S LATE BEATLES SONGS* MARK SPICER his article will focus on an aspect of the Beatles’ compositional practice that I believe T merits further attention, one that helps to define their late style (that is, from the ground- breaking album Revolver [1966] onwards) and which has had a profound influence on all subsequent composers of popular music: namely, their method of drawing on the resources of pre-existing music (or lyrics, or both) when writing and recording new songs. This may at first seem entirely obvious, especially since nowadays such a practice has been adopted routinely by many songwriters and producers, and is in fact the prevailing compositional strategy within certain pop and rock genres, rap being probably the most blatant example. Many rap artists are well known for their so-called “rap versions,” as Tim Hughes has described them, in which a distinctive element of a pre-existing song is lifted out of its original context—typically via digital sampling—and used as the foundation upon which a new song is built.1 Will Smith’s hit “Wild Wild West” (1999), for example, is composed around a sample of the bass-driven main groove from Stevie Wonder’s funk classic “I Wish” (1976); and Eminem’s hit “Like Toy Soldiers” * This essay is based in part on the first chapter of my dissertation, “British Pop-Rock Music in the Post-Beatles Era” (Ph.D. dissertation, Yale University, 2001). An earlier version was presented at the annual meeting of the Society for Music Theory, Columbus, in November 2002. -
The Dynamics of Culture
The Art of Being Human THE DYNAMICS OF CULTURE All cultures are dynamic and constantly changing as individuals navigate and negotiate the beliefs, values, ideas, ideals, norms, and meaning systems that make up the cultural environment in which they live. The dynamics between liberals and conservatives that constantly shape and re-shape American politics is just one example. Our realities are ultimately shaped not only in the realm of politics and policy-making, but in the most mundane moments of everyday life. Anthropologist Clifford Geertz famously noted, echoing Max Weber, that "Man is an animal suspended in webs of significance he himself has spun." These webs of significance create a vast network of associations that create the system that brings meaning to the most minute moments of our lives and dramatically shape the decisions we make. Due to these "webs of significance," even the simple decision of which coffee to drink can feel like a political decision or some deep representation of who we are as a person. 237 Michael Wesch In a recent BuzzFeed video, a woman sits down for a blind taste test of popular coffees from Dunkin' Donuts, Starbucks, McDonalds, and 7-11. As she sits, the young woman confidently announces her love for Dunkin Donuts coffee. "Dunkin' is my jam!" she says, declaring not only her love for the coffee but also expressing her carefree and expressive identity. But as she takes her first sip from the unmarked cup of Dunkin' Donuts coffee she nearly spits it out and screams, "This is the worst!" and then confidently proclaims that that cup had to be "7-11!" She eventually settles on the 4th cup from the left as the best. -
Elliott Smith Dead at by Will Bryant
Pitchfork | http://www.pitchforkmedia.com/news/03-10/22.shtml 22 October 2003 Elliott Smith Dead at by Will Bryant Elliott Smith has died at age , according to an obituary posted late Tuesday on Sweet Adeline, Smith’s official website. Rumors had been circulating on the Internet yesterday afternoon about Smith’s apparent suicide; by early evening, the overwhelm- ing traffic from well-wishers and fans was crashing Sweet Adeline’s discussion board. A handful of posts indicated that representatives from Smith’s label, Dreamworks, were attempting to contact Charlie Ramirez, the webmaster for Sweet Adeline. Within hours, Ramirez posted the following: “As you probably realize, I’m pretty devastated about having to say goodbye to Elliott. it’s never easy to put into words what someone means to you. Elliott was such a lovely man. I will always have his love, kindness, intelligence, humbleness, creativeness, greatness and so much more in me forever because that’s what he was and i’ll always love him for being who he was. I’ll miss you so much. We will all miss you. See you in heaven, Elliott.” Kill Rock Stars, who released Smith’s self-titled solo album and ’s Either/Or, changed their website’s splash page to a pensive photo of Smith this afternoon in silent tribute to the beloved songwriter. “We are deeply saddened by Elliott Smith’s tragic death and send our condolences to his friends and family,” read a statement released by Dreamworks and reported by Reuters’ wire service. “He was perhaps his generation’s most gifted songwriter. -
SUNSHONE STILL to RELEASE THIRD ALBUM Thewaytheworlddies
FOR IMMEDIATE RELEASE SUNSHONE STILL TO RELEASE THIRD ALBUM ThewaytheworldDies Critically Acclaimed South Carolina Band Tackles A Tough Loss On New Album New York, NY – November 10, 2011 – Sunshone Still lead by singer/songwriter Chris Smith have announced they will release their third album: ThewaytheworldDies on February 7 th , 2012 on Potato Eater Records. On the band’s forthcoming album, Smith and the group tackle and explore a tough personal loss. In the fall of 2010, Sunshone Still’s Chris Smith spent a week alone in the mountains of North Carolina. It was on this trip, in the streets, coffee shops and pathways of Asheville and Cashiers; he began to write the songs for the band’s upcoming third album: ThewaytheworldDies . It was only a few months prior on July 1 st 2010, when Smith lost his only brother to suicide who struggled for years with depression. ThewaytheworldDies searches for resolution in this sobering chronological analysis of his brother’s last years and the aftermath of his death. In February 2011, after a handful of rehearsals, the band convened at Gastonia, NC’s Old House Studio and recorded the album with chief engineer, Chris Garges . “It was cathartic to return to Gastonia. This is where my brother and I grew up and where we laid him to rest.” The album begins with “Someone to Call Home.” Baritone guitar and pedal steel (both performed by Rodney Lanier (Jolene/Sea of Cortez)) set a David Lynch- style mood for a story about finding new love in a dark, seedy bar. “After completing basic tracking on “Someone to Call Home”, I recall getting chill bumps when we sat in the control room. -
State District Organization Name Discipline / Field City Project Description Fiscal Year Grant Amount
State District Organization Name Discipline / Field City Project Description Fiscal Year Grant Amount To support the translation from the Spanish of the novel "Jaguars' Tomb" by Argentine writer Angelica Gorodischer. The author of 30 novels, short story collections, and essays, Gorodischer (b. 1928) is known for her science fiction, fantasy, crime, and feminist writing. She is the recipient of numerous national and international awards, including the World Fantasy Award for Lifetime Achievement previously won by such writers as Ray OR 0 Gladhart, Amalia Literature Eugene 2018 $12,500 Bradbury, Ursula K. Le Guin, and Stephen King. Published in 2005, "Jaguars' Tomb" is a 218-page novel of 3 distinct parts that addresses the abductions and disappearances that occurred during the military dictatorship in Argentina's "Dirty War" of 1976-83. Each of the sections repeats images from the others and circles a central space that, though it serves different functions in each section, always has a sense of loss at its center. OR 0 Van Landingham, Corey Literature Ashland N/A 2017 $25,000 To support a performance project, A Fond Farewell. The project will celebrate the legacy of the late Portland-based American singer, songwriter, and musician Elliott Smith, who died in 2003 at the age of 34. Third Angle musicians will collaborate with the theater ensemble Hand2Mouth in a program inspired by Smith's songs from his six studio albums. Community engagement activities will involve a partnership with Outside In, the homeless Third Angle New Music OR 1 Music Portland youth shelter in Portland. Residents of the shelter will have an opportunity to assist with 2017 $10,000 Ensemble Inc. -
Actually, Gen X Did Sell Out, Invent All Things Millennial, and Cause
Actually, Gen X Did Sell Out, Invent All Things Millennial, and Cau... https://www.nytimes.com/2019/05/14/style/gen-x-millenials.html Actually, Gen X Did Sell Out, Invent All Things Millennial, and Cause Everything Else That’s Great and Awful Gen X set the precedent for today’s social justice warriors and capitalist super- soldiers. Enjoy, and also, sorry! By Alex Williams May 14, 2019 What is an X? An empty set, a place-holder, a nothing that fills a void until an actual something comes along. For the members of Generation X, born between 1965 and 1980, that was never us. “They have few heroes, no anthems, no style to call their own,” wrote Time magazine in a 1990 cover story called “20-something” that marked our debut, as a class, on the national stage. “They crave entertainment, but their attention span is as short as one zap of a TV dial. They hate yuppies, hippies and druggies. They postpone marriage because they dread divorce. They sneer at Range Rovers, Rolexes and red suspenders.” Leave aside the fact that struggling 20-somethings of any era tend to sneer at luxury goods. At that point, the oldest members of Generation X were 25. No one really knew what we were. But someone apparently knew what we weren’t: dreamers, revolutionaries, world-changers, like the baby boomers before us. To the extent that we were defined, we were defined in the negative — the first generation in American history to be written off before it had a chance to begin.