Edward Burtynsky: Aqua Shock Su Projesinden Bir Seçki Thjorsá Nehri #1, Thjorsá Toronto’Nun Izniyle Toronto’Nun

Total Page:16

File Type:pdf, Size:1020Kb

Edward Burtynsky: Aqua Shock Su Projesinden Bir Seçki Thjorsá Nehri #1, Thjorsá Toronto’Nun Izniyle Toronto’Nun Edward Burtynsky: Aqua Shock Su Projesinden Bir Seçki Thjorsá Nehri #1, Thjorsá Toronto’nun izniyle Toronto’nun Hafta sonları 10.00–19.00 arası açıktır. / Open on weekends between 10 am–7 pm Rumelihisarı Mah. Baltalimanı Hisar Cad. No: 5 Perili Köşk 34470 Sarıyer İstanbul TR KÜRATÖR/CURATOR İzlanda 2012, © Edward Burtynsky © Edward İzlanda 2012, www.borusancontemporary.com 29.10.2016–19.02.2017 Admira, Milano ve Metivier Gallery, Metivier Gallery, Milano ve Admira, WILLIAM A. EWING GEÇİCİ SERGİ TEMPORARY EXHIBITION Edward Burtynsky: Aqua Shock Su Projesinden Bir Seçki Edward Burtynsky: Aqua Shock Selections from the Water Project 29.10.2016–19.02.2017 KÜRATÖR CURATOR WILLIAM A. EWING WILLIAM A. EWING KÜRATÖR CURATOR Edward Burtynsky: Aqua Shock Burtynsky, izleyicisinin ilgisini çekerek onların bu konu hakkında düşünmelerini sağlamayı amaçlıyor. Bu naiflikten hayli uzak bir yaklaşım. Bu Kanadalı sanatçı Edward Burtynsky son on yıl içinde dünyanın en başarılı noktada Kanadalı felsefeci Marshall McLuhan'ın "insanın duyu merkezinin fotoğrafçılarından biri olarak öne çıktı. İnsanın doğaya kitlesel müdahalesini tüm karmaşık yapısına rağmen sözel veya sanatsal etkilerle uyarılıncaya kadar tüm açıklığıyla ortaya koyan büyük ölçekli işleri, estetik açıdan çarpıcı ve bir 'felç halinde' olduğu" sözlerini hatırlatmakta yarar var. İşte Burtynsky'nin etkileyici olmakla beraber, bu dur durak bilmeyen dönüşümün toplum ve çevre fotoğrafları tam da bunu başarıyor. açısından getirdiği büyük bedelleri de göz ardı etmemize olanak vermiyor. Kolektif başarılarımıza saygı gösterirken ölçüsüz bir maddi zenginlik için Lozan, Haziran 2016 ödediğimiz yüksek bedeli de bize hatırlatmaktan geri kalmıyor. İçimize kuşku tohumlarını ekerken gözlere de hitap edebilmesi, onun dört dörtlük bir sanatçı olduğunun da bir göstergesi. Yaptıklarımızın olumsuz sonuçlarının intikam Edward Burtynsky: Aqua Shock almak üzere dönüşü onun imgelerinde tüm netliğiyle görülüyor. In the past decade, the Canadian photographer Edward Burtynsky has risen Su, dünyanın en ciddi sorunlarından biri ve Burtynsky bu konuyu to prominence as one of the world's most accomplished photographers. His kavramsal, olgusal ve estetik açıdan son derece başarılı bir şekilde işliyor. large-scale works are both aesthetically engaging and impressive in their "Aqua Shock" da sanatçının bugüne kadar gerçekleştirdiği çalışmalar lucid depiction of massive human interventions in the landscape. Yet they arasında en çok kafa yorduğu ve tutkuyla sarıldığı seri olarak öne çıkıyor. never let the social and environmental costs of this relentless transformation Projenin gerektirdiği teknolojik desteğe baktığımızda gemi mürettebatı, slip out of sight. While Burtynsky respectfully acknowledges our collective vinç, uçak, uzaktan kumandalı UAS (insansız hava sistemleri), kameralı ve accomplishments, he reminds us of the steep price we pay for unbridled fiberoptik uzaktan kumanda ile donatılmış pnömatik bir direk gibi hayli farklı material wealth. That he manages to delight the eye, while simultaneously ve sıradışı ekipmanlar kullandığını görüyoruz. Perspektif ve kompozisyon planting seeds of doubt, is a sign of his consummate skill as an artist. His unsurlarını kullanışı da uzun süredir onun işlerinde gördüğümüz belgeleyici imagery shows us full well that those negative effects have come back with a ve soyutlamacı yaklaşımı bir üst seviyeye taşıyor. Burtynsky'ye göre "hayli vengeance. susamış bir uygarlık" küresel su kaynaklarını en megaloman firavunu bile The resource of water is one of the entire world's most pressing concerns, utandıracak ölçekte yeniden düzenliyor. Sanatçı da insanları uyarmaya ve a subject that the photographer has treated brilliantly on conceptual, kolektif bir şekilde eyleme geçmeye davet ediyor. Bu arada konuların şoke factual and aesthetic levels. "Aqua Shock" is Burtynsky's most ambitious edici etkisi imgeleri bir kasvete bürümüyor; hepsi parlak, cüretkâr, ilgi çekici ve and rigorously conceived body of work to date. On the technological level hatta umut verici görsellikleriyle son derece cazip görünüyor. the project required location crews, man-lifts, aircraft, remote-controlled 3 UAS (Unmanned Aerial System) and a custom-made pneumatic mast with camera-mount and fiber-optic remote. Perspectives and compositional strategies encompass and expand upon both documentary and abstract traditions long present in the artist's work. Burtynsky suggests that a "very thirsty civilization" is currently rearranging global water resources on a scale so colossal that even the most megalomaniac pharaohs would be put to shame. He means to warn his fellow beings and galvanize the collectivity into action. For all their shocking subject matter, his pictures aren't gloomy. On the contrary, they are attractive: bright, bold, curious, and even hopeful. Burtynsky's strategy is one of engaging viewers, who, once hooked, might just begin to think about the issues. This is not naiveté; as the Canadian philosopher Marshall McLuhan reminds us, "the human sensorium in all its civilized complexity remains 'a center of paralysis' until prodded and probed by verbal or artistic energies". Burtynsky's photographs do just that. Lausanne, June 2016 Colorado Nehri Deltası #8 Salinas, Baja, Meksika 2012 122 x 162,5 cm Colorado River Delta #8 Salinas, Baja, Mexico 2012 122 x 162.5 cm Sergi Planı 5 Stepwell #4 Exhibition Plan Pima Tuz Nehri, Maricopa Yerlileri Arazisi Sagar Kund Baori, Bundi, Rajasthan, India Banliyö, Scottsdale, Arizona, ABD 2010 2011 122 x 162.5 cm 122 X 162,5 cm Salt River Pima, Maricopa Indian Reservation 10 Suburb, Scottsdale, Arizona, USA Xiaolangdi Barajı #1 FLOOR 2011 Sarı Nehir, Henan Vilayeti, Çin ND 29 2 11 122 X 162.5 cm 2011 122 x 162,5 cm 10 12 6 Xiaolangdi Dam #1 18 15 14 13 2. KAT 2. KAT Xiaolangdi Barajı #3 Yellow River, Henan Province, China 19 9 17 16 28 Sarı Nehir, Henan Vilayeti, Çin 2011 2011 122 x 162.5 cm 152,4 x 203 cm 20 2 3 8 27 Xiaolangdi Dam #3 11 7 Yellow River, Henan Province, China Colorado Nehri Deltası #2 21 26 6 2011 San Felipe yakınlarında, Baja, Meksika 4 5 152.4 x 203 cm 2011 22 23 24 25 1 152,4 x 203 cm 7 Colorado River Delta #2 Owens Gölü #1 Near San Felipe, Baja, Mexico California, ABD 2011 2009 152.4 x 203 cm 122 x 162,5 cm Owens Lake #1 12 1 3 California, USA Seralar Gürcistan Körfezi #2 Colorado Nehri Deltası #8 2009 Almería Yarımadası, İspanya Doğu Kıyısı, Ontario, Kanada Salinas, Baja, Meksika 122 x 162.5 cm 2010 2009 2012 122 x 162,5 cm 122 x 162,5 cm 122 x 162,5 cm 8 Greenhouses Georgian Bay #2 Colorado River Delta #8 Sel Önleme Seti Almería Peninsula, Spain Eastern Shore, Ontario, Canada Salinas, Baja, Mexico Maasulakte, Rotterdam, Hollanda 2010 2009 2012 2011 122 x 162.5 cm 122 x 162.5 cm 122 x 162.5 cm 122 x 162,5 cm Flood Control Levee 13 2 4 Maasulakte, Rotterdam, The Netherlands Döner Sulama Sistemi/Banliyö Döner Sulama Sistemi #7 Kükürt Tortularından Oluşmuş Gölet #2 2011 Yuma Arizona'nın Güneyi, ABD Ovalar, Texas uzantısı, ABD Polk Vilayeti, Florida, ABD 122 x 162.5 cm 2011 2011 2012 122 x 162,5 cm 85,7 x 244 cm 122 x 162,5 cm 9 Pivot Irrigation/Suburb Pivot Irrigation #7 Phosphor Tailings Pond #2 Merdivenli Kuyu #4 South of Yuma Arizona, USA High Plains, Texas Panhandle, USA Polk County, Florida, USA Sagar Kund Baori, Bundi, Rajasthan, Hindistan 2011 2011 2012 2010 122 x 162.5 cm 85.7 x 244 cm 122 x 162.5 cm 122 x 162,5 cm 14 Markarfljòt River #1 23 27 Petrol Sızıntısı #2 Erosion Control, Iceland Kazanılan Araziler, Grootschermer Çorak Arazi Çiftçiliği #21 Discover Enterprise, Meksika Körfezi, ABD 2012 Hollanda Monegros Vilayeti, Aragon, İspanya 2010 152.4 x 203 cm 2011 2010 152,4 x 203 cm 122 x 162,5 cm 122 x 162,5 cm Oil Spill #2 19 Polders, Grootschermer Dryland Farming #21 Discover Enterprise, Gulf of Mexico, USA Eystri-Rangá Nehri The Netherlands Monegros County, Aragon, Spain 2010 İzlanda 2011 2010 152.4 x 203 cm 2012 122 x 162.5 cm 122 x 162.5 cm 122 x 162,5 cm 15 Eystri-Rangá River 24 28 Su Çiftçiliği #1 Iceland VeronaWalk Döner Sulama Sistemi #1 Luoyuan Körfezi, Fujian Vilayeti, Çin 2012 Naples, Florida, ABD Ovalar, Texas uzantısı, ABD 2012 122 x 162.5 cm 2012 2011 122 x 162,5 cm 122 X 162,5 cm 152,4 x 203 cm Marine Aquaculture #1 20 VeronaWalk Pivot Irrigation #1 Luoyuan Bay, Fujian Province, China Yüzeysel Akış Buzulu #1 Naples, Florida, USA High Plains, Texas Panhandle, USA 2012 Skeidararsandur, İzlanda 2012 2011 122 x 162.5 cm 2012 122 X 162.5 cm 152.4 x 203 cm 122 x 162,5 cm 16 Glacial Runoff #1 25 29 Manikarnika Ghat Skeidararsandur, Iceland Zeytinlikler #1 Kısa belgesel: Duruş Noktam Varanasi, Hindistan 2012 Jaen, İspanya Short documentary: Where I Stand 2013 122 x 162.5 cm 2010 152,4 x 203 cm 122 x 162,5 cm Manikarnika Ghat 21 Olive Groves #1 Varanasi, India Thjorsá Nehri #1 Jaen, Spain 2013 İzlanda 2010 152.4 x 203 cm 2012 122 x 162.5 cm 122 x 162,5 cm 17 Thjorsá River #1 26 Myrdalssandur'daki Dyralaekir Nehri Iceland Zeytinlikler #3 İzlanda 2012 Jaen, İspanya 2012 122 x 162.5 cm 2010 122 x 162,5 cm 152,4 x 203 cm Dyralaekir River on Myrdalssandur 22 Olive Groves #3 Iceland Konteyner Limanı Jaen, Spain 2012 Maasulakte, Rotterdam, Hollanda 2010 122 x 162.5 cm 2011 152.4 x 203 cm 122 x 162,5 cm 18 Container Port Markarfljòt Nehri #1 Maasulakte, Rotterdam, The Netherlands Erozyon Önleme, İzlanda 2011 2012 122 x 162.5 cm 152,4 x 203 cm 11 6 Xiaolangdi Barajı #3 Sarı Nehir, Henan Vilayeti, Çin 2011 152,4 x 203 cm Xiaolangdi Dam #3 Colorado Nehri Deltası #2 Yellow River, Henan Province, China San Felipe yakınlarında, Baja, Meksika 2011 2011
Recommended publications
  • Download Detailseite
    BERLINALE SPECIAL WATERMARK Jennifer Baichwal Unser Körper besteht zu zwei Dritteln aus Wasser. Zwei Drittel der Erde Kanada 2013 Edward Burtynsky sind vom Urelement bedeckt. Wasser verbindet Menschen, wenn sie 90 Min. · DCP · Farbe · Dokumentarfilm gemeinsam davon trinken, ein heiliges Bad nehmen oder sich die Kraft der Flüsse und Ozeane nutzbar machen. Zwanzig Stationen in zehn Regie, Buch Jennifer Baichwal Ländern verbinden sich in diesem Film zu einem großen Ganzen. Die Regie Edward Burtynsky Kamera Nicholas de Pencier giftigblauen Rinnsale der Ledergerbereien in Bangladesch sind dabei Schnitt Roland Schlimme genauso Teil des einen Wasserkreislaufs wie die unberührten Seen Musik Martin Tielli, Roland Schlimme in Britisch-Kolumbien. Schon immer mussten Menschen die Quellen Produzent Nicholas de Pencier der flüssigen Ressource sichern. Und mittlerweile gefährden sie die- Jim Panou Foto: Jim Panou Foto: Ausführende Produzenten se durch extensive Nutzung nachhaltig. Auf der gewaltigen Baustelle Edward Burtynsky, Daniel Iron Jennifer Baichwal Geboren in Montréal, des chinesischen Xiluodu-Staudamms scheint der Kreislauf des Lebens Kanada. Wuchs in Victoria, British Columbia, vorläufig stillzustehen. Nach MANUFACTURED LANDSCAPES ist dies Produktion auf. Studierte bis 1994 Philosophie und bereits die zweite Zusammenarbeit von Jennifer Baichwal und dem Sixth Wave Productions Theologie an der McGill University, Montréal. Toronto, Kanada Ihr erster abendfüllender Dokumentarfilm Landschaftsfotografen Edward Burtynsky. Dessen analytischer Blick für das Geometrische, oft Monumentale in natürlichen wie menschen- +1 416 5162661 LET IT COME DOWN: THE LIFE OF PAUL [email protected] BOWLES wurde mit einem Emmy als bester gemachten Wasserwelten schafft eine Bilderflut von atemberaubender Kunst-Dokumentarfilm ausgezeichnet. Seit Schönheit. Eine filmische Liebeserklärung und zugleich ein Weckruf. Weltvertrieb 20 Jahren als Regisseurin und Produzentin von eOne Films International Dokumentarfilmen tätig.
    [Show full text]
  • Edward Burtynsky the Human Signature
    PRESS RELEASE EDWARD BURTYNSKY 21 Cork Street London W1S 3LZ THE HUMAN SIGNATURE T: 020 7439 7766 [email protected] 17 October - 24 November 2018 www.flowersgallery.com Private View Tuesday 16 October, 6-8PM Flowers Gallery is pleased to announce an exhibition of new work by Edward Burtynsky. These works, created in collaboration with Jennifer Baichwal and Nicholas de Pencier, stem from the artist’s Anthropocene Project, a multidisciplinary investigation into human impact on the planet. The Anthropocene Project debuts this fall with simultaneous museum exhibitions at the Art Gallery of Ontario and the National Gallery of Canada, a feature- length documentary film, and a book. The works on view demonstrate what Burtynsky calls the “indelible human signature” on the planet, caused by incursions into the landscape on an industrial scale. Chronicling the major themes of terraforming and extraction, urbanisation Lithium Mines #1, Salt Flats, Atacama Desert, Chile 2017 and deforestation, Burtynsky conveys the unsettling reality of sweeping resource depletion and extinction. In these photographs, taken from both aerial and subterranean perspectives, and presented at a large scale, the patterns and scars of human-altered landscapes appear to form an abstracted painterly language. From the graduating tonal grids of turquoise and green-gold formed by the expansive lithium extraction ponds on the salt flats of the Atacama desert, to psychedelic fossil-like whorls formed by anthroturbation (human tunnelling) within the potash mines in Russia’s Ural Mountains, they reference the sublime and often surreal qualities of human mark-making. Carrara Marble Quarries #2, shown in the exhibition as a large-scale wall mural, is taken from a frontal perspective of one of the most renowned marble quarries in Carrara, Italy.
    [Show full text]
  • Anthropocene:The Human Epoch
    ANTHROPOCENE:THE HUMAN EPOCH A film by Jennifer Baichwal, Nicholas de Pencier, and Edward Burtynsky Narrated by Alicia Vikander Canada / 2018 / 87 mins / Color / English, Russian, Italian, German, Mandarin, and Cantonese with English subtitles **Official Selection | Toronto International Film Festival** **Official Selection | Sundance Film Festival** **Official Selection | Berlin International Film Festival** Distributor Contact: Chris Wells, [email protected] ​ Publicity Contact: Kara Croke, [email protected] ​ Lauren Schwartz, [email protected] ​ David Ninh, [email protected] ​ ​ Kino Lorber, Inc., 333 West 39th St., Suite 503, New York, NY 10018, (212) 629-6880 Synopsis: A cinematic meditation on humanity’s massive reengineering of the planet, ANTHROPOCENE is a four years in the making feature documentary film from the multiple-award winning team of Jennifer Baichwal, Nicholas de Pencier, and Edward Burtynsky. Third in a trilogy that includes MANUFACTURED LANDSCAPES (2006) and WATERMARK (2013), the film follows the research of an international body of scientists, the Anthropocene ​ Working Group who, after nearly 10 years of research, are arguing that the evidence shows the ​ Holocene Epoch gave way to the Anthropocene Epoch in the mid-twentieth century, as a result ​ ​ of profound and lasting human changes to the Earth. From concrete seawalls in China that now cover 60% of the mainland coast, to the biggest terrestrial machines ever built in Germany, to psychedelic potash mines in Russia’s Ural Mountains, to metal festivals in the closed city of Norilsk, to the devastated Great Barrier Reef in Australia and massive marble quarries in Carrara, the filmmakers have traversed the globe using high-end production values and state of the art camera techniques to document the evidence and experience of human planetary domination.
    [Show full text]
  • A Zeitgeist Films Release Theatrical Booking Contact: Festival Booking and Publicity Contact
    Theatrical Booking Festival Booking and Contact: Publicity Contact: Clemence Taillandier / Zeitgeist Films Nadja Tennstedt / Zeitgeist Films 212-274-1989 x18 212-274-1989 x15 [email protected] [email protected] a zeitgeist films release act of god a film by Jennifer Baichwal Is being hit by lightning a random natural occurrence or a predestined event? Accidents, chance, fate and the elusive quest to make sense out of tragedy underpin director Jennifer Baichwal’s (Manufactured Landscapes) captivating new work, an elegant cinematic meditation on the metaphysical effects of being struck by lightning. To explore these profound questions, Baichwal sought out riveting personal stories from around the world—from a former CIA assassin and a French storm chas- er, to writer Paul Auster and improvisational musician Fred Frith. The philosophical anchor of the film, Auster was caught in a terrifying and deadly storm as a teenager, and it has deeply affected both his life and art: “It opened up a whole realm of speculation that I’ve continued to live with ever since.” In his doctor brother’s laboratory, Frith experiments with his guitar to demonstrate the ubiquity of electricity in our bodies and the universe. Visually dazzling and aurally seductive, Act of God singularly captures the harsh beauty of the skies and the lives of those who have been forever touched by their fury. DIRECTOR’S NOTES I studied philosophy and theology before turning to documentary and, in some ways, the questions I was drawn to then are the ones I still grapple with now, although in a different context. Two of these, which specifically inform this film, are the relationship between meaning and randomness and the classical problem of evil.
    [Show full text]
  • Edward Burtynsky
    Persmap - Herengracht 328 III - 1016 CE Amsterdam - T: 020 5308848 - email: [email protected] Watermark Een film van Jennifer Balchwal & Edward Burtynsky Hoe vormt water ons en hoe vormen wij water? Dat is het centrale thema in deze documentaire van de Canadese regisseuse Jennifer Baichwal en fotograaf Edward Burtynsky. Na hun succesvolle samenwerking voor MANUFACTERED LANDSCAPES levert het duo opnieuw een pareltje af. Baichwal legt de teisterende schoonheid van water vast in een poëtische reis door tien landen, allen gekenmerkt door hun relatie met water. Genre: documentaire - Speelduur: 92 min - Land: Canada – Releasedatum : 11 september 2014 Distributie: Cinéart --------------------------------------------------------------------------------------------------------------------------- Meer informatie: Distributie Cinéart Publiciteit & Marketing: Noor Pelser / Janneke De Jong Herengracht 328 III 1016 CE Amsterdam Tel: +31 (0)20 5308848 Email: [email protected] / [email protected] Persmap en foto’s staan op: www.cineart.nl/pers (inlog: cineart/wachtwoord: film) - Herengracht 328 III - 1016 CE Amsterdam - T: 020 5308848 - email: [email protected] Synopsis Without water we are nothing, the traveller thought. Even an emperor, denied water, would swiftly turn to dust. Water is the real monarch, and we are all its slaves. Salman Rushdie Every living thing requires water. We humans interact with it in a myriad of ways, numerous times a day. But how often do we consider the complexity of that interaction? And, unless confronted by scarcity, when do we meditate on its ubiquity in creating, sustaining and enriching life? Watermark is a feature documentary film that brings together diverse stories from around the globe about our relationship with water: how we are drawn to it, what we learn from it, how we use it and the consequences of that use.
    [Show full text]
  • New Films from Canada March 7 – 10, 2019 Ifc Center, New York
    NEW FILMS FROM CANADA MARCH 7 – 10, 2019 IFC CENTER, NEW YORK With the support of CANADA NOW 2019 Look up. Way up. Up above that distant 49th parallel. Soon you will begin to see the swirling illuminations of those northern cinematic lights: Canada Now 2019 is here. Yes, your Canadian neighbours are again coming south, bringing tales of restless youth, ancient indigenous stories of tragedy and healing, compelling personal dramas about reinventing our world with the power of our imaginations, plus a trio of riveting, dramatic documentaries about the global environmental crisis, war crimes in Europe, and the struggle for civil rights in the United States of America. This latest Canada Now selection includes daring and impressive works by both veteran fi lmmakers and new Canadian visions by emerging directorial talents. The 2019 Canada Now showcase celebrates the independent creative spirit that has always been a hallmark of Canadian cinema. Follow us on Facebook at @CanadaNowFilm www.CanadaNowFestival.com CANADA NOW is presented by Telefi lm Canada in partnership with the Consulate General of Canada in New York City and with the support of Air Canada. Directors of the CANADA NOW fi lms will be present at screenings for Q & A. Anthropocene: The Human Epoch THURSDAY, MARCH 7, 7:00 PM FRIDAY, MARCH 8, 7:00 PM ANTHROPOCENE: THE HUMAN EPOCH HUGH HEFNER’S AFTER DARK: Directors: Jennifer Baichwal, Nicholas de Pencier, Edward Burtynsky SPEAKING OUT IN AMERICA U.S. Distributor: Kino Lorber in association with Kanopy Director: Brigitte Berman 2018 | 87 MINUTES | ENGLISH 2018 | 101 MINUTES | ENGLISH Four years in the making, Anthropocene: The Human Epoch is a visually arresting From Brigitte Berman, Oscar winning director of Artie Shaw: Time Is All You’ve Got (1985), cinematic rumination on humanity’s recent, rapacious technological transformation of comes this remarkable documentary of one of America’s most influential and controversial the Earth.
    [Show full text]
  • Witness: Edward Burtynsky and Water Works Our Impact on the World
    Witness: Edward Burtynsky and Water Works Our impact on the world around us is the focus of Winter 2018 exhibitions at the Art Gallery of Hamilton Official Opening: February 11, 3 – 5 pm, Free Admission (left) Carole Condé and Karl Beveridge (Condé Canadian b. 1940; Beveridge Canadian b. 1945), Fall of Water (detail), 2006-2007, light jet print, 101.6 x 142.2 cm. Collection of the artists. © Carole Condé and Karl Beveridge (right) Edward Burtynsky (Canadian b. 1955) Salt Pan #25, Little Rann of Kutch, Gujarat, India (detail), 2016, chromogenic colour print, ed. 6/6. Art Gallery of Hamilton, Purchase, Permanent Collection Fund, 2017. © Edward Burtynsky January 18, 2018 – The Art Gallery of Hamilton launches 2018 with a series of exhibitions and related activities that look at major global environmental issues. Leading exhibitions include Witness: Edward Burtynsky and Water Works, complemented by The Living Room: RESERVOIR: Stories of Water and TH&B: Declaration. Highlights include Burtynsky’s large-scale photographs, some taken from helicopters and fixed-wing aircraft over heavily armed industrial sites, and Christopher McLeod’s The Machine of Awesome Bright Liquid Blueness, an interactive performance sculpture in the Water Works exhibition that is a work of art, an educational computer game, and a refillable water bottle station. An official opening reception featuring free admission celebrates all four exhibitions on Sunday, February 11 from 3 to 5 pm, with artists in attendance, guided exhibition tours for AGH Members at 3 pm and opening remarks at 4:30 pm. 2… ...2 “The artists and works we’re featuring this winter invite our visitors to consider how our actions affect the environment in a very real and personal way,” says AGH President and CEO Shelley Falconer.
    [Show full text]
  • A Zeitgeist Films Release Manufactured Landscapes a Film by Jennifer Baichwal
    A ZEITGEIST FILMS RELEASE MANUFACTURED LANDSCAPES A FILM BY JENNIFER BAICHWAL Winner of Best Canadian Feature Film at the 2006 Toronto Film Festival Manufactured Landscapes is the striking new documen- tary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris. The film follows him through China, as he shoots the evidence and effects of that country’s massive industrial revolution. With breathtaking sequences, such as the opening tracking shot through an almost endless factory, the filmmakers also extend the narratives of Burtynsky’s photo- graphs, allowing us to meditate on our impact on the planet and witness both the epicenters of industrial endeavor and the dumping grounds of its waste. In the spirit of such environmentally enlightening sleeper-hits as An Inconvenient Truth and Rivers and Tides, Manufactured Landscapes powerfully shifts our consciousness about the world and the way we live in it, without simplistic judgments or reductive resolutions. EDWARD BURTYNSKY BIOGRAPHY Edward Burtynsky is known as one of Canada’s most respected photographers. His remarkable photographic depictions of global industrial landscapes are included in the collections of 15 major museums around the world, including the National Gallery of Canada, the Bibliothèque Nationale in Paris, the Museum of Modern Art and the Guggenheim Museum in New York. Born in 1955 of Ukrainian heritage in St. Catharines, Ontario, Burtynsky is a graduate of Ryerson University and Niagara College. He links his early exposure to the sites and images of the General Motors plant in his hometown to the development of his photographic work.
    [Show full text]
  • An Interview with Jennifer Baichwal Justin Morris and Matthew I
    Scale and Detail: An Interview with Jennifer Baichwal Justin Morris and Matthew I. Thompson Jennifer Baichwal’s latest film, Anthropocene: The Human Epoch (co-directed with Edward Burtynsky and Nicholas de Pencier, 2018), begins with a stark juxtaposition. As the film opens, a deep rumbling is heard on the soundtrack. Shortly thereafter the visual field is engulfed in flame: an abstract undulation of orange and black that is beautiful, but ominous. A jump cut transports us from this anonymous and vaguely apocalyptic conflagration to a cliff face of vertically striated rock. The soundtrack transitions from the roar of fire to the sound of small waves breaking on shore. In the first few seconds of the film this comparison between the immediacy of fire and the eternity of stone sets out the fundamental paradox of our current epoch: how do we reconcile the knowledge that, in a few short years, our collective combustion of fossil fuels will do such irreparable damage to the earth that our actions will be etched into the rock for millennia? Immediacy and eternity, scale and detail, economy and geology: these are some of the tensions that structure Anthropocene, along with Baichwal’s two other films on humanity’s collective footprint, Manufactured Landscapes (2006) and Watermark (2013). The co-editors of this special issue of The Neutral, Justin Morris and Matthew I. Thompson, sat down virtually with Baichwal this past spring during the onset of the COVID-19 pandemic. Here is an edited and condensed version of our conversation. Matthew I. Thompson (MT): You’re somebody who thinks a lot about the Anthropocene and anthropogenic effects on the environment.
    [Show full text]
  • 2017-2018 Eye on the World Annual Report
    EYE ON THE WORLD 2017-2018 ANNUAL REPORT TABLE OF CONTENTS MANAGEMENT 1 HIGHLIGHTS 16 DISCUSSION 77 COMMUNITY AND ANALYSIS INVOLVEMENT INDUSTRY AND 5 ACHIEVEMENTS 17 ECONOMIC CONDITIONS 78 TALENT FUND CORPORATE 7 EXECUTIVE SUMMARY 24 PLAN DELIVERY 85 GOVERNANCE FUNDER FINANCIAL 9 ABOUT US 29 103 STATEMENTS MESSAGE FROM PROMOTER ADDITIONAL 12 THE ACTING CHAIR 39 124 INFORMATION MESSAGE FROM 14 THE ACTING 50 THOUGHT LEADERSHIP EXECUTIVE DIRECTOR 56 ADMINISTRATOR 64 FINANCIAL REVIEW 74 RISK MANAGEMENT Telefilm Canada / 2017-2018 Annual Report 1 HIGHLIGHTS As Canada celebrated its 150th anniversary, the world looked to our nation and connected with our culture of inclusion. This important event was the ideal opportunity to promote Canadian talent like never before, attracting audiences and shining brightly around the world. Now, with over 50 years of success under its belt, the Canadian audiovisual industry—supported by Telefilm—can only look forward and See Bigger! CANADIAN CANADA LEGENDS SCORES AT THE 1 Jennifer Baichwal and Nick de Pencier’s Long Time Running BOX-OFFICE paid tribute to iconic Canadian band The Tragically Hip and legendary frontman Gord Downie, as their 2016 tour that captured the heart of our nation. OVER $7M AROUND $3M Long Time Running OVER World premiere at TIFF $1M 1. Box-office sales are reported on a calendar-year basis. Telefilm Canada / 2017-2018 Annual Report 2 HIGHLIGHTS CANADIAN FILMS FUNDED BY TELEFILM GENERATED SALES OVER $3M SINCE 20132 • Hector and the search for Happiness • Born To Be Blue • Life • Goon • Maps to the Stars • Hyena Road • Mommy • Louis Cyr • Brooklyn • Passchendaele • Maudie • Enemy • Snowtime! • Remember • Room (La guerre des tuques 3D) • The Art of the Steal • The F Word (What If) • The Captive • The Calling • The Young and Prodigious • The Colony • The Journey Home T.S.
    [Show full text]
  • Why Your Next Boss May Be Younger Than You Think
    ALUMNI MAGAZINE EDUCATING AFRICA’s NEXT LEADERS LA NOUVELLE MISSION DE JULIE PAYETTE A SEMESTER IN THE EDUCATING RAINFOREST AFRICA’s NEXT LEADERS LA NOUVELLE MISSION DE JULIE PAYETTE A SEMESTER IN THE RAINFOREST GENERATION STARTUP WHY YOUR NEXT BOSS MAY BE YOUNGER THAN YOU THINK SPRING/SUMMER 2014 publications.mcgill.ca/mcgillnews You’ve paid your dues. Start paying less with TD Insurance. You could WIN University graduates can save more. $60,000 cash At TD Insurance, we recognize all the time and effort you to build your put into getting where you are. That’s why, as a McGill University Alumni Association member, you have access to our TD Insurance dream kitchen!* Meloche Monnex program which offers preferred group rates and various additional discounts. You’ll also benefit from our highly personalized service and great protection that suits your needs. Get a quote today and see how much you could save. Request a quote today 1-888-589-5656 melochemonnex.com/mcgillalumni HOME | AUTO | TRAVEL Insurance program recommended by the The TD Insurance Meloche Monnex home and auto insurance program is underwritten by SECURITY NATIONAL INSURANCE COMPANY. The program is distributed by Meloche Monnex Insurance and Financial Services Inc. in Quebec and by Meloche Monnex Financial Services Inc. in the rest of Canada. For Quebec residents: We are located at 50 Place Crémazie, Montreal (Quebec) H2P 1B6. Due to provincial legislation, our auto insurance program is not offered in British Columbia, Manitoba or Saskatchewan. *No purchase is required. There is one (1) prize to be won. The winner may choose between an amount of $60,000 CAD to build a dream kitchen of his/her choosing or $60,000 CAD cash.
    [Show full text]
  • Presents a Feature Documentary + Multidisciplinary Project Exploring
    Presents A feature documentary + multidisciplinary project exploring human impact on the Earth by JENNIFER BAICHWAL NICHOLAS de PENCIER EDWARD BURTYNSKY Narrated by ALICIA VIKANDER (87 mins, Canada, 2018) Languages: English, Russian, Italian, German, Mandarin, and Cantonese with English Subtitles Distribution Mongrel Media Inc Publicity 1352 Dundas St. West Online Bonne Smith Toronto, Ontario, Canada, M6J 1Y2 www.theanthropocene.org Star PR Tel: 416-516-9775 Fax: 416-516- Twitter: @anthropocene Tel: 416-488-4436 0651 Facebook: /theanthropoceneproject Twitter: @starpr2 E-mail: [email protected] Instagram:@theanthropoceneproject E-mail: [email protected] www.mongrelmedia.com PROJECT OVERVIEW We have reached an unprecedented moment in planetary history. Humans now affect the Earth and its processes more than all other natural forces combined. The Anthropocene Project is a multidisciplinary body of work combining a feature documentary, fine art photography, film, virtual reality, augmented reality, and scientific research to investigate human influence on the state, dynamic, and future of the Earth. The Holocene Epoch started 11,700 years ago as the glaciers of the last ice age receded. Geologists and other scientists from the Anthropocene Working Group believe that we have left the Holocene and entered a new epoch: the Anthropocene. Their argument is that humans have become the single most defining force on the planet and that the evidence for this is overwhelming. Terraforming of the earth through mining, urbanization, industrialization and agriculture; the proliferation of dams and diverting of waterways; CO2 and acidification of oceans due to climate change; the pervasive presence around the globe of plastics, concrete, and other technofossils; unprecedented rates of deforestation and extinction: these human incursions, they argue, are so massive in scope that they have already entered, and will endure in, geological time.
    [Show full text]