Written Evidence from the BBC World Service in Myanmar (MYA0049)
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Verizon Fios Channel Guide
1/14/2020 Extreme HD Print 344 Ch, 151 HD # A 169 A Wealth of Entertainment 669 A Wealth of Entertainment HD 181 A&E 681 A&E HD 571 ACC Network HD 119 AccuWeather DC MD VA 619 AccuWeather DC MD VA HD 424 Action Max 924 Action Max HD 425 Action Max West 231 AMC 731 AMC HD 125 American Heroes Channel 625 American Heroes Channel HD 130 Animal Planet 630 Animal Planet HD 215 AXS tv 569 AXS tv HD # B 765 BabyFirst HD 189 BBC America 689 BBC America HD 107 BBC World News 609 BBC World News HD 596 beIN Sports HD 270 BET 225 BET Gospel 770 BET HD 213 BET Jams 219 BET Soul 330 Big Ten 1 331 Big Ten 2 Programming Service offered in each package are subject to change and not all programming Included Channel Premium Available For Additional Cost services will be available at all times, Blackout restrictions apply. 1/15 1/14/2020 Extreme HD Print 344 Ch, 151 HD 333 Big Ten 3 85 Big Ten Network 585 Big Ten Network HD 258 Boomerang Brambleton Community 42 Access [HOA] 185 Bravo 685 Bravo HD 951 Brazzers 290 BYU Television # C 109 C-SPAN 110 C-SPAN 2 111 C-SPAN 3 599 Cars.TV HD 257 Cartoon Network 757 Cartoon Network HD 94 CBS Sports Network 594 CBS Sports Network HD 277 CGTN 420 Cinemax 920 Cinemax HD 421 Cinemax West 921 Cinemax West HD 236 Cinémoi 221 CMT 721 CMT HD 222 CMT Music 102 CNBC 602 CNBC HD+ 100 CNN 600 CNN HD 105 CNN International 190 Comedy Central 690 Comedy Central HD 695 Comedy.TV HD 163 Cooking Channel 663 Cooking Channel HD Programming Service offered in each package are subject to change and not all programming Included Channel Premium Available For Additional Cost services will be available at all times, Blackout restrictions apply. -
1034 Policy Manual
Policy Grafton Police Department 1034 Policy Manual Line-of-Duty Deaths 1034.1 PURPOSE AND SCOPE The purpose of this policy is to provide guidance to members of the Grafton Police Department in the event of the death of a member occurring in the line of duty and to direct the Department in providing proper support for the member’s survivors. The Chief of Police may also apply some or all of this policy in situations where members are injured in the line of duty and the injuries are life-threatening. 1034.1.1 DEFINITIONS Definitions related to this policy include: Line-of-duty death - The death of a sworn member during the course of performing law enforcement-related functions while on- or off-duty, or a Civilian member during the course of performing their assigned duties. Survivors - Immediate family members of the deceased member, which can include spouse, children, parents, other next of kin or significant others. The determination of who should be considered a survivor for purposes of this policy should be made on a case-by-case basis given the individual’s relationship with the member and whether the individual was previously designated by the deceased member. 1034.2 POLICY It is the policy of the Grafton Police Department to make appropriate notifications and to provide assistance and support to survivors and coworkers of a member who becomes seriously injured or dies in the line of duty. It is also the policy of this department to respect the requests of the survivors when they conflict with these guidelines, as appropriate. -
DSTV Local Content April Brochure Play
Business Business KWA 75,000/= Play Ultra 97+ MWEZI TZS 200,000 KWA Play Essential 70+ MWEZI TZS 135,000 Waletee e na DStv Business KWA Play Basic 48+ MWEZI TZS 75,000 Jipatie 25+ Kifurushi cha chaneli za michezo, Kwa maelezo zaidi piga: 0768988801 muziki na habari Play Business Business Business KWA KWA KWA Play Ultra 97+ MWEZI Play Essential 70+ MWEZI Play Basic 48+ MWEZI TZS 200,000 TZS 135,000 TZS 75,000 GENERAL ENTERTAINMENT CHILDREN GENERAL ENTERTAINMENT MUSIC ENTERTAINMENT / OWN CONTENT FTA 130 MTV 305 Nickelodeon 136 Discovery Family 324 HIP TV 122 Comedy Central 308 Nick Toons 160 Maisha Magic Bongo 284 Bukedde TV 128 WWE Channel 307 Nick Junior 164 ROK GH 322 MTV Base 136 Discovery Family 309 Disney Junior 135 Discovery TLC 327 Sound City 161 Pearl Magic 363 Citi TV 121 Discovery Channel 310 Jim Jam 166 Zee World 323 Trace Mziki 164 ROK GH 154 Africa Magic Family 273 Citizen TV 135 Discovery TLC 166 Zee World MUSIC 156 Africa Magic Hausa 294 Cloud Plus 326 AfroMusic Channel ENTERTAINMENT / OWN CONTENT RELIGION 324 HIP TV 160 Maisha Magic Bongo 341 Faith 159 Africa Magic Igbo 364 Dominion TV 322 MTV Base ENTERTAINMENT / OWN CONTENT 163 Maisha Magic Plus 343 TBN 160 Maisha Magic Bongo 327 Sound City 157 Africa Magic Yoruba 250 eTV Africa 163 Maisha Magic Plus 323 Trace Mziki 161 Pearl Magic 390 Emmanuel TV 161 Pearl Magic 325 Trace Naija 153 Africa Magic Urban 347 ISLAM CHANNEL 298 ETV News 151 Africa Magic Showcase 154 Africa Magic Family 153 Africa Magic Urban NEWS 275 K24 154 Africa Magic Family RELIGION 156 Africa Magic Hausa -
Report on Information and Communication for Development
Policy and Research Programme on Role of Media and Communication in Development Final Project Report April 2010 – March 2012 Grant Reference Number: AG4601 MIS Code: 732-620-029 Contact: James Deane, Head of Policy [email protected] BBC Media Action Bush House, PO Box 76, Strand, London WC2B 4PH Telephone +44 (0) 207 557 2462, Fax +44 (0)207 379 1622, E-mail: [email protected] www.bbcworldservicetrust.org 2 BBC Media Action Policy and Research Programme on the Role of Media and Communication in Democratic Development INTRODUCTION This is the final report of the Policy and Research Programme on the Role of Media and Communication Development. It provides a narrative overview of progress and impact between April 2010 and March 2012 of the DFID funded Policy and Research Programme on the Role of Media in Development, building on an earlier report submitted for activities carried out between April 2010 and March 2011. In 2006 the Department for International Development (DFID) allocated £2.5 million over five years for the establishment of a 'Policy and Research Programme on the Role of Media and Communication in Development' to be managed by BBC Media Action (formerly the BBC World Service Trust). The Programme ran from July 2006 through to March 2012, including a no-cost extension. A small additional contribution to the Programme from the Swedish International Development Agency was received over the period (approximately £300,000 over the period 2009- 2012). In November 2011, DFID reached agreement with the BBC World Service Trust (since January 2012, renamed as BBC Media Action) for a new Global Grant amounting to £90 million over five years. -
BBC Global News India Private Limited at the Outset, We Would Like
BBC Global News India Private Limited (Channel- BBC World News) At the outset, we would like to express our gratitude towards Telecom Regulatory Authority of India (henceforth “TRAI”) for bringing out a comprehensive consultation paper on the subject of tariff. We appreciate the efforts made by TRAI in formulating a comprehensive tariff order in this regard. We would like to offer our comments to the proposed Telecommunication (Broadcasting and Cable Services) (Eight) (Addressable Systems) Tariff Order, 2016 as under- Pricing of the channel The ceiling on maximum retail price for the pay television channels in news and current affairs genre has been kept at Rs. 5/-. We are of considered view that while determining the ceiling on maximum retail price of a particular genre, the current level of effective price of the channels should also be taken into account. Considering the packaging of pay channels in bouquets on one hand and making them a viable option on a-la-carte basis for subscribers on the other hand, the broadcasters will be required to price their channels in such a way so as to achieve reach and sustain revenues. The broadcasters of channels like us which cater to a niche audience will be more affected by this. We are of opinion that the price of channel is mainly driven by following three attributes- (i) Choice of consumer- Price of any channel in mainly influenced by the demand of consumer for that particular channel and its content. In case we want to promote the a- ala-carte model of offering channels to the consumers, there is a need to determine the most attractive price for a particular channel for the subscriber. -
How Uk News Providers Engage Young Adult Audiences (Aged 16-34) on Digital and Social Media Platforms
‘OLD NEWS, YOUNG VIEWS’ HOW UK NEWS PROVIDERS ENGAGE YOUNG ADULT AUDIENCES (AGED 16-34) ON DIGITAL AND SOCIAL MEDIA PLATFORMS. by LEON HAWTHORNE A thesis submitted to the University of Birmingham for the degree of MA BY RESEARCH. Department of Film & Creative Writing School of English, Drama and Creative Studies College of Arts and Law University of Birmingham June 2020 ii University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. iii Abstract This thesis examines the changing patterns of news consumption by young adults in the United Kingdom, aged 16 to 34 years old, and the editorial responses to this by leading television news broadcasters. It begins with a comprehensive review of the most recent literature on incidental news exposure, personalisation, echo chambers and filter bubbles; combining this with analyses of key reports by industry and governmental sources. It proposes a new taxonomy of news consumption behaviours, and a new visual taxonomy of news using the RGB (red, green, blue) colour spectrum. Senior editors at ITV News, Channel 4 News, 5 News and Sky News were interviewed to provide insights into current digital strategies. -
MCPS TV Fpvs
MCPS Broadcast Blanket Distribution - TV FPV Rates paid July 2014 Non Peak Non Peak Progs Progs P(ence) P(ence) Peak FPV Non Peak (covered (covered Manufact Period Rate (per Rate (per (per FPV (per by by Source/S urer Source Link (YYMMYYM weighted weighted weighted weighted blanket blanket Licensee Channel Name hort Code udc Number Type code M) second) second) minute) minute) licence) licence) AATW Ltd Channel AKA CHNAKA S1759 287294 208 qbc 13091312 0.015 0.009 Y Y BBC BBC 1 BBCTVD Z0003 5258 201 qdw 14011403 75.452 37.726 45.2712 22.6356 Y Y BBC BBC 2 BBC2 Z0004 316168 201 qdx 14011403 17.879 8.939 10.7274 5.3634 Y Y BBC BBC ALBA BBCALB Z0008 232662 201 qe2 14011403 6.48 3.24 3.888 1.944 Y Y BBC BBC HD BBCHD Z0010 232654 201 qe4 14011403 6.095 3.047 3.657 1.8282 Y Y BBC BBC Interactive BBCINT AN120 251209 201 qbk 14011403 6.854 4.1124 Y Y BBC BBC News BBC NE Z0007 127284 201 qe1 14011403 8.193 4.096 4.9158 2.4576 Y Y BBC BBC Parliament BBCPAR Z0009 316176 201 qe3 14011403 13.414 6.707 8.0484 4.0242 Y Y BBC BBC Side Agreement for S4C BBCS4C Z0222 316184 201 qip 14011403 7.747 4.6482 Y Y BBC BBC3 BBC3 Z0001 126187 201 qdu 14011403 15.677 7.838 9.4062 4.7028 Y Y BBC BBC4 BBC4 Z0002 158776 201 qdv 14011403 9.205 4.602 5.523 2.7612 Y Y BBC CBBC CBBC Z0005 165235 201 qdy 14011403 8.96 4.48 5.376 2.688 Y Y BBC Cbeebies CBEEBI Z0006 285496 201 qdz 14011403 12.457 6.228 7.4742 3.7368 Y Y BBC Worldwide BBC Entertainment Africa BBCENA Z0296 286601 201 qk2 14011403 5.556 2.778 3.3336 1.6668 N Y BBC Worldwide BBC Entertainment Nordic BBCENN Z0300 -
Ethics in Photojournalism: Past, Present, and Future
Ethics in Photojournalism: Past, Present, and Future By Daniel R. Bersak S.B. Comparative Media Studies & Electrical Engineering/Computer Science Massachusetts Institute of Technology, 2003 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY SEPTEMBER, 2006 Copyright 2006 Daniel R. Bersak, All Rights Reserved The author hereby grants to MIT permission to reproduce and distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _____________________________________________________ Department of Comparative Media Studies, August 11, 2006 Certified By: ___________________________________________________________ Edward Barrett Senior Lecturer, Department of Writing Thesis Supervisor Accepted By: __________________________________________________________ William Uriccio Professor of Comparative Media Studies Director Ethics In Photojournalism: Past, Present, and Future By Daniel R. Bersak Submitted to the Department of Comparative Media Studies, School of Humanities, Arts, and Social Sciences on August 11, 2006, in partial fulfillment of the requirements for the degree of Master of Science in Comparative Media Studies Abstract Like writers and editors, photojournalists are held to a standard of ethics. Each publica- tion has a set of rules, sometimes written, sometimes unwritten, that governs what that publication considers to be a truthful and faithful representation of images to the public. These rules cover a wide range of topics such as how a photographer should act while taking pictures, what he or she can and can’t photograph, and whether and how an im- age can be altered in the darkroom or on the computer. -
Westminster Research
Westminster Research http://www.westminster.ac.uk/research/westminsterresearch Picturing the World's news: news photography, cultural production, Thomson Reuters and the international process of news making Jonathan Ilan School of Media, Arts and Design This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 2012. This is an exact reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e- mail [email protected] Picturing the World’s News: News Photography, Cultural Production, Thomson Reuters and the International Process of News Making Jonathan Ilan A thesis in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy February 2012 Abstract In this research the production process of news pictures at Thomson Reuters international multimedia news agency is examined along its ‘local’ and ‘international’ key moments and sites, and the career of Reuters photographs- from the moment they are conceived as ideas to their purchase- is followed and explored at the ways that at every stage they are used, chosen, sold and processed as 'Reuters' products. -
A Hashtag Worth a Thousand Words
SMSXXX10.1177/2056305116686992Social Media + SocietyGiglietto and Lee 686992research-article2016 Article Social Media + Society January-March 2017: 1 –15 A Hashtag Worth a Thousand © The Author(s) 2017 Reprints and permissions: sagepub.co.uk/journalsPermissions.nav Words: Discursive Strategies DOI:https://doi.org/10.1177/2056305116686992 10.1177/2056305116686992 Around #JeNeSuisPasCharlie After journals.sagepub.com/home/sms the 2015 Charlie Hebdo Shooting Fabio Giglietto1 and Yenn Lee2 Abstract Following a shooting attack by two self-proclaimed Islamist gunmen at the offices of French satirical weekly Charlie Hebdo on 7 January 2015, there emerged the hashtag #JeSuisCharlie on Twitter as an expression of solidarity and support for the magazine’s right to free speech. Almost simultaneously, however, there was also #JeNeSuisPasCharlie explicitly countering the former, affirmative hashtag. Based on a multimethod analysis of 74,047 tweets containing #JeNeSuisPasCharlie posted between 7 and 11 January, this article reveals that users of the hashtag under study employed various discursive strategies and tactics to challenge the mainstream framing of the shooting as the universal value of freedom of expression being threatened by religious extremism, while protecting themselves from the risk of being viewed as disrespecting victims or endorsing the violence committed. The significance of this study is twofold. First, it extends the literature on strategic speech acts by examining how such acts take place in a social media context. Second, it highlights the need for a multidimensional and reflective methodology when dealing with data mined from social media. Keywords Twitter, hashtag, discursive strategy, sensitive topic, Charlie Hebdo On 7 January 2015, two gunmen forced their way into the #JeNeSuisPasCharlie carried an inherent risk of being headquarters of satirical weekly magazine Charlie Hebdo in viewed as disrespecting victims or endorsing the violence Paris and killed 12 staff cartoonists, claiming that what they committed. -
14 DAYS in JANUARY Photojournalists’ Experiences and Images from Two Historic Weeks in Washington, D.C
JANUARY | FEBRUARY 2021 | A SPECIAL REPORT 14 DAYS IN JANUARY Photojournalists’ experiences and images from two historic weeks in Washington, D.C. After 75 years, this is the final News Photographer in magazine format. Say hell0 to News Photographer digital on nppa.org. See stories on pages 5 and 27. CONTENTS | JANUARY / FEBRUARY 2021 Editor's Column Sue Morrow 5 President's Column Katie Schoolov 27 Advocacy: Legal issues in the wake of the Capitol insurrection Mickey Osterreicher & Alicia Calzada 28 Spotlight: Small-market Carin Dorghalli 36 Pandemic changes the game for sports photographers Peggy Peattie 38 Eyes on Research: Training the next generation to see Dr. Gabriel B. Tate 44 Now we know her story: The woman in the iconic photograph Dai Sugano & Julia Prodis Sulek 48 Irresponsibility could cut off journalists' access to disasters Tracy Barbutes 54 The Image Deconstructed Rich-Joseph Facun, by Ross Taylor 60 14 Days in January Oliver Janney & contributors 70-117 Columnists Doing It Well: Matt Pearl 31 It's a Process: Eric Maierson 32 Career/Life Balance: Autumn Payne 35 Openers/Enders Pages 8, 10, 12, 14, 16, 18, 20 22, 24, 118, 120, 122, 124, 126, 128, 130, 132 ON THE COVER National Guard troops from New York City get a tour through the Rotunda of the U.S. Capitol on January 14, 2021. They were part of the defensive security build-up leading up to the inauguration of President-elect Joe Biden. Photo by David Burnett ©2020 Contact Press Images U.S. Capitol police try to fend off a pro-Trump mob that breached the Capitol on January 6, 2021, in Washington, D.C. -
'Line of Duty,' Is Unique Cop Show
ARAB TIMES, WEDNESDAY, JUNE 2, 2021 NEWS/FEATURES 13 People & Places Books ‘A Writer Prepares’ Block’s memoir recalls colorful writing career NEW YORK, June 1, (AP): Lawrence Block has fol- lowed many paths during his long career. “With not a few dead end roads among them,” notes the mystery novelist. Best known for his Matthew Scudder and Bernie Rhodenbarr series, Block has released dozens of pop- ular works through Harper Collins and Dutton among other mainstream publishers. He has received multiple Edgar Awards and Anthony Awards for outstanding fi ction, and his lifetime achievement honors include the Diamond Dagger from the British Crime Writers’ Association and Grand Master status in the Mystery Writers of America. But he has also completed dozens of works under other names, by publishers and publications long since forgotten, and, in some cases, of questionable legality. More recently, he has been publish- ing the books himself, includ- ing “Dead Girl Blues” and the Rhodenbarr novel “The Bur- glar In Short Order,” which both came out in 2020, and his current work, the memoir “A Writer Prepares.” “One big plus of self-pub- lishing is how quickly it can be managed. I can reduce waiting Block time by a minimum of a year if I publish something myself,” he explains. “The downside is not to be shrugged off. Self-pub- lished books rarely get reviewed and hardly ever show up in bookstores. ‘Dead Girl Blues’ didn’t make me This image released by BritBox shows Vicky McClure, (left), and Kelly Macdonald in a scene from the BBC police drama series ‘Line of Duty.’ (AP) rich, and neither will ‘A Writer Prepares.’ But nothing I write is going to do that, no matter who publishes it, and whatever I self-publish stays forever available in electronic and print editions, and probably fi nds what- ever audience it deserves to have.” Television Block is a longtime Greenwich Village resident, fully vaccinated and back outside, enjoying a nice big plate of Brussels sprouts during a recent afternoon in- terview at a favorite cafe.