Department of Music Online Class Plan from 30.3.2020 to 4.4.2020

Dr.Gurinder H.Singh

Name of the course: (CBCS) BA Prog. Part 1, Sem 2, Hindustani Music Name of paper: Basics of Indian Musicology. (62444201) Name of unit: 1 and 2 Primary study material: Practical - - Reference Book, Pt. Bhatkhande, Kramik Pustak Mallika, Vol-4, starting from Pg. 604 a) Parichey b) Aroha, Avaroha, Pakad. Ability to sing and play on the Harmonium. b)Writing of the Notation in the Bandish in chota khayal (Theory) c) Learning to sing the Sthai d) Learning to sing the Antara. e) learning to sing 2 alaaps i ) Mandra to Madhya ii) Madhya Saptak to Taar Saptak. iii) learning to sing 3 Taans in 8 beats iv) learning to sing one Taan in 12 beats v) learning to sing one Taan in 16 beats.

Raag Jaunpuri You Tube Links:- https://youtu.be/9FNv8CZAuA4 https://youtu.be/Ruqu6DPL6PI https://youtu.be/RPPMHvXciNA

Dr. Gurinder H. Singh 7.4.2020 to 11.4.2020

Raga - Reference Book, Pt. Bhatkhande, Kramik Pustak Mallika. a) Parichey b) Aroha, Avaroha, Pakad. Ability to sing and play on the Harmonium. b)Writing of the Notation in the Bandish in chota khayal (Theory) c) Learning to sing the Sthai e) learning to sing 2 alaaps i ) Mandra to Madhya Saptak ii) Madhya Saptak to Taar Saptak. iii) learning to sing 3 Taans in 8 beats Theory Learning the Biographies of the following musicians. 1)Jaidev 2)Pt. Bhatkhande

YouTube links. https://youtu.be/TLwO-2E9HGo

Dr. Gurinder H. Singh 14.4.2020 to18.4.2020 Practical- 1.Revision of the Kafi and Jaunpuri done in the previous Week Revision of Vadi, Samvadi, Anuvadi already taught. Swar Malika, lakshan geet

Dr. Gurinder H. Singh 21.4.2020 to 25.4.2020 Practical Revision of Raga Kafi and Raga Jaunpuri Theory 1.Mela 2. 3.Raga 4.Ashareya Raga

Dr Gurinder H Singh 28.04.2020 to 02.04.2020 Theory Biographies of Musicians Allauddin Khan Tyagaraja Practical Revision of Chota Khayal of 1.Raga kafi 2.Raga Jaunpuri

Dr. Gurinder H. Singh O5.05.2020 to 09.05.2020 The Syllabus for both Practical and Theory has been completed. For this week the teaching plan is To revise the practical aspect of the syllabus Revision of Raga Kafi- Chota Khayal- Ah, Av, Pkd, Alaap, Taan. Revision of Theory . Checking of assignments On line/ virtual Interaction with students in smaller groups. *X*

Dr.Prerna Arora Name of the course: (CBCS) BA Prog. Part 1, Sem 2, Hindustani Music Name of paper: Basics of Indian Musicology. (62444201) Name of unit: 1 and 2 Primary study material: Practical Raga Pt. Tejpal Singh, Vidhivat Sangeet Sikshan starting from Pg. 111 a) Parichey b) Aroha, Avaroha, Pakad. Ability to sing and play on the Harmonium. b)Writing of the Notation in the Bandish in chota khayal (Theory) c) Learning to sing the Sthai d) Learning to sing the Antara. e) learning to sing 2 alaaps i ) Mandra to Madhya Saptak ii) Madhya Saptak to Taar Saptak. iii) learning to sing 3 Taans in 8 beats iv) learning to sing one Taan in 12 beats v) learning to sing one Taan in 16 beats.

Dr.Prerna Arora

Name of the course: (CBCS) BA Prog. Part 1, Sem 2, Hindustani Music Name of paper: Basics of Indian Musicology. (62444201) Name of unit: 1 and 2 Primary study material: Practical Raga Yaman Pt. Tejpal Singh, Vidhivat Sangeet Sikshan starting from Pg. 111 a) Parichey b) Aroha, Avaroha, Pakad. Ability to sing and play on the Harmonium. b)Writing the Notation of the Bandish of Bada Khayal (Theory) c) Learning to sing the Sthai d) Learning to sing the Antara. e) learning to sing 3-5 alaaps i ) Mandra to Madhya Saptak ii) Madhya Saptak to Taar Saptak. iii) learning to sing 2-3 Taans in 2-3 Avartanas

Raag Yaman You Tube Links:- https://youtu.be/vRUFZ2nCREk https://youtu.be/YK4R7YvnRpo https://youtu.be/7FRqDwzuJ-A

Dr. Prerna Arora 6.4.2020 to 10.4.2020 Practical revision of the complete format of Raga Yaman Bada Khayal Alap and Taans Chota khayal Alaap and Taans Theory: Learning the Biographies of the following musicians i).Mansingh Tomar ii).Abdul kareem khan

Dr. Prerna Arora 13.4.2020 to17.4.2020 Practical Revision of Singing entire Raga Yaman Theory VakraSwar Varjit Swar Alap Jod Jhala Poorvang, Uttrang

Dr. Prerna Arora 20.4.2020 to 24.4.2020 Practical Revision of singing the Bada and Chota khayal in Raga Yaman. Theory Taan even uske prakar Gamak Neend Soot https://youtu.be/DuaHd2dj10g

Dr Prerna Arora 27.04.2020 to 01.04.2020 Theory 1.Ravishankar 2.Murki kan khatka krintan, 3. diagram Practical Revision of Bada and Chota Khayal in Raga Yaman.

Dr. Prerna Arora O4.05.2020 to 08.05.2020 The Syllabus for both Practical and Theory has been completed. For this week the revision plan is To revise the practical aspect of the syllabus Revision of Raga Yaman- Bada & Chota Khayal- Ah, Av, Pkd, Alaap, Taan Revision of Theory . Checking of assignments On line/ virtual Interaction with students in smaller groups.

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Dr.Gurinder H.Singh Name of the course: (CBCS) BA Prog. Part -2,Sem 4,Hindustani Music Name of paper: Theory of Indian Music, Medieval Granthas, and Contribution of Musicians & Musicologists (62444403) Name of unit: 1 and 2 Primary study material: Practical -Raga Bhimplasi - Reference Book, Pt. Bhatkhande, Kramik Pustak Mallika, Vol-4, starting from Pg. 570 a) Parichey b) Aroha, Avaroha, Pakad. Ability to sing and play on the Harmonium. b)Writing of the Notation in the Bandish in chota khayal (Theory) c) Learning to sing the Sthai d) e) learning to sing 2 alaaps i ) Mandra to Madhya Saptak ii) Madhya Saptak to Taar Saptak. iii) learning to sing 3 Taans in 8 beats iv) learning to sing one Taan in 12 beats v) learning to sing one Taan in 16 beats.

Raga Bhimplasi You Tube Links :- https://youtu.be/K28eMxSMg6Q https://youtu.be/2ZCLbQsAUQ8 https://youtu.be/b2ltg-eKrKo

Dr. Gurinder H. Singh 7.4.2020 to 11.4.20201. Practical Revision of singing the complete format of Raga Bhimplasi Learning to Sing the Sthai of in Raga with Its Dugun, Tigun, and Chaugun Learning to write the Sthai of the dhrupad in Notation.(Theory) Learning the Biographies of the following musicians. Pt. Krishna Narayan Ratanjankar Beethoven

YouTube links : https://youtu.be/QLiFCMzjQmY https://youtu.be/wXOOyV0DNBA

14.4.2020 to 18.4.2020 Practical 1.Revision of Dhrupad Sthai in Raga Bhupali Revision of the Antra of Dhrupad in Raga Bhopali Dugun, Tigun , And Chaugun. Theory

21.4.2020 to 25.2020 Practical Raga Bhupali Chota khayal Sthai Antra Theory 1 A study of Vyankatmukhi’s Chatturdandi Prakashika https://youtu.be/GtiMTnSUkms

Dr. Gurinder H. Singh 28.04.2020 to 02.04.2020 Theory and Practical Revision only.

Dr. Gurinder H. Singh O5.05.2020 to 09.05.2020

The Syllabus for both Practical and Theory have been completed. For this week the teaching plan is as follows: To revise the practical aspect of the syllabus Revision of Dhrupad in Raga Bhupali Revision of Theory . Checking of assignments On line/ virtual Interaction with students in smaller groups.

*X*

Dr.Prerna Arora Name of the course: (CBCS) BA Prog. Part 2,Sem 4,Hindustani Music Name of paper: Theory of Indian Music, Medieval Granthas, & Contributions of Musicians & Musicologists. (62444403) Name of unit: 1 and 2 Primary study material: Practical Raga Bagshree Pt. Tejpal Singh, Vidhivat Sangeet Siksha, staring from starting from Pg. 216 a) Parichey b) Aroha, Avaroha, Pakad. Ability to sing and play on the Harmonium. b)Writing of the Notation in the Bandish in chota khayal (Theory) c) Learning to sing the Sthai d) Learning to sing 2 alaaps i ) Mandra to Madhya Saptak ii) Madhya Saptak to Taar Saptak. iii) learning to sing 3 Taans in 8 beats iv) learning to sing one Taan in 12 beats v) learning to sing one Taan in 16 beats. Raag Bagshree You Tube Links:- https://youtu.be/qon07uiczJw https://youtu.be/wWMZGZnSoEc https://youtu.be/AqvgV-7DwC8

Dr. Prerna Arora 6.4.2020 to 10.4.2020 Raag Bagshree Vilimbat khayal 1.Learning to sing the Sthai 2.Learning to sing the Antara. 3.Learning to sing 4-5 alaaps i ) Mandra to Madhya Saptak ii) Madhya Saptak to Taar Saptak. iii) learning to sing 2-3 Taans in 2-3 Avartanas Theory Writing the Notation of the Bada khayal Detailed study of the following a)Vilayat khan b)Mutthuswami Dikshitar https://youtu.be/D7-PbYmVXP0

Dr. Prerna Arora 13.4.2020 to 18.4.2020 Practical Revision of the entire Raga Bageshree Bada and chota khayal Alaap and Taan Theory 1.Sandhiprakash Raga 2.Parmela praveshank raga 3.Alap jod jhala

Dr. Prerna Arora 20.4.2020 to 24.4.2020 Practical Practical revision of Bada and Chota Khayal in Raga Bagshree. Theory 1.Poorvang Uttarang 2.Ahobal' s Sangeet Parijat

Dr Prerna Arora 27.04.2020 to 01.04.2020 Theory and Practical Only Revision

Dr. Prerna Arora O4.05.2020 to 08.05.2020

The Syllabus for both Practical and Theory have been completed. For this week the teaching plan is as follows: To revise the practical aspect of the syllabus Revision of Bada & Chota Khayal in Raga Bageshree. Revision of Theory . Checking of assignments On line/ virtual Interaction with students in smaller groups.

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Dr.Gurinder H.Singh Name of the course: (CBCS) BA Prog. Part -3, Sem 6,Hindustani Music Name of paper: Musicology & Study of Ragas & Talas (62447608) Name of unit: 1 and 2 Primary study material: Practical -Raga Hamir - Reference Book, Pt. Bhatkhande, Kramik Pustak Mallika, Vol-3, starting from Pg. 75 a) Parichey b) Aroha, Avaroha, Pakad. Ability to sing and play on the Harmonium. b)Writing of the Notation in the Bandish in chota khayal drut (Theory) c) Learning to sing the Sthai d) Learning g to sing the Antara. e) learning to sing 2 alaaps i ) Mandra to Madhya Saptak ii) Madhya Saptak to Taar Saptak. iii) learning to sing 3 Taans in 8 beats iv) learning to sing one Taan in 12 beats v) learning to sing one Taan in 16 beats.

Dr.Gurinder H.Singh

Name of the course: (CBCS) BA Prog. Part -3, Sem 6,Hindustani Music Name of paper: Musicology & Study of Ragas & Talas (62447608) Name of unit: 1 and 2 Primary study material: Practical -Raga Hamir - Reference Book, Pt. Bhatkhande, Kramik Pustak Mallika, Vol-3, starting from Pg. 75 a) Parichey b) Aroha, Avaroha, Pakad. Ability to sing and play on the Harmonium. b)Writing of the Notation in the Bandish in Bada Khayal (Theory) c) Learning to sing the Sthai d) Learning g to sing the Antara. e) learning to sing 4-5 alaaps i ) Mandra to Madhya Saptak ii) Madhya Saptak to Taar Saptak. iii) learning to sing 2-3 Taans in 2-3 Avartanas Raag Hamir You Tube Links :- https://youtu.be/f1sJ4BVoxEE https://youtu.be/AqvgV-7DwC8 https://youtu.be/kzI3xkcFHSc

Dr.Gurinder H.Singh Name of the course: (CBCS) BA Prog. Part -3, Sem 6,Hindustani Music Name of paper: Musicology & Study of Ragas & Talas (62447608) Name of unit: 1 and 2 Primary study material: Practical -Raga Dhanashri - Reference Book, Pt. Bhatkhande, Kramik Pustak Mallika, Vol-4,starting from Pg. 347 a) Parichey b) Aroha, Avaroha, Pakad. Ability to sing and play on the Harmonium. b)Writing of the Notation in the Bandish in chota khayal drut (Theory) c) Learning to sing the Sthai d) Learning g to sing the Antara. e) learning to sing 2 alaaps i ) Mandra to Madhya Saptak ii) Madhya Saptak to Taar Saptak. iii) learning to sing 3 Taans in 8 beats iv) learning to sing one Taan in 12 beats v) learning to sing one Taan in 16 beats. Raga Puriya Dhanashri You Tube Links :- https://youtu.be/3n-9lhqFlOE https://youtu.be/r07elWu_ksA

Dr. Gurinder H. Singh 7.4.2020 to 11.4.20201. Practical Revision of singing the complete format of Raga Puriya Dhanashri. Practical Revision of the complete format of the Bada and Chota khayal of Raga Hamir. Theory detailed study of the following : Dhrupad Dhamar

14.4.2020 to 18.4.2020 Practical Revision of Bada and chota khayal in alaap and Taan Ragas Hamir and chota khayal with Alaap and Alaap and Taan in Raga Puriya Dhanashri Theory i). Nibadhha Gan ii).Anibadhha Gan

21.4.2020 to 24.4.2020 Practical Revision of Bada and Chota Khayal in Raga Hamir Revision of the drut composition in Raga Puriyadhanashri Theory Comparative Study of notation system of Pt. Vishnu Narayan Bhatkhande and Vishnu Digambar Paluskar https://youtu.be/t9IcspoCqO8

Dr. Gurinder H. Singh 28.04.2020 to 02.04.2020 Theory 1.Violin Practical Revision of : Bada Khayal and Chota Khayal in Raga Hamir Chota khayal in Raga Puriya Dhanashri

Dr. Gurinder H. Singh O5.05.2020 to 09.05.2020

The Syllabus for both Practical and Theory have been completed. For this week the teaching plan is as follows: To revise the practical aspect of the syllabus Revision of Bada & Chota Khayal in Raga Hamir Revision of Theory . Checking of assignments On line/ virtual Interaction with students in smaller groups.

*X*

Dr.Prerna Arora

Name of the course: (CBCS) BA Prog. Part 3, Sem 6,Hindustani Music Name of paper: Musicology & Study of Ragas and Talas. ( 62447608) Name of unit: 1 and 2 Primary study material: Practical Raga Pt. Tejpal Singh, Shashtriya Sangeet Sikshan Vol4, Pg. starting from 74-75. a) Parichey b) Aroha, Avaroha, Pakad. Ability to sing and play on the Harmonium. b)Writing of the Notation in the Bandish in chota khayal (Theory) c) Learning to sing the Sthai d) Learning to sing the e) learning to sing 2 alaaps i ) Mandra to Madhya Saptak ii) Madhya Saptak to Taar Saptak. iii) learning to sing 3 Taans in 8 beats iv) learning to sing one Taan in 12 beats v) learning to sing one Taan in 16 beats.

https://youtu.be/tq8m3TPmhcc https://youtu.be/YvOjM_klSeU https://youtu.be/L58KeJYBd68

Dr.Prerna Arora

Name of the course: (CBCS) BA Prog. Part 3, Sem 6,Hindustani Music Name of paper: Musicology & Study of Ragas and Talas. ( 62447608) Name of unit: 1 and 2 Primary study material: Practical Raga Gaud Sarang Pt. Tejpal Singh, Shashtriya Sangeet Sikshan Vol4, Learning to sing the Dhrupad in Raga Gaud Sarang. i) Learning to sing the Sthai ii) Learning to sing the Antra iii) Learning to sing the Dugun, Tigun and Chaugun. Learning to write the Notation of the Sthai & Antra of Dhrupad (Theory)

Raga Gaud Sarang You Tube:- https://youtu.be/dchgqcMKp7M

Dr. Prerna Arora 6.4.2020 To 10.2.2020 Practical revision of the Dhrupad in Raga Gaud Sarang. Sthai and Antra Dugun Tigun and Chaugun. Practical revision of complete format of the Chota khayal in Raga Gaud Sarang Theory Detailed study of the following i). Khayal ii). https://youtu.be/cSNkl7qJAgA

Dr. Prerna Arora 13.4.2020 to 17.4.2020 Practical 1).Revision of Dhrupad in Raga Gaud Sarang Dugun, Tigun, Chaugun 2).Revision of Chota Khayal in Raga Gaud Sarang Theory i ). Kaku ii ).Sthaya iii ).Musical references in Mahabharat

20.4.2020 to 24.4.2020 Practical Revision of singing the Dhrupad in Raga Gaud Sarang Theory Concept of Time Theory of Ragas. https://youtu.be/L58KeJYBd68

Dr. Prerna Arora 27.04.2020 to 01.04.2020

Theory Dadra 2. Trivat 3. Chaturanga

Practical Revision of: Dhrupad in Raga Gaud Sarang Chota Khayal in Raga Gaud Sarang.

Dr. Prerna Arora O5.05.2020 to 09.05.2020

The Syllabus for both Practical and Theory have been completed. For this week the teaching plan is as follows: To revise the practical aspect of the syllabus Revision of Dhrupad in Raga Gaud Sarang. Revision of Theory . Checking of assignments On line/ virtual Interaction with students in smaller groups.

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Sent from my iPhone

Sent from my iPhone Attachments area Preview YouTube video Raag Jaunpuri Tutorial | Payal ki Jhankaar Bairaniya with Bol alaap and taan

Preview YouTube video Learn Raag Jaunpuri - Lesson 4 - Alap and Chalan (Phrases)

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Preview YouTube video Dhrut Bandish-raag kafi by pt.ramakant dubey

Preview YouTube video Raag Yeman Tutorial by Aradhana Karhade (WITH NOTATION)

Preview YouTube video Raag Yaman | Alaap Taan | Tutorial #17 | Siddhant Pruthi

Preview YouTube video Raag Yaman for beginners - sung in a simple style for practice purposes

Preview YouTube video Raag Yaman and Bollywood songs (available with English Subtitles)

Preview YouTube video Raag Alaap | Taan | Tutorial #47 | Siddhant Pruthi

Preview YouTube video Learn Raag Bhimpalasi - Lesson 6 - Bandish with Example - Ja Ja Re Apne Mandirva

Preview YouTube video Raag Bhimpalas based songs | Hindi (English subtitles available)

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Preview YouTube video Raag Puria Dhanashri

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Preview YouTube video Raag Gaudsarang

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Preview YouTube video Ustad Fahimuddin Dagar: Raga Gaud Sarang