Current, October 06, 2014 University of Missouri-St
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Taking Note Cover Star
WHERE IS THE LOVE? The Story behind Japan’s Frozen Population Growth TAKING NOTE Global Perspectives and New Designs in Education COVER STAR Songstress May J Breaks Through with “Let It Go” ALSO: A Chocolate Movement Comes to Tokyo, Valentine’s Gift Guide, Art around Town, Agenda, Movies,www.tokyoweekender.com and more... FEBRUARY 2015 Your Move. Our World. C M Y CM MY CY Full Relocation CMY K Services anywhere in the world. Asian Tigers Mobility provides a comprehensive end-to-end mobility service tailored to your needs. Move Management – office, households, Tenancy Management pets, vehicles Family programs Orientation and Cross-cultural programs Departure services Visa and Immigration Storage services Temporary accommodation Home and School search Asian Tigers goes to great lengths to ensure the highest quality service. To us, every move is unique. Please visit www.asiantigers-japan.com or contact us at [email protected] Customer Hotline: 03-6402-2371 FEBRUARY 2015 www.tokyoweekender.com Your Move. Our World. FEBRUARY 2015 CONTENTS 10 C MAY J. M How letting go and learning to love the Y cover song rekindled a music career CM MY CY Full Relocation 7 14 18 CMY K Services anywhere in the world. Asian Tigers Mobility provides a comprehensive end-to-end mobility service tailored to your needs. Move Management – office, households, Tenancy Management LEXUS TEST DRIVE TOKYOFIT BEAN-TO-BAR CHOCOLATE pets, vehicles Family programs Pernod Ricard Japan CEO Tim Paech takes Getting in touch with your inner child— Bringing a chocolate revolution -
APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH Axis.Wmg.Com 4/22/17 RSD AUDIO & VIDEO RECAP
2017 NEW RELEASE SPECIAL APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH axis.wmg.com 4/22/17 RSD AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Le Soleil Est Pres de Moi (12" Single Air Splatter Vinyl)(Record Store Day PRH A 190295857370 559589 14.98 3/24/17 Exclusive) Anni-Frid Frida (Vinyl)(Record Store Day Exclusive) PRL A 190295838744 60247-P 21.98 3/24/17 Wild Season (feat. Florence Banks & Steelz Welch)(Explicit)(Vinyl Single)(Record WB S 054391960221 558713 7.98 3/24/17 Store Day Exclusive) Cracked Actor (Live Los Angeles, Bowie, David PRH A 190295869373 559537 39.98 3/24/17 '74)(3LP)(Record Store Day Exclusive) BOWPROMO (GEM Promo LP)(1LP Vinyl Bowie, David PRH A 190295875329 559540 54.98 3/24/17 Box)(Record Store Day Exclusive) Live at the Agora, 1978. (2LP)(Record Cars, The ECG A 081227940867 559102 29.98 3/24/17 Store Day Exclusive) Live from Los Angeles (Vinyl)(Record Clark, Brandy WB A 093624913894 558896 14.98 3/24/17 Store Day Exclusive) Greatest Hits Acoustic (2LP Picture Cure, The ECG A 081227940812 559251 31.98 3/24/17 Disc)(Record Store Day Exclusive) Greatest Hits (2LP Picture Disc)(Record Cure, The ECG A 081227940805 559252 31.98 3/24/17 Store Day Exclusive) Groove Is In The Heart / What Is Love? Deee-Lite ECG A 081227940980 66622 14.98 3/24/17 (Pink Vinyl)(Record Store Day Exclusive) Coral Fang (Explicit)(Red Vinyl)(Record Distillers, The RRW A 081227941468 48420 21.98 3/24/17 Store Day Exclusive) Live At The Matrix '67 (Vinyl)(Record Doors, The ECG A 081227940881 559094 21.98 3/24/17 -
From Voutube to Touh.Ill, Pentatoriix Music Amazes JENNIFER EMILY ADDY LAI STAFF WRITER STAFF WRITER
VOL.48 ISSUE 1448 OCT 6, 2014 From VouTube to Touh.ill, Pentatoriix music amazes JENNIFER EMILY ADDY LAI STAFF WRITER STAFF WRITER YouTube sensation and acapella group, Pentatonix, perform at Touhill Performing Arts Center PHOTOGRAPHY COURTESY OF ADDY LAIITHE CURRENT as well as the winning group of show was the group's cover the third season of NBC's "The of "Say Something," origi- Sing-Off,': . An American acap nally performed by A Great Big pella group that consists of five World feat. Christina Aguilera. vocalists who originated from The vocalists' voices echoed Arlington, Texas. Pentatonix throughout the theater and sent is comprised of lead vocalists chills through the captivated Scott Hoying; Kristin "Kristie" crowd. Their performance of the Maldonado, and Mitch GrasSi, "Evolution of Music" demon vocal bass Avriel ''Avi'' Kaplan, strated their technical skills, and and beat boxer Kevin K.O. Olu accomodated their audience of sola. Originally a three member different ages. group comprised of Scott, Kris Pentatonix's involvment tie, and Mitch, they eventually with their audience, a con found the need for a bassist and nection that is rarely seen at a beatboxer to reach stardom. concerts, was definitely one of The band name derives from the the key reasons why audiences five-note music scale, pentaton . were begging for an encore. ic, replacing the 'c' with an 'x'. Mitch, wanting a photograph The band redefines the meaning. of the enthusiastic crowd, took of an acapella concert. out his cell phone and started to Pentatonix performed take a panoramic photo as Scott some songs froln their previ hummed to the tune of "Jeop ous albums along with a couple ardy". -
My Chemical Romance
Name: _____________________________________ Date: _______ Period: _______ My Chemical Romance 1 L 2 C A T H O L I C 3 B S U A 4 L S I X F O O T O N E L G 5 H E S I T A N T A L I E N 6 T L J 7 8 P F E D A 9 F R A N K I E R O M U S T D I E M O A A I 10 11 12 R A Y T O R O R O W A N G E R A R D W A Y F K ! 13 14 15 M H I F F 16 17 18 19 20 M I L E S F I V E F O O T T E N K R I S T E N K A R R H I A 21 22 E R A Y T O R O T I G M A N U E L Y T Y R H K 23 W K T T I 24 25 A M I K E Y W A Y B E Y Y S O R 26 B L I G H T B R O W N 27 O C X B A U R 28 G E R A R D W A Y Y D L A 29 E Y E B A L L R E C O R D S Across 21. Who is the tallest in the band? 8. -
The Bullingdon, the Cellar, the of Sylvia Summers and Ady Cox
[email protected] @NightshiftMag nightshift.oxfordmusic.net Free every month NIGHTSHIFT Issue 232 November Oxford’s Music Magazine 2014 MAIIANS “We enjoy the chaos” Double drummer action from Oxford’s new electronic music stars OXFORD DUPLICATION CENTRE [email protected] Also in this issue: Office: 01865 457000 Mobile: 07917 775477 Supporting Oxfordshire Bands with Oxford remembers DAVE NORLAND Affordable Professional CD Duplication Introducing KID KIN FANTASTIC BAND RATES SEXTODECIMO return! ON ALL SERVICES Professional Thermal Printed CDs So do GUNNBUNNY! Full Colour/Black & White Silver or White Discs Plus Design Work Support Digital Printing Oxford news, reviews and previews Packaging Options Fulfilment Six pages of local gigs! Recommended by Matchbox Recordings Ltd, Poplar Jake, Undersmile, Desert Storm, Turan Audio Ltd, Nick Cope, Prospeckt, Paul Jeffries, Alvin Roy, Pete The Temp, Evolution, Coozes, Blue Moon and many more... NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 UK blues acts. It is hoped the club O2 Academy, The Wheatsheaf, with continue under the stewardship The Bullingdon, The Cellar, The of Sylvia Summers and Ady Cox. Jericho Tavern, The Corridor, Talking to Nightshift after his The Marsh Harrier, James Street retirement show, Phil said, “I’m Tavern and The Bear. This year’s NEWSbeing forcibly retired I’m afraid; festival is dedicated to the late Dave Nightshift: PO Box 312, Kidlington, OX5 1ZU I’ve not been well and it’s all come Norland. Tickets for all gigs on Phone: 01865 372255 email: [email protected] to an abrupt halt. It’s terribly sad during the week are available from but they put on a lovely party from Wegottickets.com. -
Acoustic Sounds Winter Catalog Update
VOL. 8.8 VOL. 2014 WINTER ACOUSTICSOUNDS.COM ACOUSTIC SOUNDS, INC. VOLUME 8.8 The world’s largest selection of audiophile recordings Published 11/14 THE BEATLES IN MONO BOX SET AAPL 379916 • $336.98 The Beatles get back to mono in a limited edition 14 LP box set! 180-gram LPs pressed in Germany by Optimal Media. Newly remastered for vinyl from the analogue tapes by Sean Magee and Steve Berkowitz. The release includes all nine original mono mixed U.K. albums plus the original American- Cut to lacquer on a VMS80 lathe compiled mono Magical Mystery Tour and the Mono Masters, a three LP collection of Exclusive 12” 108-page hardbound book non-album tracks also compiled and mastered from the original analogue tapes. with rare studio photos! All individual albums available. See acousticsounds.com for details. FOUR MORE FROM THE FAB FOUR New LP Reissues - Including QRP Pressings! The below four Beatles LPs will be pressed in two separate runs. First up are 10,000 European-pressed copies. After those are sold through, the label will then release the Quality Record Pressings-pressed copies. All four albums are 180-gram double LPs! The Beatles 1967-1970 The Beatles 1962-1966 1 Love ACAP 48448 $35.98 ACAP 48455 $35.98 ACAP 60079 $35.98 ACAP 48509 $48.98 (QPR-pressed version; (QPR-pressed version; (QPR-pressed version; (QPR-pressed version; coming sometime in 2015) coming sometime in 2015) coming sometime in 2015) coming sometime in 2015) ACAP 484480 $35.98 ACAP 484550 $35.98 ACAP 600790 $35.98 ACAP ACAP 485090 $48.98 (European-pressed version; (European-pressed -
Biegajmy Na Nartach! Agnieszka Bobrowska
Słowo numeru str 1 NAJCIEKAWSZY DODATEK TURYSTYCZNY Konkurs na Mazowszu! nr 01/2015 Styczeń 2015 www.SlowoWarszawy.pl Cena 2.20 zł (w tym 8 % VAT) II linia metra Agata Kuczmaszewska Warszawa, jako stolica, jest się większej ilości środków miejscem stale rozwijającym komunikacji. Dlatego zapadła się oraz ulegającym ciągłym decyzja o otwarciu drugiej zmianom. Poprzez migracje linii metra. Ale od decyzji do coraz to większej liczby lud- otwarcia droga jeszcze daleka. ności, wymaga ona szybszych środków transportu. Szyb- czyt. dalej s. 3 ki postęp, również domaga Biegajmy na nartach! Agnieszka Bobrowska Wbrew pozorom zimowy Kowalczyk. Nie jest to jednak czas daje nam mnóstwo moż- sport tylko dla zawodow- liwości aktywnego wypo- ców – świetnie odnajdzie czynku. Jedną z nich jest się w nim każdy amator. Ko- bieganie na nartach, dyscy- rzyści jest naprawdę wiele! plina tak bardzo spopula- ryzowana w naszym kraju czyt. dalej s. 9 dzięki sukcesom Justyny Z nowym rokiem Marta Pietrzak Każdego roku, gdy nieuchron- nowani, aby w końcu rzucić nie zbliża się przełom grudnia palenie, innym marzy się i stycznia, w głowach więk- piękna, nowa sylwetka. Naj- szości z nas zaczynają tworzyć ważniejsze jest jednak, by się obszerne listy, dziesiątki stawiać przed sobą wy- planów lub nawet tylko po- zwania i starać się realizo- bieżne założenia tego, czego wać własne plany oraz marzenia! chcielibyśmy dokonać w No- wym Roku - co chcielibyśmy czyt. dalej s. 12 osiągnąć. Jedni są zdetermi- Taniec – pasja i uczucia Agata Kuczmaszewska Taniec to pasja niejednego Taniec ma ogromny wpływ Przeminą bezpowrotnie rok 2014. człowieka. Często jest dro- na nasze życie. Szczegól- gą przez ból, pot i cierpie- nie ważny może okazać Wiele się wydarzyło - na świecie, nie. -
Bolan, Bowie and the Carnivalesque
Children of the Revolution: Bolan, Bowie and the Carnivalesque Alison Blair A thesis submitted for the degree of Master of Arts At the University of Otago 2016 i Abstract David Bowie and Marc Bolan were two glam rock stars who, in the 1970s, presented audiences with carnivalesque ‘alternatives’ to everyday reality. As a time of crisis and transformation, the 1970s in Britain has been characterised as a period of particularly difficult socio-economic turmoil, in a still relatively conservative society – particularly in relation to conventional norms of identity, ‘authenticity’, gender and sexuality. Bolan and Bowie, through their performance personae and narrative spaces, provided both a form of ‘escape’ from the lived experience of these socio-economic difficulties, and a counter-hegemonic alternative to these aforementioned norms. That is, their ‘alternate identities’ challenged conventional norms of authenticity and of identity itself, and their ‘alternate sexualities’ presented audiences with counter-hegemonic representations of gender and sexuality. Moreover, their ‘alternate realities’ were carnivalesque, Otherworldly narrative spaces that their alternate identities inhabited, providing an escape from the difficulties of life in 1970s Britain. In this thesis, I explore these various ‘alternatives’ through a Bakhtinian framework in order to discuss the ways that they represented, in Bakhtin’s terms, a carnivalesque ‘second life of the people’ – a social safety valve and escape from these increasingly difficult socio-economic conditions. In chapter one, I place Bolan and Bowie within the context of 1970s Britain, and within the context of the glam rock genre. I explore the ways that glam has been framed as either reactionary or radical, and I align my own research with the latter approach. -
LAMPIRAN.Pdf
Hak cipta dan penggunaan kembali: Lisensi ini mengizinkan setiap orang untuk menggubah, memperbaiki, dan membuat ciptaan turunan bukan untuk kepentingan komersial, selama anda mencantumkan nama penulis dan melisensikan ciptaan turunan dengan syarat yang serupa dengan ciptaan asli. Copyright and reuse: This license lets you remix, tweak, and build upon work non-commercially, as long as you credit the origin creator and license it on your new creations under the identical terms. Team project ©2017 Dony Pratidana S. Hum | Bima Agus Setyawan S. IIP LAMPIRAN Proses kerja reporter..., Timotius Manggala Prasetia, FIKOM UMN, 2015 Jl. Krisan 1 Sektor I.5 Blok F4 No 19 TIMOTIUS MANGGALA Bumi Serpong Damai – Tangerang 15321 Phone : 081574462497 PRASETIA E-mail: [email protected] C U R R I C U L U M V I T A E Data Pribadi Nama Lengkap : Timotius Manggala Prasetia Nama Panggilan : Timothy Tempat/Tanggal Lahir : Jakarta, 8 Juni 1993 Jenis Kelamin : Laki-laki Status : Single Warga Negara : Indonesia Pendidikan Sekolah Tempat Tahun Sekolah Dasar : Santa Ursula, Bumi Serpong Damai 1999-2005 Sekolah Menengah : Homeschooling Paket B 2007-2008 Pertama Sekolah Menengah Akhir : Homeschooling Paket C 2008-2010 Kuliah : Jurusan Jurnalistik, Fakultas Ilmu 2010-Sekarang Komunikasi, Universitas Multimedia Nusantara Indeks Prestasi : 3,03 Pengalaman Organisasi Nama Organisasi Spesifikasi Tahun Anggota Pameran Commpres Divisi Artistik 2013 (Communication Press) tahun 2013, Universitas Multimedia Nusantara Pengalaman Kerja Perusahaan Deskripsi Tahun Deuszine -
Marc Bolan, David Bowie, and the Counter-Hegemonic Persona: 'Authenticity', Ephemeral Identities, and the 'Fantastical
MEDIANZ ! VOL 15, NO 1 ! 2015 DOI: 10.11157/medianz-vol15iss1id11 - ARTICLE - Marc Bolan, David Bowie, and the Counter-Hegemonic Persona: ‘Authenticity’, Ephemeral Identities, and the ‘Fantastical Other’ Alison Blair Abstract In the 1970s, glam rockstars Marc Bolan and David Bowie were among the first pop music artists to challenge norms of identity, authenticity, gender and sexuality. They presented audiences with a range of counter-hegemonic personae that enacted a departure from the conventional—the alien, the warlock, the ‘bopping elf’, occult magician and hybrid being. For Bolan and Bowie fans, these ‘fantastical Others’ represented an escape from the increasingly unpalatable social and economic conditions of everyday life in 1970s Britain—a period characterised by rising unemployment, declining consumer buoyancy, and ongoing industrial action—and, furthermore, they challenged ideas of essentialised identity and authenticity, by presenting personae that were deliberately artificial, ephemeral, and of fantastical, alternative realities. This article aims to contribute to debates on glam by framing the work of its two most pivotal artists—Bolan and Bowie—in terms of Bakhtin’s notion of the carnivalesque. Bolan, Bowie and the 1970s Writing in 1998, the film director Todd Haynes noted that during his research for the film Velvet Goldmine (1998) there were no full-length books in print about glam rock, ‘nothing to single it out as a comprehensive cultural phenomenon’ (Hoskyns 1998, xi). This is no longer the case, as interest in the 1970s and in glam rock has steadily grown in recent years, both in academia and in the popular imagination. Given glam’s relatively brief popularity, it might be tempting to view the genre’s combination of glitter, glamour, showmanship and androgyny as an anomaly of sorts—an unexpected diversion—and leave it at that. -
Rose City Mobile Music
Current as of 1/5/2018 For quick search, hold Rose City Mobile Music the ctrl key and hit F Song Library - Alpha by Artist first name Artist - Alpha by First name Song Title ~ Black rows are new additions # 112 Dangerous Games 222 One Night Stand 311 Too Much To Think (Radio Edit) 311 Til The City's On Fire 0:00 Critical Mistakes 888 Critical Mistakes 888 Creepers 1975 Love Me (Radio Edit) 0:00 The Sound (Clean Edit) 0:00 The Sound (Radio Edit) 1975 Somebody Else (Clean Edit) 1975 Somebody Else (Radio Edit) (Hed) P.E. Closer (Clean Radio Edit) 1 Girl Nation Count Your Rainbows 1 Girl Nation Turn Around 10 Speed Tour De France 10 Years Actions and Motives 10 Years Backlash 10 Years Dancing With the Dead 10 Years Fix Me 10 Years Miscellanea 10 Years Shoot It Out 10 Years Through The Iris 10 Years Novacaine 12 Stones Broken Road 12 Stones Bulletproof 12 Stones Psycho 12 Stones We Are One 16 Frames Back Again 16 Second Stare Ballad of Billy Rose 16 Second Stare Bonnie and Clyde 16 Second Stare Gasoline 16 Second Stare The Grinch (Radio Edit ) 1975.. Chocolate 1975.. Girls (Warning Content) 1Love f Corey Hart Truth Will Set U Free 2 Chainz Crack (Warning Content) 2 Chainz I'm Different (Warning Content) 2 Chainz Riot (Clean Edit) 2 Chainz Spend It (Warning Content) 2 Chainz Used 2 (Warning Content) 2 Chainz Watch Out (Clean Edit) (Warning Extreme Content) 2 Chainz f Cap 1 Where U Been (Clean Edit) (Warning Extreme Content) 2 Chainz f Drake No Lie (Clean Edit) (Warning Content) 2 Chainz f Drake Big Amount (Clean Edit) (Warning Content) 2 Chainz -
Is Stage-Gay Queerbaiting? the Politics of Performative Homoeroticism in Emo Bands
1 Is stage-gay queerbaiting? The politics of performative homoeroticism in emo bands Abstract Queerbaiting is a fast-expanding topic in media and cultural studies. In 2015, this author attempted to define queerbaiting as a strategy by which writers and networks attempt to gain the patronage of queer viewers via the suggestion of queer relationships, before denying and laughing of the possibility. Joseph Brennan’s 2019 edited volume has greatly developed the concept of queerbaiting to include a range of meanings, from media industries’ pledges of allegiance to LGBT causes which are not delivered upon, to courting queer viewers via paratexts that imply queer relationships which don’t exist in text. Applying the concept of queerbaiting to bands complicates these ideas, as the ‘truth’ or ‘delivery’ of queer representation lies not in a fictional text but the public persona of real performers. Through an examination of stage-gay, the notorious practice of queer performativity onstage by straight performers in the emo music subculture, I investigate how a restrictive notion of ‘truth’ in discussions of queerbaiting can actually close off the very possibilities of transformation and open-ended configurations of sexuality that Doty’s formulation of queerness promised. Emo bands are the natural case study here, as emo is an offshoot of hardcore and punk that sought to complicate the hegemonic masculinities that dominated those genres, both in its musical and lyric content, and the public and paratextual performativity of its artists. 2 Is stage-gay queerbaiting? The politics of performative homoeroticism in emo bands Introduction Queerbaiting is a fast-expanding topic in media and cultural studies.