The Attributes of Thermal Comfort
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Transcript of Don Chadwick's Interview
THE HENRY FORD COLLECTING INNOVATION TODAY TRANSCRIPT OF A VIDEO ORAL HISTORY INTERVIEW WITH Donald Chadwick FEBRUARY 25, 2009 DON CHADWICK STUDIOS LOS ANGELES, CA ©The Henry Ford 2009 Interviewer: Barry Hurd PRODUCER: JUDITH E. ENDELMAN Donald Chadwick Interview Pg.2 BARRY HURD: 00:00:34;24 Okay, tell us where we are and what goes on here. DONALD CHADWICK: 00:00:39;05 Well, this is a relatively new space for me. It's going on four years. And we're in Brentwood, California, which is part of West L.A. And we're actually on some property that I purchased about seven years ago. And was able to develop the property. And finally own my own space. Prior to this, I had rented, like most designers I suppose, warehouse spaces to work in. And this enabled me to pretty much control everything, and not have to pay rent anymore. And make a little investment in real estate. So I'm quite proud of the place. And I really like it. And it's nice to be within walking distance of the house. I don't have to get in the car and drive anymore. So I'm a product of the times now. I try to keep the driving to a minimum, and the walking to a maximum BARRY HURD: 00:01:36;12 Does having your own space like this, help you be more creative? Does the muse appear more often here than at the old rented… Donald Chadwick Interview Pg.3 DONALD CHADWICK: 00:01:43;06 Well, you know, the process has changed over the years. -
Herman Miller Retailer Brand Guidelines
July 2010 HermanMiller Retailer Brand Guidelines Retailer Retailer Brand Guidelines page 1 © 2010 Herman Miller, Inc. July 2010 To navigate, click on the sections below— or the arrows at the bottom As an authorized HermanMiller retailer, you derive several benefits from our design heritage and brand recognition. It’s likely you already know this well because HermanMiller products are among the top-selling brands for many of our retailers. There are three key elements involved in building on the recognition of the HermanMiller brand: 1. The first element is how you associate your identity with your status as an authorized retailer. Examples on pages 3-4 illustrate how we want you to use the “Authorized HermanMiller® Retailer” phrase in relation to your identity. 2. The second element is the use of our logomark (stylized M in circle) and our logotype (the words HermanMiller). They should always be used in relation to one another. You’ll find more on this on pages 5-6. 3. The third element is the correct, clear, and consistent use of our trademarks. In Resources, on page 24, we provide a link to our current trademark list on hermanmiller.com. In the examples on pages 6-7, we indicate proper usage in ads that feature only HermanMiller products or several manufacturers’ products. On pages 7-8, we provide more information on trademarks in headlines and body copy. Retailer Brand Guidelines page 2 © 2010 Herman Miller, Inc. July 2010 2. Using the Authorized Retailer Phrase “Authorized HermanMiller® Retailer” phrase The first element involved in building on the recognition of the HermanMiller brand is how we want you to associate your identity with your status as an authorized retailer in all of your communications. -
Finding Aid for Herman Miller Collection, 1923-2006
Finding Aid for HERMAN MILLER COLLECTION, 1923-2006 (BULK 1934-2000) Accession 89.177 Finding Aid Republished: June 2016 Benson Ford Research Center, The Henry Ford 20900 Oakwood Boulevard ∙ Dearborn, MI 48124-5029 USA [email protected] ∙ www.thehenryford.org Herman Miller Collection Accession 89.177 OVERVIEW REPOSITORY: Benson Ford Research Center The Henry Ford 20900 Oakwood Blvd Dearborn, MI 48124-5029 www.thehenryford.org [email protected] ACCESSION NUMBER: 89.177 CREATOR: Herman Miller, Inc. TITLE: Herman Miller Collection INCLUSIVE DATES: 1923-2006 BULK DATES: 1934-2000 QUANTITY: 31.8 cubic ft. (50 boxes) LANGUAGE: The materials are in English ABSTRACT: Herman Miller, Inc. is a furniture company based in Zeeland, Michigan. The collection is primarily comprised of trade catalogs, product literature, and publications documenting the furniture, its designers, and the company’s history. Page 2 of 17 Herman Miller Collection Accession 89.177 ADMINISTRATIVE INFORMATION ACCESS RESTRICTIONS: The collection is open for research. TECHNICAL RESTRICTIONS: Use of original video and audio tapes, floppy disks, and compact discs contained in the collection is restricted. Access may be unavailable due to lack of appropriate software and hardware, or use copies may need to be produced unless otherwise noted. Researchers interested in this material should contact Benson Ford Research Center staff ([email protected]). COPYRIGHT: Copyright has been transferred to the Henry Ford by the donor. Copyright for some items in the collection may still be held by their respective creator(s). ACQUISITION: Donation, 1989 and ongoing. RELATED MATERIAL: Related material held by The Henry Ford: - Robert Propst Collection, Accession 2010.83 - Bill Stumpf Collection, Accession 2009.141 - Don Chadwick Oral Interview, Accession 2009.119 - Herman Miller trade catalogs. -
The Designers of Herman Miller
the designers of herman miller book design proposal It is clear through a careful examination of the Herman Miller The design of this book seeks to utilize the same philosophies Company’s history and body of work, the astute attention that and ideologies that the designers of Herman Miller ap- is paid to detail in everything that they design. The unique fo- proached their work with. To reflect the simplicity, modernism cus on both function and form is what initially set the Herman and attention to detail that they exhibit in their work in the de- Miller Company apart form other furniture manufacturers. Un- sign and handling of the book. The book should pay homage der the direction of George Nelson, brilliant designers— to the work and careers of the famous Herman Miller designers Charles and Ray Eames, Isamu Noguchi, Alexander Girard and and reflect their personalities and approach to the problem of others, were able to bring modernism to the forefront of the creating something both functional and visually appealing. design world while creating beautiful and lasting pieces of fur- The book will utilize ample white space and simple, consis- niture. As Nelson said in during his final project, “the aim of the tent layouts, letting the furniture and the rich history of the Her- design process is always to produce an object that does some- man Miller Company become the focus of the piece. The de- thing. In problem solving, the limitations are far more impor- sign should reflect the openness of the Herman Miller tant than the freedoms… The only creative freedom that is designers. -
DEAR SHAREHOLDER Our Business Reality Has
2003 HE DEAR SHAREHOLDER Our business reality has been—in a word—unreal. Over the past year, the economy— especially the business-to-business sector in which we operate—was suspended in a state of wait-and-see. Wars and rumors of terrorist threats kept many people and businesses awash in anxiety. When the present is characterized by chaos and confusion, and the future prospects are just too uncertain to predict, buying o÷ce furniture generally drops near the bottom of the priority list. But it is counterproductive to dwell on the things you can’t control—so we spent our time working on the things within our control. Our central aim was to better position the company for growth and profitability in the future. None of the work was easy. A great deal of it was joyless—telling good people that we no longer had enough work for them . eliminating programs . consolidating operations and facilities. We’re not thrilled about the kind of work we’ve had to do, but we are proud of how we’ve handled the situation. Although our sales fell $132 million last year, cash flow from operations was $145 million, an increase of more than $90 million from the prior year. On a percent-of-sales basis, our gross margin improved 1.7 percentage points, a testimony to our continuous improvement e≈orts and the Herman Miller Production System. Total R operating expenses, which include restructuring charges, declined by MAN M I L L E more than $144 million from the prior year. Through all of this, we were able to maintain our level of spending on research and development. -
Ergon 3 Work Chair Bill Stumpf, 1976, Updated 1988, 1995
Y INTRODUCTION Art & SciENCE OF SEATING CHAIRS MAtriX Z Work Chairs Designed for YouTM hermanmiller.com/seating Y INTRODUCTION Art & SciENCE OF SEATING CHAIRS MAtriX How do you sit? That’s a question you’re unlikely to ask; it’s one we never stop asking. We’ve been studying how people sit for more than 60 years. We turn that research-based knowledge into the best work chairs in the world. hermanmiller.com/seating Y INTRODUCTION Art & SciENCE OF SEATING CHAIRS MAtriX Advancing the Art and Science of Seating The search for the next advance, while incorporating innovations that have come before, has marked the Herman Miller problem-solving, person-centered approach to chair design for over 60 years. hermanmiller.com/seating Y INTRODUCTION Art & SciENCE OF SEATING CHAIRS MAtriX Advancing the Art and Science of Seating Eames Molded Plywood Chair Charles and Ray Eames, 1946 Charles and Ray Eames began experimenting with molding plywood in 1941 as part of their search for new ways to create three-dimensional forms. By inventing a new method for molding plywood, they found a creative use for a common material that allowed them to shape a chair to the contours of the body. It also set a precedent for always putting the person at the center of the design process. hermanmiller.com/seating Y INTRODUCTION Art & SciENCE OF SEATING CHAIRS MAtriX Advancing the Art and Science of Seating Ergon 3 Work Chair Bill Stumpf, 1976, updated 1988, 1995 In 1965, designer Bill Stumpf began researching how people sit at work. Increasing use of office equipment by the growing number of white collar workers fostered a tendency to sit longer, which caused back and neck pain. -
HM an Introduction Booklet
Inspiring designs to help people do great things CONTENTS Our Story Heritage 4 Things That Matter To Us 8 Our Business Today 10 A Global Approach 12 Design Approach Design Tenets 16 Designers 18 A Human Touch 20 Materials 22 Operational Excellence Herman Miller Performance System 26 Testing & Warranty 28 Cradle-to-Cradle 28 Environmental Responsibility 30 People-Centered Approach Sit-Stand-Move-Repeat 34 Living Office 36 Products Performance Seating 40 Systems Furniture 42 Storage 44 Collaborative 46 Herman Miller Collection 48 Subsidiaries and Alliance Partners 50 Our Customers Our Route to Market 54 From left to right: Robert Propst, Alexander Girard, George Nelson, D.J De Pree, Ray Eames and Charles Eames. OUR STORY Herman Miller is a 100-year- old-plus company that places great importance on design, the environment, community service and the health and well-being of our customers and our employees. We work with leading designers to create products that help companies perform better. 1 2 3 1. Poster designed by Don Ervin, 1961 2. Herman Miller Design Director George Nelson 3. Front cover of 1948 Herman Miller Collection catalogue Heritage Herman Miller began as the Star Furniture Company in Zeeland, Michigan in 1905. 4 In 1923 employed clerk D.J. De Pree convinced his father-in-law whose name was Herman Miller, to purchase the majority of the shares in the company. De Pree decided to name the company after his father-in-law–and Herman Miller was born as a company. Initially only replica traditional wooden furniture was produced but from 1924, following the appointment of the designer Gilbert Rohde, a line of original modern furniture was introduced. -
Stories from Herman Miller
GOLDSTEIN MUSEUM OF DESIGN Fall 2009 Good design from Herman Miller GMD is pleased to host Good process. It is art with a purpose. Good Design: Stories from Herman Miller, design requires a clear understanding an exhibition that explores the of the particular need, conditions, To receive collaborative problem-solving design constraints, and opportunities. this newsletter process employed at the world- Good design does not happen in a electronically, send renowned furniture company, Herman vacuum.” your name and Miller, Inc. Organized by the Muskegon e-mail address to Berry explained the exhibition’s Museum of Art in collaboration with organization: “Each object grouping [email protected]. The Henry Ford (THF), Dearborn, started with identifying a need—to Michigan, the exhibition draws furnish a new type of living space, upon THF’s Herman Miller Design for healthier seating, to effectively Collection, a comprehensive archive communicate a message, or to of the company’s innovative processes support new kinds of work.” The and products which have never before exhibition uses drawings, models, been exhibited. prototypes, photographs, oral The inspiration for the exhibition came histories, and original designed from Herman Miller: The Purpose objects to showcase the creation and of Design by design scholar and evolution of many masterpieces of authority John R. Berry, first published 20th and 21st century design by such by Rizzoli International in 2004. Berry artists as Gilbert Rohde, Ray & Charles also served as the exhibition’s guest Eames, George Nelson, Alexander curator. Girard, Robert Probst, Steve Frykholm, Bill Stumpf and Don Chadwick, and Commenting on the idea behind the others. -
Design Beliefs COPPER N OKALA N COMPASSION out of Many, One
QUARTERLY OF THE INDUSTRIAL DESIGNERS SOCIETY OF AMERICA WINTER 2013 Design Beliefs COPPER n OKALA n COMPASSION Out of many, one. Let your team explore more options and create winning designs with a 3D modeler that enables the generation of multiple concepts in seconds. Learn more at solidthinking.com/Evolve An Company QUARTERLY OF THE INDUSTRIAL DESIGNERS SOCIETY OF AMERICA WINTER 2013 ® Publisher Executive Editor Sr. Creative Director Advertising Annual Subscriptions IDSA Mark Dziersk, FIDSA Karen Berube Katie Fleger Within the US $70 555 Grove St., Suite 200 Managing Director IDSA 703.707.6000 x104 Canada & Mexico $85 Herndon, VA 20170 LUNAR | Chicago 703.707.6000 x102 [email protected] International $125 P: 703.707.6000 [email protected] [email protected] F: 703.787.8501 Subscriptions/Copies Single Copies www.innovationjournal.org Advisory Council Contributing Editor Jill Richardson Fall/Yearbook $40+ S&H www.idsa.org Gregg Davis, IDSA Jennifer Evans Yankopolus 703.707.6000 x118 All others $20+ S&H Alistair Hamilton, IDSA [email protected] [email protected] 404.478.6433 ® The quarterly publication of the Industrial Designers Society of America (IDSA), Innovation provides in-depth coverage of design issues and long-term trends while communicating the value of design to business and society at large. DESIGN BELIEFS FEATURES PATRONS OF INDUSTRIAL DESIGN EXCELLENCE 22 Beautiful Ends, 30 What Are Your Design Extraordinary Means Beliefs? INVESTOR by Prasad Boradkar, IDSA IDEO, Palo Alto, CA; Shanghai, China; by Gretchen Gscheidle, IDSA, Cambridge, MA; London, UK; San Francisco; Guest Editor 26 This Will Really Burn You Up! by Byron Bloch, IDSA Munich, Germany; Chicago; New York 32 1. -
Seating Suites Brochure
z Chairs for Working Y FRONT COVER Aeron® Chair, Sayl® Chair with Upholstered Back, Eames® Molded Wood Side Chair, Mirra® 2 Chair INSIDE FRONT COVER Embody® Chair, Eames Aluminum Group Management Chair, Nelson™ Pedestal Table BACK COVER Eames Wire Side Chair, Eames Soft Pad Chair, Caper® Stacking Chairs, Eames Walnut Stool INSIDE BACK COVER Setu® Chair, Celle® Chair with Suspension Back, Sit Well, Do More Since the 1946 introduction of the Eames Molded Plywood Chair—recognized by Time magazine as the Best Design of the 20th Century—Herman Miller has consistently designed and manufactured the world’s best chairs. Every Herman Miller chair begins with you in mind. We don’t set out to design chairs that are worthy of museum collections, although many of our chairs are. We set out to provide you with a great place to think, to create, to share. We want you to sit well, so you can do more. Aeron Chair with Mineral 8Z Pellicle™ back and seat, Mineral armpads, PostureFit SL™, and Polished Aluminum base. Additional featured product: AGL Table Group™. Designed Around You Our human-centered approach to design starts with a simple premise: When you feel better, you work better. By putting people at the center of every Herman Miller chair design, we help millions of individuals around the world to thrive at work every day. Chairs for Working 5 The evolution of an ergonomic revolution Aeron Designed by Bill Stumpf and Don Chadwick, 1994 Remastered by Don Chadwick, 2016 Since Aeron debuted in 1994, we at Herman Miller have learned a great deal more about how best to support people in the varied postures they adopt throughout the workday. -
Aeron Design Story
Herman Miller Aeron Vitalityweb.com Design Story Herman Miller turned to designers Don Chadwick and Bill Stumpf to design a totally new kind of chair. Chadwick's and Stumpf's previous collaboration had produced the groundbreaking Equa chair. The two designers began this development process with a clean slate, with no assumptions about form or material, but with some strong convictions about what a chair ought to do for a person. Ergonomically, it ought to do more than just sit there. It should actively intercede for the health of the person who sits in it longer than she should. Functionally, it ought to move and adjust as simply and naturally as possible. It should support a person in any position he cares to assume, at any task his office job serves up. Anthropometrically, it ought to be more inclusive than its predecessors. It should do more than accommodate small or large people; it should really fit them. Environmentally, it ought to be benign. It should be sparing of natural resources, durable and repairable, designed for disassembly and recycling. The design that fulfilled these criteria met all expectations and shattered some of them. It wasn't upholstered. It wasn't padded. It was dimensioned in three models that looked exactly alike and that had nothing to do with their users' job titles. It didn't look like any other office chair. And its revolutionary concept incorporated more patentable ideas than any previous Herman Miller research program. "It was a matter of deliberate design to create a 'new signature shape' for the Aeron chair," says designer Bill Stumpf. -
FURNITURE DESIGN for ROBM&C
DESIGN FURNITURE AN INTRODUCTION TO DEVELOPMENT, MATERIALS AND MANUFACTURING For ROBM&C Published in 2013 by Laurence King Publishing Ltd 361–373 City Road London EC1V 1LR T +44 20 7841 6900 F +44 20 7841 6910 [email protected] www.laurenceking.com © Text 2013 Stuart Lawson. Stuart Lawson has asserted his right under the Copyright, Designs and Patent Act 1988 to be identifi ed as the Author of this Work. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage or retrieval system, without permission in writing from the publisher. A catalogue record for this book is available from Front cover: Carbon Chair, Bertjan the British Library. Pot and Marcel Wanders for Moooi, 2004. ISBN: 978 1 78067 120 8 Back cover: ZA Stackable Bench Designed by TwoSheds Design System, Shin and Tomoko Azumi for Lapalma, distributed in the US Printed in China by Davis Furniture, 2003. DESIGN Stuart Lawson Stuart FURNITURE AN INTRODUCTION TO DEVELOPMENT, MATERIALS Laurence King Publishing AND MANUFACTURING CONTENTS: Introduction 06 Exploring the content 10 Chapter 1: A survey of the development of furniture design 1a: A cultural history of furniture design 14 1b: Innovations in materials and manufacturing processes 38 1c: New furniture – understanding innovation in contemporary furniture design 60 Chapter 2: The design process 2a: Research for design 86 2b: Ergonomics, anthropometrics and spatial conventions 94 2c: