DOCSLIB.ORG

Lectures 2021 Jaume Plensa In

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lectures 2021 Jaume Plensa In JAUME PLENSA | LECTURES www.jaumeplensa.com 2021 JAUME PLENSA IN CONVERSATION WITH CHRISTINA OLSEN UMMA–University of Michigan Museum of Art, Ann Arbor, MI, USA. Online talk 5 February 2021 PLENSA: ART, FROM SILENCE TO COMMUNICATION. WITH JAUME PLENSA AND TAMARA DJERMANOVIC Inside the cycle: Diàlegs Humanísitcs UPF 2021. Universitat Pompeu Fabra, Barcelona, Spain 19 January 2021 2020 JAUME PLENSA AND PAUL GRAY. WELCOMING THE WORLD: HONORING A LEGACY OF LOVE Program hosted by Frederik Meijer Gardens and Sculpture Park. Online talk 12 November 2020 ARTISTS FORUM. PUBLIC ART: VERSATILITY AND NEW TECHNOLOGIES ARCO 2020, Madrid, Spain 29 February 2020 JAUME PLENSA ArSsts and Cultural ProducSons Seminar – SAPC’19-20 Facultat de Belles Arts, Universitat de Barcelona, Spain 20 February 2020 JAUME PLENSA Carnegie Mellon University, School of Art, Pisburgh, Pennsylvania, USA 4 February 2020 2019 CONVERSATION WITH JAUME PLENSA, CARMEN GAITÁN, CARMEN REVIRIEGO AND SANTIAGO ESPINOSA MUNAL–Museo Nacional de Arte, Ciudad de Mexico 23 October 2019 JAUME PLENSA MMOMA–Moscow Museum of Modern Art, Moscow, Russia 9 July 2019 Round Table: SCIENCE AND CULTURE. II CLÍNIC BARCELONA SUMMER SCHOOL Fundació Vila Casas, Barcelona, Spain 1 July 2019 ART AND COMMUNITY M17 Contemporary Art Center, Kiev, Ukraine 22 May 2019 INVISIBILIDAD Lecture cycle: Comparaciones Incomparables. Fundación Amigos Museo del Prado, Madrid, Spain 9 April 2019 2018 LA FORMA Y LA IDEA Universidad Internacional Menéndez Pelayo, Santander, Spain 9 August 2018 WHISPERING Susan T. Marx Disnguished Lecture Series. Arthur Ross Gallery, University of Pennsylvania, Philadelphia, USA 18 April 2018 2017 JAUME PLENSA Leeuwarden, Friesland, Netherlands 18 December 2017 JAUME PLENSA MMoCA–Madison Museum of Contemporary Art, Madison, Wisconsin, USA 1 December 2017 JAUME PLENSA: ARTIST TALK Yorkshire Sculpture Park, Wakefield, UK 11 November 2017 SOM: Engineering x (Art+Architecture) Talk with Jaume Plensa and SOM Mana Contemporary Chicago / Chicago Architecture Biennial, Chicago, USA 10 September 2017 JAUME PLENSA MAMC–Musée d’art moderne et contemporain Saint-ÉSenne Métropole, Saint-ÉSenne, France 11 May 2017 JAUME PLENSA VMFA–Virginia Museum of Fine Arts, Richmond, Virginia, USA 27 April 2017 JAUME PLENSA Montreal Museum of Fine Arts, Montreal, Canada 25 April 2017 JAUME PLENSA PAMM–Pérez Art Museum Miami, Miami, USA 18 March 2017 JAUME PLENSA MAMC–Musée d’art moderne et contemporain Saint-ÉSenne Métropole, Saint-ÉSenne, France 11 March 2017 2016 JAUME PLENSA Max Ernst Museum, Brühl, Germany 18 November 2016 Talk: IDENTITIES IN THE BORDER Foro de la Cultura, Burgos, Spain 4 November 2016 CLOSING CIRCLES, OPEN HORIZONS. I INTERNATIONAL COLLOQUIUM IN GEOHUMANITIES Department of HumaniSes of the University Pompeu Fabra - UPF, Barcelona, Spain 21 October 2016 JAUME PLENSA The Toledo Museum of Art, Toledo, Ohio, USA 23 June 2016 JAUME PLENSA Tampa Museum of Art, Tampa, Florida, USA 12 April 2016 2015 JAUME PLENSA Business of Design Week. Hong Kong Design Centre, Hong Kong, China 5 December 2015 JAUME PLENSA Facultad de Bellas Artes, UCM, Madrid, Spain 25 November 2015 JAUME PLENSA Albright-Knox Art Gallery, Buffalo, New York, USA 6 November 2015 JAUME PLENSA Opening lecture Cátedra ACCIONA 2015-16/SUR, Escuela de Profesiones ArnsScas Círculo de Bellas Artes, Madrid, Spain 19 October 2015 JAUME PLENSA University of North Carolina, Center City Building, CharloVe, North Carolina, USA 15 September 2015 JAUME PLENSA. HUMAN LANDSCAPE Botanic Hall, Cheekwood Estate and Gardens, Nashville, Tennessee, USA 21 May 2015 2014 L’ART NO S’ENSENYA, S’APRÈN Escola Superior de Disseny i Art Llotja, Barcelona, Spain 30 October 2014 JAUME PLENSA Davidson College, North Carolina, USA 24 October 2014 IN THE MIDST OF DREAMS Washington University in St. Louis, Missouri, USA 1 October 2014 JAUME PLENSA Fullerton Hall, The Art InsStute of Chicago, Chicago, USA 16 June 2014 2013 40 AÑOS DE ESCULTURA EN LA CALLE Organized by the Colegio Oficial de Arquitectos de Canarias and the Santa Cruz de Tenerife’s Council Espacio Cultural Caja Canarias, Santa Cruz de Tenerife, Canary Island, Spain 18 December 2013 JAUME PLENSA Circle lectures: “Architecture is Art... Is Architecture Art? Organized by the Museum of Contemporary Art Chicago and the Chicago Architecture FoundaSon Museum of Contemporary Art, Chicago, USA 20 November 2013 JAUME PLENSA Escuela Técnica Superior de Arquitectura de Barcelona, Barcelona, Spain 16 April 2013 JAUME PLENSA Toledo Museum of Art, Ohio, USA 14 May 2013 JAUME PLENSA EMMA–Espoo Museum of Modern Art, Helsinki, Finland 21 January 2013 2012 CRONIN LECTURE: JAUME PLENSA Organized by DeCordova Sculpture Park and Museum, USA Massachusetts College of Art and Design, Boston, USA 12 October 2012 OLHAR NOS MEUS SONHOS, AWILDA Rio de Janeiro, Brazil 26 October 2012 2011 TEDxSMU 2011: Disrupfon. “Please do not touch, cares” The Dee & Charles Wyly Theatre, Dallas, Texas, USA 03 December 2011 MEMORIA VIVA DEL ARTE ESPAÑOL ACTUAL, EL TESTIMONIO DE LOS ARTISTAS Real Asociación Amigos del Museo Nacional Centro de Arte Reina Sosa Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain 23 November 2011 SCULPTURE NETWORK. Xth INTERNATIONAL SCULPTURE FORUM-2011 Sculpture Today, a Space for Inquiry – Experience Re-Codified. Guggenheim Museum, Bilbao, Spain 11 November 2011 JAUME PLENSA Yorkshire Sculpture Park, Wakefield, UK 23 September 2011 JAUME PLENSA Museum of Fine Arts, Houston, Texas, USA 16 February 2011 2010 JAUME PLENSA Iris & Gerald Cantor Art Center, Stanford University, Stanford, California, USA 15 November 2010 L’ÂME DES MOTS, 1998-2009 Within the Lecture Cycle: “Les lundis de Picasso-L’art a la lere” Organized by Musée Picasso d’AnSbes, France 28 June 2010 JAUME PLENSA North Carolina Museum of Art, Raleigh, USA 2 May 2010 JAUME PLENSA Whitsell Auditorium, Portland Art Museum, Portland, Oregon, USA 10 April 2010 2009 JAUME PLENSA The Des Moines Art Center, Des Moines, USA 12 November 2009 IN THE PUBLIC SPACE The Art InsStute of Chicago Rubloff Auditorium, Chicago, USA 11 November 2009 CONFLICTING TALES: Subjecfvity (Quadrilogy, Part 1) The Burger CollecSon, Berlin, Germany 30 October 2009 ARTIST IN CONVERSATION, JAUME PLENSA WITH RICHARD CORK Shining Lights Centre, Suon Manor, St. Helens, UK 11 May 2009 THE ROLE OF PUBLIC SCULPTURE IN AN URBAN ENVIRONMENT Winzavod Center of Contemporary Art, Moscow, Russia 7 February 2009 2008 SEIS MIRADAS Museo Thyssen-Bornemisza, Madrid, Spain 28 November 2008 STAGING THE STAGE. SCENOGRAPHY INSPIRED BY PERFORMING Arts, 2nd InternaSonal Scenographer’s FesSval IN3 InsStute Interior Design and Scenography, Basel, Switzerland 21 November 2008 THE ARTIST HIMSELF 21st Internaonal Sculpture Center’s Annual Conference Frederik Meijer Gardens & Sculpture Park, Grand Rapids, Michigan, USA 2 October 2008 2007 GALERÍA FUTURA Art Futura 2007, Mercat de les Flors, Barcelona, Spain 27 October 2007 TRANSFORMACIONES ESTÉTICAS CONTEMPORÁNEAS Centro Andaluz de Arte contemporáneo, Sevilla, Spain 17 October 2007 AMERICANS FOR THE ARTS. 2007 ANNUAL CONVENTION – RISK AND REWARD; BALANCING ACTS IN ARTS AND COMMUNITY Las Vegas, Nevada, USA 2 June 2007 THE CROWN FOUNTAIN AT THE MILLENNIUM PARK OF CHICAGO: AN EXPERIENCE OF PUBLIC ART Louvre Auditorium, Musée du Louvre, Paris, France 14 May 2007 JAUME PLENSA; PROYECTOS EN ESPACIOS PÚBLICOS Spanish Embassy, Tokyo, Japan 7 May 2007 LE THÉÂTRE ET L’ÒPÉRA EN QUESTION. Trois debats au Studio de l’Òpéra Basflle Òpéra BasSlle, Paris, France 3 February 2007 2006 HUMAN NATURE Nasher Sculpture Center, Dallas, Texas, USA 26 October 2006 Nasher Museum of Art at Duke University Durham, North Carolina, USA 29 October 2006 OPERA PROJECTS Inside the cycle: Mozart 250 Anniversary Aula CAM, Alicante, Spain 15 February 2006 2005 ÓPERA Y ESCENOGRAFÍA, Inside the cycle: “ENCUENTROS CON LA ÓPERA” Sede del Circulo de Bellas Artes, Madrid, Spain 4 July 2005 LA ARQUITECTURA, LOS ESPACIOS PÚBLICOS Y ESCENOGRÁFICOS Lectures cycle “Arquitecturas Tangentes 2005” Colegio Oficial de Arquitectos de Aragón, Zaragoza, Spain 2 June 2005 UNA IDEA LLENA LA INMENSIDAD InternaSonal seminars, Complutense University, Facultad de Bellas Artes, Madrid, Spain 6 May 2005 2004 THE ART OF MILLENNIUM PARK Rubloff Auditorium, Art InsStute of Chicago, Chicago, USA 23 July 2004 AN ARCHIVE OF ITS PEOPLE… The School of the Art InsStute of Chicago, Chicago, USA 7 April 2004 2003 LA PALABRA / FIGURA EN LA OBRA DE JAUME PLENSA Paraninfo de la Universidad de Sevilla, Sevilla, Spain 13 August 2003 2002 JAUME PLENSA Escuela de Arquitectura y Bellas Artes de la Universidad Europea de Madrid, Madrid, Spain 24 January 2002 2001 TALK FOR FULL CONTACT Miami Art Museum, Miami, USA 20 May 2001 2000 A CONVERSATION WITH JAUME PLENSA 11th Annual Chicago Humanities Festival, Museum of Contemporary Art, Chicago, USA 5 November 2000 1999 EL ARTISTA FRENTE A SU PROPIA OBRA Real Asociación Amigos del Museo Nacional Centro de Arte Reina Sosa, Madrid, Spain 13 December 1999 1998 JAUME PLENSA Southern Methodist University, Division of Art, Dallas, USA 10 April 1998 McKinney Avenue Contemporary Museum, Dallas, USA 15 April 1998 1997 TRANSITI E CONTAMINAZIONI NELLA CREATIVITÀ Galleria Civica d’Arte Moderna e Contemporanea, Torino, Italy Fondazione Sandretto Re Rebaudengo per l’Arte, Torino, Italy 22 April 1997 ARTE Y LITERATURA, EL VA ELIGIENDO NUEVOS LENGUAJES PARA CALLAR Centro Galego de Arte Contemporánea, SanSago de Compostela, Spain 9 April 1997 1996 Seminary: ART I ESPAI Lecture: DIVERSITAT Facultat de Belles Arts, Universitat
Load more

Recommended publications
  • DCASE Public Art Self-Guided Tour Packet (PDF)
    DCASE Public Art Tour Works of art: Randolph/Garland Ct. (We Will) Millennium Park: Boeing Gallery North (Screenhouse) (Cloud Gate) Boeing Gallery South (Christine Tarkowski) (Crown Fountain) Chicago Cultural Center: 78 E. Washington (Bronze Cow) Garland Court (Rushmore) SW corner of Randolph & Garland Ct. • Title: We Will (2005) • Artist: Richard Hunt, (born 1935, Chicago.) • Artist info: o Graduated from School of the Art Institute of Chicago. o Over 150 commissioned works. o 1st African-American sculptor to have a major solo exhibition at the Museum of Modern Art in New York o 1968 appointed by Pres. Lyndon Johnson to serve on the National Council on the Arts. o In 2015 (his 80th bday) CCC exhibited 60 pieces of his work, representing his career. • About the work: o Welded stainless steel o 35’H x 8’W x 8’D o Commissioned by the developers of the Heritage building (condos/retail) o “Leaps from its stippled metal pedestal like a flame dancing in the breeze.”--Blogger o Artist quote: “In some works it is my intention to develop the kind of forms Nature might create if only heat and steel were available to her.” o The artist is currently creating a monument to Ida B. Wells, an early leader in the Civil Rights movement and a founder of the NAACP. (Walk to E side of CCC and cross Michigan Ave. at Washington to Boeing Gallery North, S. of Randolph, E. of Michigan) Millennium Park • Opened in 2004, the 24.5 acre Millennium Park was an industrial wasteland transformed into a world- class public park.
    [Show full text]
  • Jaume Plensa Solo Exhibitions
    JAUME PLENSA l SOLO EXHIBITIONS (Selection) www.jaumeplensa.com 2021 Slowness. Galleri Andersson/Sandström, Stockholm, Sweden The True Portrait. Galerie Lelong & Co., Paris (online show) 2020 La Llarga Nit. Galeria Senda, Barcelona, Spain Nocturne. Gray Warehouse, Chicago, Illinois, USA Jaume Plensa. Plaza del Estadio de la Cerámica, Villarreal, Castellón, Spain Jaume Plensa, Invisibles. Gray Gallery, Chicago, viewing room (online show) Jaume Plensa. Galerie Lelong & Co., Paris (online show) Jaume Plensa: April is the cruelest month. Galerie Lelong & Co., New York, viewing room (online show) 2019 Jaume Plensa. Jakobshallen – Galerie Scheffel, Bad Homburg, Germany Jaume Plensa. Plaça del Congrés Eucarístic, Elche, Alicante, Spain Behind the Walls / Detrás del Muro. Organized by MUNAL–Museo Nacional de Arte, INBAL–Instituto Nacional de Bellas Artes y Literatura in collaboration with Fundación Callia, Ciudad de Mexico Jaume Plensa. Galerie Lelong & Co., Paris, France Talking Continents. Arthur Ross Gallery at the University of Pennsylvania, Philadelphia, Pennsylvania, USA Jaume Plensa. MMOMA–Moscow Museum of Modern Art, Moscow, Russia Jaume Plensa. Ciutat de les Arts i les Ciències, Valencia, Spain Jaume Plensa. Museum Beelden aan Zee, The Hague, Netherlands Jaume Plensa a Montserrat. Museu de Montserrat, Abadia de Montserrat, Barcelona, Spain Talking Continents. Telfair Museums, Jepson Center for the Arts, Savannah, Georgia, USA Jaume Plensa. Galería Pilar Serra, Madrid, Spain Jaume Plensa, Nouvelles estampes. Galerie Lelong & Co., Paris, France 2018 Jaume Plensa. MACBA–Museu d’Art Contemporani de Barcelona, Barcelona, Spain Invisibles. Palacio de Cristal, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain Talking Continents. Memphis Brooks Museum of Art, Memphis, Tennessee, USA Jaume Plensa. Galleri Andersson/Sandström, Stockholm, Sweden La Música Gráfica de Jaume Plensa.
    [Show full text]
  • Jaume Plensa: Talking SAVANNAH
    VISUAL ARTS Jaume Plensa: Talking SAVANNAH Continents Fri, March 01– Sun, June 09, 2019 Venue Jepson Center for the Arts, 207 W York St, Savannah, GA 31401 View map Admission Buy tickets More information Telfair Museums Credits Presented by Telfair Museums. Image: Talking Continents by Jaume Plensa, 2013 (photo by David Jaume Plensa presents large-scale sculptures and Nevala) installations that use language, history, literature, and psychology to draw attention to the barriers that separate and divide humanity. In Talking Continents, Jaume Plensa (Spanish, b. 1955) used stainless steel to create a floating archipelago of 19 cloud-like shapes. The biomorphic forms are made with die-cut letters taken from nine different languages that refuse to come together as words, existing instead as abstract forms, and also arbitrary signs and signifiers. Many of the suspended sculptures appear as orbs or islands, while others include human figures in pensive, vulnerable postures. The sculptures speak to the diversity of language and culture, but also gesture toward global interconnectedness as a path to tolerance and acceptance. Visitors are encouraged to tap into the artist’s notion of universal understanding by thinking about the ways in which we are linked together as a collective humanity. ABOUT JAUME PLENSA Born in 1955 in Barcelona, Jaume Plensa is one of the world’s foremost sculptors with international exhibitions and over thirty public projects spanning the globe in such cities as Chicago, Dubai, London, Liverpool, Montreal, Nice, San Diego, Tokyo, Toronto, and Vancouver. Plensa’s work has been the subject of solo exhibitions at museums Embassy of Spain – Cultural Office | 2801 16th Street, NW, Washington, D.C.
    [Show full text]
  • The Crown Fountain in Chicago's Millennium Park Is an Ingenious
    ACrowning Achievement The Crown Fountain in Chicago’s Millennium Park is an ingenious fusion of artistic vision and high-tech water effects in which sculptor Jaume Plensa’s creative concepts were brought to life by an interdisciplinary team that included the waterfeature designers at Crystal Fountains. Here, Larry O’Hearn describes how the firm met the challenge and helped give Chicago’s residents a defining landmark in glass, light, water and bright faces. 50 WATERsHAPES ⅐ APRIL 2005 ByLarry O’Hearn In July last year, the city of Chicago unveiled its newest civic landmark: Millennium Park, a world-class artistic and architec- tural extravaganza in the heart of downtown. At a cost of more than $475 million and in a process that took more than six years to complete, the park transformed a lakefront space once marked by unsightly railroad tracks and ugly parking lots into a civic showcase. The creation of the 24.5-acre park brought together an unprecedented collection of world-class artists, architects, urban planners, landscape architects and designers including Frank Gehry, Anish Kapoor and Kathryn Gustafson. Each con- tributed unique designs that make powerful statements about the ambition and energy that define Chicago. One of the key features of Millennium Park is the Crown Fountain. Designed by Jaume Plensa, the Spanish- born sculptor known for installations that focus on human experiences that link past, present and fu- ture and for a philosophy that says art should not simply decorate an area but rather should trans- form and regenerate it, the Crown Fountain began with the notion that watershapes such as this one need to be gathering places.
    [Show full text]
  • Jaume Plensa: Talking Continents November 1 – December 14, 2013 Opening Reception: Friday, November 1, 6-8PM
    Jaume Plensa: Talking Continents November 1 – December 14, 2013 Opening Reception: Friday, November 1, 6-8PM An immersive installation of new stainless steel sculptures, suspended cast paper heads, and recent drawings comprise Jaume Plensa’s solo exhibition, Talking Continents, at Galerie Lelong. These distinctive elements make a realized whole connected through the artist’s concept - formal language and dialogue - with the gallery’s physical space. As in all the artist’s works, the tension between the individual components - poetically imagined as islands or continents - and the overall installation encourages us to think about the ways in which we are linked as a collective humanity. Talking Continents demonstrates Plensa’s ability to create thought-provoking work that reimagines and represents the human figure with an original and innovative language. The artist will be present for the opening on Friday, November 1st from 6-8PM. Letters from world alphabets literally form the connective elements in Talking Continents, the multi- part stainless steel installation in the main gallery. This series of suspended sculptures are hand- assembled from die-cut letters of nine international alphabets, the shapes of which the artist finds very beautiful. The letters work to form a more complex figure that is not a singular individual but rather a universal embodiment of humanity. Talking Continents creates a place where people are encouraged to meet, observe, and contemplate while engaging in a dialogue that inspires inward reflection and also a sense of global unity. The idea of continents and their interconnectedness has accompanied Plensa’s work from the beginning. In the darkened gallery space, each work is illuminated to create striking light and mysterious shadows.
    [Show full text]
  • Jaume Plensa Short Biography
    JAUME PLENSA l SHORT BIOGRAPHY www.jaumeplensa.com Born in 1955 in Barcelona, where he studied at the Llotja School of Art and Design and at the Sant Jordi School of Fine Arts. Since 1980, the year of his first exhibition in Barcelona, he has lived and worked in Berlin, Brussels, England, France and the United States, currently resides and works in Barcelona. He has been a teacher at the École nationale supérieure des Beaux-Arts in Paris and regularly cooperates with the School of the Art Institute of Chicago as a guest professor. He has also given many lectures and courses at other universities, museums and cultural institutions around the world. Jaume Plensa has received numerous national and international awards, including theMedaille de Chevalier des Arts et des Lettres, awarded by the French Ministry of Culture, in 1993, and the Government of Catalonia’s National Prize for Fine Art in 1997. In 2005, he was invested Doctor Honoris Causa by the School of the Art Institute of Chicago. In Spain, he received the National Prize for Fine Art in 2012, the prestigiousVelázquez Prize for the Arts in 2013 and he was awarded Honorary Doctorate of the Universitat Autònoma de Barcelona in 2018. Plensa regularly shows his work at galleries and museums in Europe, the United States and Asia. The landmark exhibitions in his career include the one organized at the Fundació Joan Miró in Barcelona in 1996, which travelled to the Galerie nationale du Jeu de Paume in Paris and the Malmö Konsthall in Malmö (Sweden) the following year.
    [Show full text]
  • Download the Biography
    Galerie Lelong & Co. Paris – New York Jaume Plensa Born in 1955 in Barcelona, where he studied at the Llotja School of Art and Design and at the Sant Jordi School of Fine Arts. Since 1980, the year of his first exhibition in Barcelona, he has lived and worked in Berlin, Brussels, England, France and the United States, currently resides and works in Barcelona. He has been a teacher at the École nationale supérieure des Beaux-Arts in Paris and regularly cooperates with the School of the Art Institute of Chicago as a guest professor. He has also given many lectures and courses at other universities, museums and cultural institutions around the world. Jaume Plensa has received numerous national and international awards, including the Medaille de Chevalier des Arts et des Lettres, awarded by the French Ministry of Culture, in 1993, and the Government of Catalonia’s National Prize for Fine Art in 1997. In 2005, he was invested Doctor Honoris Causa by the School of the Art Institute of Chicago. In Spain, he received the National Prize for Fine Art in 2012 and the prestigious Velázquez Prize for the Arts in 2013 and he was awarded Honorary Doctorate of the Universitat Autònoma de Barcelona in 2018. Plensa regularly shows his work at galleries and museums in Europe, the United States and Asia. The landmark exhibitions in his career include the one organized at the Fundació Joan Miró in Barcelona in 1996, which travelled to the Galerie nationale du Jeu de Paume in Paris and the Malmö Konsthall in Malmö (Sweden) the following year.
    [Show full text]
  • Millennium Park Chicago, Illinois
    2009 RUDY BRUNER AWARD: Silver Medal Winner Millennium Park Chicago, Illinois ©BRUNER FOUNDATION, INC. ~ www.brunerfoundation.org SILVER MEDAL WINNER MILLENNIUM PARK © City of Chicago / GRC Aerial view of Millennium Park 88 2009 RUDY BRUNER AWARD Millennium Park at-a-Glance WHAT IS MILLENNIUM PARK? PROJECT GOALS v A 24.5-acre park with venues for performance, art, v To transform the commuter railroad tracks, surface parking sculpture, architecture and landscape architecture, located and degraded parkland in the northwest corner of Grant Park between Chicago’s lakefront and the central business into a landscaped venue for free public programming, district (the Loop). concerts, and events v The transformation of a dilapidated ground-level parking v To create a permanent home for the Grant Park Music Festival lot and rail yard into what may be the world’s largest “green v To provide one-of-a-kind public art spaces as a “gift” to all roof,” covering two multi-level parking lots with a total of the citizens of Chicago from patrons who have made their 4,000 cars, and commuter rail line. fortunes in the city v A park with twelve installations created by well-known artists v To lay the foundation for future private residential and and designers that supports over 500 free cultural programs commercial development in the area each year, forming what the Chicago Tribune art reporter Chris Jones called “arguably the most expansive cultural project in Chicago since the 1893 Columbian Exposition.” v A catalyst for economic impacts, including estimated increases in nearby real estate values that total $1.4 billion and an increase in tourism revenues of $2.6 billion over a projected year period.
    [Show full text]
  • Tourism Press Release Draft 1
    FOR IMMEDIATE RELEASE Contacts: Natalie Jacobs: (312) 332-8129 [email protected] Laura Lehmann: (312) 475-5901 [email protected] Zaha Hadid’s Burnham Pavilion Open to Public Bold structure on display in Millennium Park CHICAGO – August 4, 2009 – The much anticipated Burnham Pavilion by Zaha Hadid Architects (ZHA) of London, UK, has officially opened to the public in Millennium Park. The pavilion is located next to the UNStudio pavilion, which opened to the public on June 19. Both are located on the park’s Chase Promenade south. More than 7,000 pieces of aluminum - no two alike - had to be individually bent and welded to create its curvilinear form. Then thousands of yards of fabric had to be custom tailored and tightly fit onto the interior and exterior aluminum-tube structure. This first-of-its kind installation stretched the limits of all involved – as a Burnham venue properly should – and its fabrication took longer than the original contractor expected. “This is an artistic achievement of global proportions,” said Burnham Plan Centennial Committee executive director Emily J. Harris. “It is fabulous. Special thanks go to Fabric Images of Elgin for jumping in to complete this project as envisioned by Zaha Hadid.” Speaking from her firm’s offices in London, Zaha Hadid said, “The pavilion is a classic vehicle for architectural manifestos because their function is not as restrictive as that of a museum or other building. This allows the architectural concepts of the pavilion to dominate. “Fabric is both a traditional and a high-tech material whose form is directly related to the forces applied to it – creating beautiful geometries that are never arbitrary.
    [Show full text]
  • Projects in Public Space
    JAUME PLENSA l PROJECTS IN PUBLIC SPACE www.jaumeplensa.com PACIFIC SOUL, 2018 Site: Pacific Gate, San Diego, California Commissioned by: BOSA Development and Fine Arts Service LLC LOVE, 2017 Site: Stationsplein, Leeuwarden, Frisia, Netherlands Commissioned by: Leeuwarden Fryslând 2018 – Culturele Hoofdstad van Europa BANGKOK SOUL, 2017 Site: MahaNakhon Building, Bangkok, Thailand SOURCE, 2017 Site: Bonaventure Gateway, Montréal, Canada Commissioned by: City of Montreal's Public Art Bureau for 375th Anniversary Patrons: France Chrétien Desmarais and André Desmarais LOOKING INTO MY DREAMS, AWILDA, 2012 Site: PAMM-Pérez Art Museum Miami, Miami, USA, 2017 1004 Portraits. 10th Anniversary of the Crown Fountain, Millennium Park, Chicago (2014-2015) Olhar nos meus sonhos, Awilda. Enseada Botafogo, Rio de Janeiro, Brazil (2012) POSSIBILITIES, 2016 Site: Lotte World Tower, Seoul, South Korea Commissioned by: Lotte Art Project, Seoul, South Korea, 2015 CARMELA, 2015 Site: Sant Pere més Alt – Palau de la Música Catalana, Barcelona, Spain ROOTS, 2014 Site: Toranomon Hills, Tokyo, Japan Commissioned by: Mori Building Corporation, Tokyo, 2014 HOUSE OF KNOWLEDGE, 2008 Site: Textile Fashion Center, Borås University, Borås, Sweden Commissioned by: Borås Staat, Sweden, 2014 ECHO, 2011 Site: Olympic Sculpture Park, Seattle Art Museum, Seattle, USA A gift from Barney A. Ebsworth Collection, 2014 7 POETES, 2014 Site: Plaza Lidia Armengol Vila, Andorra la Vella, Andorra Commissioned by: Banca Privada de Andorra, 2013 WONDERLAND, 2012 Site: The Bow, Calgary,
    [Show full text]
  • Jaume Plensa
    Jaume Plensa JAUME PLENSA (Spain, 1955) is one of the world's foremost sculptors working in the public space, with over 30 projects spanning in a global scale including cities such as Chicago, Dubai, London, Liverpool, Nice, Tokyo, and Toronto. ! Over the past 25 years, the artist has produced a rich body of work in the studio and the public realm. By combining conventional sculptural materials (glass, steel, bronze, aluminum) with more unconventional media (water, light, sound, video), and frequently incorporating text, Plensa creates hybrid works of intricate energy and psychology. " Plensa was born in Barcelona, in 1955, and studied art there. Over the last decade he has become one of the world’s most celebrated public artists, best known for wondrously monumental figurative sculptures that can be seen from Tokyo to Dubai. " “Shakespeare is the best definition of sculpture,” he once said, quoting the “sleep no more” soliloquy from Macbeth. “You are working always with physical elements. You are always touching, touching. But you can’t describe it.”" Crown Fountain, Chicago 2004! Crown Fountain at Millennium Park in Chicago. It opened in July 2004. The fountain is composed of a black granite reflecting pool placed between a pair of glass brick towers. The towers are 50 feet (15 m) tall, and they use LEDs to display digital videos on the inward faces." Crown Fountain, Chicago 2004! Documentation TED Talk BLAKE IN GATESHEAD, 1996! Site: Baltic Centre for Contemporary Art. Gateshead. (U.K.)" Project: "Temporary Contemporary. Visual Arts Year" U.K." Cast iron, steel, glass, light.! Cast iron plate: 5 x 500 cm! Fence: 180 x 150 cm! Height light: 2 km approximately" Walking near the Tyne and thinking of Blake, I thought a new bridge was needed, a vertical bridge to bring us towards another kind of landscape.
    [Show full text]
  • Regional-Review-Winter-2006
    GREATER PHILADELPHIA REGIONAL Issues and Ideas for Greater Philadelphia’s Leaders REVIEW Winter 2006 Think Big and Work Together: Lessons from Chicago Table of Contents Up-Front. 1 Philadelphia & Chicago By the Numbers . 2 How Does Chicago Work? . 4 Richard M. Daley: Profile of a Regional Mayor. 8 The Power of Big Ideas: Make No Little Plans . 10 Mobilizing Regional Change . 14 The Millennium Park Effect . 20 The Green Development. 26 Bringing It All Back Home . 30 The Greater Philadelphia Regional Review is a publication of the Pennsylvania Economy League – Southeastern PA. Editor-in-Chief: David B. Thornburgh; Editor: Allison Kelsey; Design: Shari Sikora, Valley Press, Inc. Printed by Valley Press, Inc. The Greater Philadelphia Regional Review is generously underwritten by a grant from the William Penn Foundation. Chicago Office of Tourism Chicago Office GREATER PHILADELPHIA REGIONAL REVIEW WINTER 2006 UP-FRONT Inspired by Ben: The Greater Philadelphia Leadership Exchange What describes the unique blend of visionary energy and tactical smarts so often found in people who get things done? The phrase we think fits is “strategic impatience.” Good leaders are impatient to spark action but understand that good strategy can make sure the action yields the result they want. Last September, when the Pennsylvania Economy League sponsored the Leadership Exchange visit to Chicago, we wanted to see what happens when enough people get both strategic and impatient. Over the course of three days, our group of 72 civic leaders — drawn from government, business, and the nonprofit sector — learned about a wide range of concrete achievements now helping metropolitan Chicago position itself for the 21st century.
    [Show full text]