Flashdance… What a Feeling

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Flashdance… What A Feeling Irene Cara First when there's nothing But a slow glowing dream That your fear seems to hide Deep inside your mind. All alone I have cried Silent tears full of pride In a world made of steel, Made of stone. Well, I hear the music, Close my eyes, feel the rhythm, Wrap around, take a hold Of my heart. What a feeling. Bein's believin'. I can have it all, now I'm dancing for my life. Take your passion And make it happen. Pictures come alive, you can dance right through your life. Now I hear the music, Close my eyes, I am rhythm. In a flash it takes hold Of my heart. What a feeling. Bein's believin'. I can have it all, now I'm dancing for my life. Take your passion And make it happen. Pictures come alive, now I'm dancing through my life. What a feeling. What a feeling I am music now Bein's believin'. I am rhythm now Pictures come alive, you can dance right through your life. What a feeling. you can really have it all What a feeling. pictures come alive when I call I can have it all I can really have it all Have it all pictures come alive when I call Call call call call what a feeling I can have it all bein's believin Bein's believin' take your passion Make it happen Make it happen what a feeling What a feeling bein's believin' Written by Irene Cara, Giorgio Moroder, Keith Forsey • Copyright © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc .

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Bibliography ADORNO, THEODOR W (1941). ‘On Popular Music’. On Record: Rock, Pop and the Written Word (ed. S Frith & A Goodwin, 1990): 301-314. London: Routledge (1publ. in Philosophy of Social Sci- ence, 9. 1941, New York: Institute of Social Research: 17-48). —— (1970). Om musikens fetischkaraktär och lyssnandets regression. Göteborg: Musikvetenskapliga in- stitutionen [On the fetish character of music and the regression of listening]. —— (1971). Sociologie de la musique. Musique en jeu, 02: 5-13. —— (1976a). Introduction to the Sociology of Music. New York: Seabury. —— (1976b) Musiksociologi – 12 teoretiska föreläsningar (tr. H Apitzsch). Kristianstad: Cavefors [The Sociology of Music – 12 theoretical lectures]. —— (1977). Letters to Walter Benjamin: ‘Reconciliation under Duress’ and ‘Commitment’. Aesthetics and Politics (ed. E Bloch et al.): 110-133. London: New Left Books. ADVIS, LUIS; GONZÁLEZ, JUAN PABLO (eds., 1994). Clásicos de la Música Popular Chilena 1900-1960. Santiago: Sociedad Chilena del Derecho de Autor. ADVIS, LUIS; CÁCERES, EDUARDO; GARCÍA, FERNANDO; GONZÁLEZ, JUAN PABLO (eds., 1997). Clásicos de la música popular chilena, volumen II, 1960-1973: raíz folclórica - segunda edición. Santia- go: Ediciones Universidad Católica de Chile. AHARONIÁN, CORIúN (1969a). Boom-Tac, Boom-Tac. Marcha, 1969-05-30. —— (1969b) Mesomúsica y educación musical. Educación artística para niños y adolescentes (ed. Tomeo). 1969, Montevideo: Tauro (pp. 81-89). —— (1985) ‘A Latin-American Approach in a Pioneering Essay’. Popular Music Perspectives (ed. D Horn). Göteborg & Exeter: IASPM (pp. 52-65). —— (1992a) ‘Music, Revolution and Dependency in Latin America’. 1789-1989. Musique, Histoire, Dé- mocratie. Colloque international organisé par Vibrations et l’IASPM, Paris 17-20 juillet (ed. A Hennion.
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