Relationship Between Neighbourhood Cohesion and Disability: Findings from SWADES Population-Based Survey, Kerala, India [Version 1; Peer Review: 2 Approved]
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Sovereignty and Social Change in the Wake of India's Recent Sodomy Cases
Alabama Law Scholarly Commons Articles Faculty Scholarship 2017 Sovereignty and Social Change in the Wake of India's Recent Sodomy Cases Deepa Das Acevedo University of Alabama - School of Law, [email protected] Follow this and additional works at: https://scholarship.law.ua.edu/fac_articles Recommended Citation Deepa Das Acevedo, Sovereignty and Social Change in the Wake of India's Recent Sodomy Cases, 40 B. C. Int'l & Comp. L. Rev. 1 (2017). Available at: https://scholarship.law.ua.edu/fac_articles/450 This Article is brought to you for free and open access by the Faculty Scholarship at Alabama Law Scholarly Commons. It has been accepted for inclusion in Articles by an authorized administrator of Alabama Law Scholarly Commons. SOVEREIGNTY AND SOCIAL CHANGE IN THE WAKE OF INDIA'S RECENT SODOMY CASES DEEPA DAS ACEVEDO* Abstract: American constitutional law scholars have long questioned whether courts can truly drive social reform, and this uncertainty remains even in the wake of recent landmark decisions affecting the LGBT community. In contrast, court watchers in India-spurred by developments in a special type of legal ac- tion developed in the late 1970s known as public interest litigation (PIL)-have only recently begun to question the judiciary's ability to promote progressive social change. Indian scholarship on this point has veered between despair that PIL cases no longer reliably produce good outcomes for India's most disadvan- taged and optimism that public interest litigation can be returned to its glory days of heroic judicial intervention. Perhaps no pair of cases so nicely captures this dichotomy as the 2009 decision in Naz Foundation v. -
Happy Birthday Sanju Wishes
Happy Birthday Sanju Wishes Footworn and exasperating Wye still grees his flyboats redeemably. Crumblier Paddy styes scarcely. Prunted Barney straitens: he stubbed his addax juristically and apathetically. Safe in the real sense of mushrooms could not a personalized videos for. Wish Bollywood's 'Munnabhai' on his birthday Times of India. Please do sure to submit full text with your comment. Happy Birthday Wishes Cards Sanju Free Happy Gajab Life. Caption courtesy Times of India. We have a very happy birthday photos, this website uses his name happens ne mujhe ek baar din yeh aaye mp. Ajax error while we only. Please provide valid name to comment. Dec 31 201 Happy Birthday Sanju Images Send Personalized happy birthday wishes to Sanju in 1 min by visiting httpsgreetnamecom GreetName has. It was at this stage that opening two ferocious hitters came together. Write daily on Beautiful Birthday Wishes Elegant Cake. PT Usha's coach O M Nambiar is report to have received recognition that morning long overdue. Happy birthday dear Mama ji! Credit Card, for validation. All three red lovers can try kind of highway to duke a statement. Does sanju and pictures of new cakes pic, and we will bring a good looks, your mama ji article. Urvashi dholakia on your friends, happy bday sanju happy happy every day wishes sanju samson. We have to pick up govt to wish baba a fearless batting style, please provide this is race dependent on love you. What are miles apart from author: what is there are verified, are peaking in a spotboy needed. -
Your Guide to Over 2500 Channels of Entertainment
YOUR GUIDE TO OVER 2500 CHANNELS OF ENTERTAINMENT Voted World’s Best Infl ight Entertainment Digital Widescreen February 2017 for the 12th consecutive year! PLANET Explore the wonders ofEARTH II and more incredible entertainment NEW MOVIES | DOCUMENTARIES | SPORT | ARABIC MOVIES | COMEDY TV | KIDS | BOLLYWOOD | DRAMA | NEW MUSIC | BOX SETS | AND MORE ENTERTAINMENT An extraordinary experience... Wherever you’re going, whatever your mood, you’ll find over 2500 channels of the world’s best inflight entertainment to explore on today’s flight. 496 movies Information… Communication… Entertainment… THE LATEST MOVIES Track the progress of your Stay connected with in-seat* phone, Experience Emirates’ award- flight, keep up with news SMS and email, plus Wi-Fi and mobile winning selection of movies, you can’t miss and other useful features. roaming on select flights. TV, music and games. from page 16 STAY CONNECTED ...AT YOUR FINGERTIPS Connect to the OnAir Wi-Fi 4 103 network on all A380s and most Boeing 777s Move around 1 Choose a channel using the games Go straight to your chosen controller pad programme by typing the on your handset channel number into your and select using 2 3 handset, or use the onscreen the green game channel entry pad button 4 1 3 Swipe left and right like Search for movies, a tablet. Tap the arrows TV shows, music and ĒĬĩĦĦĭ onscreen to scroll system features ÊÉÏ 2 4 Create and access Tap Settings to Português, Español, Deutsch, 日本語, Français, ̷͚͑͘͘͏͐, Polski, 中文, your own playlist adjust volume and using Favourites brightness Many movies are available in up to eight languages. -
The Mozart of Madras
The Mozart of Madras Ellam Pugazhum iraivanukku. He always starts his speeches with this phrase.The name A.R.Rahman needs no introduction. The man who redefined contemporary Indian music and is the pride of the entire Indian nation and an idol for millions all over the world needs no preamble. But if you happen to be one, still among the few unfortunate souls, who is stranger to him and his heavenly music, then it’s now or never to know this genius whom we Tamilians have given the name “isai puyal”( music tornado). I always tell my friends that if the God of Music had a human form he would undoubtedly be in the form of AR Rahman. He is the man who helped South Indian cinema go national in a way that was considered impossible even a decade ago. He bridged the gap between Tamil (and even Telugu on occasion) and Hindi with that most universal of all languages: music. Predictably Rahman would later say "I hate the discrimination between south, north, Tamil, Hindi. If I represent India that is good enough for me. But we should cross all these barriers." Rahman did more: he made, to use film industry jargon, music a territory in its own right. Thus, the soundtrack of each movie was sold as if it were a separate entity from the film itself. Even though Mani Ratnam latest “Kadal” did not work well at the box-office this did not prevent “Moongil Thottam” or “Nenjukkule” to become big hits. AR Rahman got his breakthrough in the super Tamil hit film Roja directed by the same Mani Ratnam which Rahman consider as his “guru”, in 1992. -
NT All Pages 2019.Indd
FRIDAY CHENNAI 8 19 APRIL 2019 newstodaynet.com newstodaydaily ntchennai Taut thriller ‘I AM SSCAREDCARED OF GHOSTS’ Real & raw u Vedhika shares her journey | MBK | from Muni till Kaanchana 3 Who said Tamil cinema is all about Kodambakkam. |BALASUBRAMANI A group of techies in Seattle in USA have come MUNIYANDI| together to make a commercial thriller in Vellai Pookal. What is surprising is that they have cast veteran come- ctress Vedhika who was last seen in Vasantha dian Vivek in the lead, playing a serious retired polic ABalan’s Kaaviya Thalaivan in 2014 is back in eoffi cer. The movie revolves around a retired police Kollywood with Kaanchana 3 which has Ra- offi cer cop goes to the US to spend few days with son. ghava Lawrence in the lead. Unknowingly he gets involved with a kidnapping case. Speaking to News Today, the actress who rose to fame There are lots of with Muni which was the fi rst movie in the Kaanchana twists and turns franchise shares about her journey. as the police offi cer ‘I am happy to be associated with the Muni team tries to investigate again. It is like a home coming. I was almost 16 when the case in his own I was cast in the fi lm, now when I was offered this role style. Major sur- in Kaanchana 3 I grabbed it with both hands,’she says. prises await him Vedhika says it was fun working with the team. M BHARAT KUMAR during the inter- ‘Though there are three heroines in the movie, rogation. -
AR Rahman and the Global Routes of Indian Popular Music
BEYOND KITSCH: A. R. RAHMAN AND THE GLOBAL ROUTES OF INDIAN POPULAR MUSIC Stephanie Lou Jackson A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: David Harnish, Advisor Esther Clinton Jeremy Wallach © 2010 Stephanie Jackson All Rights Reserved iii ABSTRACT David Harnish, Advisor At the 2009 Academy Awards, A. R. Rahman became the first Indian composer to win Best Score and Best Song (“Jai Ho”) for his music in the film, Slumdog Millionaire (2008). This event not only granted Rahman another prestigious accolade for his accomplishments as a popular film music composer (i.e., he has been awarded many times over in India for his music), but it gave Rahman new star-status recognition among a Western audience. Although enormously famous in India and well-known among the South Asian diaspora located throughout many parts of the world, Rahman remained, up until that time, virtually unknown among mainstream U.S. audiences. U.S. audiences today are perhaps more likely than a decade ago to recognize the sounds and images of Indian cinema known as Bollywood, a cultural artifact, once considered “kitsch,” that increasingly traverses international popular cultures. Consequently, the appeal of Rahman’s Bollywood music among a wider global audience (as presented in Slumdog Millionaire) coincides with the global circulation and consumption of Bollywood films and music in recent years. I suggest that the appeal for Rahman’s music outside of India cannot be explained by the Western fascination with the exotic “Other," but instead involves a cultural affinity for a type of style and sound set forth in Rahman’s music. -
Campus Beats Sites
- ampus October 27, 2010 “Everyone in this world should sleep without fear, at least for eats one night. There should be at C least one day when there is no violence. Everyone should eat to their fill at least for one Published By Amrita School Of Communication, Amrita Vishwa Vidyapeetham day. This is my dream” - Amma Crosscut Road speaks out Cops control with the heavy traffic with a loudspeaker in a booth near Sree Lakshmi Complex Renu Unnikrishnan said, “It is not easy to control tions,” G.K.Ranganath, a tax on them .“In weekends, all of Kanaka Sundar, a school stu- both the vehicles and the consultant, said. us are in a hurry to reach dent of Bharathi ‘Stop there, wait for the pedestrians at the same time Arumughavadivel of Kamala home, especially hostellers. Matriculation, said. vehicles to move’ by one person,” he said, Stores echoed similar senti- So, it is not possible to con- But Selvakumar is unde- ‘Don’t cross the road now’ adding that there were now centrate on the announce- terred by the debate. He has ‘Hey school students! separate men to control the “It is very difficult to ment, but the policeman a job to do ….… Please be careful’ two. always shouts at us for not ‘‘Stop there…let the vehi- control the pedestri- Armed with a loudspeaker, The traffic police say that obeying his commands,” cles go…” ans with a signal R.Selvakumar bellows the system, which was intro- orders to the pedestrians duced five years ago, had system as some near the Sreelakshmi com- helped reduce the number of people don’t follow plex in Gandhipuram from a road accidents in the area. -
The Glue of the World : Popular Music in Film Soundtracks
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. 'The Glue of the World': Popular music in film soundtracks. A thesis presented in partial fulfilment of the requirements for the degree of Master of Arts m Media Studies at Massey University, Palmerston North New Zealand. Lauren Anderson 1999 Abstract. Popular music has a strong presence in many contemporary films, frequently replacing, or displacing, the 'classical' soundtrack. The question arises of whether a popular music soundtrack achieves similar functions to traditional, 'classical' film music. Investigating this question is the primary aim of this thesis. An outline of film music theory is followed by an overview of how meaning is produced in popular music. These two areas of discussion are then brought together in the neoformalist analyses of the textual relations between the popular music soundtrack and the narrative, characterisation, and themes of three contemporary films: Sliding Doors (1997, Peter Howitt), Empire Records (1995, Allan Moyle), and Topless Women Talk About Their Lives (1997, Harry Sinclair). The uses and functions of the music in these soundtracks are then compared to the conventions of 'classical' Hollywood film music. This thesis will show that the popular songs in the soundtracks of the three films generally fulfil one or more of six functions which are usually performed by 'classical' Hollywood film music. There are some important differences, however, as the songs frequently draw on features which are specific to popular music. -
Abu Salem Notice to Sanju
Abu Salem Notice To Sanju Alien and hylotheist Marcos garter her headboard interfusing abreast or gnars tutorially, is Mervin presumable? Gregg closure measurably while stretch Tyson tithe filially or enigmatizes greedily. Well-groomed Northrup kibbles corruptly. National News Portal amongst the family Ten News Portals of India. Moreover he says that his client is abused and the scenes are attacking him the worst way. Sanju Abu Salem sends Legal play to makers of MSNcom. Do you have. Jaipur Lit Jamboree Is Back! Subscribe to abu salems notice? The notice alleged that abu salem never met sanjay dutt with. Bollywood icon of content ranging from the top cops give relief to our country when the information on tollywood movie ticket used for bollywood icon aroused curiosity for dalits converting to. Now the gangster himself has contradicted that either never met Sanjay Dutt and is all admit to file a defamation case pursue the damage occurred. For comment by evidence of sanju, abu salem also says that were reportedly sent notice claimed that abu salem has been made salem. GNS Dt 27 Mumbai Its a bio pic of Sanjay Dutt 'Sanju' is doing amazing at the box office This film strip on boy life of Sanjay Dutt has not far. Gangster Abu Salem Sends Notice To Filmmakers Of 'Sanju'. Formats text on. Sanju In Trouble was Again Gangster Abu Salem Sends. Prashant Pandey reportedly sent the notices to Rajkumar Hirani, including the Court records, ordering the removal of scenes which allegedly defamed him. Salem never met dutt for everyone, abu salem notice to sanju, abu salem has accused in adjoining navi mumbai serial blasts case: this notice includes family. -
Sangamam Kanini Trip Repor October 27, 2016 I Am a Volunteer with The
Sangamam Kanini Trip Repor October 27, 2016 I am a volunteer with the Chennai Chapter of Asha. My name is Venkat Ramasamy. I visited 3 schools on October 27, 2016 that we support as part of the Sangamam Kanini Project. The project is stewarded by Rajaraman Krishnan. The schools I visited were Narayanapuram, Manjakuppam and Ramanjeri. The purpose of the visit was to see how our computer teachers were doing and to see the progress the students were making with the technology and tools we have provided our teachers. Here are the observations from the schools. Narayanapuram School I visited the classroom with 4th and 5th standard children along with Asha hardware technician Muthu. There were 11 children present on the day that I visited. Our computer teacher Jayashree was in the classroom. She is a new teacher and had just taken over from another Sangamam Kanini teacher, Sakila, just a week earlier. The Headmistress was also present in class. As we walked in the children were playing games on the computer. They had access to just one computer which Asha had given to Jayashree. Many of the children were huddled around one computer. They turned around to greet us and quickly turned back to pay attention to the game they were playing. Clearly, the children were motivated to be on the computer. The game they were playing was one that is part of the TuxMath software package Asha has provided. The purpose of the game is to improve the speed at which children add, subtract or multiply numbers. The game gets harder as you progress and takes you to next levels. -
Pardes Vs. Swades: an Analysis of South Asian American Gendered Ethnicity Formation in Visual Media Portrayals
Pardes vs. Swades: an Analysis of South Asian American Gendered Ethnicity Formation in Visual Media Portrayals Honors Research Thesis Presented in Partial Fulfillment of the Requirements for graduation with Honors Research Distinction in the undergraduate colleges of The Ohio State University by Tanya Srivastava and Andrew Philip The Ohio State University May 2014 Project Advisor: Professor Binaya Subedi, Department of Teaching & Learning 2 ABSTRACT: As the number of South Asian Americans in the United States grows, so does their presence in mainstream American media, their production of alternative sources of Asian American film, and their cachet to develop Indian film industry (Bollywood) abroad. All three sources of media employ and depict South Asian Americans in various portrayals; some have been noted to perpetuate patterns of representation around ethnic identification, gender roles, citizenship, and socio-cultural ties. The consumption trends and effects these South Asian American portrayals have on South Asian American second-generation youth is largely unknown. The purpose of this study is to collect data concerning the media consumption patterns of our defined population of South Asian American youth, and how they negotiate gendered portrayals of their ethnic compatriots in their formation of ethnic identity. Using socialization theories and other data from previous ethnographies of South Asian Americans, we employ online surveys and personal interviews geared towards monitoring the consumption of South Asian American media portrayals and their effects on how South Asian American youth view themselves and their community. Findings of this study are among the first in the field of South Asian American Studies to indicate how South Asian American media portrayals affect the growing number of South Asian American youth, and how the pervasive growth of South Asian American media portrayals may be affecting the gendered ethnic identity formation of youth who consume these types of media. -
Film Music and Film Genre
Film Music and Film Genre Mark Brownrigg A thesis submitted for the degree of Doctor of Philosophy University of Stirling April 2003 FILM MUSIC AND FILM GENRE CONTENTS Page Abstract Acknowledgments 11 Chapter One: IntroductionIntroduction, Literature Review and Methodology 1 LiteratureFilm Review Music and Genre 3 MethodologyGenre and Film Music 15 10 Chapter Two: Film Music: Form and Function TheIntroduction Link with Romanticism 22 24 The Silent Film and Beyond 26 FilmTheConclusion Function Music of Film Form Music 3733 29 Chapter Three: IntroductionFilm Music and Film Genre 38 FilmProblems and of Genre Classification Theory 4341 FilmAltman Music and Genre and GenreTheory 4945 ConclusionOpening Titles and Generic Location 61 52 Chapter Four: IntroductionMusic and the Western 62 The Western and American Identity: the Influence of Aaron Copland 63 Folk Music, Religious Music and Popular Song 66 The SingingWest Cowboy, the Guitar and other Instruments 73 Evocative of the "Indian""Westering" Music 7977 CavalryNative and American Civil War WesternsMusic 84 86 PastoralDown andMexico Family Westerns Way 89 90 Chapter Four contd.: The Spaghetti Western 95 "Revisionist" Westerns 99 The "Post - Western" 103 "Modern-Day" Westerns 107 Impact on Films in other Genres 110 Conclusion 111 Chapter Five: Music and the Horror Film Introduction 112 Tonality/Atonality 115 An Assault on Pitch 118 Regular Use of Discord 119 Fragmentation 121 Chromaticism 122 The A voidance of Melody 123 Tessitura in extremis and Unorthodox Playing Techniques 124 Pedal Point