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Managing Online Communications and Feedback Relating to the Welsh Visitor Attraction Experience: Apathy and Inflexibility in Tourism Marketing Practice?
Managing online communications and feedback relating to the Welsh visitor attraction experience: apathy and inflexibility in tourism marketing practice? David Huw Thomas, BA, PGCE, PGDIP, MPhil Supervised by: Prof Jill Venus, Dr Conny Matera-Rogers and Dr Nicola Palmer Submitted in partial fulfilment for the award of the degree of PhD University of Wales Trinity Saint David. 2018 i ii DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed (candidate) Date 15.02.2018 STATEMENT 1 This thesis is the result of my own investigations, except where otherwise stated. Where correction services have been used, the extent and nature of the correction is clearly marked in a footnote(s). Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed (candidate) Date 15.02.2018 STATEMENT 2 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter- library loan, and for the title and summary to be made available to outside organisations. Signed (candidate) Date 15.02.2018 STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for deposit in the University’s digital repository. Signed (candidate) Date 15.02.2018 iii iv Abstract Understanding of what constitutes a tourism experience has been the focus of increasing attention in academic literature in recent years. For tourism businesses operating in an ever more competitive marketplace, identifying and responding to the needs and wants of their customers, and understanding how the product or consumer experience is created is arguably essential. -
The Newsletter of the Federation of Museums & Art Galleries Of
The newsletter of the Federation of Museums & Art Galleries of Wales April 2011 The 2010 Federation AGM, Llanberis In November each year the Federation holds its AGM in a prominent museum or gallery and alternates between North & South Wales. In 2010 the AGM was hosted by the National Slate Museum in Llanberis and the keynote speaker was the new Director General of Amgueddfa Cymru, David Anderson. The event took place in the museum’s Padarn Room, one of two available conference / education rooms. The Federation President, Rachael Rogers (Monmouthshire Museums Service) presented the Federation’s Annual Report for 2009/10 and the The Padarn Room, National Slate Honorary Treasurer, Susan Dalloe (Denbighshire Federation President, Rachael Rogers and keynote speaker, Museum, Llanvberis Director-General of NMW / AC, David Anderson, at the AGM Heritage Service) presented the annual accounts. Following election of Committee Members and other business, David Anderson then gave his talk to the Members. Having only been in his current post as Director General of Amgueddfa Cymru for six weeks, Mr Anderson not only talked of his career and museum experiences that led to his appointment but also asked the Federation Members for their contributions on the Welsh museum and gallery sector and relationships between the differing museums and the National Museum Wales. Following a delicious lunch served in the museum café, the afternoon was spent in a series of workshops with all Members contributing ideas for the Federation’s forthcoming Advocacy strategy and Members toolkit. The Advocacy issue is very important to the Federation especially in the current economic climate and so, particularly if you were unable to attend the AGM, the following article is to encourage your contribution: How Can You Develop an Advocacy Strategy? The Federation is well on its way to finalising an advocacy strategy for museums in Wales. -
Charity Arts Auction Josef Herman Foundation
Charity Arts Auction Josef Herman Foundation Exhibition Auction Day 18th Nov - 6th Dec Sun 8th Dec The Welfare Hall Glynn Vivian Art Ystradgynlais Gallery Swansea Special evening viewing on Viewing from 11.30am Friday 22nd Nov at 7pm Auction starts at 1.30pm Auctioneer: Arfon Haines Davies Listings Josef Herman Foundation Lot 1: John Abell. “Adam & Eve” Lot 2: John Abell. “Cardiff Girls” Lot 5: Joan Baker. “Mouth of the Lot 6: Joan Baker. “Waterfall Cave” Temple Bay” A/P Limited edition lithographic print A/P Limited edition lithographic print of 20 on handmade paper. of 20 on handmade paper. Oil on canvas. Framed. Oil on canvas. Framed. 71.5 x 54 cms unframed. 74 x 54 cms unframed. (50.5 x 61 cms unframed). (54 x 45.5 cms unframed). Estimate: £250 - £350 Estimate: £250 - £350 Estimate: £200 Estimate: £200 Lot 3: Jacqueline Alkema. “Woman Lot 4: Jacqueline Alkema. “In the Lot 7: Joan Baker. “Caerphilly Lot 8: Joan Baker. “Witches Point” with Birds” night series II” Mountain” Oil on canvas. Framed. Oil on paper. 42 x 53 cms framed. Oil on paper. 45.5 x 53 cms framed. Oil on canvas. Framed. (61 x 76 cms unframed). (31 x 21 unframed). (29 x 20 unframed). (61 x 76 cms unframed). Estimate: £350 Estimate: £395 – £450 Estimate: £395 – £450 Estimate: £350 1 2 Listings Josef Herman Foundation Lot 9: Joan Baker. “Sun after Rain – Lot 10: Iwan Bala. “Ystad Bardd/ Lot 13: Seren Bell. “Welsh Mountain Lot 14: Gwenllian Beynon. “Llestri Merthyr Mawr” The Poet's Estate” Ewe & Lamb” Mam” Framed. -
City Centr Walking Tr
Image Credits and Copyrights National Waterfront Museum p7, Glynn Vivian Art Gallery p10: Powell Dobson Architects. The Council of the City & County of Swansea cannot guarantee the accuracy of the information in this brochure and accepts no responsibility for any error or misrepresentation, liability for loss, disappointment, negligence or other damage caused by the reliance on the information contained in this brochure unless caused by the negligent act or omission of the Council. This publication is available in alternative formats. Contact Swansea Tourist Information Centre (01792 468321. Published by the City & County of Swansea © Copyright 2014 Welcome to Swansea Bay, Mumbles and Gower City Centre Swansea, Wales’ Waterfront City, has a vibrant City Centre with over 230 shops and Wales’ largest Walking Trail indoor market. As well as a wide range of indoor attractions (including the oldest and newest museums in Wales), Swansea boasts award winning parks and gardens. Clyne Gardens is internationally famous for its superb collection of rhododendrons and Singleton Botanical Gardens is home to spectacular herbaceous borders and large glasshouses. Swansea sits on the sandy 5 mile stretch of Swansea Bay beach, which leads to the cosy but cosmopolitan corner of Mumbles. Capture its colourful charm from the promenade and pier, the bistros and boutiques, and the cafés and medieval castle. Mumbles marks the beginning of the Gower Peninsula’s coastline. Explore Gower’s 39 miles of captivating coastline and countryside. Ramble atop rugged limestone cliffs, uncover a cluster of castles or simply wander at the water’s edge - a breathtaking backdrop is a given. Your adventure starts here! This guide takes you on a walking tour of the ‘Top 10’ most asked about attractions in and near Swansea City Centre, by visitors to Swansea Tourist Information Centre. -
The Future of Our Recorded Past
A Report Commissioned by the Library and Information Services Council (Wales) The Future of Our Recorded Past A Survey of Library and Archive Collections In Welsh Repositories By Jane Henderson of Collections Care Consultancy March 2000 Table of Contents Page No… Table of Contents.............................................................................................................. ii The Future of Our Recorded Past - a Summary............................................................... iii Preface........................................................................................................................ ...... vi 1 The Project Brief ........................................................................................................... 1 1.1 The LISC (Wales) Conservation and Preservation Group.......................................... 1 1.2 A Survey of the Preservation Status of Library and Archive Collections .................. 1 1.3 The Survey Method.................................................................................................... 2 2 Background................................................................................................................... .. 3 2.1 What is Preservation?.................................................................................................. 3 2.2 Why Preservation?...................................................................................................... 3 2.3 Do we Need to Preserve Everything? ........................................................................ -
Cross-Curriculum Learning with Swansea Cultural Venues
1 CROSS-CURRICULUM LEARNING WITH SWANSEA CULTURAL VENUES Led by experienced artist-educators with specialist knowledge April 2018 – March 2019 2 Cross-Curriculum Learning Experience for Schools 4Site is a one stop cultural shop for all schools in Swansea. Check out the exciting range of work and the exhibitions going on at the Dylan Thomas Centre, the Glynn Vivian Art Gallery, Swansea Museum, and West Glamorgan Archives. We recommend reading through this pack prior to your visit and if you have any further questions, please contact the appropriate venue. This document contains all the practical information you will need to organise your schools cultural education sessions and benefit from your 4site membership. Dylan Thomas Centre Glynn Vivian Art Gallery [email protected] [email protected] 01792 463980 01792 516900 Swansea Museum West Glamorgan Archives [email protected] [email protected] 01792 653763 01792 636589 3 CONTENTS 1. Introduction Page 4 2. Venues Page 5 - Map - Information 3. Fees and Charges Page 10 - How to pay 4. How to Book Page 11 - Booking forms - Group Sizes 5. Planning your visit Page 15 - Access - Parking - Resources 6. Session Programmes Page 18 - Foundation - Key Stage 2 - Key Stage 2 + 3 - Key Stage 4 7. Funding Support Page 27 “Excellent information on Glynn “A wonderful educational visit Vivian. Excellent hands on and @swanseamuseum. We have interactive workshop. Every thoroughly enjoyed our topic on opportunity taken to develop Ancient Egypt #Year1&2” pupils’ art skills: Sketching, observing, problem solving, Teacher, St Helen’s Catholic drawing.” Primary School Teacher, YGG Bryniago 4 1. -
Pinning the Daffodil and Singing Proudly: an American's Search for Modern Meaning in Ancestral Ties Elizabeth C
Student Publications Student Scholarship 3-2013 Pinning the Daffodil and Singing Proudly: An American's Search for Modern Meaning in Ancestral Ties Elizabeth C. Williams Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the Nonfiction Commons Share feedback about the accessibility of this item. Williams, Elizabeth C., "Pinning the Daffodil and Singing Proudly: An American's Search for Modern Meaning in Ancestral Ties" (2013). Student Publications. 61. https://cupola.gettysburg.edu/student_scholarship/61 This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/student_scholarship/ 61 This open access creative writing is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Pinning the Daffodil and Singing Proudly: An American's Search for Modern Meaning in Ancestral Ties Abstract This paper is a collection of my personal experiences with the Welsh culture, both as a celebration of heritage in America and as a way of life in Wales. Using my family’s ancestral link to Wales as a narrative base, I trace the connections between Wales and America over the past century and look closely at how those ties have changed over time. The piece focuses on five location-based experiences—two in America and three in Wales—that each changed the way I interpret Welsh culture as a fifth-generation Welsh-American. -
Locws International
locws.qxd 29/7/03 4:13 pm Page 1 LOCWS INTERNATIONAL SWANSEA CENTRAL LIBRARY RIVER TAWE BRIDGE 26 CASTLE STREET SWANSEA CASTLE ST MARY’S CHURCH DYLAN THOMAS CENTRE SWANSEA MUSEUM RIVER TAWE MARITIME & INDUSTRIAL MUSEUM RIVER TAWE BARRAGE HELWICK LIGHTSHIP Publishers: Locws International THE GUILDHALL SWANSEA MARINA Swansea Museum SWANSEA OBSERVATORY Victoria Road Swansea SWANSEA BEACH SA1 1SN 1 locws.qxd 29/7/03 4:13 pm Page 2 Publication copyright: © Locws International 2003 Texts copyright: Tim Davies David Hastie Felicia Hughes-Freeland Emma Safe Artworks copyright: the artists Photography: Graham Matthews Andrew Dueñas Ken Dickinson Layout: Christian Lloyd Peter Lewis Printing: DWJ Colourprint Published by: Locws International Swansea Museum Victoria Road Swansea SA1 1SN ISBN 0-9545291-0-3 2 locws.qxd 29/7/03 4:13 pm Page 3 AUTHORS TIM DAVIES DAVID HASTIE FELICIA HUGHES-FREELAND EMMA SAFE ARTISTS ERIC ANGELS DAVIDE BERTOCCHI IWAN BALA ENRICA BORGHI MAUD COTTER ANGHARAD PEARCE JONES DOROTHY CROSS BRIGITTE JURACK TIM DAVIES ANNIE LOVEJOY PETER FINNEMORE ALICE MAHER ROSE FRAIN PAUL & PAULA HUGHES GERMAIN ANTHONY SHAPLAND DAVID HASTIE CATRIONA STANTON KAREN INGHAM GRACE WEIR PHILIP NAPIER DAPHNE WRIGHT TINA O’CONNELL BENOIT SIRE LOIS WILLIAMS CRAIG WOOD LOCWS 1 LOCWS 2 2 SEPTEMBER – 1 OCTOBER 2000 7 SEPTEMBER – 29 SEPTEMBER 2002 3 locws.qxd 29/7/03 4:13 pm Page 4 Working site-specifically places particular demands on an artist not experienced in quite the same way in other fields, in the sense that the work becomes part of the site, not reflective of it. The site, in this case anywhere in Swansea, becomes your potential studio and material. -
National Pool!
• VERY URGENT • YOUR RESPONSE IS IMPORTANT • PLEASE CONFIRM YOU ARE HAPPY WITH THIS ADVERTISEMENT by FAX, POST or EMAIL Order No:87855 Your advertisement proof in the SWANSEA BAY Visitor Information Counter Pad Please return this form by: 10 DECEMBER YOUR RESPONSE IS IMPORTANT TO THE PUBLICATION BEING PRINTED ON TIME Please check that all details are correct, then sign and return with any comments NO TELEPHONE CORRECTIONS CAN BE ACCEPTED Please proceed, proof OK welcome to/croeso i Please proceed after marked alterations 1 Please re-proof after marked alterations ................................................. Please print your name Swansea Tourist Information Centre Plymouth Street, Swansea, SA1 3QG Tel: 01792 468321 ................................................. 7 Email: [email protected] • VERY URGENTSignature • YOUR RESPONSE IS IMPORTANT • www.360swansea.co.uk 4 visitswanseabay.com E PL AS Mumbles Road, Swansea, SA2 0AY E Date ....... / ....... / ........ PLEASE CONFIRM YOU ARE HAPPY WITH THIS 2 T A ADVERTISEMENT by FAX, POST or EMAIL K 8 NOTES E E NB: C.P.L. shall not be liable for any errors or omissions ON in your advertisement unless notified in writingOrder before No: 1382 the return date above. Failure to respond will result in It’s your the advertisement being printed as the proof shown, 1 without liability to CPL (Club Publishing Limited). 6 Your advertisement proof in the National Pool! ummer, make a splash! Boscombe House, Boscombe Road, Here comes S 15 Southend-on-Sea, Essex, SS2 5JD SWANSEA P: 01702 461661 F: 01702 460935 E: [email protected] Information Counterpad 01792 513513 Wales National Pool Swansea, Sketty Lane, Swansea SA2 8QG [email protected] Please return this form by: www.walesnationalpoolswansea.co.uk ASAP 3 generic ad.inddSt 1 Mary’s Church, Swansea02/05/2013 11 St Mary’s is an Anglican Church at the very heart of Swansea. -
Scolton Manor Museum Where Pembrokeshire’S Past Meets Its Future
Scolton Manor Museum Where Pembrokeshire’s past meets its future. Pembrokeshire’s County Museum is located in a traditional Victorian country house near Haverfordwest, surrounded by 60 acres of park and woodland and is completed by an award- winning eco-centre. OPENING TIMES Summer season: Park: 9am – 5.30pm House: 10.30am – 5.30pm Winter season: Park: 9am-4.30pm House: Closed ADmission Adult: £3 Manor House Children £2 Manor House Concessions: £2 Manor House Contact DetaiLS Scolton Manor Museum, Bethlehem, Havorfordwest, Pembrokeshire, SA62 5QL Manor House: 01437 731328 [email protected] Events 07.10.14 - Woodland tour VISIT WEBsite http://www.pembrokeshirevirtualmuseum. co.uk/content.asp?nav=3502,3503&parent_ directory_id=101 Big Pit: The National Coal Museum of Wales Big Pit is a real coal mine and one of Britain’s leading mining museums Big Pit is a real coal mine and one of Britain’s leading mining museums. With facilities to educate and entertain all ages, Big Pit is an exciting and informative day out. Enjoy a multi- media tour of a modern coal mine with a virtual miner in the Mining Galleries, exhibitions in the Pithead Baths and Historic colliery buildings open to the public for the first time. All of this AND the world famous underground tour! OPENING TIMES 9.30am-5pm ADmission FREE – Car parking £3 per day Contact DetaiLS Big Pit National Coal Museum, Blaenafon, Torfaen, NP4 9XP Tel: 02920 573650 VISIT WEBsite https://www.museumwales.ac.uk/bigpit/ National Museum Cardiff Discover art and the geological evolution of Wales With a busy programme of exhibitions and events, we have something to amaze everyone, whatever your interest – and admission is free! Although this is not the oldest of Amgueddfa Cymru’s buildings, this is the first location of the National Museum of Wales, officially opened in 1927. -
The Glamorgan-Gwent Archaeological Trust Half
THE GLAMORGAN-GWENT ARCHAEOLOGICAL TRUST TRACK 1 0 0 . 9 5 7 9 9 0 . 9 m 5 9 9 9 9 . 0 . 5 8 8 7 0 m 0 . 0 5 0 m 0 0 0 m 0 m m m Area of rock outcrop T R A 10 C 0.0 K 0m 9 6 .5 0 m 100.00m 9 9.5 0m 9 6 . 9 0 9 8. 9. 0 50 00 m m m G R Chamber A Chamber B ID N 0 30metres Plan of Graig Fawr chambered tomb showing chambers A and B, and the possible extent of the cairn area (shaded) HALF-YEARLY REVIEW 2007 & ANNUAL REVIEW OF PROJECTS 2006-2007 ISTER G E E D R GLAMORGAN GWENT IFA O ARCHAEOLOGICAL R N G O TRUST LTD I A T N A I S RAO No15 REVIEW OF CADW PROJECTS APRIL 2006 — MARCH 2007 ................................................... 2 GGAT 1 Heritage Management ....................................................................................................... 2 GGAT 43 Regional Archaeological Planning Services .................................................................... 9 GGAT 61 Historic Landscape Characterisation: Gower Historic Landscape Website Work. ........ 11 GGAT 67 Tir Gofal......................................................................................................................... 12 GGAT 72 Prehistoric Funerary and Ritual Sites ............................................................................ 12 GGAT 75 Roman Vici and Roads.................................................................................................. 14 GGAT 78 Prehistoric Defended Enclosures .................................................................................. 14 GGAT 80 Southeast Wales Ironworks.......................................................................................... -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17420/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 'INTERVENTIONS: TWENTIETII-CENTURY ART COLLECTION SCIIEMES AND THEIR IMPACT ON LOCAL AUTIIORITY ART GALLERY AND MUSEUM COLLECTIONS OF TWENTIETII-CENTURY BRITISII ART IN BRITAIN VOLUME III Angela Summerfield Ph.D. Thesis in Museum and Gallery Management Department of Cultural Policy and Management, City University, London, August 2007 Copyright: Angela Summerfield, 2007 CONTENTS VOLUME I ABSTRA eT...........................•.•........•........................................... ii ACKNOWLEDGEMENTS ......................................................... xi CHAPTER l:INTRODUCTION................................................. 1 SECTION J THE NATURE AND PURPOSE OF PUBLIC ART GALLERIES, MUSEUMS AND THEIR ART COLLECTIONS..........................................................................