Let Us All Unite
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Hbo Premieres the Third Season of Game of Thrones
HBO PREMIERES THE THIRD SEASON OF GAME OF THRONES The new season will premiere simultaneously with the United States on March 31st Miami, FL, March 18, 2013 – The battle for the Iron Throne among the families who rule the Seven Kingdoms of Westeros continues in the third season of the HBO original series, Game of Thrones. Winner of two Emmys® 2011 and six Golden Globes® 2012, the series is based on the famous fantasy books “A Song of Ice and Fire” by George R.R. Martin. HBO Latin America will premiere the third season simultaneously with the United States on March 31st. Many of the events that occurred in the first two seasons will culminate violently, with several of the main characters confronting their destinies. But new challengers for the Iron Throne rise from the most unexpected places. Characters old and new must navigate the demands of family, honor, ambition, love and – above all – survival, as the Westeros civil war rages into autumn. The Lannisters hold absolute dominion over King’s Landing after repelling Stannis Baratheon’s forces, yet Robb Stark –King of the North– still controls much of the South, having yet to lose a battle. In the Far North, Mance Rayder (new character portrayed by Ciaran Hinds) has united the wildlings into the largest army Westeros has ever seen. Only the Night’s Watch stands between him and the Seven Kingdoms. Across the Narrow Sea, Daenerys Targaryen – reunited with her three growing dragons – ventures into Slaver’s Bay in search of ships to take her home and allies to conquer it. -
Doctor Strangelove
A PPENDI C ES Feature Film Study: Doctor Strangelove Doctor Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Dir. Stanley Kubrick, USA, 1964. Comedy/Satire. Classification PG. 95 min. DVD, Columbia. Historical Themes/Topics War and peace in the 20th century: Cold War, nuclear arms race, atomic energy, social values and climate of 1960s Historical Context According to many historians, rapid advances in science and technology during the 20th century have contributed to making it one of the most destructive eras in world history. Arguably, in a bare-bones approach, history can be characterized as a continuing series of violent attacks between groups of humans. Typically, war is studied in terms of geographic and political realignments. However, something happened to warfare in the 20th century that has changed our collective understanding of war and peace in western societ y. The ability to understand and harness atomic energy is characteristic of the advancements in science and technology in the 20th century. It reflects the attempt among modern scientists to understand the smallest particles that are the building blocks of matter, whether in particle physics, microbiology, genetic research, or the development of the microchip. The development of the atomic bomb allowed humans to develop weapons of mass destruction. For the first time in history, human beings have the power to wipe out entire civilizations in seconds. At the same time, the increasing destructiveness of warfare is communicated with immediacy using modern Doctor Strangelove 133 communications technologies. The fact that mass communications include real images of real people suffering has played a role in developing a modern sensibility of the “other.” Faced with images of the destruction of Nagasaki and Hiroshima, North Americans saw children and families as well as whole neighbourhoods destroyed in the blink of an eye. -
Letting the Other In, Queering the Nation
Letting the Other in, Queering the Nation: Bollywood and the Mimicking Body Ronie Parciack Tel Aviv University Bombay’s film industry, Bollywood, is an arena that is represented and generated by the medium as a male intensively transmits cultural products from one na - homosexual body. tionality to another; it is a mimicking arena that in - cessantly appropriates narratives of Western Culture, particularly from Hollywood. Hence its nick-name Bollywood and the work of mimicry that contains the transcultural move back and forth Bollywood, Mumbai’s cinematic industry, is an inten - between and Bombay/Mumbai, all the while retain - sive arena absorbing foreign cultural products, mainly ing the ambivalent space positioned betwixt and be - Western. Characters, cultural icons, genres, lifestyle tween, and the unsteady cultural boundaries derived accoutrements such as clothing, furnishing, recreation from the postcolonial situation. styles, western pop songs and entire cinematic texts This paper examines the manner in which this have constantly been appropriated and adapted dur - transcultural move takes place within the discourse of ing decades of film-making. gender; namely, how the mimicking strategy forms a The mimicry phenomenon, with its central locus body and provides it with an ambiguous sexual iden - in the colonial situation and the meanings it contin - tity. My discussion focuses on the film Yaraana ues to incorporate in the postcolonial context, is a (David Dhawan, 1995) – a Bollywood adaptation of loaded focus in current discourse on globalization and Sleeping with the Enemy (Joseph Ruben, 1989). The localization, homogenization and heterogenization. Hollywood story of a woman who flees a violent hus - This paper examines the way in which the mimicking band exists in the Bollywood version, but takes on a deed can highlight the gendered layout of the mim - minor role compared to its narrative focus: an (insin - icking arena. -
Film Essay for "Modern Times"
Modern Times By Jeffrey Vance No human being is more responsible for cinema’s ascendance as the domi- nant form of art and entertainment in the twentieth century than Charles Chaplin. Yet, Chaplin’s importance as a historic figure is eclipsed only by his creation, the Little Tramp, who be- came an iconic figure in world cinema and culture. Chaplin translated tradi- tional theatrical forms into an emerg- ing medium and changed both cinema and culture in the process. Modern screen comedy began the moment Chaplin donned his derby hat, affixed his toothbrush moustache, and Charlie Chaplin’s Tramp character finds he has become a cog in the stepped into his impossibly large wheels of industry. Courtesy Library of Congress Collection. shoes for the first time. “Modern Times” is Chaplin’s self-conscious subjects such as strikes, riots, unemployment, pov- valedictory to the pantomime of silent film he had pio- erty, and the tyranny of automation. neered and nurtured into one of the great art forms of the twentieth century. Although technically a sound The opening title to the film reads, “Modern Times: a film, very little of the soundtrack to “Modern Times” story of industry, of individual enterprise, humanity contains dialogue. The soundtrack is primarily crusading in the pursuit of happiness.” At the Electro Chaplin’s own musical score and sound effects, as Steel Corporation, the Tramp is a worker on a factory well as a performance of a song by the Tramp in gib- conveyor belt. The little fellow’s early misadventures berish. This remarkable performance marks the only at the factory include being volunteered for a feeding time the Tramp ever spoke. -
Glenn Mitchell the TRUE FAREWELL of the TRAMP
Glenn Mitchell THE TRUE FAREWELL OF THE TRAMP Good afternoon. I’d like to begin with an ending ... which we might call `the Tramp’s First Farewell’. CLIP: FINAL SCENE OF `THE TRAMP’ That, of course, was the finale to Chaplin’s 1915 short film THE TRAMP. Among Chaplin scholars – and I think there may be one or two here today! - one of the topics that often divides opinion is that concerning the first and last appearances of Chaplin’s Tramp character. It seems fair to suggest that Chaplin’s assembly of the costume for MABEL’S STRANGE PREDICAMENT marks his first appearance, even though he has money to dispose of and is therefore technically not a tramp. KID AUTO RACES AT VENICE, shot during its production, narrowly beat the film into release. Altogether more difficult is to pinpoint where Chaplin’s Tramp character appears for the last time. For many years, the general view was that the Tramp made his farewell at the end of MODERN TIMES. As everyone here will know, it was a revision of that famous conclusion to THE TRAMP, which we saw just now ... only this time he walks into the distance not alone, but with a female companion, one who’s as resourceful, and almost as resilient, as he is. CLIP: END OF `MODERN TIMES’ When I was a young collector starting out, one of the key studies of Chaplin’s work was The Films of Charlie Chaplin, published in 1965. Its authors, Gerald D. McDonald, Michael Conway and Mark Ricci said this of the end of MODERN TIMES: - No one realized it at the time, but in that moment of hopefulness we were seeing Charlie the Little Tramp for the last time. -
Charlie Chaplin's
Goodwins, F and James, D and Kamin, D (2017) Charlie Chaplin’s Red Letter Days: At Work with the Comic Genius. Rowman & Littlefield. ISBN 1442278099 Downloaded from: https://e-space.mmu.ac.uk/618556/ Version: Submitted Version Publisher: Rowman & Littlefield Please cite the published version https://e-space.mmu.ac.uk Charlie Chaplin’s Red Letter Days At Work with the Comic Genius By Fred Goodwins Edited by Dr. David James Annotated by Dan Kamin Table of Contents Introduction: Red Letter Days 1. Charlie’s “Last” Film 2. Charlie has to “Flit” from his Studio 3. Charlie Chaplin Sends His Famous Moustache to the Red Letter 4. Charlie Chaplin’s ‘Lost Sheep’ 5. How Charlie Chaplin Got His £300 a Week Salary 6. A Straw Hat and a Puff of Wind 7. A bombshell that put Charlie Chaplin ‘on his back’ 8. When Charlie Chaplin Cried Like a Kid 9. Excitement Runs High When Charlie Chaplin “Comes Home.” 10. Charlie “On the Job” Again 11. Rehearsing for “The Floor-Walker” 12. Charlie Chaplin Talks of Other Days 13. Celebrating Charlie Chaplin’s Birthday 14. Charlie’s Wireless Message to Edna 15. Charlie Poses for “The Fireman.” 16. Charlie Chaplin’s Love for His Mother 17. Chaplin’s Success in “The Floorwalker” 18. A Chaplin Rehearsal Isn’t All Fun 19. Billy Helps to Entertain the Ladies 20. “Do I Look Worried?” 21. Playing the Part of Half a Cow! 22. “Twelve O’clock”—Charlie’s One-Man Show 23. “Speak Out Your Parts,” Says Charlie 24. Charlie’s Doings Up to Date 25. -
1 Slapstick After Fordism: WALL-E, Automatism and Pixar's Fun Factory Animation
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Andrews Research Repository Slapstick After Fordism: WALL-E, Automatism and Pixar’s Fun Factory animation: an interdisciplinary journal 11:1 (March 2016) Paul Flaig, University of Aberdeen In his recent The World Beyond Your Head, Matthew Crawford (2015) argues for a reclaiming of the real against the solipsism of contemporary, technologically cocooned life. Opposing digitally induced distraction, he insists on confronting the contingencies of an obstinately material, non- human world, one that rudely insists beyond our representational schema and cognitive certainties. In this Crawford joins an increasingly vocal chorus of critics questioning the ongoing transformation of human subjectivity via digital mediation and online connectivity (see Turkle 2012 and Carr 2011). Yet to mount this critique Crawford turns to a surprising example: Mickey Mouse Clubhouse, the Disney Channel’s first entirely computer animated television series, running from 2006 to the present. Given the proclaimed philosophical stakes of his book, which draws on Heidegger’s concept of “Being-in-the-World” and critiques Kantian Aufklärung, what peeks Crawford’s interest in Mickey Mouse Clubhouse, aimed at teaching pre-schoolers rudimentary concepts, facts and vocabulary? Specifically, it is the contrast between Clubhouse and Mickey’s first adventures in Disney shorts of the twenties and thirties. In the latter, “the most prominent source of hilarity is the capacity of material stuff to generate frustration,” thus offering to its viewers “a rich phenomenology of what it is like to be an embodied agent in a world of artifacts and inexorable physical laws” (70). -
Film Essay for The
The Kid By Jeffrey Vance “The Kid” (1921) is one of Charles Chaplin’s finest achievements and remains universally beloved by critics and audiences alike. The film is a perfect blend of comedy and drama and is arguably Chap- lin’s most personal and autobiographical work. Many of the settings and the themes in the film come right out of Chaplin’s own impoverished London child- hood. However, it was the combination of two events, one tragic (the death of his infant son) and one joyful (his chance meeting with Jackie Coogan), that led Chaplin to shape the tale of the abandoned child and the lonely Tramp. The loss of three-day-old Norman Spencer Chaplin undoubtedly had a great effect on Chaplin, and the emotional pain appears to have triggered his creativ- ity, as he began auditioning child actors at the Chap- lin Studios ten days after his son’s death. It was dur- ing this period that Chaplin encountered a four-year- old child performer named Jackie Coogan at Orphe- um Theater in Los Angeles, where his father had just performed an eccentric dance act. Chaplin spent more than an hour talking to Jackie in the lob- by of the Alexandria Hotel, but the idea of using Jackie in a film did not occur to him. After he heard that Roscoe Arbuckle had just signed Coogan, Chaplin agonized over his missed opportunity. Later, Charlie Chaplin as The Tramp sits in a doorway with the he discovered that Arbuckle had signed Jack orphan he has taken under his wing (Jackie Coogan). -
La Porte Youth Downtown and Lakes
LA PORTE YOUTH DOWNTOWN AND LAKES SPONSORED BY TABLE OF CONTENTS 4 ACKNOWLEDGMENTS 6 EXECUTIVE SUMMARY 8 INTRODUCTION 10 SWOT-A 14 STUDENT SURVEY 16 QUALITATIVE ANALYSIS 22 RETAIL AND BUSINESS ANALYSIS 24 PLAN GOALS 26 INITIATIVES 28 CREATE A KAYAK, CANOE, AND PADDLEBOARD RENTAL SYSTEM 32 ENCOURAGE MORE PUBLIC ART INSTALLATIONS IN THE DOWNTOWN AREA AND NEW PORTE LANDING 36 IMPROVE THE ICE SKATING RINK 38 EXPAND THE VARIETY OF MOVIES SHOWN AT THE LA PORTE OUTDOOR MOVIE NIGHTS 40 DECORATE THE DOWNTOWN FOR THE VARIOUS SEASONS 42 ENCOURAGE THE CREATION OF UNIQUE BUSINESSES DOWNTOWN 44 MARKET AVAILABLE DOG PARKS IN THE AREA 48 ADOPTION, COMMITMENTS & ENDORSEMENTS 50 APPENDICES 52 APPENDIX A - SWOT-A EXERCISE 56 APPENDIX B - STUDENT SURVEY 62 APPENDIX C - ESRI DATA 82 APPENDIX D - ECOLOGICAL ELEMENT ACKNOWLEDGMENTS This compiled plan and its efforts would not have been possible if not for the involvement of: Drew Gesse, Cassandra Swanson, Beth Shrader, Sarah Brown, Lindsay Jongkind, Mark Schreiber, and Thaddeus Cutler The La Porte Youth Council: Natalie Burchert Jonathan Burns Austin Casto Kirsta Greer Abigail Roberts Jack Schable Bailey Scott Isaiah Wilson Ball State University: Dr. Bruce Frankel Tiffany Gherke Matt Dixon Alyssa Flandermeyer Logan Lane Sophie Xu Indiana Housing and Community Development Authority: Carmen Lethig Nathan Schall Brittanie Redd page 5 EXECUTIVE SUMMARY Many small Indiana communities are suffering from a phenomenon that is being called “brain drain,” or the issue of educated youth leaving their hometowns for “more desirable” communities. These communities often differ only in the provision of amenities to the appropriate age groups. -
Chaplin Menu Final Print[1]
CHAPLIN RESTAURANT Chaplin, a film noir Journey into early 1920’s Japan and Shanghai when muted films were welcomed globally to embrace and unify separation thru emotion, expression, comedy, originality, risk, sorrow and entertainment. Charlie Chaplin was the pioneer of this movement. This is his story told by us the only way we know how! Playful First Impressions $8.00 Spicy Noodle salad Ramen noodles blanched, chilled and marinated in a house made spicy chili oil topped with slow roasted and candied cashews, julienned scallions and pickled ginger. Pickled Salad House made spicy white pearl onions, sweet pickled ginger and sweet pickles atop of local arugula served with local house made sweet vinegar. Pickled Fruit Salad Spicy Pickled Watermelon and togarashi, sweet pickled pineapple, star anise, sesame seeds and cilantro topped with house made banana chips. Papaya Salad Ripe green papaya, red Bermuda onion, English cucumber and minced ginger tossed in Nam Pla, and togarashi vinaigrette and served atop butter lettuce cups. Soba Noodle Salad Soba noodles blanched, chilled, tossed with shaved carrots, shaved Zucchini, shaved Broccoli stems, and fresh bean sprouts tossed in Soy vinaigrette. Served with tempura fried Soft Shell crab Drunken Master Dumpling Shooters (3 shots per order choose all 3 or 3 of the same) ADULT ONLY $9.00 “Whiskey A Go Go” Japanese Whiskey, hot pork dumpling and cold lemon emulsion. “Blood & Sand” Japanese Scotch Whisky, Cherry Brandy, Orange Peel, Hot Beef Dumpling. “Cold War” Old Tom Gin, Pimms, Ginger, Cucumber, Lemon, and Cold Shrimp Dumpling. Drunken Masters ADULT ONLY $12 Night & Day 28 day Dry Aged NY Strip (soaked in Yamizake 12 year old Scotch for 7 days) ground and mixed with roasted shitakes, porcini and oyster Mushrooms, lightly marinated in roasted garlic, fresh scallions and ginger with a hint of Mirin and Shoyu. -
REPORT of the SUPERVISOR of RECREATION Administration
REPORT OF THE SUPERVISOR OF RECREATION Administration. The development of the recreation activities of the Bureau of Recrea- tion was somewhat checked during the summer season of 1916, owing to the epidemic of infantile paralysis. This was particularly true of inter- park activities. No Epidemic in Playgrounds. It was decided after studying the situation, and conferences with the Board of Health, that the congregating of large groups of children was not desirable. In this connection there was ordered for the remainder of the 1916 season the elimination of sand-pits and sand-boxes, the more fre- quent oiling and watering of the playgrounds, and the development of activities that kept mall groups of children engaged in simple active games. It is a remarkable fact that not a single case of paralysis was reported from the seventy playgrounds, recreation piers and gymnasia of any one known to be active in these playground centers. This speaks well for out-door recreation. Events of Year. The annual baseball, basketball, soccer football tournaments and athletic championships were carried on as usual, especially for the older boys and girls, and covered a greater number of units than in previous years, despite the reduction in total attendance in inter-park contests for younger children, because of the measures taken by this department on account of the epidemic of poliomyelitis. The acquisition of the recreation piers and gymnasia which are asso- ciated with the park playground centers, has been a great help in developing neighborhood activities, and this development has proceeded rapidly. The Shakespeare Tercentenary, which was celebrated by a series of festivals in the different playgrounds and gymnasia, was a remarkable success. -
NANA FISCHER Hair and Make-Up Artist IATSE Local 706 Fluent in German, Japanese, English and Some French
NANA FISCHER Hair and Make-Up Artist IATSE Local 706 Fluent in German, Japanese, English and some French FILM BUTTER Department Head Make-Up Branded Pictures Entertainment/ The Kaufman Director: Paul A. Kaufman Company Cast: Various MOWGLI Hair and Make-Up Designer and Prosthetics Artist Warner Bros. Studios Director: Andy Serkins Cast: Rohan Chand, Freida Pinto KIN Personal Hair and Make-Up to James Franco 21 Laps Entertainment Directors: Jonathan Baker, Josh Baker AD ASTRA Department Head Make-Up and Hair Designer New Regency Pictures Director: James Gray Cast: Tommy Lee Jones, Donald Sutherland, Liv Tyler, Ruth Negga, Kimberly Elise, Donnie Keshawarz DON’T WORRY, HE WON’T GET FAR ON FOOT Hair and Make-Up Designer Anonymous Content Director: Gus Van Sant Cast: Joaquin Phoenix, Rooney Mara, Jack Black THE PRETENDERS Hair and Make-Up Designer Pretenders Film Inc Director: James Franco Cast: James Franco, Juno Temple, Jane Levy WHY HIM? Personal Hair and Make-Up to James Franco 21 Laps Entertainment Director: John Hamburg THE DISASTER ARTIST Personal Hair and Make-Up and Prosthetics Artist to Good Universe James Franco Director: James Franco LOST CITY OF Z Hair and Make-Up Designer MICA Entertainment Director: James Gray Charlie Hunnam, Sienna Miller, Robert Pattinson THE LIGHT BETWEEN OCEANS Hair and Make-Up Designer and Personal Hair and DreamWorks SKG Make-Up to Michael Fassbender Director: Derek Cianfrance Cast: Michael Fassbender, Rachel Weisz, Alicia Vikander TRESPASS AGAINST US Personal Hair and Make-Up to Michael Fassbender Potboiler