Juvenile and the Tramp Nels Anderson
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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
DMV Driver Manual
New Hampshire Driver Manual i 6WDWHRI1HZ+DPSVKLUH DEPARTMENT OF SAFETY DIVISION OF MOTOR VEHICLES MESSAGE FROM THE DIVISION OF MOTOR VEHICLES Driving a motor vehicle on New Hampshire roadways is a privilege and as motorists, we all share the responsibility for safe roadways. Safe drivers and safe vehicles make for safe roadways and we are pleased to provide you with this driver manual to assist you in learning New Hampshire’s motor vehicle laws, rules of the road, and safe driving guidelines, so that you can begin your journey of becoming a safe driver. The information in this manual will not only help you navigate through the process of obtaining a New Hampshire driver license, but it will highlight safe driving tips and techniques that can help prevent accidents and may even save a life. One of your many responsibilities as a driver will include being familiar with the New Hampshire motor vehicle laws. This manual includes a review of the laws, rules and regulations that directly or indirectly affect you as the operator of a motor vehicle. Driving is a task that requires your full attention. As a New Hampshire driver, you should be prepared for changes in the weather and road conditions, which can be a challenge even for an experienced driver. This manual reviews driving emergencies and actions that the driver may take in order to avoid a major collision. No one knows when an emergency situation will arise and your ability to react to a situation depends on your alertness. Many factors, such as impaired vision, fatigue, alcohol or drugs will impact your ability to drive safely. -
Letting the Other In, Queering the Nation
Letting the Other in, Queering the Nation: Bollywood and the Mimicking Body Ronie Parciack Tel Aviv University Bombay’s film industry, Bollywood, is an arena that is represented and generated by the medium as a male intensively transmits cultural products from one na - homosexual body. tionality to another; it is a mimicking arena that in - cessantly appropriates narratives of Western Culture, particularly from Hollywood. Hence its nick-name Bollywood and the work of mimicry that contains the transcultural move back and forth Bollywood, Mumbai’s cinematic industry, is an inten - between and Bombay/Mumbai, all the while retain - sive arena absorbing foreign cultural products, mainly ing the ambivalent space positioned betwixt and be - Western. Characters, cultural icons, genres, lifestyle tween, and the unsteady cultural boundaries derived accoutrements such as clothing, furnishing, recreation from the postcolonial situation. styles, western pop songs and entire cinematic texts This paper examines the manner in which this have constantly been appropriated and adapted dur - transcultural move takes place within the discourse of ing decades of film-making. gender; namely, how the mimicking strategy forms a The mimicry phenomenon, with its central locus body and provides it with an ambiguous sexual iden - in the colonial situation and the meanings it contin - tity. My discussion focuses on the film Yaraana ues to incorporate in the postcolonial context, is a (David Dhawan, 1995) – a Bollywood adaptation of loaded focus in current discourse on globalization and Sleeping with the Enemy (Joseph Ruben, 1989). The localization, homogenization and heterogenization. Hollywood story of a woman who flees a violent hus - This paper examines the way in which the mimicking band exists in the Bollywood version, but takes on a deed can highlight the gendered layout of the mim - minor role compared to its narrative focus: an (insin - icking arena. -
Film Essay for "Modern Times"
Modern Times By Jeffrey Vance No human being is more responsible for cinema’s ascendance as the domi- nant form of art and entertainment in the twentieth century than Charles Chaplin. Yet, Chaplin’s importance as a historic figure is eclipsed only by his creation, the Little Tramp, who be- came an iconic figure in world cinema and culture. Chaplin translated tradi- tional theatrical forms into an emerg- ing medium and changed both cinema and culture in the process. Modern screen comedy began the moment Chaplin donned his derby hat, affixed his toothbrush moustache, and Charlie Chaplin’s Tramp character finds he has become a cog in the stepped into his impossibly large wheels of industry. Courtesy Library of Congress Collection. shoes for the first time. “Modern Times” is Chaplin’s self-conscious subjects such as strikes, riots, unemployment, pov- valedictory to the pantomime of silent film he had pio- erty, and the tyranny of automation. neered and nurtured into one of the great art forms of the twentieth century. Although technically a sound The opening title to the film reads, “Modern Times: a film, very little of the soundtrack to “Modern Times” story of industry, of individual enterprise, humanity contains dialogue. The soundtrack is primarily crusading in the pursuit of happiness.” At the Electro Chaplin’s own musical score and sound effects, as Steel Corporation, the Tramp is a worker on a factory well as a performance of a song by the Tramp in gib- conveyor belt. The little fellow’s early misadventures berish. This remarkable performance marks the only at the factory include being volunteered for a feeding time the Tramp ever spoke. -
Glenn Mitchell the TRUE FAREWELL of the TRAMP
Glenn Mitchell THE TRUE FAREWELL OF THE TRAMP Good afternoon. I’d like to begin with an ending ... which we might call `the Tramp’s First Farewell’. CLIP: FINAL SCENE OF `THE TRAMP’ That, of course, was the finale to Chaplin’s 1915 short film THE TRAMP. Among Chaplin scholars – and I think there may be one or two here today! - one of the topics that often divides opinion is that concerning the first and last appearances of Chaplin’s Tramp character. It seems fair to suggest that Chaplin’s assembly of the costume for MABEL’S STRANGE PREDICAMENT marks his first appearance, even though he has money to dispose of and is therefore technically not a tramp. KID AUTO RACES AT VENICE, shot during its production, narrowly beat the film into release. Altogether more difficult is to pinpoint where Chaplin’s Tramp character appears for the last time. For many years, the general view was that the Tramp made his farewell at the end of MODERN TIMES. As everyone here will know, it was a revision of that famous conclusion to THE TRAMP, which we saw just now ... only this time he walks into the distance not alone, but with a female companion, one who’s as resourceful, and almost as resilient, as he is. CLIP: END OF `MODERN TIMES’ When I was a young collector starting out, one of the key studies of Chaplin’s work was The Films of Charlie Chaplin, published in 1965. Its authors, Gerald D. McDonald, Michael Conway and Mark Ricci said this of the end of MODERN TIMES: - No one realized it at the time, but in that moment of hopefulness we were seeing Charlie the Little Tramp for the last time. -
Washington State Department of Licensing Driver Guide
For audio: download, save, and open in Adobe Acrobat Reader DC. Press Shift + Ctrl + Y to activate Read Out Loud, Shift + Ctrl + B to begin reading, and Shift + Ctrl + C to pause. Washington State Department of Licensing Washington Driver Guide dol.wa.gov Warning Signs Winding Road Divided Highway Divided Highway Cross Road (Road) Begins (Road) Ends Merging Traffic Lane Ends Slippery Signal Ahead Merge Left When Wet Hill Two-Way School Pedestrian Traffic Crossing * Crossing * Railroad Advance Warning Soft Shoulder Added Lane Crossing Bicycles (from right, no merging required) Deer Crossing No Passing Slow Moving Zone Vehicle Curve Left 35 mph or less recommended * Color can be fluorescent green or yellow Graphics provided in cooperation with Washington State Department of Transportation. CHANGES TO THE DRIVER GUIDE, REV 9/21 The information below replaces the information found in the current guide. REAL ID UPDATE By May 3, 2023, standard driver licenses will no longer be an acceptable form of identification for boarding domestic flights and entering some secure federal facilities, like military bases and nuclear power plants. Go to Transportation Safety Administration (TSA) website (www.tsa.gov) for a complete list of federally approved forms of identification. Even though the effective date for REAL ID is May 3, 2023 it only affects people who want to travel by plane or access certain secure federal facilities. A standard driver license will work for the U.S. travel like driving in Washington, across state lines, or riding a train. Washington’s enhanced driver licenses (EDLs) are REAL ID compliant and valid for air travel within the United States. -
1 Slapstick After Fordism: WALL-E, Automatism and Pixar's Fun Factory Animation
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Andrews Research Repository Slapstick After Fordism: WALL-E, Automatism and Pixar’s Fun Factory animation: an interdisciplinary journal 11:1 (March 2016) Paul Flaig, University of Aberdeen In his recent The World Beyond Your Head, Matthew Crawford (2015) argues for a reclaiming of the real against the solipsism of contemporary, technologically cocooned life. Opposing digitally induced distraction, he insists on confronting the contingencies of an obstinately material, non- human world, one that rudely insists beyond our representational schema and cognitive certainties. In this Crawford joins an increasingly vocal chorus of critics questioning the ongoing transformation of human subjectivity via digital mediation and online connectivity (see Turkle 2012 and Carr 2011). Yet to mount this critique Crawford turns to a surprising example: Mickey Mouse Clubhouse, the Disney Channel’s first entirely computer animated television series, running from 2006 to the present. Given the proclaimed philosophical stakes of his book, which draws on Heidegger’s concept of “Being-in-the-World” and critiques Kantian Aufklärung, what peeks Crawford’s interest in Mickey Mouse Clubhouse, aimed at teaching pre-schoolers rudimentary concepts, facts and vocabulary? Specifically, it is the contrast between Clubhouse and Mickey’s first adventures in Disney shorts of the twenties and thirties. In the latter, “the most prominent source of hilarity is the capacity of material stuff to generate frustration,” thus offering to its viewers “a rich phenomenology of what it is like to be an embodied agent in a world of artifacts and inexorable physical laws” (70). -
Building the Road Safety Profession in the Public Sector SPECIAL REPORT 289
SPECIAL REPORT 289 Building the Road Safety Profession in the Public Sector SPECIAL REPORT 289 Since the 1960s, the number of fatalities per mile driven in the United States has fallen by 75 Building the percent because of a combination of public and private actions to improve driver perfor- mance, motor vehicles, the highway environment, and postcrash emergency response and medical care. Yet even with this progress, more than 40,000 people are killed each year on the nation’s roadways. This report examines the growing need for experts at all levels of govern- Road Safety ment to develop and implement systems and science-based approaches that will continue to effect improvements in road safety. The report’s authoring committee notes that the lack of professional recognition and of comprehensive education and training opportunities in road safety is threatening the ability Building the Road Safety Profession in Public Sector Profession in the of public agencies to build a knowledgeable and skilled road safety workforce that can make advances. To address this need, the committee recommends the creation of a broad-based alliance of public, private, and educational organizations to champion the road safety pro- fession and suggests several tasks for the alliance to pursue in advancing comprehensive Public Sector instruction and training for road safety professionals. Also of Interest State DOT Crash Reconstruction Practices—National Cooperative Highway Research Program (NCHRP) Synthesis 369, ISBN 978-0-309-09786-4, 32 pages, 8.5 x 11 paperback, 2007, $34.00 Preventing Teen Motor Crashes: Contributions from the Behavioral and Social Sciences: Workshop Report—National Academies Press, ISBN 0-309-10401-7, 76 pages, 6 x 9 paperback, 2007, $18.00 Driver Behavior, Older Drivers, Simulation, User Information Systems, and Visualization— Transportation Research Record: Journal of the Transportation Research Board, No. -
Film Essay for The
The Kid By Jeffrey Vance “The Kid” (1921) is one of Charles Chaplin’s finest achievements and remains universally beloved by critics and audiences alike. The film is a perfect blend of comedy and drama and is arguably Chap- lin’s most personal and autobiographical work. Many of the settings and the themes in the film come right out of Chaplin’s own impoverished London child- hood. However, it was the combination of two events, one tragic (the death of his infant son) and one joyful (his chance meeting with Jackie Coogan), that led Chaplin to shape the tale of the abandoned child and the lonely Tramp. The loss of three-day-old Norman Spencer Chaplin undoubtedly had a great effect on Chaplin, and the emotional pain appears to have triggered his creativ- ity, as he began auditioning child actors at the Chap- lin Studios ten days after his son’s death. It was dur- ing this period that Chaplin encountered a four-year- old child performer named Jackie Coogan at Orphe- um Theater in Los Angeles, where his father had just performed an eccentric dance act. Chaplin spent more than an hour talking to Jackie in the lob- by of the Alexandria Hotel, but the idea of using Jackie in a film did not occur to him. After he heard that Roscoe Arbuckle had just signed Coogan, Chaplin agonized over his missed opportunity. Later, Charlie Chaplin as The Tramp sits in a doorway with the he discovered that Arbuckle had signed Jack orphan he has taken under his wing (Jackie Coogan). -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
New York State Motorcycle Safety Program Manual
A Message from the Governor Motorcycling is a popular choice for economicaland convenient travel. More than 241,000 New Yorkersuse motorcycles for commuting, touring andrecreational activities. The New York State Motorcycle Safety Program is dedicated to improving motorcycle safety. We recognize the need to promote rider education and motorcycle awareness for all motorists. Through education and greater public awareness, motorcycling can be a safe and enjoyable activity. This manual will help to make your motorcycle traveling safer. I urge you to read it carefully and to follow its good advice: keep your motor- cycle in good condition, wear a helmet and protective clothing, drive defensively, always obey the rules of the road and never drink and drive. Andrew M. Cuomo Governor NYS Department of Motor Vehicles Motorcycle Safety Program 6 Empire State Plaza, Room 336 Albany, New York 12228 Visit our Internet Office at: www.dmv.ny.gov Table Of Contents MOTORCYCLE LICENSES, OWNERSHIP, SPECIAL RULES Licenses . 1 Registration, Inspection, Insurance . 2 Special Rules and Required Equipment . 3 Children As Passengers . 3 HOW TO PREPARE TO RIDE Wear the Right Gear . 4 Helmet Use . 4 Helmet Selection . 4 Eye and Face Protection . 5 Clothing . 6 Know Your Motorcycle . 6 The Right Motorcycle For You . 6 Receive and Lend . 7 Know Your Motorcycle Controls . 7 Check Your Motorcycle . 7 Know Your Responsibilities . 9 RIDE WITHIN YOUR ABILITIES Vehicle Control . 10 Body Position . 10 Gear Shift . 10 Brakes . 11 Turns . 12 Keep Your Distance . 13 Lane Positions . 14 When You Follow Another Vehicle . 15 When You Are Followed . 16 Pass and Being Passed . -
Karaoke Song Book Karaoke Nights Frankfurt’S #1 Karaoke
KARAOKE SONG BOOK KARAOKE NIGHTS FRANKFURT’S #1 KARAOKE SONGS BY TITLE THERE’S NO PARTY LIKE AN WAXY’S PARTY! Want to sing? Simply find a song and give it to our DJ or host! If the song isn’t in the book, just ask we may have it! We do get busy, so we may only be able to take 1 song! Sing, dance and be merry, but please take care of your belongings! Are you celebrating something? Let us know! Enjoying the party? Fancy trying out hosting or KJ (karaoke jockey)? Then speak to a member of our karaoke team. Most importantly grab a drink, be yourself and have fun! Contact [email protected] for any other information... YYOUOU AARERE THETHE GINGIN TOTO MY MY TONICTONIC A I L C S E P - S F - I S S H B I & R C - H S I P D S A - L B IRISH PUB A U - S R G E R S o'reilly's Englische Titel / English Songs 10CC 30H!3 & Ke$ha A Perfect Circle Donna Blah Blah Blah A Stranger Dreadlock Holiday My First Kiss Pet I'm Mandy 311 The Noose I'm Not In Love Beyond The Gray Sky A Tribe Called Quest Rubber Bullets 3Oh!3 & Katy Perry Can I Kick It Things We Do For Love Starstrukk A1 Wall Street Shuffle 3OH!3 & Ke$ha Caught In Middle 1910 Fruitgum Factory My First Kiss Caught In The Middle Simon Says 3T Everytime 1975 Anything Like A Rose Girls 4 Non Blondes Make It Good Robbers What's Up No More Sex....