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2020 Spring Awakening Program
SONOMA STATE UNIVERSITY Department of Music presents SPRING AWAKENING Music and Stage Direction by Lynne Morrow Book & Lyrics by Steven Sater Music by Duncan Sheik Based on the play by Frank Wedekind FEB.17-21 Showtix4u SPRING AWAKENING Is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supported by MTI. www.MTIShows.com The videotaping or other video or audio recording of this production is strictly prohibited. Book & Lyrics by Steven Sater Music by Duncan Sheik Based on the play by Frank Wedekind Orchestrations Duncan Sheik Vocal Arrangements AnnMarie Milazzo String Orchestrations Simon Hale Original Broadway Production produced by, IRA PITTELMAN, TOM HULCE, JEFFREY RICHARDS, JERRY FRANKEL, ATLANTIC THEATER COMPANY, Jeffrey Sine, Freddy DeMann, Max Cooper, Mort Swinsky/Cindy and Jay Gutterman/Joe McGinnis/Judith Ann Abrams, ZenDog Productions/CarJac Productions, Aron Bergson Productions/ Jennifer Manocherian/Ted Snowdon, Harold Thau/Terry E. Schnuck/Cold Spring Pro- ductions, Amanda Dubois/Elizabeth Eynon Wetherell, Jennifer Maloney/Tamara Tunie/ Joe Cilibrasi/StyleFour Productions. The world premiere of “SPRING AWAKENING” was produced by the Atlantic Theater Company by special arrangement with Tom Hulce & Ira Pittelman. Artistic TEAMS MUSIC DIRECTOR Lynne Morrow STAGE DIRECTOR Lynne Morrow SET & PROP DESIGN Maliyah Jones (w/Theo Bridant) SCENIC DESIGN ASSISTANTS The Cast with Maliyah Jones COSTUME DESIGN Martha J. Clarke SOUND DESIGN Theo Bridant CHOREOGRAPHER -
Egypt and the Middle East
Monitoring Study: British Media Portrayals of Egypt Author: Guy Gabriel - AMW adviser Contact details: Tel: 07815 747 729 E-mail: [email protected] Newspapers monitored: All British national daily broadsheets and tabloids, as well as the Evening Standard Monitoring period: May 2008 - May 2009 1 Table of contents: Egypt & the Middle East Regional Importance Israel Camp David Accords The Gulf Sudan Horn of Africa Diplomacy towards Palestine Before Gaza Conflict 2009 Gaza 2009 Diplomacy The Palestine Border Tunnel Economy Crossing Closures Domestic Egypt Food Religion in Society State Ideology Economy Miscellaneous Domestic Threats Emergency Rule & Internal Security Terrorism Egypt & the West Egypt as an Ally 'War on Terror' Suez Ancient Egypt Influence of Egyptian Art Other Legacies Tourism 2 Egypt & the Middle East Regional Importance Various other Middle Eastern countries are sometimes mentioned in connection with Egypt's regional influence, though very rarely those from North Africa. In terms of Egypt's standing in the Middle East as viewed by the US, a meeting in Cairo, as well as Saudi Arabia and Israel, are "necessary step[s] in the careful path Mr Obama is laying out," notes Times chief foreign affairs commentator Bronwen Maddox (29 May 2009). A "solid" Arab-Israeli peace deal "must include President Mubarak of Egypt," says Michael Levy in the same newspaper (14 May 2009). Regarding a divided Lebanon, the Arab League is "tainted by the commitment of the Saudis and Egyptians to one side rather than the other," according to an Independent editorial (13 May 2008). Egypt appointing an ambassador to Iraq generates interest "not only because it is the most populous Arab country but also because its chargé d'affaires in Baghdad was kidnapped and killed in 2005," writes Guardian Middle East editor Ian Black (2 July 2008). -
Spring Awakening
Summer 2, 2021 Jerwood Vanbrugh Theatre (2006) Spring Awakening Book and lyrics by Steven Sater Based on the play by Frank Wedekind Music by Duncan Sheik Orchestrations by Duncan Sheik Vocal Arrangements by AnneMarie Milazzo String Orchestrations by Simon Hale Cast (in alphabetical order) Creative Team Thea Director and Choreographer Lucia Bonbright Shiv Rabheru Moritz Stiefel Musical Director Ian Bouillion Alex Beetschen Melchior Gabor Designer Ross Carswell Marsha Roddy Georg Zirschnitz Lighting Designer Dylan Corbett-Bader Joe Underwood Martha Bessell Sound Designer Ciara Coughlin Ben Paveley Wendla Bergmann Assistant Sound Designer Emma Howard Wilkie Morrison Anna Movement Coach and Intimacy Co-ordinator Amelia Kenworthy Elizabeth Ballinger Hanschen Rilow Voice and Dialect Coach Sam Liu Deborah Garvey Otto Lammermeier Singing Coaches Tom Mackean Philip Raymond and Jane Streeton Adult Woman Fight Coach Rachael-Rose Mclaren Bret Yount Ilse Neumann Aliyah Odoffin Musicians Alex Beetschen (keys) Adult Man Nicholas Elmer (electric and acoustic guitar) Harry Omosele Nicole Petrus Barracks (violin) Campbell Masson (electric and upright bass) Ernst Robel Thomas Williams (drums/percussion) Adam Woolley Student Production Team Production Manager Chief Production Sound Scenic Art Head of Department Jemima De Marco Engineer Seda Sokmen Altindag Kieran Dye Technical Manager Scenic Art Assistants Jack Hollingsworth Deputy Chief Production Alice Boxer Sound Engineer India Day Stage Manager James Breedon Aidan O’Sullivan Daisy Jones Sylvia Wan Sound -
SPRING AWAKENING Is Presented by Special Arrangement with Music Theatre International (MTI)
This production contains mature adult content including profanity and violence. It employs the use of chemical fog and includes the smoking of non-tobacco cigarettes. Before the performance begins, please note the exit closest to your seat. Kindly silence your cell phone, pager and other electronic devices. Photography, as well as the videotaping or other video or audio recording of this production, is strictly prohibited. Food and drink are not permitted in the theater. Thank you for your cooperation. SPRING AWAKENING is presented by special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019. Phone (212)541.4684. Fax (212)397.4684. www.MTIShows.com. Spring Awakening About the Director Stafford Arima was nominated for an Olivier Award as Best Director for his West End production of Ragtime. He recently directed, Carrie (Off-Broadway), Allegiance (The Old Globe) and Bare (Off-Broadway). Sacramento Music Circus productions include: The King and I, Miss Saigon, Ragtime and A Little Night Music. Other works: Altar Boyz (Off-Broadway); Jacques Brel Is Alive and Well and Living in Paris (Stratford Shakespeare Festival), Total Eclipse (Toronto); The Secret Garden (World AIDS Day benefit concert, NYC);The Tin Pan Alley Rag (Off-Broadway); Bowfire (PBS television special); Candide (San Francisco Symphony); A Tribute to Sondheim (Boston Pops); Guys and Dolls (Paper Mill Playhouse); and Bright Lights, Big City (Prince Music Theater, PA). Arima served as associate director for the Broadway productions of Seussical and A Class Act. He studied at York University in Toronto, Canada where he received the Dean’s Prize for Excellence in Creative Work. -
Spring Awakening School of Music Illinois State University
Illinois State University ISU ReD: Research and eData School of Theatre and Dance Programs Theatre and Dance Fall 2013 Spring Awakening School of Music Illinois State University School of Theatre and Dance Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/sotdp Part of the Music Performance Commons, and the Theatre and Performance Studies Commons Recommended Citation School of Music and School of Theatre and Dance, "Spring Awakening" (2013). School of Theatre and Dance Programs. 44. https://ir.library.illinoisstate.edu/sotdp/44 This Book is brought to you for free and open access by the Theatre and Dance at ISU ReD: Research and eData. It has been accepted for inclusion in School of Theatre and Dance Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. steve-o from MTV's Jackass October 5th Donnie Baker & [hick McGee from The Bob & Tom Show October 11th - 12th Ryan Stout from Chelsea Lately ,___.....______ _J October 18th - 19th Al Jackson from Comedy Central October 24th - 26th Adam Ray from the hit movie "The Heat" November 14th - 16th Drew uastines from The Bob and Tom Show November 22nd - 23rd Jamie Kennedy from Malibu's Most Wanted December 5th - 7th 108 E Market Street Bloomington, IL I Phone: 309-287-7698 www.laughbloomington.com ONE WI E ... SCHOOL OF TH 5'l@~ t ::: Illinois5tnw Unii>t,:rity AN~•\ D.fll§ Center for the Performing Arts - Illinois State University September 27 - 28 & October 1 - 5, 7:30 p.m. -
16, 2019 • Merrill Auditorium
PRESENTS MAY 15 - 16, 2019 • MERRILL AUDITORIUM BAKER NEWMAN NOYES AD Best of luck with your 2019 season JS MCCARTHY AD You dream it we print it. jsmccarthy.com 888 465 6241 JSM_Portland Ovation_Neverland Ad.indd 1 4/30/19 10:04 AM NETworks Presentations LLC presents BOOK BY MUSIC AND LYRICS BY James Graham Gary Barlow & Eliot Kennedy Based on the Miramax Motion Picture written by David Magee and the play The Man Who Was Peter Pan by Allan Knee STARRING Jeff Sullivan Ruby Gibbs WITH Conor McGiffin Emmanuelle Zeesman Brody Bett Seth Erdley Caleb Reese Paul Paul Schoeller Josiah Smothers Ethan Stokes AND Emilia Brown Marie Choate Josh Dunn Ashley Edler Joshua William Green Daniel S. Hayward Benjamin Henley Elizabeth Lester Michael Luongo André Malcolm Spenser Micetich Melody Rose Kelsey Seaman Adrien Swenson Josh McWhortor SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER PROJECTION DESIGNER Scott Pask Suttirat Anne Larlarb Kenneth Posner Shannon Slaton Jon Driscoll HAIR & MAKE UP DESIGNER ILLUSIONS AIR SCULPTOR FLYING EFFECTS Bernie Ardia Paul Kieve Daniel Wurtzel Hudson Scenic Studio ORIGINAL MUSIC SUPERVISION VOCAL DESIGNER MUSIC DIRECTOR MUSIC COORDINATOR AND DANCE AND INCIDENTAL MUSICAL ARRANGER AnnMarie Milazzo Patrick Hoagland John Mezzio David Chase ANIMAL DIRECTOR CASTING TOUR BOOKING TOUR PRESS & MARKETING William Berloni Stewart/Whitley The Booking Group Anita Dloniak & Meredith Blair Associates, Inc. GENERAL MANAGER COMPANY MANAGER PRODUCTION STAGE MANAGER PRODUCTION MANAGER GENTRY & ASSOCIATES NETWORKS PRESENTATIONS LLC Jamey Jennings Heather Moss David D’Agostino Evan Rooney EXECUTIVE PRODUCER ASSOCIATE CHOREOGRAPHER Trinity Wheeler Camden Loeser ORCHESTRATIONS Simon Hale MUSIC SUPERVISION Fred Lassen CHOREOGRAPHY Mia Michaels DIRECTION RECREATED BY Mia Walker ORIGINAL DIRECTION Diane Paulus Finding Neverland was developed and premiered at The American Repertory Theater at Harvard University, Diane Paulus, Artistic Director, Diane Borger, Producer. -
The Rockstar Newswire
PRECAUTIONS PAN EUROPEAN GAMES INFORMATION (PEGI) AGE RATING SYSTEM • This disc contains software for the PlayStation®3 system. Never use this disc on any other system, as it could damage it. • This disc The PEGI age rating system protects minors from games unsuitable for their particular age group. PLEASE NOTE it is not a guide to gaming conforms to PlayStation®3 specifications for the PAL market only. It cannot be used on other specification versions of PlayStation®3. • Read difficulty. For further information visit www.pegi.info. the PlayStation®3 system Instruction Manual carefully to ensure correct usage. • When inserting this disc in the PlayStation®3 system always Comprising three parts, PEGI allows parents and those purchasing games for children to make an informed choice appropriate to the age of place it with the required playback side facing down. • When handling the disc, do not touch the surface. Hold it by the edge. • Keep the disc the intended player. The first part is an age rating: clean and free of scratches. Should the surface become dirty, wipe it gently with a soft dry cloth. • Do not leave the disc near heat sources or in direct sunlight or excessive moisture. • Do not use an irregularly shaped disc, a cracked or warped disc, or one that has been repaired with adhesives, as it could lead to malfunction. The second part of the rating may consist of one or more descriptors indicating the type of content in the game. Depending on the game, there HEALTH WARNING may be a number of such descriptors. -
Department of Theatre Frank and Joan Dawson DANCING at LUGHNASA by Brian Friel Michael J
The University of Alabama at Birmingham Theatre UAB 2015-2016 Season Department of Theatre Frank and Joan Dawson DANCING AT LUGHNASA by Brian Friel Michael J. and Mary Anne Freeman Directed by Jack Cannon Mary and Kyle Hulcher The Sirote Theatre and October 14 - 17 at 7:30pm & October 18 at 2:00pm l W.B. Philips, Jr. present STUPID F***ING BIRD by Aaron Posner Directed by Dennis McLemon The Odess Theatre November 11 - 14 & 18- 20 at 7 :30pm & November 21 at 2 :00pm BURIED CHILD by Sam Shepard Directed by Karla Koskinen The Sirote Theatre February 24-27 at 7:30pm & February 28 at 2:00pm THEATRE UAB THIRTEENTH ANNUAL FESTIVAL OF TEN MINUTE PLAYS Produced by Lee Shackleford The Odess Theatre March 13 at 2:00pm & March 14 - 17 at 7:30pm SPRING AWAKENING Music by Duncan Sheik. Book & Lyrics by Steven S ater Directed by Valerie Accetta Musical Direction by Carolyn Violi The Sirote Theatre April 13 - 16 at 7:30pm & April 17 at 2:00pm l ASC Box Office: 975-ARTS. Show information at http://www.uab.edu/cas/theatre/productions The Sirote Theatre J in the Alys Robinson Stephens Performing Arts Center OVATION THEARE UAB Theatre UAB Faculty and Administrative Staff (Sponsored by Theatre Advisory Committee) Kelly De an Allison, Professor .................................. ................... .... ..... .. Chair Openin g nights a l Thea tre UAB are OVATION nights. OVATION UAB featu res refr shme nts and conver ation wit h the director and designers before the show, as well a a p L-performance meet & gre the cast· t with and crew. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
Lan Xb1 Digital Manual G
WARNUNG Lesen Sie vor dem Spielen dieses Spiels die wichtigen Sicherheits- und Gesundheitsinformationen in den Handbüchern zum Xbox One System sowie in den Handbüchern des verwendeten Zubehörs. www.xbox.com/support. Wichtige Gesundheitsinformationen: Photosensitive Anfälle (Anfälle durch Lichtempfindlichkeit) Bei einer sehr kleinen Anzahl von Personen können bestimmte visuelle Einflüsse (beispielsweise aufflackernde Lichter oder visuelle Muster, wie sie in Videospielen vorkommen) zu photosensitiven Anfällen führen. Diese können auch bei Personen auftreten, in deren Krankheitsgeschichte keine Anzeichen für Epilepsie o. Ä. vorhanden sind, bei denen jedoch ein nicht diagnostizierter medizinischer Sachverhalt vorliegt, der diese so genannten „photosensitiven epileptischen Anfälle“ während der Nutzung von Videospielen hervorrufen kann. Zu den Symptomen gehören Schwindel, Veränderungen der Sehleistung, Zuckungen im Auge oder Gesicht, Zuckungen oder Schüttelbewegungen der Arme und Beine, Orientierungsverlust, Verwirrung oder vorübergehender Bewusstseinsverlust und Bewusstseinsverlust oder Schüttelkrämpfe, die zu Verletzungen durch Hinfallen oder das Stoßen gegen in der Nähe befindliche Gegenstände führen können. Falls beim Spielen ein derartiges Symptom auftritt, müssen Sie das Spiel sofort abbrechen und ärztliche Hilfe anfordern. Eltern sollten ihre Kinder beobachten und diese nach den oben genannten Symptomen fragen. Die Wahrscheinlichkeit, dass derartige Anfälle auftreten, ist bei Kindern und Teenagern größer als bei Erwachsenen. Die Gefahr -
Screen Sound Journal N5
SCREEN SOUND The Australasian Journal of Soundtrack Studies Screen Sound n5, 2015 Screen Sound: The Australasian Journal of Soundtrack Studies Number 5, 2015 Screen Sound is a peer-refereed research journal edited by Natalie Lewandowski (Queensland Conservatorium, Griffith University, Brisbane) with the assistance of Philip Hayward (UTS, Sydney) and site editor and designer Alex Mesker (Macquarie University, Sydney). Editorial Board: • Giorgio Biancorosso (University of Hong Kong) • Anne Cranny-Francis (University of Technology Sydney, Australia) • Mark Evans (University of Technology Sydney, Australia) • Jon Fitzgerald (Southern Cross University, Australia) • Michael Hannan (Southern Cross University, Australia) • Roger Hillman (Australian National University, ACT) • Henry Johnson (University of Otago, Dunedin, NZ) • Kyoko Koizumi (Otsuma Women’s University, Tokyo, Japan) • Theo Van Leeuwen (University of Technology Sydney, Australia) • James Wierzbicki (University of Sydney, Australia) • Nabeel Zuberi (University of Auckland, NZ) Industry Advisory Board: • Martin Armiger (AFTRS) • Matthew Davies (NFSA, ASRA) • Matthew Hancock (Screen Australia) • Glenda Keam (Composers Association of NZ) • Jo Smith (AGSC) • Mark Ward ISSN 1838-3343 (Print) ISSN 1838-3351 (Online) e-correspondence address: [email protected] The opinions expressed in articles in this journal are those of the authors alone. Copyright for articles published in this journal is held jointly by the authors and Screen Sound and no reproduction of material is permitted without written agreement by all parties. Screen Sound: The Australasian Journal of Soundtrack Studies was initiated and developed as part of Australia Research Council Discovery Project Grant DP0770026 ‘Music production and technology in Australian film: enabling Australian film to embrace innovation’, funded 2007-2010. Cover image: Summer Heights High, Princess Pictures. -
Mona Arshi Was a Human Rights Lawyer Who Retrained As a Poet
Mv , The Cinnamon Club th Poetry Evening – Monday 12 May 2014 Sathnam Sanghera was born to Punjabi parents in the West Midlands in 1976, attended Wolverhampton Grammar School and graduated from Christ’s College, Cambridge with a first class degree in English Language and Literature in 1998. Between 1998 and 2006 he was at The Financial Times, where he worked (variously) as a news reporter in the UK and the US, specialised in writing about the media industries, worked across the paper as Chief Feature Writer, and wrote an award-winning weekly business column. Sathnam joined The Times as a columnist and feature writer Sathnam Sanghera in 2007, reviews cars for Management Today and The HOST has presented a number of radio documentaries for the BBC. Daljit Nagra comes from a Punjabi background. He was born and raised in London then Sheffield. He has won several prestigious prizes for his poetry. In 2004, he won the Forward Prize for Best Individual Poem with Look We Have Coming to Dover! This was also the title of his first collection which was published by Faber & Faber in 2007. His second collection, Tippoo Sultan’s Incredible White-Man Eating Tiger-Toy Machine!!! was shortlisted for the TS Eliot Prize. His current book, Ramayana, is shortlisted for the TS Eliot Prize. Daljit’s poems have been published in New Daljit Nagra Yorker, Atlantic Review, London Review of Books, Times Literary Supplement, Poetry Review, Poetry London, Poetry International, Rialto and The North He is a regular contributor to BBC radio and has written articles for The Financial Times, The Guardian, The Observer, and The Times of India.