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Free Speech Yearbook: 1972. INSTITUTION Speech Communication Association,New York, N.Y
DOCUMENT RESUME ED 071 122 CS 500 097 ADTHOR Tedford, Thomas L., Ed. TITLE Free Speech Yearbook: 1972. INSTITUTION Speech Communication Association,New York, N.Y. PUB DATE 73 NOTE 142p. AVAILABLE FROMSpeech Communication Association,Statler Hilton Hotel, New York, N.Y. 10001 ($2.50) ERRS PRICE MF-$0.65 HC-$6.58 DESCRIPTORS Bibliographies; Censorship; *CivilLiberties; Court Doctrine; *Freedom of Speech; GreekCivilization; *Social Attitudes; Student Opinion;Supreme Court Litigation ABSTRACT This book is a collection ofessays on free speech. issues and attitudes, compiled bythe Commission on Freedom of Speech of the Speech CommunicationAssociation. Four articles focuson freedom of speech in classroomsituations as follows:a philosophic view of teaching free speech, effectsof a course on free speechon student attitudes, historicalessentials of teaching free speech,and two opposing views on teacher attitudeson free speech in the communications classroom. Subjects ofother essays are: the judicial process in relation to freedom of speech;freedom of speech in ancient Athens; a case in which theAmerican Civil Liberties Union sought limitations on freedom ofspeech; the opposing philosophiesof Thomas Hobbes and John Stuart Mill;the rhetoric of intimidationin Indiana during.World War I; andSupreme Court decisions relating to the First Amendment during its1971-1972 term. The book ends withan extensive bibliography of articles,books, and court decisions relating to freedom of speechand published between July 1971and June 1972. (RN) rJ;freeperil ljearbook:1972 ,c.! a publication of The Commissionon Freedom of Speech of the Speech CommunicationAssociation U S. DEPARTMENT OF HEALTH. EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRO. DUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIG. -
Governance in Decentralized Networks
Governance in decentralized networks Risto Karjalainen* May 21, 2020 Abstract. Effective, legitimate and transparent governance is paramount for the long-term viability of decentralized networks. If the aim is to design such a governance model, it is useful to be aware of the history of decision making paradigms and the relevant previous research. Towards such ends, this paper is a survey of different governance models, the thinking behind such models, and new tools and structures which are made possible by decentralized blockchain technology. Governance mechanisms in the wider civil society are reviewed, including structures and processes in private and non-profit governance, open-source development, and self-managed organisations. The alternative ways to aggregate preferences, resolve conflicts, and manage resources in the decentralized space are explored, including the possibility of encoding governance rules as automatically executed computer programs where humans or other entities interact via a protocol. Keywords: Blockchain technology, decentralization, decentralized autonomous organizations, distributed ledger technology, governance, peer-to-peer networks, smart contracts. 1. Introduction This paper is a survey of governance models in decentralized networks, and specifically in networks which make use of blockchain technology. There are good reasons why governance in decentralized networks is a topic of considerable interest at present. Some of these reasons are ideological. We live in an era where detailed information about private individuals is being collected and traded, in many cases without the knowledge or consent of the individuals involved. Decentralized technology is seen as a tool which can help protect people against invasions of privacy. Decentralization can also be viewed as a reaction against the overreach by state and industry. -
UNIVERSITY of CALIFORNIA, SAN DIEGO Democratic Education in The
UNIVERSITY OF CALIFORNIA, SAN DIEGO Democratic Education in the Works of Plato A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Political Science by Richard A. Barrett Committee in charge: Professor Tracy B. Strong, Chair Professor Page duBois Professor Fonna Forman Professor Marcel Hénaff Professor Gerry Mackie 2014 Copyright Richard A. Barrett, 2014 All rights reserved. The Dissertation of Richard A. Barrett is approved, and it is acceptable in quality and form for publication on microfilm and electronically: ______________________________________________ ______________________________________________ ______________________________________________ Chair UNIVERSITY OF CALIFORNIA, SAN DIEGO 2014 iii DEDICATION To those who have shared conversations about our world with me. iv TABLE OF CONTENTS Signature Page……………………………………………………………………...…iii Dedication……………………………………………………………………………..iv Table of Contents……………………………………………………………………....v Vita…………………………………………………………………………………....vii Abstract of the Dissertation.………………………………………………………....viii Introduction: Plato and the Problem of Democratic Education ..................................... 1 Chapter 1 Reading Plato: Plato and Xenophon as Teachers and Poets ............. 7 1.1 Introduction ...................................................................................................... 7 1.2 Comparison of Apologies ................................................................................ 8 1.3 Plato on the Relationship of Philosophy, -
13 Socrates' Critique of Democracy by Eva Melinkova
- - 13 13 Socrates’ Critique of Democracy by Eva Melinkova Democracy is a political system that grants its citizens certain personal and political rights. Personal rights are represented by institutionalized freedoms, such as freedom of speech, expression, and assembly; political rights are represented by citizens’ power to choose their own rulers and therefore determine the course of public affairs. In Book VIII of Plato’s Republic, Socrates identifies democracy as one of the most unjust political regimes. He describes four types of unjust political regimes: timocracy as an honor-driven society; oligarchy as a society driven by the desire for wealth; democracy as a society in which absolute freedom becomes the paramount value; and tyranny as a society ruled by the unrestricted, unlawful desires of one individual. Socrates identifies timocracy as the closest to the ideal political system, i.e. aristocracy (literally, rule by the best). The other regimes descend in value as listed. Socrates’ low estimation of democracy is based on four inherent critical flaws of this regime – excessive freedom, hostility to authority, protection of privacy, and artificial egalitarianism. Socrates maintains that these very flaws will result in the inevitable transformation of democracy to tyranny. Using the flaws and the nature of people within the democratic system, Socrates illustrates the occurrence of the transformation. Although Socrates’ theories and examples appear logical and compelling, there are positive aspects of democracy which must be explored. The following discussion elaborate Socrates’ view of democracy and its - - 14 14 Janua Sophia transformation to tyranny. However, the conclusion will emphasize the positive aspects of democracy. -
How Propaganda Works How Works
HOW PROPAGANDA WORKS HOW WORKS PRINCETON UNIVERSITY PRESS JASON STANLEY Princeton Oxford Copyright © 2015 by Princeton University Press Published by Princeton University Press 41 William Street, Princeton, New Jersey 08540 In the United Kingdom: Princeton University Press 6 Oxford Street, Woodstock, Oxfordshire OX20 1TW press.princeton.edu Jacket design by Chris Ferrante Excerpts from Victor Kemperer, The Language of the Third Reich: LTI, Lingua Tertii Imperii, translated by Martin Brady © Reclam Verlag Leipzig, 1975. Used by permission of Bloomsbury Academic, an imprint of Bloomsbury Publishing PLC. All Rights Reserved ISBN 978– 0– 691– 16442– 7 Library of Congress Control Number: 2014955002 British Library Cataloging- in- Publication Data is available This book has been composed in Sabon Next LT Pro and League Gothic Printed on acid- free paper. ∞ Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 This will always remain one of the best jokes of democracy, that it gave its deadly enemies the means by which it was destroyed. — JOSEPH GOEBBELS, REICH MINISTER OF PROPAGANDA, 1933– 45 CONTENTS Preface IX Introduction: The Problem of Propaganda 1 1 Propaganda in the History of Political Thought 27 2 Propaganda Defined 39 3 Propaganda in Liberal Democracy 81 4 Language as a Mechanism of Control 125 5 Ideology 178 6 Political Ideologies 223 7 The Ideology of Elites: A Case Study 269 Conclusion 292 Acknowledgments 295 Notes 305 Bibliography 335 Index 347 PREFACE In August 2013, after almost a decade of teaching at Rutgers University and living in apartments in New York City, my wife Njeri Thande and I moved to a large house in New Haven, Connecticut, to take up positions at Yale University. -
Plato Is Normally Taken As One of the Founders of Western Political Philosophy, Not at Least with His Republic
Vol. 7, no. 2 (2012) Category: Conference paper Written by Øjvind Larsen Plato is normally taken as one of the founders of Western political philosophy, not at least with his Republic. Here, he constructs a hierarchy of forms of governments, beginning with aristocracy at the top as a critical standard for the other forms of governments, and proceeding through timocracy and oligarchy to democracy and tyranny at the bottom. Following Karl Popper, the paper argues that Plato’s is a totalitarian philosophy that emphasizes the similarities between democracy and tyranny, which it considers to be the two worst forms of government. Plato’s denigration of democracy has dominated the tradition of political philosophy until recent times. This paper, however, shows that political philosophy in fact originates in democracy, especially as developed by the sophists and that philosophy is only a form of sophism with a similar origin in ancient Greek democracy. A discussion of Pericles’ funeral oration is used to show that Pericles presented a democratic political philosophy that can serve as a counterpoint to Plato’s political philosophy in the Republic. I. From democratic praxis to totalitarian political philosophy It is my thesis that political philosophy has its historical origin in democratic praxis and government in the democratic city-state Athens and that it is taken over by sceptics and anti-democratic critics like Plato. The consequence is a break between democratic praxis and antidemocratic political philosophy that has lasted until our day where the global dominance of democracy is taken to force a reconsideration of the inner relation between democracy and political philosophy (Roberts 1994: 6 ff.; Castoriadis 1997: 227). -
Tony Kushner's Angels in America Or How American History Spins Forward
Tony Kushner’s Angels in America or How American History Spins Forward Alfonso Ceballos Muñoz Universidad de Cádiz [email protected] Abstract Angels in America’s roaring success represents a real turning point in mainstream American drama. This article explores both Kushner’s treatment of history— particularly American history—and the ingredients which compound the melting pot American society had become in the 1980s. Through the specific situations the characters undergo in both Millennium Approaches and Perestroika, the playwright exposes his own Brechtian and neo-Hegelian vision of current events. Kushner deliberately recycles traditional American myths and elements of American culture and pins them all on a reconstruction of identity—whether gender, racial, or political—as the real axes of his plays. By making gay characters lead the plays, and by including obvious religious elements from an apocalyptic literary style, political discussions on Reagan’s policy on AIDS, and reminiscent historical images, Angels in America becomes a revision of the new National Period America is living as the promised land which every single individual re-creates with her/his daily efforts and capabilities. “The people look skyward seeking aid from above, and the Angel of History appears on the horizon his eyes staring, mouth open and wings spread, while human catastrophes are hurled before his feet”. Walter Benjamin, “Theses on the Philosophy of History”. “History is a ribbon, always unfurling; history is a journey. And as we continue our journey, we think of those who travelled before us”. Ronald Reagan’s Second Inaugural Address. January 21, 1985 “We won’t die secret deaths anymore. -
Aristotle on Plato's Republic VIII-IX: Politics V. 12, 1316A1-B27
polis, The Journal for Ancient Greek Political Thought 35 (2018) 374-400 brill.com/polis Aristotle on Plato’s Republic VIII-IX: Politics v. 12, 1316a1-b27 Mor Segev Department of Philosophy, University of South Florida, 4202 East Fowler Avenue, FAO 226, Tampa, FL 33620, USA [email protected] Abstract Toward the end of Politics V. 12, Aristotle criticizes Plato’s discussion of political change in Republic VIII-IX. Scholars often reject Aristotle’s criticism, especially because it por- trays Plato’s discussion, allegedly unfairly, as developing a historically testable theory. I argue that Aristotle’s criticism is adequate, and that the seriousness with which he considers Plato’s account of political change as an alternative to his own is both war- ranted and instructive. First, apart from criticizing Plato’s account for its historical inaccuracies, Aristotle also exposes theoretical insufficiencies and internal incon- sistencies within it. Second, Aristotle’s criticisms of historical inaccuracies in Plato’s discussion of political change are not misdirected, since there are reasons to think that Plato does intend that discussion to accord with the historical facts. Keywords Aristotle – Politics – Plato – Republic – political change 1 Introduction Toward the end of Politics V. 12, Aristotle criticizes Plato’s discussion of politi- cal change in Republic VIII-IX. This criticism is often taken to be unjustified or misdirected on several points. In particular, it has been suggested that Aristotle unfairly portrays Plato’s discussion as developing -
Arts in Seattle
ARTS IN SEATTLE ARCHITECTURE AND DESIGN ................................................................................................................................2 EXPERIENCE MUSIC PROJECT..........................................................................................................................................2 SEATTLE PUBLIC LIBRARY , CENTRAL..............................................................................................................................4 SMITH TOWER ......................................................................................................................................................................5 CHAPEL OF ST. IGNATIUS ..................................................................................................................................................7 OLYMPIC SCULPTURE PARK ..............................................................................................................................................9 SEATTLE ART MUSEUM....................................................................................................................................................11 GAS WORKS PARK ............................................................................................................................................................12 SPACE NEEDLE..................................................................................................................................................................13 SEATTLE ARCHITECTURE FOUNDATION, -
Fall Forum 2005 Art in the Board Room November 11-13, 2005 New York, NY
Fall Forum 2005 Art in the Board Room November 11-13, 2005 New York, NY PARTICIPANT LIST Abigail Adams Colette Brooks Artistic Director Board Chair The People's Light and Theatre Company The Actors' Gang Eve Alvord Douglas Brown Trustee Board Chairman Seattle Children's Theatre Steppenwolf Theatre Company N. Christian Anderson III Cora Cahan Board President President South Coast Repertory The New 42nd Street Cynthia Barrette Stephen K. Cassidy Trustee Trustee Northern Stage Theater Berkeley Repertory Theatre Jennifer Bielstein Debbie Chinn Executive Director Managing Director Writers' Theatre California Shakespeare Theater André Bishop M. Kaye Christman Artistic Director Managing Director Lincoln Center Theater American Folklore Theatre Michael Bloom J. Dewayne Colquitt Artistic Director Trustee The Cleveland Play House Actor's Express Jeanne Ehrlichman Bluechel Les Coney Trustee Trustee Seattle Children's Theatre The Goodman Theatre Anne Bogart Constance Congdon Artistic Director Playwright SITI Company Mimi Conway Susan V. Booth Board Co-Chair Artistic Director Theater J Alliance Theatre Richard Corley Joshua Borenstein Artistic Director General Manager Madison Repertory Theatre Long Wharf Theatre Sophie Cripe John Borstel Board President Humanities Director Laguna Playhouse Liz Lerman Dance Exchange Mark Cuddy Artistic Director Geva Theatre Center 1 Jana Curtis Richard A. Ferguson General Manager Board Vice President Curious Theatre Company Long Wharf Theatre Donna Darroch Dave Fiedler Board Chair Board Chair Actor's Express Geva Theatre Center Don Daseke Gene Fouche Board President Associate Artistic Director WaterTower Theatre Maryland Ensemble Theatre Carol Dawley Ann Gilbert Trustee Trustee Writers' Theatre Round House Theatre Lynn Deering Dean Gladden Board President Managing Director CENTERSTAGE The Cleveland Play House Lee Devin Stephanie Goode Dramaturg Board President The People's Light and Theatre Company Boston Theatre Works Andrew Donchak Wayne G. -
FILM SENIOR MOMENT (Goff Productions) Director: Giorgio Serafini
Pat McCorkle, CSA Jeffrey Dreisbach, Casting Partner Katja Zarolinski, CSA Kristen Kittel, Casting Assistant FILM SENIOR MOMENT (Goff Productions) Director: Giorgio Serafini. Starring: William Shatner, Christopher Lloyd, Jean Smart. THE MURPHYS (Independent Feature; Producer(s): The Murphy's LLC). Director: Kaitlan McGlaughlin. BERNARD & HUEY (In production. Independent Feature; Producer(s): Dan Mervish/Bernie Stein). Director: Dan Mervish. AFTER THE SUN FELL (Post Production. Independent feature; Producer(s): Joanna Bayless). Director: Tony Glazer. Starring: Lance Henriksen, Chasty Ballesteros, Danny Pudi. FAIR MARKET VALUE (Post Production. Feature ; Producer(s): Judy San Romain). Director: Kevin Arbouet. Starring: Jerry Adler, D.C. Anderson, Michael J. Arbouet. YEAR BY THE SEA (Festival circuit. Feature; Producer(s): Montabella Productions ). Director: Alexander Janko. Starring: Karen Allen, Yannick Bisson, Michael Cristofer. CHILD OF GRACE (Lifetime Network Feature; Producer(s): Empathy + Pictures/Sternamn Productions). Director: Ian McCrudden. Starring: Ted Lavine, Maggy Elizabeth Jones, Michael Hildreth. POLICE STATE (Independent Feature; Producer(s): Edwin Mejia\Vlad Yudin). Director: Kevin Arbouet. Starring: Sean Young, Seth Gilliam, Christina Brucato. MY MAN IS A LOSER (Lionsgate, Step One Entertainment; Producer(s): Step One of Many/Imprint). Director: Mike Young. Starring: John Stamos, Tika Sumpter, Michael Rapaport. PREMIUM RUSH (Columbia Pictures; Producer(s): Pariah). Director: David Koepp . Starring: Joseph Gordon-Levitt, Jamie Chung, Michael Shannon. JUNCTION (Movie Ranch; Producer(s): Choice Films). Director: David Koepp . Starring: Joseph Gordon-Levitt, Jamie Chung, Michael Shannon. GHOST TOWN* (Paramount Pictures; Producer(s): Dreamworks SKG). Director: David Koepp. Starring: Ricky Gervais, Tea Leoni, Greg Kinnear. WAR EAGLE (Empire Film; Producer(s): Downstream Productions). Director: Robert Milazzo. Starring: Brian Dennehy, Mary Kay Place, Mare Winningham. -
2015/16 Season Akeelah and the Bee Adapted for the Stage by Cheryl L
ERMA BOMBECK: AT WIT’S END 2015/16 SEASON AKEELAH AND THE BEE ADAPTED FOR THE STAGE BY CHERYL L. WEST BASED ON THE ORIGINAL SCREENPLAY BY DOUG ATCHISON DIRECTED BY CHARLES RANDOLPH-WRIGHT ERMA BOMBECK: AT WIT’S END TABLE OF CONTENTS 4 Artistically Speaking 5 From the Executive Producer 7 Dramaturg’s Notebook 9 Title Page 11 Time and Place, Cast List, For this Production 12 Who’s Who - Cast ARENA STAGE 1101 Sixth Street SW 12 Who’s Who - Creative Team Washington, DC 20024-2461 ADMINISTRATION 202-554-9066 SALES OFFICE 202-488-3300 15 Arena Stage Leadership TTY 202-484-0247 www.arenastage.org 17 Board of Trustees © 2015 Arena Stage. All editorial and advertising material is fully protected and 17 Thank You – Next Stage Campaign must not be reproduced in any manner without written permission. 18 Thank You – The Annual Fund Erma Bombeck: At Wit’s End Program Book 21 Thank You – Institutional Donors Published October 9, 2015. Cover Photo Illustration by 22 Theater Staff Ed Fotheringham Program Book Staff Anna Russell, Associate Director of Marketing and Publications David Sunshine, Graphic Designer 2015/16 SEASON 3 ARTISTICALLY SPEAKING We are pleased to welcome back Allison Engel and Margaret Engel to Arena Stage with their director David Esbjornson. These dynamic twin sisters wrote Red Hot Patriot: The Kick-Ass Wit of Molly Ivins, their one-woman show which brought back the late political humorist Molly Ivins, with Kathleen Turner, and rocked the Cradle three years ago. Erma was a journalist, mother and housewife who wrote over 9,000 newspaper columns and 12 books in her lifetime, describing ordinary, suburban life with insightful comments like: “Motherhood is the second oldest profession, but unlike the first, there’s no money in it.” Through her commentary on motherhood, a woman’s place in the workforce, marriage, child rearing and political equality, Erma Bombeck reached 30 million people three times a week.