Flushing Ymca Winter/Spring 2020 We Are Y
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2020 Product Catalog
2020 PRODUCT CATALOG FREE DELIVERY* INSTALLATION AVAILABLE BEST WARRANTY LOCAL SAME DAY WITHIN 48 HOURS IN THE INDUSTRY *WITHIN LOCAL DELIVERY AREA, SEE PAGE 76 FOR DETAILS. CONTENTS RAFTS 3 Polyethylene Swim Raft 4 Aluminum Frame Swim Raft 5 DECKING OPTIONS 8 DOCKS 13 Infinity RS4 14 Infinity RS4 Curve 19 Infinity RS7 22 Infinity Track™ QuickSteps 27 Infinity Track™ Hinges 29 Gangways 30 Infinity TS9 32 PolyDock 36 Floating FTS9 40 Shoreport™ 44 ShoreMaster Flotation 45 RhinoFloat 46 INFINITY TRACK™ 48 Infinity Track™ Dock Accessories 49 ALUMINUM LIFTS 54 Vertical & Cantilever Lifts 55 Pontoon & Tri-toon Lifts 57 Hydraulic Lift 61 Heavy Capacity Lift 63 YOUR PASSION FUELS OURS. PWC Lifts 64 CANOPIES 66 Canopy Covers 68 Discover the ShoreMaster difference. Traditional Canopy 69 Hip Roof Canopy 71 For nearly three decades ShoreMaster has offered the broadest line of waterfront BOAT LIFT POWER UNITS 74 equipment in the industry through Hammond Lumber Company. There is no one style Lift Mate™ 74 Lift Boss™ 74 of dock or lift that fits every situation. DELIVERY FEES 76 SHOREMASTER’S LIMITED WARRANTY 77 SPECIFICATIONS 79 Let Hammond Lumber Company match you with the right equipment for your waterfront. ACCESSORIES 83 We pride ourselves on providing safe, dependable products that are easy to use and DESIGN YOUR DOCK 85 are as beautiful as your lake home. Our docks are built with quality aluminum that is maintenance free so you can relax and enjoy your time at the lake for years to come. *All prices may be subject to change. HAMMONDLUMBER.COM | 2 POLYETHYLENE SWIM RAFT benefits SIZE 7.5 foot by 9.5 foot nonskid RAFTS deck surface SAFETY FIRST One piece, all poly swim raft with reflectors on each corner provide additional safety. -
Arts &.Entertainment
• June 5, 1984 Milton Measure Page 5 ArtS &.Entertainment Breakdancing: Hot New Trend Soreads Slowly at MA , Because of breaking's popular dancers, Robledo and Rhodes, ity, swarmsof suburban kids have both [earned to breakdance in flocked to local dance studios to similar ways: by watching videos learn the skill. This classroom with dancing in them, and by [earning defeats the original in watching other people and tention of breaking, say the break imitating then. Rob[edo, whose ers. "Kids are doing it, and they breaking nickname is "Juice," have no idea where it came from," breakdances with his younger said Robledo. Added Lee Rhodes, brother and friends in a crew, Class IV, "It's better to learn "Ready to Rock." They dance "for [breaking] by watching other kids personal'satisfaction" rather than and trying it yourself. Kids who for money. Rob[edo taught several take lessons can't [earn as well as sixth graders at Mi[ton how to ~ kids who [earn it off the street be breakdance for a production of 'E cause they're not used to the "Pippin" in which they used the :6 battles, thecompetition. It's some style of dance. ,..,5 thing you have to be a part of, not According to Rob[edo. in the -that you can learn." Bronx, "New crews are popping Headspins (left) as well as head-firstdives (right) aretwo afthe Reaction to the breakdance phe up every minute," and the compe many breakdance moves Jose Robledo, Class II, has mastered. nomena at Mi[ton has not been en tition results in New Yorkers be Besides these three categories, a Legs, whose real name according thusiastic. -
Critical Thinking
Critical Thinking Mark Storey Bellevue College Copyright (c) 2013 Mark Storey Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.3 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is found at http://www.gnu.org/copyleft/fdl.txt. 1 Contents Part 1 Chapter 1: Thinking Critically about the Logic of Arguments .. 3 Chapter 2: Deduction and Induction ………… ………………. 10 Chapter 3: Evaluating Deductive Arguments ……………...…. 16 Chapter 4: Evaluating Inductive Arguments …………..……… 24 Chapter 5: Deductive Soundness and Inductive Cogency ….…. 29 Chapter 6: The Counterexample Method ……………………... 33 Part 2 Chapter 7: Fallacies ………………….………….……………. 43 Chapter 8: Arguments from Analogy ………………………… 75 Part 3 Chapter 9: Categorical Patterns….…….………….…………… 86 Chapter 10: Propositional Patterns……..….…………...……… 116 Part 4 Chapter 11: Causal Arguments....……..………….………....…. 143 Chapter 12: Hypotheses.….………………………………….… 159 Chapter 13: Definitions and Analyses...…………………...…... 179 Chapter 14: Probability………………………………….………199 2 Chapter 1: Thinking Critically about the Logic of Arguments Logic and critical thinking together make up the systematic study of reasoning, and reasoning is what we do when we draw a conclusion on the basis of other claims. In other words, reasoning is used when you infer one claim on the basis of another. For example, if you see a great deal of snow falling from the sky outside your bedroom window one morning, you can reasonably conclude that it’s probably cold outside. Or, if you see a man smiling broadly, you can reasonably conclude that he is at least somewhat happy. -
Europe in the Time of Covid-19
Europe in the TimeEurope of Covid-19 There is no doubt that the Covid-19 crisis represents a challenge for European unity and another crash test for the euro. Europe has been, Europe in the Time and will likely remain, one of the most Covid-infected regions in the world and, while doing nothing was not an option and would itself have disrupted economic activity, the forceful reactions of national of Covid-19 governments to the pandemic, through various strategies combining social distancing, testing/quarantining and lockdowns, have triggered an economic crisis at least twice the size of the 2009 crisis. Furthermore, the recovery is likely to be slow due to depressed consumption and Edited by Agnès Bénassy-Quéré investment, and it will require fast reallocations in both the labour market and the capital market. and Beatrice Weder di Mauro A small positive observation in this crisis has been the degree of engagement of economists in an intense debate with policymakers on the appropriate responses to ‘flatten the economic recession curve’ and to safeguard the most impacted groups from the economic fallout of the health crisis. This eBook is an illustration of the intense effort of the academic community during this time. In a selection of columns, analysis and policy proposals that were published on VoxEU between the end of March and the middle of May 2020 it provides a remarkable example of the response of economists to the unfolding crisis and of the value of VoxEU as the platform for such high quality exchange of views. Within each section, the articles are sorted by their date of appearance, which gives the reader a sense of how the debate progressed over a short period of time. -
The Power of Music
CITY OF TORRANCE WINTER 2019 SEASONS 2019 City of Torrance Rose Float Turkey Trot 3-Mile Fun Run The Power of Music Check out the Winter Season Programs and Classes Registration Information is on Page 5. Decorate with the Torrance Rose Float Association Orientation: Show your civic pride while having fun! If you want November 15, 7:00pm to help decorate the City of Torrance’s entry into Katy Geissert Civic Center Library the Tournament of Roses Parade, please attend the orientation meeting. Decorating Dates: For more information, visit November 24 www.TorranceRoseFloat.Org. December 1 & 26 –30 39th Annual Harry Sutter Memorial Turkey Trot 3-Mile Fun Run Thursday, November 22, 8:00am Sam’s Club Parking Lot Join us for this family-oriented Fun Run! 2601 Skypark Drive All individuals participating MUST BE REGISTERED! For more information, see the back cover. $30 by November 19 and $35 on November 21 & 22 36th Annual Sunday, DecemberChristmas 9, 9:00am – 4:00pm Boutique Charles H. Wilson Park Come find that one-of-a-kind handcrafted gift, 2200 Crenshaw Blvd. take a photo with Santa, or visit the children’s craft area. Pets are not allowed in the Boutique area. Free Admission! Torrance Civic Chorale presents: Winter MiracLes Friday & Saturday, December 14 & 15, 8:00pm James R. Armstrong Theatre For more information, visit www.TorranceCivicChorale.Org. 3330 Civic Center Drive For ticket information, call the Box Office at (310) 781-7171, Reserved Seating is $25. or visit www.TorranceCA.Gov/TCACTickets. Breakfast and A Visit with Santa Saturday, December 15, 9:00am –12:00pm Torrance Cultural Arts Center The program will include breakfast, entertainment, 3330 Civic Center Drive music, special activities and a photo with Santa (bring your camera). -
Activities for Teens (12-18 Years) Dance, Music & Theater Arts
Activities for Teens (12-18 Years) Registration begins December 10, classes begin January 7 unless noted otherwise within class descriptions. No class January 21, February 18. To view a list of class location abbreviations, see page 2. The activities and classes below are designed Junior Learn to Row This session will give athletes a chance to find out if rowing is for them and learn specifically for teens. Additional offerings for teens the basics of rowing before they join the team. Float test will be held at Kiwanis may be viewed within the Adults (18+ Years) section. Recreation Center. Class fee is applied to Junior Rowing Team if participant registers for the winter session. Fee: $75. 480-350-8069. 61205 13 yrs+ M/W/F 1/7-1/18 4-6 p.m. TTLM Junior Rowing Arts & Crafts Our Junior Rowing program has a varsity and novice component. We are competitive, training five days per week in preparation for races locally and All ceramic students must bring their own cone 10 clay and required around the country. Come to the lake and join one of the fastest growing sports small tools to their first class. To view the required materials and a listing in the country. No Class 1/21, 2/18. Fee: $332. 480-350-8069 of local ceramic retailers visit www.tempe.gov/classmaterials or stop by 61206 13-18 yrs M/W/F 1/7-5/8 4-6 p.m. TTLM the studio at the Edna Vihel Arts Center.. Dance, Music & Theater Ceramics; Family Ceramics Please see page 30 for a complete description and class times. -
Film Music and Film Genre
Film Music and Film Genre Mark Brownrigg A thesis submitted for the degree of Doctor of Philosophy University of Stirling April 2003 FILM MUSIC AND FILM GENRE CONTENTS Page Abstract Acknowledgments 11 Chapter One: IntroductionIntroduction, Literature Review and Methodology 1 LiteratureFilm Review Music and Genre 3 MethodologyGenre and Film Music 15 10 Chapter Two: Film Music: Form and Function TheIntroduction Link with Romanticism 22 24 The Silent Film and Beyond 26 FilmTheConclusion Function Music of Film Form Music 3733 29 Chapter Three: IntroductionFilm Music and Film Genre 38 FilmProblems and of Genre Classification Theory 4341 FilmAltman Music and Genre and GenreTheory 4945 ConclusionOpening Titles and Generic Location 61 52 Chapter Four: IntroductionMusic and the Western 62 The Western and American Identity: the Influence of Aaron Copland 63 Folk Music, Religious Music and Popular Song 66 The SingingWest Cowboy, the Guitar and other Instruments 73 Evocative of the "Indian""Westering" Music 7977 CavalryNative and American Civil War WesternsMusic 84 86 PastoralDown andMexico Family Westerns Way 89 90 Chapter Four contd.: The Spaghetti Western 95 "Revisionist" Westerns 99 The "Post - Western" 103 "Modern-Day" Westerns 107 Impact on Films in other Genres 110 Conclusion 111 Chapter Five: Music and the Horror Film Introduction 112 Tonality/Atonality 115 An Assault on Pitch 118 Regular Use of Discord 119 Fragmentation 121 Chromaticism 122 The A voidance of Melody 123 Tessitura in extremis and Unorthodox Playing Techniques 124 Pedal Point -
Emission Estimation Protocol for Petroleum Refineries
May 2011 Emission Estimation Protocol for Petroleum Refineries Version 2.1.1 Final ICR Version – Corrected Version 2.1: Final ICR Version Form Approved: 03/28/2011 OMB Control No.: 2060-0657 Approval Expires: 03/31/2014 Submitted to: Office of Air Quality Planning and Standards U.S. Environmental Protection Agency Research Triangle Park, NC 27711 Submitted by: RTI International 3040 Cornwallis Road Research Triangle Park, NC 27709-2194 [This page intentionally left blank.] Version 2.1.1 Final ICR Version – Corrected Table of Contents Table of Contents 1. Introduction ......................................................................................................................................... 1-1 1.1 Completeness ............................................................................................................................ 1-1 1.2 Data Quality .............................................................................................................................. 1-9 1.3 Calculations and Significant Digits ........................................................................................ 1-10 2. Equipment Leaks ................................................................................................................................. 2-1 2.1 Methodology Rank 1 for Equipment Leaks.............................................................................. 2-2 2.2 Methodology Rank 2 for Equipment Leaks.............................................................................. 2-3 2.2.1 Speciating -
Dance Major Journal 2011
Dance Major Journal Dance Writing by Dance Majors Spring 2011 FROM: the Dance Department, University of California, Irvine THIS ISSUE: Dance Majors Abroad and at Home Including— A White Bboy in Ghana Improvising in Spain Tapping in Africa All About Gaga Nudity in Dance Body image, dance stereotypes, studio villains…and more… Editorial Board: Hope Bataclan Stephanie Deere Corinna Ductor Jessica Hambright Nicole Jackson Alysha Shroff Shane Scopatz, distribution Kaira Karnad, photo editor Evan D. Johnston, art direction and production Dance Science Editor: Professor Jeff Russell, UCI Dance Department Founder and Senior Editor: Professor Jennifer Fisher Dance Major Journal arose from the ―Critical Issues in Dance‖ course at the University of California, Irvine Dance Department in Spring 2010. Thanks to all the students who contributed to the discussions in the Fall 2011 offering of that course, which produced this issue. This issue of DMJ is dedicated to Karen Ricketts, the UCI Dance Department‘s guardian angel of all things administrative, as well as a stalwart audience member and nurturer of dance majors. She retired in February of 2011. Her daily steps may lead to a different location now, but she‘s sure to be choreographing her own life just as gracefully as she did while helping the dance department run for 28 years. ON THE COVER FROM LEFT: Darina Littleton (2011), Shannon Leypoldt (2010), and Katie Montoya (2011), dancing for the camera during UCI‘s summer visit to the University of Ghana, Legon. SUBMISSIONS: If you are a dance major, please send essay submissions for possible inclusion in the next issue to: Prof. -
The History and Aesthetics of Bronx-Based B-Boying 1975-1985 and Luanda’S Dança Kuduro
The History and Aesthetics of Bronx-based B-boying 1975-1985 and Luanda’s Dança Kuduro: An Analysis of Development and Dissemination Alexandra Harlig May 2010 Table of Contents Acknowledgements .3 Chapter 1: Introduction .5 Chapter 2: Historico-aesthetic Contextual Parallels .15 Chapter 3: Technology .28 Chapter 4: Historical Context Brief History of the South Bronx .36 Brief History of Angola and Luanda .39 Chapter 5: Big Music in Small Places Music to B-boy to .49 Setting the Scene for Kuduro: The Physical Realities of Luandas Music .51 Chapter 6: The Dance Develops B-boying 1975-1985 .62 Kuduro .79 Chapter 7: Encyclopedias Encyclopedia of B-boying Moves 1975-1985 .89 Encyclopedia of Kuduro Moves .104 Chapter 8: Conclusion .128 Works Cited . 136 Videos .143 2 Acknowledgements Put simply, writing this thesis was an incredible amount of work. But in the end, it has all been worth it. This project was an enormous undertaking, and would not have been possible without the support of my committee, professors, friends, and family. First and foremost I must thank my thesis advisor and chair of my committee Allen Fogelsanger for meeting with me weekly for a year, discussing directions I might go in and conclusions I might reach, as well as keeping my feathers fluffed about the import of my work. His corrections to my work were invaluable, as was his realistic approach to knowing how to pare my research down to a reasonable size. I am forever indebted to Jim Self for allowing me to take his course Hip Hop, Hollywood, and Home Movies as a first-semester freshman, where I was introduced to the academic study of Hip-hop dance, and first learned how to B-boy. -
FSU ETD Template
Florida State University Libraries Honors Theses The Division of Undergraduate Studies 2010 A Battle of Repression: Hip Hop Bgirls, Burns and Gestural Languages 1970-2010 Ansley J. Jones Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF DANCE A BATTLE OF REPRESSION: HIP HOP BGIRLS, BURNS AND GESTURAL LANGUAGES 1970 to 2010 By ANSLEY JOYE JONES A Thesis submitted to the School of Dance in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2011 The members of the committee approve the thesis of Ansley Joye Jones defended on 6 December 2010. __________________________________ Sally R. Sommer Professor Directing thesis __________________________________ Tricia Young Committee Member __________________________________ Rick McCullough Committee Member __________________________________ Jennifer Atkins Committee Member Approved: _____________________________________ Patricia Phillips, Co-Chair, School of Dance _____________________________________ J. Russell Sandifer, Co-Chair, School of Dance _____________________________________ Sally McRorie, Dean, College of Visual Arts, Theatre and Dance The Graduate School has verified and approved the above-named committee members. ii I dedicate this to all women in hip hop dance and to the progression of hip hop culture as a whole. iii ACKNOWLEDGEMENTS I would like to acknowledge my committee members for all of their support: Tricia Young, Sally R. Sommer, Jennifer Atkins and Rick McCullough. Special thanks to Sally Sommer and Tricia Young for graciously commenting and editing drafts of this thesis. An extra- special thanks to Sally Sommer for encouraging me to follow my heart through this process and giving me the courage I needed to continue. -
Read PDF // Breakdance
ADNQ21Q0GQU2 / Kindle ^ Breakdance Breakdance Filesize: 7.07 MB Reviews It in a single of the most popular ebook. Indeed, it can be play, still an interesting and amazing literature. I am quickly will get a satisfaction of reading a created pdf. (Lennie Renner) DISCLAIMER | DMCA JNEDPSTDJPHX # Book » Breakdance BREAKDANCE Reference Series Books LLC Dez 2011, 2011. Taschenbuch. Condition: Neu. Neuware - Source: Wikipedia. Pages: 39. Chapters: Breakdance moves, Breakdancers, List of breakdance moves, B-boying, Battle of the Year, Red Bull BC One, House Dance International, Karim Ghajji, World Pump Festival, Salah, Crazy Legs, Flare, Fever One, Kip-up, Windmill, Tony Touch, R-16 Korea, Sway Calloway, Power moves, Float, 6-step, Freeze, Rock the Spot, Flying Steps, Break Dance, Suicide, Spin, Swipe, 1990, Mr. Wiggles, Dance Dynamite World Grand Prix, Drop, International Breakdance Event, Shebang!, Kick, Stab, Marionette, Toprock, 2000, Headspin, The worm, Wide Receiver, 2-step, Downrock. Excerpt: B-boying incorporates many types of moves that can vary as widely as a breaker's imagination and athleticism will allow. The inventory of b-boy moves is extensive, and there are competitions throughout the world, with a growing number of dancers becoming sponsored entities. The Top Rock is a combination of steps done while standing up. This is the entry dance that Bboys and Bgirls use to start their set. These steps are done before you do a power set or before you go down to the floor. This is the breaker's chance to show how well he or she can rock the beat and/or make gestures to intimidate their opponent.