VII. Freestyle Acrobatics National Rules A
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2020 Product Catalog
2020 PRODUCT CATALOG FREE DELIVERY* INSTALLATION AVAILABLE BEST WARRANTY LOCAL SAME DAY WITHIN 48 HOURS IN THE INDUSTRY *WITHIN LOCAL DELIVERY AREA, SEE PAGE 76 FOR DETAILS. CONTENTS RAFTS 3 Polyethylene Swim Raft 4 Aluminum Frame Swim Raft 5 DECKING OPTIONS 8 DOCKS 13 Infinity RS4 14 Infinity RS4 Curve 19 Infinity RS7 22 Infinity Track™ QuickSteps 27 Infinity Track™ Hinges 29 Gangways 30 Infinity TS9 32 PolyDock 36 Floating FTS9 40 Shoreport™ 44 ShoreMaster Flotation 45 RhinoFloat 46 INFINITY TRACK™ 48 Infinity Track™ Dock Accessories 49 ALUMINUM LIFTS 54 Vertical & Cantilever Lifts 55 Pontoon & Tri-toon Lifts 57 Hydraulic Lift 61 Heavy Capacity Lift 63 YOUR PASSION FUELS OURS. PWC Lifts 64 CANOPIES 66 Canopy Covers 68 Discover the ShoreMaster difference. Traditional Canopy 69 Hip Roof Canopy 71 For nearly three decades ShoreMaster has offered the broadest line of waterfront BOAT LIFT POWER UNITS 74 equipment in the industry through Hammond Lumber Company. There is no one style Lift Mate™ 74 Lift Boss™ 74 of dock or lift that fits every situation. DELIVERY FEES 76 SHOREMASTER’S LIMITED WARRANTY 77 SPECIFICATIONS 79 Let Hammond Lumber Company match you with the right equipment for your waterfront. ACCESSORIES 83 We pride ourselves on providing safe, dependable products that are easy to use and DESIGN YOUR DOCK 85 are as beautiful as your lake home. Our docks are built with quality aluminum that is maintenance free so you can relax and enjoy your time at the lake for years to come. *All prices may be subject to change. HAMMONDLUMBER.COM | 2 POLYETHYLENE SWIM RAFT benefits SIZE 7.5 foot by 9.5 foot nonskid RAFTS deck surface SAFETY FIRST One piece, all poly swim raft with reflectors on each corner provide additional safety. -
Internet Killed the B-Boy Star: a Study of B-Boying Through the Lens Of
Internet Killed the B-boy Star: A Study of B-boying Through the Lens of Contemporary Media Dehui Kong Senior Seminar in Dance Fall 2010 Thesis director: Professor L. Garafola © Dehui Kong 1 B-Boy Infinitives To suck until our lips turned blue the last drops of cool juice from a crumpled cup sopped with spit the first Italian Ice of summer To chase popsicle stick skiffs along the curb skimming stormwater from Woodbridge Ave to Old Post Road To be To B-boy To be boys who snuck into a garden to pluck a baseball from mud and shit To hop that old man's fence before he bust through his front door with a lame-bull limp charge and a fist the size of half a spade To be To B-boy To lace shell-toe Adidas To say Word to Kurtis Blow To laugh the afternoons someone's mama was so black when she stepped out the car B-boy… that’s what it is, that’s why when the public the oil light went on changed it to ‘break-dancing’ they were just giving a To count hairs sprouting professional name to it, but b-boy was the original name for it and whoever wants to keep it real would around our cocks To touch 1 ourselves To pick the half-smoked keep calling it b-boy. True Blues from my father's ash tray and cough the gray grit - JoJo, from Rock Steady Crew into my hands To run my tongue along the lips of a girl with crooked teeth To be To B-boy To be boys for the ten days an 8-foot gash of cardboard lasts after we dragged that cardboard seven blocks then slapped it on the cracked blacktop To spin on our hands and backs To bruise elbows wrists and hips To Bronx-Twist Jersey version beside the mid-day traffic To swipe To pop To lock freeze and drop dimes on the hot pavement – even if the girls stopped watching and the street lamps lit buzzed all night we danced like that and no one called us home - Patrick Rosal 1 The Freshest Kids , prod. -
Hip Hop Terms
1 Topic Page Number General Hip Hop Definitions ………………………………………………. 3 Definitions Related to Specific Dance Styles: ♦ Breaking ………………………………………………………………………. 4 ♦ House ………………………………………………………..………………… 6 ♦ Popping / Locking …………………………………………….….……… 7 2 GENERAL • Battle A competition in which dancers, usually in an open circle surrounded by their competitors, dance their routines, whether improvised (freestyle) or planned. Participants vary in numbers, ranging from one on one to battles of opposing breaking crews, or teams. Winners are determined by outside judges, often with prize money. • • Cypher Open forum, mock exhibitions. Similar to battles, but less emphasis on competition. • Freestyle Improvised Old School routine. • Hip Hop A lifestyle that is comprised of 4 elements: Breaking, MCing, DJing, and Graffiti. Footwear and clothing are part of the hip hop style. Much of it is influenced by the original breaking crews in the 1980’s from the Bronx. Sneakers are usually flat soled and may range from Nike, Adidas, Puma, or Converse. Generally caps are worn for spins, often with padding to protect the head. To optimize the fast footwork and floor moves, the baggy pants favored by hip hop rappers are not seen. o Breaking Breakdancing. o MCing Rapping. MC uses rhyming verses, pre‐written or freestyled, to introduce and praise the DJ or excite the crowd. o DJing Art of the disk jockey. o Graffiti Name for images or lettering scratched, scrawled, painted usually on buildings, trains etc. • Hip Hop dance There are two main categories of hip hop dance: Old School and New School. • New School hip hop dance Newer forms of hip hop music or dance (house, krumping, voguing, street jazz) that emerged in the 1990s • Old School hip hop dance Original forms of hip hop music or dance (breaking, popping, and locking) that evolved in the 1970s and 80s. -
Arts &.Entertainment
• June 5, 1984 Milton Measure Page 5 ArtS &.Entertainment Breakdancing: Hot New Trend Soreads Slowly at MA , Because of breaking's popular dancers, Robledo and Rhodes, ity, swarmsof suburban kids have both [earned to breakdance in flocked to local dance studios to similar ways: by watching videos learn the skill. This classroom with dancing in them, and by [earning defeats the original in watching other people and tention of breaking, say the break imitating then. Rob[edo, whose ers. "Kids are doing it, and they breaking nickname is "Juice," have no idea where it came from," breakdances with his younger said Robledo. Added Lee Rhodes, brother and friends in a crew, Class IV, "It's better to learn "Ready to Rock." They dance "for [breaking] by watching other kids personal'satisfaction" rather than and trying it yourself. Kids who for money. Rob[edo taught several take lessons can't [earn as well as sixth graders at Mi[ton how to ~ kids who [earn it off the street be breakdance for a production of 'E cause they're not used to the "Pippin" in which they used the :6 battles, thecompetition. It's some style of dance. ,..,5 thing you have to be a part of, not According to Rob[edo. in the -that you can learn." Bronx, "New crews are popping Headspins (left) as well as head-firstdives (right) aretwo afthe Reaction to the breakdance phe up every minute," and the compe many breakdance moves Jose Robledo, Class II, has mastered. nomena at Mi[ton has not been en tition results in New Yorkers be Besides these three categories, a Legs, whose real name according thusiastic. -
Hip Hop Dance Unit Vocabulary
Hip Hop Dance Unit Vocabulary Battles: any level of competition where break dancers, in an open space (typically a circle) participate in quick-paced, turn based routines, whether improvised or planned. Participants vary in number and can often include "crews" or teams. Winners are determined by who exhibits the most proficient combination of moves Break Dance: (b-boying/b-girling) is a combination of funk, martial arts, gymnastics. Break dancing is done to the "break" section of the music where percussion is the strongest. Freeze: (aka Stall)-stationary power move which focuses on a pose. Most skillful freezes require suspension off the floor using specific parts of the body. Two most popular are "chair freeze" and "baby freeze Flare: common floor element when spinning on hands, legs flare up and open as spin continues. Kip up: spring like action which initiates on your back, hips roll back towards head, then body springs forward and hips lift to end standing up. Krumping: Created on streets, aggressive style of hip hop that looks like fighting, a lot of hand gestures/pushing chest out/stomping feet, and was created as a way to express yourself. Locking: sharp transition between each of multiple freezes/poses like clicks associated with door bolts. Has the effect like locking the joints (moves called skeeters/Scooby doos/stop n'go/fancies) Popping: movement with elements of mime made by flexing the muscles and joints to the beat of the music. Done with locking to create movement/stop effect. Robot: precise, isolated movements and turns that lock into place before the next movement begins. -
Critical Thinking
Critical Thinking Mark Storey Bellevue College Copyright (c) 2013 Mark Storey Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.3 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is found at http://www.gnu.org/copyleft/fdl.txt. 1 Contents Part 1 Chapter 1: Thinking Critically about the Logic of Arguments .. 3 Chapter 2: Deduction and Induction ………… ………………. 10 Chapter 3: Evaluating Deductive Arguments ……………...…. 16 Chapter 4: Evaluating Inductive Arguments …………..……… 24 Chapter 5: Deductive Soundness and Inductive Cogency ….…. 29 Chapter 6: The Counterexample Method ……………………... 33 Part 2 Chapter 7: Fallacies ………………….………….……………. 43 Chapter 8: Arguments from Analogy ………………………… 75 Part 3 Chapter 9: Categorical Patterns….…….………….…………… 86 Chapter 10: Propositional Patterns……..….…………...……… 116 Part 4 Chapter 11: Causal Arguments....……..………….………....…. 143 Chapter 12: Hypotheses.….………………………………….… 159 Chapter 13: Definitions and Analyses...…………………...…... 179 Chapter 14: Probability………………………………….………199 2 Chapter 1: Thinking Critically about the Logic of Arguments Logic and critical thinking together make up the systematic study of reasoning, and reasoning is what we do when we draw a conclusion on the basis of other claims. In other words, reasoning is used when you infer one claim on the basis of another. For example, if you see a great deal of snow falling from the sky outside your bedroom window one morning, you can reasonably conclude that it’s probably cold outside. Or, if you see a man smiling broadly, you can reasonably conclude that he is at least somewhat happy. -
Europe in the Time of Covid-19
Europe in the TimeEurope of Covid-19 There is no doubt that the Covid-19 crisis represents a challenge for European unity and another crash test for the euro. Europe has been, Europe in the Time and will likely remain, one of the most Covid-infected regions in the world and, while doing nothing was not an option and would itself have disrupted economic activity, the forceful reactions of national of Covid-19 governments to the pandemic, through various strategies combining social distancing, testing/quarantining and lockdowns, have triggered an economic crisis at least twice the size of the 2009 crisis. Furthermore, the recovery is likely to be slow due to depressed consumption and Edited by Agnès Bénassy-Quéré investment, and it will require fast reallocations in both the labour market and the capital market. and Beatrice Weder di Mauro A small positive observation in this crisis has been the degree of engagement of economists in an intense debate with policymakers on the appropriate responses to ‘flatten the economic recession curve’ and to safeguard the most impacted groups from the economic fallout of the health crisis. This eBook is an illustration of the intense effort of the academic community during this time. In a selection of columns, analysis and policy proposals that were published on VoxEU between the end of March and the middle of May 2020 it provides a remarkable example of the response of economists to the unfolding crisis and of the value of VoxEU as the platform for such high quality exchange of views. Within each section, the articles are sorted by their date of appearance, which gives the reader a sense of how the debate progressed over a short period of time. -
TEACHER STUDY GUIDE 2019/2020 SEASON School Shows: Oct
TEACHER STUDY GUIDE 2019/2020 SEASON School Shows: Oct. 30 - Nov. 1, 2019 10:00 & 11:45 AM Discovery Theater Public Show: November 2, 2019 7:30 PM Atwood Theater n Curriculum Connections n Activities for the Classroom n Learning Resources n Theatre Etiquette n Performance Background Alaska Junior Theater n 430 W 7th Ave, Suite 30 n Anchorage, AK 99501 P 907-272-7546 n F 907-272-3035 n www.akjt.org Curriculum Standards laska Junior Theater is a private, nonprofit organization that has been bringing the best in professional theatre from around the world to Alaska’s Ayoung audiences since 1981. Each year, more than 40,000 students attend a variety of live performances at the Alaska Center for the Performing Arts. For many students, our school show presentations are their only exposure to live performing arts. Each show we present has a strong educational component, and are linked to Alaska Content Standards. Alaska Junior Theater also offers teacher and student workshops, study guides and classroom transportation to our performances. We are committed to keeping ticket prices low, allowing children of all financial levels to experience live professional theatre. Our low educational ticket price of Discovery Theatre, ACPA $8 covers only half our costs of presenting shows. To subsidize the remaining $8 of each ticket, we actively fundraise and rely on the support of corporations, foundations and individuals. In addition, we fundraise to offer full scholarships to students with financial need. Alaska Junior Theater asked area teachers to review our 2019/2020 performances for direct connections to Alaska Content Standards. -
Flushing Ymca Winter/Spring 2020 We Are Y
NEW! CUSTOMIZE YOUR MEMBERSHIP! See Inside for Details WE ARE Y PROGRAM & CLASS GUIDE FLUSHING YMCA WINTER/SPRING 2020 138-46 Northern Blvd Flushing, NY 11354 718-551-9350 ymcanyc.org/Flushing WHY THE Y NO HIDDEN FEES • NO ANNUAL FEES • NO PROCESSING FEES • NO CONTRACTS ADULT/SENIOR FAMILY AMENITIES, PROGRAMS, AND CLASSES MEMBERSHIP MEMBERSHIP Member discounts and priority registration • • State-of-the-art fitness center • • 89 FREE weekly group exercise classes • • FREE YMCA Weight Loss Program • • Y Fit Start (FREE 12-week fitness program) • • Two (2) Swimming Pools • • Sauna and Steam rooms • • Basketball court • • Dedicated Ping Pong Room • • FREE Child Watch • • FREE WiFi • • FREE towel service • • Customizable Family & Household Memberships • FREE family classes • FREE teen orientation to the fitness center • FREE teen programs • Convenient family locker room • 718-551-9350 [email protected] ymcanyc.org/Flushing @FlushingY facebook.com/FlushingY @FlushingY TABLE OF CONTENTS ADULTS .............................. 4 KIDS & FAMILY (AGES 0-4) 7 YOUTH (AGES 5-12) ............ 9 TEENS (AGES 12-17) ......... 12 SWIM ................................ 14 SUMMER CAMP ................ 22 JOIN THE Y ........................ 28 LOCATIONS .......................35 Dear Flushing YMCA Member, Welcome to another exciting year at the YMCA of Greater HOURS OF OPERATION New York! We look forward to serving you and your family OPEN 364 DAYS A YEAR with a variety of wonderful programs in 2020! Monday - Friday: 5:00 AM - 10:30 PM The New Year is my favorite time of year. It’s an opportunity to Saturday - Sunday: 7:00 AM - 8:00 PM reflect, refresh, and reset. If you want to try something new in CHILD WATCH HOURS 2020, we have a world of options. -
The Power of Music
CITY OF TORRANCE WINTER 2019 SEASONS 2019 City of Torrance Rose Float Turkey Trot 3-Mile Fun Run The Power of Music Check out the Winter Season Programs and Classes Registration Information is on Page 5. Decorate with the Torrance Rose Float Association Orientation: Show your civic pride while having fun! If you want November 15, 7:00pm to help decorate the City of Torrance’s entry into Katy Geissert Civic Center Library the Tournament of Roses Parade, please attend the orientation meeting. Decorating Dates: For more information, visit November 24 www.TorranceRoseFloat.Org. December 1 & 26 –30 39th Annual Harry Sutter Memorial Turkey Trot 3-Mile Fun Run Thursday, November 22, 8:00am Sam’s Club Parking Lot Join us for this family-oriented Fun Run! 2601 Skypark Drive All individuals participating MUST BE REGISTERED! For more information, see the back cover. $30 by November 19 and $35 on November 21 & 22 36th Annual Sunday, DecemberChristmas 9, 9:00am – 4:00pm Boutique Charles H. Wilson Park Come find that one-of-a-kind handcrafted gift, 2200 Crenshaw Blvd. take a photo with Santa, or visit the children’s craft area. Pets are not allowed in the Boutique area. Free Admission! Torrance Civic Chorale presents: Winter MiracLes Friday & Saturday, December 14 & 15, 8:00pm James R. Armstrong Theatre For more information, visit www.TorranceCivicChorale.Org. 3330 Civic Center Drive For ticket information, call the Box Office at (310) 781-7171, Reserved Seating is $25. or visit www.TorranceCA.Gov/TCACTickets. Breakfast and A Visit with Santa Saturday, December 15, 9:00am –12:00pm Torrance Cultural Arts Center The program will include breakfast, entertainment, 3330 Civic Center Drive music, special activities and a photo with Santa (bring your camera). -
Gangster Boogie: Los Angeles and the Rise of Gangsta Rap, 1965-1992
Gangster Boogie: Los Angeles and the Rise of Gangsta Rap, 1965-1992 By Felicia Angeja Viator A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Leon F. Litwack, Co-Chair Professor Waldo E. Martin, Jr., Co-Chair Professor Scott Saul Fall 2012 Abstract Gangster Boogie: Los Angeles and the Rise of Gangsta Rap, 1965-1992 by Felicia Angeja Viator Doctor of Philosophy in History University of California, Berkeley Professor Leon F. Litwack, Co-Chair Professor Waldo E. Martin, Jr., Co-Chair “Gangster Boogie” details the early development of hip-hop music in Los Angeles, a city that, in the 1980s, the international press labeled the “murder capital of the U.S.” The rap music most associated with the region, coined “gangsta rap,” has been regarded by scholars, cultural critics, and audiences alike as a tabloid distortion of East Coast hip-hop. The dissertation shows that this uniquely provocative genre of hip-hop was forged by Los Angeles area youth as a tool for challenging civic authorities, asserting regional pride, and exploiting the nation’s growing fascination with the ghetto underworld. Those who fashioned themselves “gangsta rappers” harnessed what was markedly difficult about life in black Los Angeles from the early 1970s through the Reagan Era––rising unemployment, project living, crime, violence, drugs, gangs, and the ever-increasing problem of police harassment––to create what would become the benchmark for contemporary hip-hop music. My central argument is that this music, because of the social, political, and economic circumstances from which it emerged, became a vehicle for underclass empowerment during the Reagan Era. -
225768981.Pdf
Hip Hop Nowadays if you ask most people to give a definition of 'rap', they're likely to state that it's the reciting of rhymes to the best of music. It's a form of expression that finds its roots imbedded deep within ancient African culture and oral tradition. Throughout history here in America there has always been some form of verbal acrobatics or jousting involving rhymes within the Afro-American community. Signifying, testifying, Shining of the Titanic, the Dozens, school yard rhymes,prison 'jail house' rhymes and double Dutch jump rope' rhymes are some of the names and ways that various forms of rap have manifested. Modern day rap music finds its immediate roots in the toasting and dub talk over elements of reggae music. In the early 70's, a Jamaican dj known as Kool Herc moved from Kingston to NY'sWest Bronx. Here, he attempted to incorporate his Jamaican style of dj which involved reciting improvised rhymes over the dub versions of his reggae records. Unfortunately, New Yorkers weren't into reggae at the time. Thus Kool Herc adapted his style by chanting over the instrumental or percussion sections of the day's popular songs. Because these breaks were relatively short, he learned to extend them indefinitely by using an audio mixer and two identical records in which he continuously replaced the desired segment. In those early days, young party goers initially recited popular phrases and used the slang of the day. For example, it was fashionable for dj to acknowledge people who were in attendance at a party.