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Cast Amendment for Il Trovatore
8 DECEMBER 2015 CAST AMENDMENT IL TROVATORE (Giuseppe Verdi) 2, 4, 5, 7, 8, 9, 11, 12, 14 and 15 July at 7.15pm ; 17 July at 6.30pm Italian soprano Carmen Giannattasio has withdrawn from singing the role of Leonora in Il trovatore on 4, 7, 9, 12 and 15 July. The role will now be sung by Italian soprano Anna Pirozzi , who will make her Royal Opera debut in this new production by German director David Bösch . She will share the role with Armenian soprano Lianna Haroutounian (2, 5, 8, 11, 14 and 17 July) as previously announced. Anna Pirozzi was born in Naples and studied at the Istituto Musicale in Valle d’Aosta and at the Turin Conservatory with Silvana Moyso. She has won widespread acclaim for her performances as Abigaille ( Nabucco ), the role in which she made her Salzburg Festival debut in 2013 conducted by Riccardo Muti and which she has sung in Florence, Bologna, Parma, Leipzig, Stuttgart, Tel Aviv, Beijing, Valencia, and for Arena di Verona. Her other engagements include Amelia ( Un ballo in maschera ) for Teatro Regio, Turi, and in Parma, Lady Macbeth ( Macbeth ) in São Paulo and Bologna, Leonora (Il trovatore ) in Bologna, Santuzza ( Cavalleria rusticana ) for Rome Opera and Teatro di San Carlo, Naples, Elvira ( Ernani ) in Rome, Tosca for Deutsche Oper Berlin and in Leipzig and Turin, Luisa Miller in Genoa, Leonora and Maddalena ( Andrea Chénier ) for Teatro di San Carlo, Santuzza and Nedda ( Pagliacci ) in Macerata, Aida in Turin, and Elisabetta ( Roberto Devereux ) at the ABAO Bilbao. The rest of the cast remains unchanged, -
La Fille De Neige
REVUE DE PRESSE LA FILLE DE NEIGE 8 représentations du 15 avril au 3 mai 2017 Opéra Bastille DIRECTION MUSICALE Mikhail Tatarnikov MISE EN SCÈNE, DÉCORS Dmitri Tcherniakov COSTUMES Elena Zaytseva LUMIÈRES Gleb Filshtinsky VIDÉO Tieni Burkhalter CHEF DES CHŒURS José Luis Basso Orchestre et Chœurs de l’Opéra national de Paris FLEUR DE NEIGE Aida Garifullina LEL Yuriy Mynenko KOUPAVA Martina Serafin LE TSAR BÉRENDEÏ Maxim Paster MIZGUIR Thomas Johannes Mayer DAME PRINTEMPS Elena Manistina LE PÈRE GEL Vladimir Ognovenko BERMIATA Franz Hawlata LE BONHOMME BAKOULA Vasily Gorshkov LA BONNE FEMME Carole Wilson L’ESPRIT DES BOIS Vasily Efimov LA CHANDELEUR Julien Joguet PREMIER HÉRAUT Vincent Morell DEUXIÈME HÉRAUT Pierpaolo Palloni LE PAGE DU TSAR Olga Oussova DIFFUSIONS RADIO Europe 1 - Sujet sur La Fille de neige le 9/04 http://www.europe1.fr/emissions/europe-1-week-end France Musique - Sujet sur La Fille de neige le 20/04 https://www.francemusique.fr/emissions/la-chronique-musique-de-guillaume-tion/la-fille-de-neige-opera-de-nikolai- rimski-korsakov-33429 France Culture - Sujet sur La Fille de neige le 27/04 (dès 46’40) https://www.franceculture.fr/emissions/la-dispute/musique-la-fille-de-neige-alcione-et-la-seine-musicale Catalunya Música - Sujet sur La Fille de neige le 2/05 http://www.ccma.cat/catradio/alacarta/assaig-general/el-cronista-errant-aterra-de-paris/audio/961105/ RTBF - Musiq 3 - Sujet sur La Fille de neige le 3/05 (dès 5’55) https://www.rtbf.be/auvio/detail_decibel-canto?id=2209768 COMPTE-RENDUS (Presse française) Dimanche 23 avril 2017 Page 1 sur 1 0123 DIMANCHE 23 - LUNDI 24 AVRIL 2017 CULTURE | 17 L’Opéra de Paris fond pour « La Fille de neige » L’œuvre de Rimski-Korsakov entre au répertoire dans une magnifique mise en scène de Dmitri Tcherniakov LYRIQUE La vision l aura fallu attendre le de Tcherniakov réchauffement climatique de habille de grâce l’ère Lissner pour qu’éclose I La Fille de neige, de Rimski- et de blancheur Korsakov, jamais revue sur une virginale cette scène parisienne depuis 1929. -
Heidi Skok Mezzo-Soprano
Heidi Skok Mezzo-soprano [email protected] m http://heidiskok.com 917-974-0258 (cell) OPERA PERFORMANCES: Title Composer Role Location Date Giulio Cesare in Egitto Handel (Sesto) Albany, NY Sept. 2014 Moses und Aron Schoenberg (Naked Virgin) MET 1999/2003 L’Enfant et Les Sortileges Ravel (The Chair) MET 2002 Parsifal Wagner (Flower Maiden) MET 2000/2001 Pique Dame Tchaikovsky (Masha) MET 1998 Ariadne auf Naxos Strauss (Echo) MET 1993/1997 Hansel and Gretel Humperdinck (Gretel) Lyric Opera KS City 1995 Jenufa Janacek (Barena) MET 1993 Death in Venice Britten (Tourist) MET 1992 Elektra Strauss (Fifth Maid) MET 1992 Rigoletto Verdi (Countess) MET 1992 L’elisir d’amore Donizetti (Giannetta) MET 1992 Die Zauberflöte Mozart (Pamina) Wolf Trap Opera 1992 Carmen Bizet (Micaela) Pittsburgh Opera 1992 Don Giovanni Mozart (Elvira) Wolf Trap Opera 1992 Cosí fan Tutte Mozart (Fiordiligi) Wolf Trap Opera 1991 Le Nozze di Figaro Mozart (Contessa) Wolf Trap Opera 1991 Tannhäuser Wagner (Shepherd Boy) MET (DEBUT) 1991 Die Zauberflöte Mozart (Genie) Pittsburgh Opera 1990 UPCOMING ENGAGEMENTS: A Concert of American Music Cleveland, OH Fall 2015 A Concert of The Songs of American Composer Tom Herman Princeton, NJ Nov., 2015 Silver Thread Productions Presents: Heidi Skok and The American Composers New York City, NY Mar. 16, 2016 G.F. Handel’s The Messiah, with the Octavo Singers Schenectady, NY Spring 2016 Haydn's The Seasons, with the Octavo Singers Albany, NY 2016 J.S. Bach's St. Matthew Passion, with the Octavo Singers Albany, NY 2017 CONCERT AND ORATORIO PERFORMANCES: Concert/Performance Part Location Gerald Busby Songs Mezzo Princeton, NJ Sept. -
The Ultimate On-Demand Music Library
2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P. -
Call for Applications for the Post of Artistic Director Dossier
CALL FOR APPLICATIONS FOR THE POST OF ARTISTIC DIRECTOR DOSSIER FUNDACIÓ PALAU DE LES ARTS REINA SOFÍA CONTENTS CONTENTS....................................................................................................................................2 FINANCIAL INFORMATION............................................................................................................2 DESCRIPTION OF THE ARTISTIC PROGRAMME.............................................................................3 WHO’S WHO AT ‘LES ARTS’.........................................................................................................25 FINANCIAL INFORMATION Financial information for 2014 - 2016 can be found on the transparency portal of Fundació Palau de les Arts Reina Sofía. The information is contained in the section Información económica, presupuestaria y estadística > CCAA e Informes de auditoría (Financial, Budgetary and Statistic Information > Annual Accounts and Audit Reports) (available in Spanish). Details of productions, concerts, and programmes for 2015 - 2018 can be found on the Fundació Palau de les Arts’ transparency portal. See the section titled Información institucional, organizativa y de planificación > Plan de actuación y programa de actividades (Information on the Institution, Organisation and Planning > Action Plan and Programmed Activities) (available in Spanish). 2 DESCRIPTION OF THE ARTISTIC PROGRAMME FINANCIAL YEAR 2017: PRODUCTIONS AND CONCERTS Description and key information The 2016-2017 Season (September 2016 to January -
02-06-2019 Don Giovanni Eve.Indd
WOLFGANG AMADEUS MOZART don giovanni conductor Opera in two acts Cornelius Meister Libretto by Lorenzo Da Ponte production Michael Grandage Wednesday, February 6, 2019 PM OM set and costume designer 7:30 –11:00 Christopher Oram lighting designer Paule Constable choreographer Ben Wright revival stage director Louisa Muller The production of Don Giovanni was made possible by a generous gift from the Richard and Susan Braddock Family Foundation, and Sarah and Howard Solomon Additional funding was received from Jane and Jerry del Missier and Mr. and Mrs. Ezra K. Zilkha The revival of this production is made possible general manager by a gift from the Metropolitan Opera Club Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON The 567th Metropolitan Opera performance of WOLFGANG AMADEUS MOZART’S don giovanni conductor Cornelius Meister in order of vocal appearance leporello continuo Ildar Abdrazakov David Heiss, cello Howard Watkins*, donna anna harpsichord Rachel Willis-Sørensen mandolin solo don giovanni Joyce Rasmussen Balint Luca Pisaroni the commendatore Štefan Kocán don ot tavio Stanislas de Barbeyrac donna elvir a Federica Lombardi zerlina Aida Garifullina maset to Brandon Cedel* Wednesday, February 6, 2019, 7:30PM–11:00PM MARTY SOHL / MET OPERA A scene Chorus Master Donald Palumbo from Mozart’s Musical Preparation Gregory Buchalter, Howard Watkins*, Don Giovanni Lydia Brown*, and Nimrod David Pfeffer* Fight Director J. Allen Suddeth Assistant Stage Directors Sarah Ina Meyers and Daniel Rigazzi Stage Band Conductor Jeffrey Goldberg Italian Coach Loretta Di Franco Prompter Nimrod David Pfeffer* Met Titles Cori Ellison Scenery, properties, and electrical props constructed and painted in Metropolitan Opera Shops Costumes executed by Das Gewand, Düsseldorf, and Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department This production uses fire effects. -
Boris Godunov
Modest Mussorgsky Boris Godunov CONDUCTOR Opera in a prologue and four acts Valery Gergiev Libretto by the composer, based on the play by PRODUCTION Alexander Pushkin (1875 version, with additions Stephen Wadsworth from the 1869 version) SET DESIGNER Ferdinand Wögerbauer Saturday, October 23, 2010, 12:00–4:15 pm COSTUME DESIGNER Moidele Bickel New Production LIGHTING DESIGNER Duane Schuler CHOREOGRAPHER Apostolia Tsolaki This production of Boris Godunov was made possible by generous gifts from Karen and Kevin Kennedy, Mr. and Mrs. Howard Solomon, and Mr. and Mrs. Wilmer J. Thomas, Jr. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2010–11 Season The 268th Metropolitan Opera performance of Modest Mussorgsky’s Boris Godunov Conductor Valery Gergiev in o r d e r o f v o c a l a p p e a r a n c e Nikitich, a police officer Xenia, daughter of Boris Valerian Ruminski Jennifer Zetlan Mitiukha, a peasant Feodor, son of Boris Mikhail Svetlov Jonathan A. Makepeace Shchelkalov, a boyar Nurse, nanny to Boris’s Alexey Markov children Larisa Shevchenko Prince Shuisky, a boyar Oleg Balashov Boyar in Attendance Brian Frutiger Boris Godunov René Pape Marina Ekaterina Semenchuk Pimen, a monk Mikhail Petrenko Rangoni, a Jesuit priest Evgeny Nikitin Grigory, a monk, later pretender to the Russian throne Holy Fool Aleksandrs Antonenko Andrey Popov Hostess of the Inn Chernikovsky, a Jesuit Olga Savova Mark Schowalter Missail Lavitsky, a Jesuit Nikolai Gassiev Andrew Oakden Varlaam Khrushchov, a boyar Vladimir Ognovenko Dennis Petersen Police Officer Gennady Bezzubenkov Saturday, October 23, 2010, 12:00–4:15 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. -
MARCH 2017 Director’S Introduction
JANUARY – MARCH 2017 Director’s Introduction ©Frances Marshall Photography Receptive to life and death, and aware of the spiritual depths of both, Schubert probed the heart of the human condition in his unsurpassed, and almost certainly unsurpassable, output of 600-plus songs. Wigmore Hall’s Schubert: The Complete Songs series offers audiences the chance to experience the full range of this extraordinary creative achievement as it continues through 2017. Grammy-nominated pianist, bandleader and composer Vijay Iyer starts his Jazz Residency at Wigmore Hall. The American musician, born in 1971 in New York, has been described by Los Angeles Weekly as ‘a boundless and deeply important young star’ and by the Guardian as being ‘at a dizzying pinnacle of contemporary jazz multitasking’, verdicts reinforced by a string of awards and five-star reviews. Patricia Kopatchinskaja, our Artist in Residence, launches her Wigmore Hall series with the first of three concerts crafted to show the versatility, curiosity and wide musical passions of a true pioneer among today’s performers. The Moldovan-Austrian violinist is equally at home with period performance styles as she is when bringing contemporary compositions to life or casting fresh interpretative light on the most familiar of chamber works. Spread over the course of four seasons, Angela Hewitt: The Bach Odyssey gathers momentum with a concert devoted to Bach’s six French Suites. Angela Hewitt’s affinity for Bach flows naturally from Peter Dazeley her strong connection with the composer’s dance rhythms and from Paul Lewis’s pianism, eloquent and fully alive, is the result of a harmonious her exquisite feeling for lyrical phrasing, contrapuntal clarity and marriage between deep thinking about music and unrestrained physical sensitive articulation. -
“Met in the Parks” Celebrates 40Th Season of Free Summer Opera
Thursday, February 15, 2018 Yannick Nézet-Séguin to Become Met Music Director in September 2018, Two Seasons Earlier Than Originally Planned Neubauer Family Foundation Names Met Music Director position with $15 Million Gift 2018–19 Season to Feature Three Operas Conducted by Nézet-Séguin, Including New Production of La Traviata, Directed by Michael Mayer Other New Productions Include Season-Opening Samson et Dalila, Starring Elīna Garanča and Roberto Alagna; North American Premiere of Nico Muhly’s Marnie; and Adriana Lecouvreur, Starring Anna Netrebko Robert Lepage’s Ring cycle, Starring Christine Goerke as Brünnhilde, to Return for First Time Since 2013 Live in HD Season to Feature 10 Transmissions, Beginning October 6 with Anna Netrebko in Aida New York, NY (February 15, 2018) – Accelerating his arrival as Music Director by two seasons, Yannick Nézet-Séguin will take up the post in time for the start of the Metropolitan Opera’s 2018–19 season, it was announced today. By freeing up some guest conducting weeks in his busy calendar in both the 2018–19 and 2019–20 seasons, Nézet- Séguin will now be able to conduct three operas and two Met Orchestra concerts at Carnegie Hall in each of those seasons, instead of the two operas per season originally scheduled. With the assumption of the Music Director title in the fall of 2018, Nézet- Séguin will also be taking on the full artistic responsibilities for the orchestra, chorus, and music staff. His full-time collaboration with Met General Manager Peter Gelb on all other artistic matters will also begin at that time. -
CAVALLERIA RUSTICANA/PAGLIACCI Cast Biographies Cavalleria Rusticana
CAVALLERIA RUSTICANA/PAGLIACCI Cast Biographies Cavalleria Rusticana Before making his San Francisco Opera debut in 1993 as Rodolfo in La Bohème, tenor Roberto Aronica (Turiddu) studied with famed singer Carlo Bergonzi and completed his training at the Accademia Chigiana in Siena. He made his professional debut as the Duke of Mantua in Rigoletto at Teatro Municipal in Santiago de Chile. More recent engagements have included Manrico in Il Trovatore at the Teatro Comunale di Bologna, the title role of Don Carlos at the Royal Opera House, Pinkerton in Madama Butterfly at the Gran Teatre del Liceu in Barcelona, Calaf in Turandot at Turin’s Teatro Regio, and Alfredo in La Traviata at the Metropolitan Opera. In 2018, Aronica performs Pinkerton at the Metropolitan Opera, Paolo in Francesca da Rimini at the Teatro alla Scala, and Don Carlo at the Teatro Comunale di Bologna. Russian mezzo-soprano Ekaterina Semenchuk (Santuzza) made her San Francisco Opera debut in 2015 as Federica in Luisa Miller and in 2016 she returned as Amneris in Aida. Her recent engagements include Eboli in Don Carlo at Teatro alla Scala and Royal Opera, Covent Garden; Azucena in Il Trovatore with Rome Opera, St. Petersburg’s Mariinsky Theatre, and Covent Garden; Fricka in Das Rheingold at the Edinburgh International Festival; and Lady Macbeth in Macbeth at Los Angeles Opera opposite Plácido Domingo. Career highlights encompass Marina Mnishek in Boris Godunov at the Metropolitan Opera; Azucena and Amneris at Milan’s Teatro alla Scala; Iocasta in Oedipus Rex and Ascanio in Benvenuto Cellini at the Théâtre des Champs-Élysées; the title role of Carmen at Arena di Verona; Preziosilla in La Forza del Destinoand Amneris with Berlin State Opera; Didon in Les Troyens at the Mariinsky Theatre, Carnegie Hall, and in Vienna and Tokyo; Laura Adorno in La Gioconda and Dalila inSamson et Dalila at Rome Opera; Giovanna Seymour in Anna Bolena at the Vienna State Opera; and Eboli and Azucena at the Salzburg Festival. -
12-08-2019 Queen of Spades Mat.Indd
PYOTR ILYICH TCHAIKOVSKY the queen of spades conductor Opera in three acts Vasily Petrenko Libretto by Modest Tchaikovsky production Elijah Moshinsky and the composer, based on the story by Alexander Pushkin set and costume designer Mark Thompson Sunday, December 8, 2019 lighting designer 3:00–6:35 PM Paul Pyant choreographer John Meehan revival stage director Peter McClintock The production of The Queen of Spades was made possible by a generous gift from the Lila Acheson and DeWitt Wallace Endowment Fund, established by the founders of The Reader’s Digest Association, Inc. general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2019–20 SEASON The 75th Metropolitan Opera performance of PYOTR ILYICH TCHAIKOVSKY’S the queen of spades conductor Vasily Petrenko in order of vocal appearance tchekalinsky the governess Paul Groves* Jill Grove sourin masha Raymond Aceto* Leah Hawkins** count tomsk y / plutus master of ceremonies Alexey Markov Patrick Cook hermann chloë Yusif Eyvazov Mané Galoyan prince yeletsk y tchaplitsky Igor Golovatenko Arseny Yakovlev** lisa naroumov Lise Davidsen Mikhail Svetlov the countess Larissa Diadkova catherine the gre at Sheila Ricci pauline / daphnis Elena Maximova piano solo Lydia Brown* Sunday, December 8, 2019, 3:00–6:35PM KEN HOWARD / MET OPERA Lise Davidsen Chorus Master Donald Palumbo as Lisa and Musical Preparation John Keenan, Yelena Kurdina, Yusif Eyvazov Lydia Brown*, and Natalia Katyukova* as Hermann in Tchaikovsky’s The Assistant Stage Directors Gregory Keller and Paula Williams Queen of Spades Children’s Chorus Director Anthony Piccolo Prompter Yelena Kurdina Met Titles Sonya Haddad Assistant to the Costume Designer Charlotte Bird Scenery, properties, and electrical props constructed and painted in Metropolitan Opera Shops Costumes executed by Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department This performance uses strobe-light and gunshot effects. -
Amy | ‘Tis the Season | Meru | the Wolfpack | the Jinx | Big Men | Caring for Mom & Dad | Walt Disney | the Breach | GTFO Scene & He D
November-December 2015 VOL. 30 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES NO. 6 IN THIS ISSUE Amy | ‘Tis the Season | Meru | The Wolfpack | The Jinx | Big Men | Caring for Mom & Dad | Walt Disney | The Breach | GTFO scene & he d BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Le n more about Bak & Taylor’s Scene & He d team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications KNOWLEDGEABLE Full-time staff of A/V catalogers, backed by their MLS degree and more than 43 years of media cataloging expertise 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review Amy HHH 2011, she died of alcohol toxicity at the age of Lionsgate, 128 min., R, 27. Drawing on early home movies, newsreel DVD: $19.98, Blu-ray: footage, and recorded audio interviews, Amy $24.99, Dec. 1 serves up a sorrowful portrait of an artist’s Publisher/Editor: Randy Pitman This disturbing, dis- deadly downward spiral. Extras include au- concerting, booze ‘n’ dio commentary by the director, previously Associate Editor: Jazza Williams-Wood drugs documentary unseen performances by Winehouse, and Copy Editor: Kathleen L. Florio about British song- deleted scenes.