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Film Rating Release Year a League of Their Own
Film Rating Release Year A League Of Their Own PG 1992 Abominable PG 2019 Anchorman PG-13 2004 Apollo 11 G 2019 Apollo 13 PG 1995 Bee Movie PG 2007 Bernie The Dolphin G 2018 Bill And Ted's Excellent Adventure PG 1989 Bumblebee PG-13 2018 Casper PG 1995 Despicable Me PG 2010 Despicable Me 2 PG 2013 Despicable Me 3 PG 2017 Dirty Dancing PG-13 1987 Dora And The Lost City Of Gold PG 2019 Dr. Seuss' The Lorax PG 2012 Fast And Furious Presents Hobbs And Shaw PG-13 2019 Ferris Bueller's Day Off PG-13 1986 Field Of Dreams PG 1989 Five Feet Apart PG-13 2019 Footloose (1984) PG 1984 Forrest Gump PG-13 1994 Goosebumps PG 2015 Goosebumps 2 - Haunted Halloween PG 2018 Grease PG 1978 Groundhog Day PG 1993 Home (2015) PG 2015 Hook PG 1991 Hop PG 2011 How To Train Your Dragon PG 2010 How To Train Your Dragon The Hidden World PG 2019 How To Train Your Dragon 2 PG 2014 I Can Only Imagine PG 2018 Indiana Jones And The Last Crusade PG-13 1989 Instant Family PG-13 2018 Jurassic Park PG-13 1993 Knives Out (2019) PG-13 2019 Kung Fu Panda PG 2008 La La Land PG-13 2016 Labyrinth PG 1986 Madagascar PG 2005 Madagascar 3: Europe's Most Wanted PG 2012 Mamma Mia PG-13 2008 Mamma Mia Here We Go Again PG-13 2018 Matilda (1996) PG 1996 Megamind PG 2010 Men In Black (1997) PG-13 1997 Men In Black International PG-13 2019 Monster House PG 2006 Monsters Vs. -
The Initiation and Transformational Process Rise of the Guardians
THE INITIATION AND TRANSFORMATIONAL PROCESS RISE OF THE GUARDIANS G.M. Adhyanggono Phone: 024-8441555 ext. 1706, e-mail: [email protected] Soegijapranata Catholic University (SCU) Semarang ABSTRACT Jack Frost may not be as popular as Santa Claus, Easter Bunny, Sandman, and Tooth Fairy in Rise of the Guardians t positioned not only as a mere resides in the initiation and transformational process he has to undergo. This article overviews the relation between such process and his position as the archetypal hero. Making use archetypal approach, this article intends to explain the issue. The result indicates that his portrayal in the movie as the archetypal hero experiencing archetypal initiation and transformation is influenced by some factors: interaction with other Guardians and children, quest for self-identity, and his relation with nature. Key words: myths, archetype, initiation, transformation INTRODUCTION The discussion in this article is The roots of fantasy fiction make use of particularly concerned with deciphering ancient myths, legends, and folk tales. In the initiation and transformational process of Western civilisation, stories of wonders and the film narrative. About the mythologem Odyssey Metamorphoses, Lucius itself, John Izod (2003:218) introduced the The Golden Ass, and also chivalric term referring to any mythical figures or romances of the Middle Ages. In the Eastern elements which are used and explored in worlds, they draw from grand epic tales any narrative forms. In this case, Jack such as the Mahabharata, and the Arabian Nights tales (Kratz as cited in Katherine film narrative. It is described how he Rise experiences an initiation and transform- of the Guardians is without exception an ational process from indifference to maturity; animated movie that features mythological from no one to someone, to be the figures such as Santa Claus, Easter Bunny, archetypal hero. -
Awards & Nominations
VICKI HIATT MUSIC SUPERVISOR / EDITOR AWARDS & NOMINATIONS GOLDEN REEL AWARD ALI NOMINATION (2001) Best Sound Editing -Music, Feature Film, Domestic and Foreign GOLDEN REEL AWARD THE ROAD TO EL DORADO NOMINATION (2000) Best Sound Editing-Music, Animation FEATURE FILM THE ARK & THE AARDVARK Keith Kjarvak, Kurt Rauer, prod. Unified Pictures John Stevenson, dir. Music Editor HOTEL TRANSYLVANIA 3 Michelle Murdocca, prod. Sony Pictures Animation Gendy Tartakovsy, dir. Music Editor SURF’S UP 2: WAVEMANIA Toby Chu, Composer Sony Pictures Animation Michelle Wong, prod. Music Editor Henry Wu, dir. HALF MAGIC Alex Wurman, Composer Magic Bubble Productions Bill Sheinberg, prod. Music Consultant Heather Graham, dir. HOW TO TRAIN YOUR DRAGON 3 John Powell, Composer DreamWorks Animation Bonnie Arnold, prod. Music Editor Dean DeBlois, dir. LIFE BRIEFLY Tom Howe, Composer Thousand Dream Prods. Erika Armin, James Brubaker, prods. Music Editor Dan Ireland, dir. EMOJI Michelle Raimo, prod. Sony Pictures Animation Anthony Leondis, dir. Music Editor BOSS BABY Denise Nolan Cascino, Ramsey Ann Naito, prods. DreamWorks Animation Tom McGrath, dir. Music Editor The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 VICKI HIATT MUSIC SUPERVISOR / EDITOR INDISCRETION Toby Chu, Composer Granfallon Productions Alexandra Baranska, Thomas Beach, Laura Boersma, prods. Music Supervisor John Stewart Muller, dir. SO B. IT Nick Urata, Composer Branded Pictures J. Todd Harris, Orien Richman, prods. Music Supervisor Stephen Gyllenhaal, dir. CAPTAIN UNDERPANTS Teddy Shapiro, Composer DreamWorks Animation Mark Swift, prod. Music Editor David Soren, dir. TROLLS Christophe Beck, Composer DreamWorks Animation Gina Shay, prod. Music Editor Mike Mitchell, dir. FLAWED DOGS Berkeley Breathed, exec. prod. DreamWorks Animation Noah Baumbauch, dir. -
Famed Soprano Renee Fleming Performs Original Single 'Still Dream'
PRESS RELEASE Oct. 15, 2012, 1:55 p.m. EDT Famed Soprano Renee Fleming Performs Original Single 'Still Dream' With Music By Alexandre Desplat And Lyrics By David Lindsay-Abaire For DreamWorks Animation's "Rise of the Guardians" New Single Headlines Soundtrack Album Featuring Score by Four-Time Academy Award® Nominated Composer Alexandre Desplat GLENDALE, Calif., Oct. 15, 2012 /PRNewswire via COMTEX/ ‐‐ DreamWorks Animation SKG, Inc. DWA ‐0.05% today announced that acclaimed soprano Renee Fleming has performed the original song "Still Dream" on the soundtrack for the upcoming Rise of the Guardians, which also features a score by Four‐Time Academy Award® nominated and Grammy® Award winning composer Alexandre Desplat. Varese Sarabande will release the soundtrack on November 13, preceding the film's nationwide release on November 21. The original, end‐credit song "Still Dream" was written and produced by Desplat, with lyrics by Rise of the Guardians screenwriter, Grammy® Award nominee and Pulitzer Prize winning author, David Lindsay‐Abaire. The complete score, recorded at the historic Abbey Road in London and Air Studios, was performed by the London Symphony Orchestra and features choral work by London Voices. To create the music and lyrics for the original song, Desplat and Lindsay‐Abaire drew upon the film's heroic and sweeping story as inspiration. "There is much more music in Rise of the Guardians than is found in the average live‐action film," says Desplat, who conducted the London Symphony Orchestra in the recording of his original compositions. "The goal with the score was to emphasize every moment of joy, sadness and soul so that audiences would be able to dive with the characters into their worlds. -
Seawood Village Movies
Seawood Village Movies No. Film Name 1155 DVD 9 1184 DVD 21 1015 DVD 300 348 DVD 1408 172 DVD 2012 704 DVD 10 Years 1175 DVD 10,000 BC 1119 DVD 101 Dalmations 1117 DVD 12 Dogs of Christmas: Great Puppy Rescue 352 DVD 12 Rounds 843 DVD 127 Hours 446 DVD 13 Going on 30 474 DVD 17 Again 523 DVD 2 Days In New York 208 DVD 2 Fast 2 Furious 433 DVD 21 Jump Street 1145 DVD 27 Dresses 1079 DVD 3:10 to Yuma 1124 DVD 30 Days of Night 204 DVD 40 Year Old Virgin 1101 DVD 42: The Jackie Robinson Story 449 DVD 50 First Dates 117 DVD 6 Souls 1205 DVD 88 Minutes 177 DVD A Beautiful Mind 643 DVD A Bug's Life 255 DVD A Charlie Brown Christmas 227 DVD A Christmas Carol 581 DVD A Christmas Story 506 DVD A Good Day to Die Hard 212 DVD A Knights Tale 848 DVD A League of Their Own 856 DVD A Little Bit of Heaven 1053 DVD A Mighty Heart 961 DVD A Thousand Words 1139 DVD A Turtle's Tale: Sammy's Adventure 376 DVD Abduction 540 DVD About Schmidt 1108 DVD Abraham Lincoln: Vampire Hunter 1160 DVD Across the Universe 812 DVD Act of Valor 819 DVD Adams Family & Adams Family Values 724 DVD Admission 519 DVD Adventureland 83 DVD Adventures in Zambezia 745 DVD Aeon Flux 585 DVD Aladdin & the King of Thieves 582 DVD Aladdin (Disney Special edition) 496 DVD Alex & Emma 79 DVD Alex Cross 947 DVD Ali 1004 DVD Alice in Wonderland 525 DVD Alice in Wonderland - Animated 838 DVD Aliens in the Attic 1034 DVD All About Steve 1103 DVD Alpha & Omega 2: A Howl-iday 785 DVD Alpha and Omega 970 DVD Alpha Dog 522 DVD Alvin & the Chipmunks the Sqeakuel 322 DVD Alvin & the Chipmunks: Chipwrecked -
Software Defined Vertical Industries: Transformation Through Open Source
Software-defined vertical industries: transformation through open source How open collaboration enables user-centered innovation, achieving faster development cycles, time to market, and increased interoperability and cost savings. A Publication of The Linux Foundation | September 2020 www.linuxfoundation.org “When I say that innovation is being democratized, I mean that users of products and services-both firms and individual consumers are increasingly able to innovate for themselves. User-centered innovation processes offer great advantages over the manufacturer-centric innovation development systems that have been the mainstay of commerce for hundreds of years. Users that innovate can develop exactly what they want, rather than relying on manufacturers to act as their (often very imperfect) agents.” — Eric von Hippel, Democratizing Innovation The Linux Foundation 2 Overview What do some of the world’s largest, most regulated, Over the last 20 years, the Linux Foundation has expanded complex, centuries-old industries such as banKing, from a single project, the Linux kernel, to hundreds of telecommunications, and energy have in common with distinct project communities. The “foundation-as-a- rapid development, bleeding-edge innovative, creative service” model developed by Linux Foundation supports industries such as the motion pictures industry? communities collaborating on open source across key horizontal technology domains, such as cloud, security, They’re all dependent on open source software. blocKchain, and the web. That would be both a great answer and correct, but it However, many of these project communities align across doesn’t tell the whole story. A complete answer is these vertical industry groupings, such as automotive, motion industries not only depend on open source, but they’re pictures, finance, telecommunications, energy, and public building open source into the fabric of their R&D and health initiatives. -
Madagascar: a Crate Adventure Opens at Universal Studios Singapore® on 16 May 2011
p r e s s r e l e a s e Madagascar: A Crate Adventure Opens at Universal Studios Singapore® on 16 May 2011 SINGAPORE – 09 MAY 2011 – Universal Studios Singapore, the world-class theme park within Resorts World Sentosa, the first integrated resort destination in Singapore, today announced that guests can soon join the famous escapees from the New York Zoo when Madagascar: A Crate Adventure debuts on 16 May. This new theme park attraction is inspired by DreamWorks Animation SKG, Inc.’s (Nasdaq: DWA) Madagascar film series, one of the most successful animated movie franchises of all time. Among the longest rides in Universal Studios Singapore, Madagascar: A Crate Adventure is a nine-minute indoor flume ride that takes guests on a river boat adventure with Alex the Lion, Marty the Zebra, Melman the Giraffe and Gloria the Hippo. The Central Park “Zoosters” join forces with the eccentric leader of the local lemurs, King Julien – and Universal Studios Singapore guests – to help defeat the dreaded Foosa. Aided by the technically-savvy and hilarious Penguins, the heroes and guests together defeat the Foosa at the rim of a bubbling volcanic cauldron. Along the way, they encounter a giant alligator, wild- eyed spiders and more. Mr. Jeffrey Katzenberg, Chief Executive Officer of DreamWorks Animation, said: “Madagascar: A Crate Adventure is the primary attraction built within the first-ever theme park zone dedicated exclusively to all things related to and inspired by our Madagascar movie series. We are excited about the way in which it allows people to interact with DreamWorks Animation’s unique characters and worlds in a memorable family experience.” Mr. -
2007 Annual Report
2007 Annual Report As a celebration of the creative spirit that drives everything we do at DreamWorks Animation, we held an artwork contest in 2007 in which we invited all employees to submit a design to be featured in the Annual Report. Every submission celebrated the unique and fulfilling process of working on an animated film at the Company. Rhion Magee, Consumer Products, created the winning submission. Dear Fellow Shareholders, I am pleased to report that 2007 was our most successful year since we took DreamWorks Animation public in 2004, thanks in large part to the blockbuster success of Shrek the Third and the Shrek franchise as a whole. In addition to boasting the best domestic opening in the history of animated film, Shrek the Third became the second highest grossing film of 2007 in the U.S. and the fourth best performing animated movie of all time. Even in a challenging home video market, Shrek the Third has risen above the competition and performed well. In 2007, we advanced our mission to successfully expand the Shrek brand with Shrek the Halls, our first made-for-television special. Over 21 million people throughout the U.S. watched the program this past holiday season on ABC. Additionally, Shrek made his first appearance at the annual Macy’s Thanksgiving Day Parade as the official 2007 Ambassador for the event. In December, we will take our brand expansion one step further by bringing Shrek the Musical to the Broadway Theatre in New York City. We are very excited about this tremendous opportunity to further extend one of the most successful franchises in Hollywood history. -
Irradiance Caching at Dreamworks
Global Illumination Across Industries Ray Tracing vs. Point-Based GI for Animated Films Eric Tabellion [email protected] Introduction • Global Illumination (GI) usage at DreamWorks Animation – Bounce lighting – Ambient occlusion – HDR Environment map lighting (IBL) – Used on many films since “Shrek 2” • Used in a variety of shots • Various characters, props and environments • Global Illumination system – Using Ray Tracing and Irradiance Caching (IC) • [Tabellion and Lamorlette 2004] • [Krivanek et al. 2008] – Using point-based GI • [Christensen 2008] Direct Lighting Only Direct + Indirect Lighting Example: “How To Train Your Dragon ” Example: “How To Train Your Dragon ” Example: “Shrek Forever After” GI in Animated Film Production • Requirements: – High Quality • No noise, buzzing or popping – Artistic control • Offer physically correct starting point • Let the user tweak shaders further – Good shader integration – Speedy interaction • Add bounce cards to control lighting • Apply localized filters to GI – Scene complexity • Scene complexity is unbounded (more or less tuned) GI in Animated Film Production • Multi-department Impact: – Modelling & Animation • Geometry with bad contact / penetrations – Surfacing • Account for GI as a lighting scenario • Define bouncing characteristics – FX • Effects do illuminate and occlude – Lighting • GI not always intuitive – Light is coming from everywhere • GI produces simpler lighting rigs • Propagates well to other shots / sequences Ray-Tracing-Based GI System Overview • Micropolygon Deep Frame Buffer Renderer -
Antz Bee Movie El Dorado Flushed Away Kung Fu Panda How to Train Your Dragon Madagascar Madagascar: Escape 2 Africa Monsters Vs
YOU ARE CORDIALLY INVITED TO THE OPENING RECEPTION FOR an exhibition of visual development and production artwork from DreamWorks DreamWorlds Animation’s feature films. PLEASE JOIN DREAMWORKS ANIMATION ARTISTS AND EXECUTIVES, ART CENTER PRESIDENT LORNE BUCHMAN, ART CENTER TRUSTEE ALYCE WILLIAMSON, ILLUSTRATION DEPARTMENT CHAIR ANN FIELD AND WILLIAMSON GALLERY DIRECTOR STEPHEN NOWLIN FOR THE OPENING OF DreamWorlds, a behind-the-scenes look at the artistry and imagination of animated filmmaking. THURSDAY, MARCH 4, 2010 7–8 PM PANEL DISCUSSION Ahmanson Auditorium 8–9 PM WILLIAMSON GALLERY RECEPTION Panel Discussion: Kathy Altieri DreamWorks Production Designer for the soon-to-be-released How to Train Your Dragon (March 26, 2010), Art Center alumna, ILLU ’81 Kendal Cronkhite DreamWorks Production Designer, Madagascar films, Art Center alumnus, ILLU ’87 Sam Michlap DreamWorks Visual Development Artist and DreamWorlds co-curator Alyce de Roulet Williamson Gallery Art Center College of Design | 1700 Lida Street | Pasadena, CA 91103 (Once on campus, please follow the signs for parking information.) featuring artwork from: ANTZ BEE MOVIE EL DORADO FLUSHED AWAY KUNG FU PANDA HOW TO TRAIN YOUR DRAGON MADAGASCAR MADAGASCAR: ESCAPE 2 AFRICA MONSTERS VS. ALIENS OVER THE HEDGE PRINCE OF EGYPT SHARK TALE SHREK SHREK 2 SHREK THE THIRD SINBAD SPIRIT: STALLION OF THE CIMARRON EXHIBITION DATES: MARCH 5 – MAY 9, 2010 DreamWorlds has been made possible through the support of DreamWorks Animation, Williamson Gallery Patrons and the Pasadena Art Alliance. Art Center extends a special thanks to all DreamWorks staff who have contributed to the exhibition’s development — in particular Angela Lepito, Sam Michlap, Brian Smith and Beverly Herman, without whose expertise, patience and commitment this project would never have been realized.. -
Presseheft DIE PINGUINE AUS MADAGASCAR.Pdf
Regie ........................................................................................................................ ERIC DARNELL .................................................................................................................................. SIMON J. SMITH Produktion .................................................................................................... LARA BREAY, p.g.a. .......................................................................................................................... MARK SWIFT, p.g.a. Ausführende Produktion................................................................................ TOM McGRATH ................................................................................................................................ MIREILLE SORIA ................................................................................................................................... ERIC DARNELL Ko-Produktion .................................................................................................... TRIPP HUDSON Drehbuch .................................................................................................... MICHAEL COLTON & ....................................................................................................................................... JOHN ABOUD ................................................................................................................. and BRANDON SAWYER Story ...................................................................................................... -
Title Barcode Call Number 101 Dalmatians 31027150427413 DVD-O 101 Dalmatians II Patch's London Adventure 31027150151013 D 101 Da
Title Barcode Call Number 101 Dalmatians 31027150427413 DVD-O 101 dalmatians II Patch's London adventure 31027150151013 D 101 dalmatians II Patch's London adventure 31027150427421 DVD-O 20 fairy tales 31027150332779 J DVD T A cat in Paris 31027150324552 JDVD-C A Charlie Brown Thanksgiving 31027150308191 C A Charlie Brown valentine 31027150431993 J DVD C A Cinderella story 31027150508006 J DVD-C A dog's way home 31027150336366 J DVD D A very merry Pooh year 31027100103544 W A wrinkle in time 31027150286017 W Abominable 31027150337182 J DVD A Adventure time The suitor 31027150330112 J DVD A Air Bud seventh inning fetch 31027150146823 A Air buddies 31027150385355 A Aladdin 31027100101845 VC FEATURE Alexander and the terrible, horrible, no good, very bad day 31027150331177 J DVD A Alice in Wonderland 31027150429179 DVD-A Alice in Wonderland 31027150431175 DVD-A Aliens in the attic 31027150425854 A Alvin and the chipmunks batmunk 31027150508196 J DVD-A Alvin and the chipmunks Chipwrecked 31027150507065 DVDJ-A Alvin and the chipmunks Christmas with the chipmunks 31027150504039 JDVD-C Alvin and the Chipmunks Road chip 31027150332738 J DVD A Alvin and the Chipmunks the squeakquel 31027150333330 J DVD A Anastasia 31027150508345 DVDJ-A Angelina Ballerina All dancers on deck 31027150288492 J DVD A Angelina Ballerina Mousical medleys 31027150327423 J DVD A Angelina ballerina Ultimate dance collection 31027150507214 DVDJ-A Angry birds toons Season one, volume two 31027150330047 J DVD A Angry birds toons Volume 1 31027150329148 J DVD A Annie 31027150385074 JDVD -A Another Cinderella story 31027150325872 J DVD A Arthur stands up to bullying 31027150327506 J DVD ART Atlantis, the lost empire 31027150290738 J DVD A B.O.B.'s big break 31027150333355 J DVD B Baby Looney Tunes Volume 3 Puddle Olympics 31027150386346 B Balto Wings of change 31027150304364 BALTO Barbie in the Nutcracker 31027150388789 B Barbie The Pearl Princess 31027150330088 J DVD B Barney A very merry Christmas 31027150503726 DVD-J Batman & Mr.