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ROY THOMAS Chapter Four
Captain Marvel Jr. TM & © DC Comics DC © & TM Jr. Marvel Captain Introduction by ROY THOMAS Chapter Four Little Boy Blue Ed Herron had come to Fawcett with a successful track record of writing Explosive is the best way to describe this iconic, colorful cover (on opposite page) by and creating comic book characters that had gone on to greater popularity, Mac Raboy, whose renditions of a teen-age super-hero with a realistic physique was noth- including work on the earliest stories of Timely’s colorful Captain America— ing less than perfect. Captain Marvel Jr. #4, (Feb. 19, 1943). Inset bottom is Raboy’s first and his kid sidekick Bucky. It was during the fall of 1941 that Herron came cover for Fawcett and the first of the CMJr origin trilogy, Master Comics #21 (Dec. 1941). Below up with the idea of a new addition to the Fawcett family. With Captain is a vignette derived from Raboy’s cover art for Captain Marvel Jr. #26 (Jan. 1, 1945). Marvel sales increasing dramatically since his debut in February 1940, Fawcett management figured a teenage version of the “Big Red Cheese” would only increase their profits. Herron liked Raboy’s art very much, and wanted a more illustrative style for the new addition, as opposed to the C. C. Beck or Pete Costanza simplified approach on Captain Marvel. The new boy-hero was ably dubbed Captain Marvel Jr., and it was Mac Raboy who was given the job of visualizing him for the very first time. Jr.’s basic attire was blue, with a red cape. -
JRR Tolkien's Sub-Creations of Evil
Volume 36 Number 1 Article 7 10-15-2017 ‘A Warp of Horror’: J.R.R. Tolkien’s Sub-creations of Evil Richard Angelo Bergen University of British Columbia Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Bergen, Richard Angelo (2017) "‘A Warp of Horror’: J.R.R. Tolkien’s Sub-creations of Evil," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 36 : No. 1 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol36/iss1/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Considers Tolkien’s skilled evocation of evil and the way he manages to hold Augustinian and Manichean conceptions of evil in balance, particularly in his depiction of orcs. Additional Keywords Augustine, St.—Concept of evil; Evil, Nature of, in J.R.R. -
Englehart Steve
AE103Cover FINAL_AE49 Trial Cover.qxd 6/22/11 4:48 PM Page 1 BOOKS FROM TWOMORROWS PUBLISHING Roy Thomas’ Stainless Comics Fanzine $7.95 In the USA No.103 July 2011 STAN LEE UNIVERSE CARMINE INFANTINO SAL BUSCEMA MATT BAKER The ultimate repository of interviews with and PENCILER, PUBLISHER, PROVOCATEUR COMICS’ FAST & FURIOUS ARTIST THE ART OF GLAMOUR mementos about Marvel Comics’ fearless leader! Shines a light on the life and career of the artistic Explores the life and career of one of Marvel Comics’ Biography of the talented master of 1940s “Good (176-page trade paperback) $26.95 and publishing visionary of DC Comics! most recognizable and dependable artists! Girl” art, complete with color story reprints! (192-page hardcover with COLOR) $39.95 (224-page trade paperback) $26.95 (176-page trade paperback with COLOR) $26.95 (192-page hardcover with COLOR) $39.95 QUALITY COMPANION BATCAVE COMPANION EXTRAORDINARY WORKS IMAGE COMICS The first dedicated book about the Golden Age Unlocks the secrets of Batman’s Silver and Bronze OF ALAN MOORE THE ROAD TO INDEPENDENCE publisher that spawned the modern-day “Freedom Ages, following the Dark Knight’s progression from Definitive biography of the Watchmen writer, in a An unprecedented look at the company that sold Fighters”, Plastic Man, and the Blackhawks! 1960s camp to 1970s creature of the night! new, expanded edition! comics in the millions, and their celebrity artists! (256-page trade paperback with COLOR) $31.95 (240-page trade paperback) $26.95 (240-page trade paperback) $29.95 (280-page trade -
Announces: the SHADOW Composed and Conducted By
Announces: THE SHADOW Composed and Conducted by JERRY GOLDSMITH Intrada Special Collection Volume ISC 204 Universal Pictures' 1994 The Shadow allowed composer Jerry Goldsmith to put his imprimatur on the darkly gothic phase of the superhero genre that developed in the 1990s. Writing for a large orchestra, Goldsmith created a score that found the perfect mix between heroism and menace and resulted in one of his longest scores. Goldsmith’s main title music introduces many of the score’s core elements: an unnerving pitch bend, played by synthesizers; a grandly powerful brass melody for the Shadow; and a bouncing electronic figure that will become a key rhythmic device throughout the score. Goldsmith’s classic sounding Shadow theme and the score’s large scale orchestrations complemented the film’s period setting and lavish look, while the composer’s trademark electronics helped better position the film for a contemporary audience. When the original soundtrack for The Shadow was released in 1994, it presented only a fraction of Jerry Goldsmith’s hour-and-twenty-minute score, reducing the composer’s wealth of action material to two cues and barely hinting at the complete score’s range and scope. In particular, Goldsmith’s elegant and haunting love theme—one of his best of the ’90s—plays only briefly at the very end of the album. This premiere presentation of the complete score represents one of the most substantial restorations of a Goldsmith soundtrack, illuminated by the fact that just 30 minutes of the full 85-minute score appeared on the original 1994 soundtrack album. -
Diary of a Ninja Spy 2: the Shadow Returns (Diary of a Sixth Grade Ninja Spy) Online
Ldeot [Read now] Diary of a Ninja Spy 2: The Shadow Returns (Diary of a Sixth Grade Ninja Spy) Online [Ldeot.ebook] Diary of a Ninja Spy 2: The Shadow Returns (Diary of a Sixth Grade Ninja Spy) Pdf Free William Thomas, Peter Patrick DOC | *audiobook | ebooks | Download PDF | ePub Download Now Free Download Here Download eBook #44904 in eBooks 2016-03-08 2016-03-08File Name: B01CR1PS4C | File size: 17.Mb William Thomas, Peter Patrick : Diary of a Ninja Spy 2: The Shadow Returns (Diary of a Sixth Grade Ninja Spy) before purchasing it in order to gage whether or not it would be worth my time, and all praised Diary of a Ninja Spy 2: The Shadow Returns (Diary of a Sixth Grade Ninja Spy): 2 of 2 people found the following review helpful. AwesomeBy Shannon OsborneMy seven year old son and I read this together. It was funny and enjoyable for both of us. Getting the next one.1 of 1 people found the following review helpful. Five StarsBy robertmy 8yr old really enjoyed all 4. read them in about 30min.0 of 0 people found the following review helpful. Great for young readers!By Steven L. FairGreat book! My 7 year old is having a great advisory these books. My name is Blake Turner. I am in the sixth grade, I play soccer and I am training to become an international ninja spy. On Saturday, I was receiving a tour of the Ninja Spy Agency when the worldrsquo;s worst bad guy attacked and defeated all the other ninja spies! Luckily, I was able to escape.So the world is about to be taken over by a dude named the Evil Shadowhellip; but not if I can help it! This story is a funny adventure that is engaging for children, middle school students, and grown-ups. -
744 101St Chase and Sandborn Show Anniversary Show
744 101ST CHASE AND SANDBORN SHOW ANNIVERSARY SHOW NBC 60 EX COM 5008 10-2-4 RANCH #153 1ST SONG HOME ON THE RANGE CBS 15 EX COM 5009 10-2-4 RANCH #154 1ST SONG UNTITLED SONG CBS 15 EX COM 5010 10-2-4 RANCH #155 1ST SONG BY THE SONS OF THE PIONEERS CBS 15 EX COM 5011 10-2-4 RANCH #156 1ST SONG KEEP AN EYE ON YOUR HEART CBS 15 EX COM 2951 15 MINUTES WITH BING CROSBY #1 1ST SONG JUST ONE MORE CHANCE 9/2/1931 8 VG SYN 4068 1949 HEART FUND THE PHIL HARRIS-ALICE FAYE SHOW 00/00/1949 15 VG COM 6868 1ST NATIONAL DEFENSE TEST DAY PART 1 OF 2 9/12/2024 60 VG+ SYN 6869 1ST NATIONAL DEFENSE TEST DAY PART 2 OF 2 9/12/2024 45 VG+ SYN 588 20 QUESTIONS 4/6/1946 30 VG- 246 20 QUESTIONS #135 12/1/48 AFRS 30 VG AFRS 247 20 QUESTIONS #137 1/8/1949 AFRS 30 VG AFRS 592 20 QUESTIONS WET HEN MUT. 30 VG- 2307 2000 PLUS THE ROCKET AND THE SKULL 30 VG- SYN 2308 2000 PLUS A VETRAN COMES HOME 30 VG- SYN 4069 A & P GYPSIES 1ST SONG IT'S JUST A MEMORY 00/00/1933 NBC 37 VG+ 7169 A CHRISTMAS CAROL WITH LIONEL BARRYMOORE, 15TH YEAR BROADCAST 12/25/1945 MUT 30 VG+ NET 1017 A CHRISTMAS PLAY #325 THESE THE HUMBLE (SCRATCHY) 30 G-VG SYN 2003 A DATE WITH JUDY WITH JOSEPH COTTON 2/6/1945 NBC 30 VG COM 938 A DATE WITH JUDY #86 WITH CHARLES BOYER AFRS 30 VG AFRS 6089 A TRIBUTE TO AL JOLSON A STAR STUDDED SHOW HONORING AL JOLSON 10/1/1946 MUT 52 EX NET 6867 A TRIBUTE TO GEORGE GERSHWIN REMEMEBERED 00/00/61 60 EX SYN 6228 A TRIBUTE TO IRVING BERLIN ALEXANDER'S RAGTIME BAND 8/3/1938 CBS 75 VG/EX NET 2488 ABBOTT AND COSTELLO WITH MARLENA DETRICH 10/15/1942 NBC 30 VG+ COM 2489 ABBOTT -
Spider Woman
a reporter at lARgE spider woman Hunting venomous species in the basements of Los Angeles. bY buRKHARd BilgER arly one morning last year, when the of the brown recluse, but larger and lady! Spider lady! Come to the front!” streets of downtown Los Angeles more venomous. Sometime in the late Torres was standing by the cash register, wereE still mostly deserted, a strange figure nineteen-sixties, apparently, their ances- her hands on her hips. She made Binford appeared in the Goodwill store at 235 tors had ridden to California in costume scrawl out a waiver on a legal pad, then led South Broadway, next door to the Gua- crates owned by a troupe of Shakespear- her down a long, dingy hallway to the dalupe Wedding Chapel. She had on ten- ean actors from Brazil. A year or two basement door. “It’s your own risk,” she nis shoes, dungarees, and a faded blue later, they were discovered at a theatre said, pointing down the stairwell. “If I T-shirt, and was outfitted as if for a safari in the L.A. suburb of Sierra Madre don’t hear from you in two days, I call the or a spelunking expedition. A khaki vest and promptly triggered a citywide panic. authorities.” was stuffed with empty plastic vials; a “50 DeadlY SpideRS FOUND,” a front- black duffelbag across her shoulders held page headline in the Los Angeles Times piders have a bad reputation, largely a pair of high-tech headlamps, a digital announced on June 7, 1969. “VENom undeserved. The great majority aren’t camera, and a venom extractor. -
Bargaining in the Shadow of the Trial?
Bargaining in the Shadow of the Trial? Daniel D. Bonneau West Virginia University Bryan C. McCannon West Virginia University 09 March 2019∗ Abstract Plea bargaining is the cornerstone of the U.S. criminal justice system and the bargaining in the shadow of the trial framework, where the plea reached is driven primarily by the expected sentence arising from a trial, is the convention for applied economists. Criminologists and legal scholars challenge this framework. There has not been a test of the validity of the conceptual framework. We do so. We use a large data set of felony cases in Florida to estimate the plea discount received. Our identification strategy is to consider deaths of law enforcement officials, which we argue is a newsworthy tragic event affecting a local community and making violent crime salient to the citizens who make up the potential jury pool. Those cases, unrelated to the death, but already in process at the time and in the same location as the death, acts as our treated observations who experience an exogenous shock to their probability of conviction. We show that these individuals plea guilty to substantially longer sentences. This effect is especially strong for deaths of law enforcement officials who die via gunfire and are stronger when there is more internet search behavior out of local population. The reduction in the plea discount occurs across numerous serious crimes, but is essentially zero for less-serious crimes. Theory does not predict, though, what will happen to the trial rate since tougher offers from the prosecutor should lead to more trials, but the heightened conviction probability should encourage negotiation. -
744 101St Chase and Sandborn Show Anniversary Show
744 101ST CHASE AND SANDBORN SHOW ANNIVERSARY SHOW NBC 60 EX COM 5008 10-2-4 RANCH #153 1ST SONG HOME ON THE RANGE CBS 15 EX COM 5009 10-2-4 RANCH #154 1ST SONG UNTITLED SONG CBS 15 EX COM 5010 10-2-4 RANCH #155 1ST SONG BY THE SONS OF THE PIONEERS CBS 15 EX COM 5011 10-2-4 RANCH #156 1ST SONG KEEP AN EYE ON YOUR HEART CBS 15 EX COM 2951 15 MINUTES WITH BING CROSBY #1 1ST SONG JUST ONE MORE CHANCE 9/2/1931 8 VG SYN 4068 1949 HEART FUND THE PHIL HARRIS-ALICE FAYE SHOW 00/00/1949 15 VG COM 588 20 QUESTIONS 4/6/1946 30 VG- 246 20 QUESTIONS #135 12/1/48 AFRS 30 VG AFRS 247 20 QUESTIONS #137 1/8/1949 AFRS 30 VG AFRS 592 20 QUESTIONS WET HEN MUT. 30 VG- 2307 2000 PLUS THE ROCKET AND THE SKULL 30 VG- SYN 2308 2000 PLUS A VETRAN COMES HOME 30 VG- SYN 4069 A & P GYPSIES 1ST SONG IT'S JUST A MEMORY 00/00/1933 NBC 37 VG+ 1017 A CHRISTMAS PLAY #325 THESE THE HUMBLE (SCRATCHY) 30 G-VG SYN 2003 A DATE WITH JUDY WITH JOSEPH COTTON 2/6/1945 NBC 30 VG COM 938 A DATE WITH JUDY #86 WITH CHARLES BOYER AFRS 30 VG AFRS 2488 ABBOTT AND COSTELLO WITH MARLENA DETRICH 10/15/1942 NBC 30 VG+ COM 2489 ABBOTT AND COSTELLO WITH LUCILLE BALL 11/18/1943 NBC 30 VG+ COM 4071 ABBOTT AND COSTELLO WITH LYNN BARI 12/16/1943 NBC 30 VG COM 4072 ABBOTT AND COSTELLO WITH THE ANDREW SISTERS 12/26/1943 NBC 30 VG COM 2490 ABBOTT AND COSTELLO WITH BERT GORDON 12/30/1943 NBC 30 VG+ COM 2491 ABBOTT AND COSTELLO WITH JUDY GARLAND 1/6/1944 NBC 30 VG+ COM 2492 ABBOTT AND COSTELLO WITH HAROLD PERRY 1/20/1944 NBC 30 VG+ COM 4073 ABBOTT AND COSTELLO WITH THE GREAT GILDERSLEEVE 1/20/1944 NBC -
1 Living Beside the Shadow of Death by Grace Lukach It's Hard to Say
1 Living Beside The Shadow of Death By Grace Lukach It’s hard to say when my Grandpa really began to die. Complications from an elective back surgery in 2001 forced him to spend two hundred non-consecutive days of the next year institutionalized—either in the hospital, nursing home, or in-house rehabilitation center. On three separate occasions he was put on a ventilator and for nearly nineteen of those two hundred days he relied on this machine to live. It seemed as though he were dying, but somehow, after all those months of suffering, he recovered his strength and returned home. He had escaped the clutches of death. And though he never again walked independently and would dream of physical activities as simple as driving, he was able to share monthly meals with old co-workers, attend weekly mass, and watch his children—and their children—grow up for six more years. Because of modern medicine, my Grandpa experienced six more years of being alive. But then my Grandpa fell and broke his hip. Back in the hospital, he was intubated and extubated and intubated again. A permanent pacemaker was implanted as well as a dialysis port, a tracheotomy, and a feeding tube. He was on and off the ventilator. Death was the enemy and everyone was fighting with every bit of energy they could muster, but nothing could keep him alive this time. After four months in the hospital, my Grandpa finally died. My Grandma’s journey to death is much clearer. She was a fighter who had regained full mobility after suffering a debilitating stroke that paralyzed her right side at the age of fifty-four. -
The Congregational Historical Society
The Congregational Historical Society Fourth Annual Meeting The fourth Annual Meeting was held in the Memorial Hall, in the Council Chamber of the United Temperance Council, on Wednesday, May 11, 1904, at 3 p.m., Rev. Dr. Brown in the chair. Between 30 and 40 members were present. Prayl!r was offered by Rev, C. H. DAVIES. The. minutes of last meeting, having been already published, were taken as read. The HONORARY SECRETARY read the report, of which the following is a summary :- · "During the year one issue of Tramactio11s has been published; also a reprint of Browne's Treatise of Rcfonna/io11 williout Taryi11g for A11ie; and the hitherto unpublished 1Vew Years Gu(ft, lately identified in the British Museum. This document had been carefully edited by Mr. Burrage, by whom it was discovered ; and the publication was somewhat costly owing to his care for minute accuracy. One of our members, Mr. Dixon of Northampton, has also discovered the register of Browne's burial, in the parish of St. Giles in that town, October 8, 1633. At our meeting at Bournemouth in October Mr. Brciwnen read a paper on .V 011co11for111ity i II Halllpshire, which has been published in the Transaclio11s. This paper is an excellent sample of what sh_otild ba! done for most or all of the counties, so that maps might be prepared of each, similar to that which has been done of Hamp shire. During the year we have lost one member by death, Rev. C. Knibbs of Torquay, and seven by resignation. Nineteen new members have been enrolled, makiag the present number 175. -
The Mask of Mephisto
THE MASK OF MEPHISTO Maxwell Grant THE MASK OF MEPHISTO Table of Contents THE MASK OF MEPHISTO............................................................................................................................1 Maxwell Grant.........................................................................................................................................1 CHAPTER I.............................................................................................................................................1 CHAPTER II............................................................................................................................................4 CHAPTER III..........................................................................................................................................8 CHAPTER IV........................................................................................................................................11 CHAPTER V.........................................................................................................................................14 CHAPTER VI........................................................................................................................................16 CHAPTER VII.......................................................................................................................................20 CHAPTER VIII.....................................................................................................................................24