Ringkasan Publik Pt. Rimba Mandau Lestari
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.). -
JELAJAH ARSITEKTUR LAMIN SUKU DAYAK KENYAH Tri Agustin Kusumaningrum
Kementerian Pendidikan dan Kebudayaan Badan Pengembangan dan Pembinaan Bahasa JELAJAH ARSITEKTUR LAMIN SUKU DAYAK KENYAH Tri Agustin Kusumaningrum Bacaan untuk Anak Tingkat SD Kelas 4, 5, danI 6 MILIK NEGARA TIDAK DIPERDAGANGKAN JELAJAH ARSITEKTUR LAMIN SUKU DAYAK KENYAH Tri Agustin Kusumaningrum Kementrian Pendidikan dan Kebudayaan Badan Pengembangan dan Pembinaan Bahasa JELAJAH ARSITEKTUR LAMIN SUKU DAYAK KENYAH Penulis : Tri Agustin Kusumaningrum Penyunting : Kity Karenisa Ilustrator : Tri Agustin Kusumaningrum Penata Letak : Tri Agustin Kusumaningrum Diterbitkan pada tahun 2018 oleh Badan Pengembangan dan Pembinaan Bahasa Jalan Daksinapati Barat IV Rawamangun Jakarta Timur Hak Cipta Dilindungi Undang-Undang Isi buku ini, baik sebagian maupun seluruhnya, dilarang diperbanyak dalam bentuk apa pun tanpa izin tertulis dari penerbit, kecuali dalam hal pengutipan untuk keperluan penulisan artikel atau karangan ilmiah. Katalog Dalam Terbitan (KDT) PB 398.209 598 4 Kusumaningrum, Tri Agustin KUS Jelajah Arsitektur Lamin Suku Dayak Kenyah/Tri j Agustin Kusumaningrum; Penyunting: Kity Karenisa; Jakarta: Badan Pengembangan dan Pembinaan Bahasa, Kementerian Pendidikan dan Kebudayaan, 2018. viii; 81 hlm.; 21 cm. ISBN 978-602-437-498-3 CERITA RAKYAT – KALIMANTAN ARSITEKTUR, INDONESIA KESUSASTRAAN ANAK INDONESIA SAMBUTAN Sikap hidup pragmatis pada sebagian besar masyarakat Indonesia dewasa ini mengakibatkan terkikisnya nilai-nilai luhur budaya bangsa. Demikian halnya dengan budaya kekerasan dan anarkisme sosial turut memperparah kondisi sosial budaya bangsa Indonesia. Nilai kearifan lokal yang santun, ramah, saling menghormati, arif, bijaksana, dan religius seakan terkikis dan tereduksi gaya hidup instan dan modern. Masyarakat sangat mudah tersulut emosinya, pemarah, brutal, dan kasar tanpa mampu mengendalikan diri. Fenomena itu dapat menjadi representasi melemahnya karakter bangsa yang terkenal ramah, santun, toleran, serta berbudi pekerti luhur dan mulia. -
INDO 81 0 1149868711 23 50.Pdf (562.6Kb)
Colonizing Borneo: State-building and Ethnicity in Central Kalimantan Gerry van Klinkeri Provinces are curious things. They are administrative arrangements that allow the state to reach deeper into the countryside. Provincial bureaucracy is hardly an exciting business, except perhaps for bureaucrats. But provinces can also be vehicles for an identity. Then they become charged with a powerful, if ambiguous, sentiment, the provincial community's feeling that it at once belongs to the greater nation yet remains separate from it. The contrast between the two sides of this provincial phenomenon has a parallel in the nation-state. Though usually mentioned in one breath, the nation and the state in the phrase nation-state also live in different worlds. The nation is the human community that belongs to an envisaged territory. The state is the set of institutions by which that territory is ruled. Modern nationalism has persuaded us that the fused entity is more real than its separate parts, but it was not always so. Many new provinces were created in Indonesia in the late 1950s, Central Kalimantan among them. It was affected by and contributed to the dramatic tension that enveloped the regions beyond Jakarta. These were still the heady years of nationalism. All those who helped create Central Kalimantan in 1957 spoke of it in terms of the "nation"—that is, they perceived its establishment as an identity issue. Thanks to staff at the Nationaal Archief in The Hague, who gave permission to quote from the archives of the Nederlands Commissariaat at Banjarmasin of the 1950s; to Henk Schulte Nordholt, Antonius Made Tony Supriatma, and T. -
T Shirt Key 1 Temp
1 Takouba Tuareg (Saharan Africa), late 32 Jambiya Persian (Iran), 18th century. 20th century. 33 Talwar Moghul (India), 18th century. 2 Allarh Tuareg (Saharan Africa), mid- Ethnographic Edged Weapons Resource Site 34 Jambiya Arabian, early 20th century. 20th century. 35 Talibon (Philippines), 20th century. 3 Halberd Swiss or German, early 16th 36 Wakizashi Japanese, 17th century. century. 37 Koummya Moroccan, 20th century. 4 Axe American (United States), late 20th century. 38 Yataghan Ottoman (Turkey), 18th century. 5 Mambeli Azande (central Africa), late 19th to early 20th century. 39 Nimcha Moroccan, 19th century. 6 Flissa Berber (north Africa), early 20th 40 Khukuri Nepalese, 20th century. century. 41 Talwar Moghul (India), 19th century. 7 Phirangi (Firangi) Hindu (southern 42 Talwar Moghul (India), 19th century. India), 17th century. 43 Khukuri Nepal, 19th century. 8 Bronze Sword (central Europe), 9th to 44 Shotel Abyssinian (Ethiopia), 19th 11th century B.C. century. 9 Claymore (Basket Hilted Broadsword) 45 Keris (Kris) Javanese, 20th century. Scottish, 18th century. 46 Pinahig Ifugao, Igorot (northern Luzon, 10 Pata Mahratta (southern India), 18th Philippines), 20th century. century. 47 Keris (Kris) Moro (Philippines), 20th 11 Bronze Sword (central Europe), 11th to century. 15th century B.C. 48 Piha-Khetta Sinhalese (Sri Lanka), late 12 Mandau (Parang Ihlang) Dyak 19th century. (Kalimantan (Borneo)), 19th century. 49 Noklang Khasi (Assam, India), 19th 13 Telek (Arm Dagger) Tuareg (Saharan century. Africa), late 20th century. 50 Zweihander (Two handed sword) 14 Head Axe Igorot (northern Luzon, German, late 16th century. Philippines), 19th - 20th century. 51 Bastard Sword (Hand and a half 15 Telek (Arm Dagger) Tuareg (Saharan sword) German, late 14th century. -
Pragmatic Nationalism Through Cultural Identities in Good News from Indonesia Instagram Account
Allusion, Volume 06 No 01 February 2017, 1-8 Pragmatic Nationalism through Cultural Identities in Good News From Indonesia Instagram Account Annisa Rochma Sari Diah Ariani Arimbi English Department, Universitas Airlangga Abstract The mainstream media in Indonesia has blatantly exposed unbalance coverage towards phenomena across the country. Inevitably, it leads to the pessimistic response from the citizens, which affects their nationalism spirit. Emerging as an alternative media, GNFI eagerly provides ‘the good news’ to counter such hegemony of mass media. This study aims to show how GNFI Instagram account constructs alternative discourse to raise the spirit of nationalism through its images. Besides, this research uses a theory of imagined communities by Benedict Anderson and new media by Denis Mc Quail combined within critical visual analysis to discern the images. The result shows that GNFI has been consistently portraying cultural identities in a form of good news since it was actively engaged with audiences in Instagram. Secondly, GNFI also re-contextualizes particular issues in the images to fit with current regime as well as global circumstances. As for the last, GNFI also maximizes its online platform to reach wider audiences; particularly the Indonesians not living in the territorial yet believe that they are part of imagined communities of Indonesia. In conclusion, the efforts of GNFI to portray such cultural identities resemble the notion of pragmatic nationalism in which highly focuses on solving the problems in Indonesia without losing the identity of being Indonesian. Keywords: GNFI, instagram, pragmatic nationalism 1. Introduction Indonesia’s mainstream media provide less space to depict the actualization of Bhinneka Tunggal Ika and Pancasila through socio-cultural practices in the entire territorial area of Indonesia, from Sabang to Merauke. -
Produk Convivial Society Indonesia
PRODUK CONVIVIAL SOCIETY INDONESIA Penulis: Kumara Sadana Putra, S.Ds., M.A. (email: [email protected] ) Program Studi Desain Manajemen Produk Fakutlas Industri Kreatif Universitas Surabaya Jl.Raya Kalirungkut Surabaya ABSTRACT Indonesia has an endless diversity of natural resources and human craftmenship expertise resources, saving a million potential to be developed. Many products are functional and aesthetic have been produced a long time ago, such as carts, gendongan jamu, kentongan, bedug, becak, delman, angklung, etc. Those genius products are appear without the participation of product designer who earned a formal education in the modern era. Ivan Illich, an Austrian Design Sociology expert, wrote a theory in Tools for Conviviality (1973). Illich saw one other alternative to post industrial society, namely the implementation and development of technology convivial form of integration of ethics, morality, and social change that is more humane. Illich assess, design science of nature can also be used to simplify the tools to enable ordinary people to build their own environment. Convivial society is a society that has freedom in running their daily life. They are built with the possibility of each of its members to run its system of social life independently without the help of others. Designs that living in such a society, must be the designs that are actually understated, easy to use, the material there is around and the community to create their own. This theory underlying the exploration from the writer to open the eyes more clearly and observe products around us that have emerged, which still continues to use modern society. So we can more proud to use products made by our own people. -
Humanitarian Diplomacy
United Nations University Press is the publishing arm of the United Nations University. UNU Press publishes scholarly and policy-oriented books and periodicals on the issues facing the United Nations and its peoples and member states, with particular emphasis upon international, regional and trans-boundary policies. The United Nations University was established as a subsidiary organ of the United Nations by General Assembly resolution 2951 (XXVII) of 11 December 1972. It functions as an international community of scholars engaged in research, postgraduate training and the dissemination of knowledge to address the pressing global problems of human survival, development and welfare that are the concern of the United Nations and its agencies. Its activities are devoted to advancing knowledge for human security and development and are focused on issues of peace and governance and environment and sustainable development. The Univer- sity operates through a worldwide network of research and training centres and programmes, and its planning and coordinating centre in Tokyo. Humanitarian diplomacy Humanitarian diplomacy: Practitioners and their craft Edited by Larry Minear and Hazel Smith United Nations a University Press TOKYO u NEW YORK u PARIS 6 United Nations University, 2007 The views expressed in this publication are those of the authors and do not nec- essarily reflect the views of the United Nations University. United Nations University Press United Nations University, 53-70, Jingumae 5-chome, Shibuya-ku, Tokyo 150-8925, Japan Tel: þ81-3-3499-2811 Fax: þ81-3-3406-7345 E-mail: [email protected] General enquiries: [email protected] http://www.unu.edu United Nations University Office at the United Nations, New York 2 United Nations Plaza, Room DC2-2062, New York, NY 10017, USA Tel: þ1-212-963-6387 Fax: þ1-212-371-9454 E-mail: [email protected] United Nations University Press is the publishing division of the United Nations University. -
Redbeasts Edge Bloodstained
Redbeasts edge bloodstained Continue From before I play go to Navigating Go to Search General there is a teleport location directly above the center in the village. You get access to it by leaving the village to the right of the screen, which has two bones throwing corpses, then immediately going out to the top left on this screen. There is a poorly telegraphed quest in the middle of the game where the triggers to the characters explain it you so easily missed them are just going to spoil what to do. After beating the boss of the fight, consisting of two dragons, go down to the tower and collect the object in the gold chest. With this item, return to the room in the village hub with the nun and take pictures in the portrait studio. With this photo then go back to the librarian in the castle and hell make you pass on the train. If you end the game have armor you may find that ignores the spikes. You technically don't need it to beat the game, but very late in the game there is a corridor of spikes you need to pass and this is by far the easiest way. Not all NPCs in your home base will be inside the actual building. Check out the area on the left, some pretty useful NPCs eventually pop up there. You can buy Waystones (which teleport you to base) from a nun pretty cheap. It's usually a good idea to have some with you in case you ever find yourself with a low HP away from any conservation sites. -
Seisiw'i-UN Sets On- Laos Strife
ATcraRc Dally N«t PfCM Ron T h e W m Um # Peraaae* of 0. S. WeaMar DM ror the Weak B aM May Mrk, MM Fisir and mild limiglit. Ija*r dS- AS. Wsditpeday moetty aoaily- 6oa- 12,925 Hnned wan it and more k m m . Manbar at tha- Aadit Hlidi Ad-at. Bniwaa of OrealotloH Mtmche$t*r--^A City of Village Charm VOL. LXXVIII, NO. 288 (SIXTEEN PAGES) MANCHESTER, CONN., TUESDAY, SEPTEMBER 8, 1»59 (ObMolflaa Atfocrtlatag oa Faga 14) PRICE FIVE CENTS Night Bombers SEiSiW'i-UN Sets On- V . Hit Little Rock B.V TH^ A8SOC1ATF.D PRF>1« Public school integration Thui^sdayp L came to Florida for the first Little Rock, Ark., Sept. bombed atmetureg after toga- time today when four Negroes ... ' . : 1ing objects at them. BlitBut MMno ara O'- (/F) — Three night bombings entered Miami’s Orchard Villa Washington, Sept. 8 (/P) J L J L rests had been made hours after -—President Elsenhower will Laos Strife threw Little Rock into a new the explosions. Elementary Scho >1 along with case of Integration jitters to Nalley's flremfo helped police several white children. There make a radio-television report day. turn back some "OO segregation were no incidents. \ ,fo the people Thursday night 'Hie blaatg laiA night erhned ists in a march on .Central High .Shortly before the scheduled on his talks with Allied lead through town In /■apid-flre guc- School on the opening of school 8:30 a.m". opening of the fall term, ers in we.stern F^urope. -
The Other Tiger: History, Beliefs, and Rituals in Borneo
The Other Tiger : History, Beliefs, and Rituals in Borneo Bernard Sellato To cite this version: Bernard Sellato. The Other Tiger : History, Beliefs, and Rituals in Borneo. Institute of Southeast Asian Studies –Yusof Ishak Institute, 2019. halshs-02173873 HAL Id: halshs-02173873 https://halshs.archives-ouvertes.fr/halshs-02173873 Submitted on 27 Jun 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. The Other Tiger. History, Beliefs, and Rituals in Borneo Bernard Sellato# Un tercer tigre buscaremos. Éste será como los otros una forma de mi sueño, un sistema de palabras humanas y no el tigre vertebrado que, más allá de las mitologías, pisa la tierra. Bien lo sé, pero algo me impone esta aventura indefinida, insensata y antigua, y persevero en buscar por el tiempo de la tarde el otro tigre, el que no está en el verso. Jorge Luis Borges, “El otro tigre” (1960) In what distant deeps or skies Burnt the fire of thine eyes? William Blake (1757–1827) INTRODUCTION So far as is known today, the true tiger, Panthera tigris (L.), does not (any longer) exist in Borneo. Among the island‟s indigenous peoples, however, the tiger has a significant reality in historical traditions, folk literature, myths, beliefs, and rituals. -
Pemajuan Kebudayaan Dalam Rangka Menjadikan Kalimantan Timur Sebagai Tujuan Wisata Berkelas Dunia
Prosiding Seminar Nasional Program Pascasarjana Universitas Warmadewa Kerjasama Dengan Program Pascasarjana Universitas Mulawarman “Harapan Masyarakat dan Kearifan Lokal dengan Pemindahan Ibu Kota Negara ke Kalimantan” Pemajuan Kebudayaan Dalam Rangka Menjadikan Kalimantan Timur Sebagai Tujuan Wisata Berkelas Dunia I Ketut Widia Program Studi Magister Ilmu Linguistik, Universitas Warmadewa Denpasar, Bali E-mail: [email protected] KATA KUNCI ABSTRAK ________________ ___________________________________________________________________ Istilah “pemajuan kebudayaan” tidak muncul tiba-tiba. Istilah tersebut sudah Pemajuan, digunakan para pendiri bangsa pada UUD 1945 dalam Pasal 32, yaitu “Pemerintah Kebudayaan, memajukan kebudayaan nasional Indonesia”, untuk menegaskan bahwa kebudayaan merupakan pilar kehidupan bangsa. Pasal 32 UUD 1945 dikembangkan menjadi, Kalimantan Timur, “Negara memajukan kebudayaan nasional Indonesia di tengah peradaban dunia Pariwisata berkelas dengan menjamin kebebasan masyarakat dalam memelihara dan mengembangkan dunia. nilai-nilai budayanya.” Dengan kehadiran UU Pemajuan Kebudayaan, cita-cita ____________________ pendiri bangsa agar Indonesia menjadi bangsa dengan masyarakat berkepribadian secara budaya, berdikari secara ekonomi, serta berdaulat secara politik, kini siap diwujudkan. Tujuan penelitian ini adalah untuk mengetahui jenis kebudayaan yang mendesak untuk dikembangkan dan dimajukan dalam rangka menjadikan Kalimantan Timur menjadi tujuan wisata berkelas dunia dan untuk mendeskripsikan upaya pemajuan -
The Meaning of Mandau and Sumpit As Weapon Dayak’S Tribe (A Semiotic Approach)
ISSN 0216 - 809X (Print) ISSN 2685– 4112 (Online) The Meaning Of Mandau And Sumpit As Weapon Dayak’s Tribe (A Semiotic Approach) Muli Umiaty Noer1, Putri Nurbaizura2 1,Sastra Indonesoa, Fakultas Sastra, Universitas Muslim Indonesia 1 [email protected] 2 Sastra Indonesoa, Fakultas Sastra, Universitas Muslim Indonesia Abstract The writer obtain data by direct observation and other books or documents are relevant with the culture in North Kalimantan. Through Semiotic approach, that was determined to use icon, index and simbol, we knew the purpose and the real meaning of Mandau and Sumpit in connection with life manner of Dayak tribe. The type of this research is purposive sampling and semiotic approach. Large samples are 5 types of Mandau and 14 type of Mandau Dance. The object of this research is the Dayak community and all assosiated with Mandau and Sumpit in Dayak. The result showed that mandau and sumpit is as objects of art and culture, souvenirs, goods collection and weapons to hunt, trim scrub and are also used as an instrument for farm and agricultural. Keywords: Semiotic Analysis, Mandau and Sumpit, Dayak Tribe which have influenced one each other. Each 1. Introduction society has value forces of glorious culture Indonesia is known has various ethnic which become orientation in space of their life. groups because it consists of some ethnic and In terminology, culture value It self means their habit. Those diversities can be seen by abstract concept concerned to the basic issue the characteristic of every ethnic. But all of which is very important valuable in human them will come to write in diversity, mutual life.