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Writing and Modernity: Colette's Feminist Fiction. Lezlie Hart Stivale Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1991 Writing and Modernity: Colette's Feminist Fiction. Lezlie Hart Stivale Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Stivale, Lezlie Hart, "Writing and Modernity: Colette's Feminist Fiction." (1991). LSU Historical Dissertations and Theses. 5211. https://digitalcommons.lsu.edu/gradschool_disstheses/5211 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
A Survey of the Study in Relation to Her Life and Work
Wilfrid Laurier University Scholars Commons @ Laurier Theses and Dissertations (Comprehensive) 1968 Colette’s Study of Love: A Survey of the Study in Relation to Her Life and Work Arthur LeBlanc Wilfrid Laurier University Follow this and additional works at: https://scholars.wlu.ca/etd Part of the French and Francophone Literature Commons Recommended Citation LeBlanc, Arthur, "Colette’s Study of Love: A Survey of the Study in Relation to Her Life and Work" (1968). Theses and Dissertations (Comprehensive). 1135. https://scholars.wlu.ca/etd/1135 This Thesis is brought to you for free and open access by Scholars Commons @ Laurier. It has been accepted for inclusion in Theses and Dissertations (Comprehensive) by an authorized administrator of Scholars Commons @ Laurier. For more information, please contact [email protected]. / ' COLETTE'S STUDY OF LOVE A Survey of the Study in Relation To Her Life and Work by Arthur LeBlano B.A. A Thesis n„ submitted in conformity with the requirements for the degree of Master of Arts in Waterloo Lutheran University 1968 Prcpcri> J» the Library Wataloa 'Jru.ersliy College UMI Number: EC56479 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI EC56479 Copyright 2012 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. -
Women with Women, Without Men: the Emergence of Lesbian Themed Novels in 1920S and 1930S in London and Paris by Velid Beganovi
Women with Women, without Men: The Emergence of Lesbian Themed Novels in 1920s and 1930s in London and Paris By Velid Beganović Submitted to Central European University Department of Gender Studies In partial fulfilment for the degree of Master of Arts in Gender Studies Supervisor: Professor Erzsébet Barát Second Reader: Professor Jasmina Lukić CEU eTD Collection Budapest, Hungary, 2010 This page intentionally left blank. CEU eTD Collection ii Abstract This thesis is a product of my interest in the pioneering, explicitly lesbian themed novels which started appearing in the late 1920s and early 1930s in London and Paris. By ‘lesbian themed novels’ I mean only those novels which were written by women, who themselves at some points in their lives were attracted to other women. Most of the analysis focuses on the period around the year of 1928, when three lesbian themed novels were published in English: Orlando: A Biography by Virginia Woolf, The Well of Loneliness by Radclyffe Hall, and Ladies Almanack by Djuna Barnes. The first such explicitly lesbian novel in the French language, which was partially published in 1932, was The Pure and the Impure by Colette. The four novels, all came out of two quite famous smaller communities of London and Paris – the Bloomsbury group and the Left Bank community, respectively. In the thesis I am using the discourse analysis, as defined by Fran Tonkiss1 to try and pinpoint the various factors that influenced the writing, censuring, and printing of these novels. I conduct a closer reading of the novels themselves, the available biographical materials on the lives of the authors, as well as the criticism and studies that appeared after the books have been published. -
Women in Silent Cinema
ANNETTE FÖRSTER WOMEN IN THE SILENT CINEMA Histories of Fame and Fate FRAMING FILM EYE FILMMUSEUM WOMEN IN THE SILENT CINEMA FRAMING FILM FRAMING FILM is a book series dedicated to theoretical and analytical studies in restoration, collection, archival, and exhibition practices in line with the existing archive of EYE Filmmuseum. With this series, Amsterdam University Press and EYE aim to support the academic research community, as well as practitioners in archive and restoration. SERIES EDITORS Giovanna Fossati, EYE Filmmuseum & University of Amsterdam, the Netherlands Leo van Hee, EYE Filmmuseum Frank Kessler, Utrecht University, the Netherlands Patricia Pisters, University of Amsterdam, the Netherlands Dan Streible, New York University, United States Nanna Verhoeff, Utrecht University, the Netherlands EDITORIAL BOARD Richard Abel, University of Michigan, United States Jane Gaines, Columbia University, United States Tom Gunning, University of Chicago, United States Vinzenz Hediger, Goethe University Frankfurt, Germany Martin Koerber, Deutsche Kinemathek, Germany Ann-Sophie Lehmann, University of Groningen, the Netherlands Charles Musser, Yale University, United States Julia Noordegraaf, University of Amsterdam, the Netherlands William Uricchio, Massachusetts Institute of Technology, United States Linda Williams, University of California at Berkeley, United States ANNETTE FÖRSTER WOMEN IN THE SILENT CINEMA Histories of Fame and Fate AMSTERDAM UNIVERSITY PRESS Published by EYE Filmmuseum / Amsterdam University Press Cover illustration: Top: Nell Shipman in baree, son of kazan (fragment, see page 329) Middle: Musidora, publicity portrait (fragment, see page 136) Bottom: Adriënne Solser in an unidentified film (fragment, see page 98) Cover design and lay-out: Magenta Ontwerpers, Bussum Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. -
View, the Reader Had to Believe She Was a Man
Arts & Humanities Liberté, Égalité, Sexualité Erica Jong meets Colette. By Lacy Warner '16SOA | Winter 2017-18 Colleen O'Hara On a recent evening in the Maison Française, Elisabeth Ladenson ’94GSAS, professor of French and comparative literature, introduced her fellow speaker, Erica Jong ’63BC, ’65GSAS, by declaring that she was so well known, and so prolific, that she had moved even Bob Dylan to poetry. From the middle of Dylan’s song “Highlands”: Then she says, “You don’t read women authors, do you?” Least that’s what I think I hear her say “Well,” I say, “how would you know and what would it matter anyway?” “Well,” she says, “you just don’t seem like you do!” I said, “You’re way wrong” She says, “Which ones have you read then?” I say, “I read Erica Jong!” Erica Jong: the author men once read so they could understand what women want — in and out of the bedroom. Jong’s first novel, Fear of Flying, introduced the catch phrase “the zipless fuck” — a casual sexual encounter — and she still has a reputation as a writer people reach for only to get to the bedroom parts. But there’s a lot more to Jong than her empowered sexuality and her status as what she calls the “happy hooker” of literature, a reference to Penthouse columnist Xaviera Hollander’s 1971 memoir about her time as a New York call girl. In fact, Jong’s twenty-five books include seven volumes of poetry and a biography of her late friend and biggest fan, the novelist Henry Miller, called The Devil at Large. -
Space, Consciousness, and Gender in Colette
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 1-1-1993 Space, Consciousness, and Gender in Colette William A. Parnell Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Let us know how access to this document benefits ou.y Recommended Citation Parnell, William A., "Space, Consciousness, and Gender in Colette" (1993). Dissertations and Theses. Paper 742. https://doi.org/10.15760/etd.742 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. AN ABSTRACT OF THE THESIS OF William A. Parnell for the Master of Arts in French presented May 5, 1993. Title: Space, Consciousness, and Gender in Colette. APPROVED BY THE MEMBERS OF THE THESIS COMMITTEE: Rita R. Vistica Eric Swenson Colette's desire, to reveal the different levels of difficulties in relationships, results in the creation of three masterpieces, L e Ble en Herbe, La Chatte, and La Vagabonde. Through her characters in these novels, the author exposes the spatial boundaries set by each 2 couple. Also, she concentrates on the maturation of the protagonists. The woman's function in society transforms as she gains personal power, and she becomes self-reliant. Finally, Colette evades sexual stereotyping by introducing the reader to the issues of gender and androgyny. She helps to dispel the sexual myths around the. idea of normal stereotyping. Themes such as male and female phYSical characteristics and related "socially acceptable" behaviors are addressed. -
Polymorphous Domesticities: Pets, Bodies, and Desire in Four Modern Writers
UC Irvine FlashPoints Title Polymorphous Domesticities: Pets, Bodies, and Desire in Four Modern Writers Permalink https://escholarship.org/uc/item/3p449809 Author Schiesari, Juliana Publication Date 2012-03-01 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Polymorphous Domesticities FlashPoints The series solicits books that consider literature beyond strictly national and disciplinary frameworks, distinguished both by their historical grounding and their theoretical and conceptual strength. We seek studies that engage theory without losing touch with history and work historically without falling into uncritical positivism. FlashPoints aims for a broad audience within the humanities and the social sciences concerned with moments of cultural emergence and transformation. In a Benjaminian mode, FlashPoints is interested in how literature contributes to forming new constellations of culture and history and in how such formations function critically and politically in the present. Available online at http://repositories.cdlib.org/ucpress. Series Editors Ali Behdad (Comparative Literature and English, UCLA) Judith Butler (Rhetoric and Comparative Literature, UC Berkeley), Founding Editor Edward Dimendberg (Film & Media Studies, UC Irvine), Coordinator Catherine Gallagher (English, UC Berkeley), Founding Editor Jody Greene (Literature, UC Santa Cruz) Susan Gillman (Literature, UC Santa Cruz) Richard Terdiman (Literature, UC Santa Cruz) 1. On Pain of Speech: Fantasies of the First Order and the Literary Rant, by Dina Al-Kassim 2. Moses and Multiculturalism, by Barbara Johnson, with a foreword by Barbara Rietveld 3. The Cosmic Time of Empire: Modern Britain and World Literature, by Adam Barrows 4. Poetry in Pieces: César Vallejo and Lyric Modernity, by Michelle Clayton 5. Disarming Words: Empire and the Seductions of Translation in Egypt, by Shaden M. -
Dec. 1961, Vol. 06 No. 03
THE LADDER DECEMBER 1961 50i Deoember I 96I purpose of the ik e LoiddeJi Volume 6, H u aber 3 Published monthly by the Daughters of BMItls, Inc., o non profit corporation, 1232 Market Street, Suite 108, Son Fran 9^ BILITIS cisco 2, Californio. Telephone: UNderhill 3 — 8196. A WOMES’S ORGANIZATION FOR THE PURPOSE OF PROMOTING NATIONAL OFFICERS, DAUGHTERS OF BILITIS, INC. THE INTEGRATION OP THE HOMOSEXUAL INTO SOCIETY BY: President — Jaye Bell Pice President — Helen Sanders ................ Recording Secretary — Dottle Dec Corresponding Secretary — Chris Hayden Public Relations Director — Jo Carson Treasurer — Ev Howe THE LADDER STAFF Editor — Del Martin O Education of the variant, with particular emphasis on the psych Assistant Editor — Elaine Kingston ological, physiological and sociological aspects, to enable her Los Angeles Reporter — Sten Russell to understand herself and make her adjustment to society in all Production Manager — Patty Patterson its social, civic and economic implications— this to be accomp Circulation Manager — Clco Glenn lished by establishing and maintaining as complete a library as possible of both fiction and non-fiction literature on the sex de THE LADDER is regarded as a sounding board for various points of view on the homophile and related subjects and viant theme;, by sponsoring public discussions on pertinent sub does not necessarily reflect the opinion of the organisation. jects to be conducted by leading members of the legal, psychiat ric, religious and other professions; by advocating a mode of be havior and dress acceptable to society. 0 Education of the public at large through acceptance first of the individual, leading to an eventual breakdown of erroneous taboos and prejudices; through public discussion meetings aforemen tioned; through dissemination of educational literature on the homosexual theme. -
Colette and Marriage a Thesis Submitted to the Faculty of Atlanta University in Partial Fulfillment of the Requirements For
COLETTE AND MARRIAGE A THESIS SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY EDTIA MARGARET GRAHAM DEPARTMENT OF FRENCH ATLANTA, GEORGIA- AUGUST 1945 ii TABLE OF CONTENTS Chapter Page I. INTRODUCTION 1 IT. THE LIFE 0^ COLETTE: ITS INFLUENCE ON HER VIEWS OF MARRIAGE ' 5 III. MARRIAGE IN THE JOINTLY WRITTEN NOVELS 12 IV. MARRIAGE IN THE NOVELS WRITTEN BY COLETTE ALONE 22 V. CONCLUSION 56 BIBLIOGRAPHY 58 CHAPTER I INTRODUCTION Through the centuriee, the women of France have assumed a noteworthy position in their development of the literary culture of their country. The names of some of them are not to he forgotten. There are, for example, Mademoiselle de la Scudery, Madame de La Fayette, Madame de Eevigne’, Madame de Staël, and George Sand. The feminine offering to contemporary literature is not so great as that of past centuries; however, the few works that have been produced equal in value and significance the contributions of former years. The productions of Madame Sidonie Cabrielle Colette Goudeket receive that dis¬ tinction and, in certain regards, the author herself is considered a veritable phenomenon in the history of feminine literature. As one of the women geniuses of France, Colette (the non de plume of Madame Goudeket) has written many sensational, yet informative and charming¬ ly written novels based chiefly on the relations, both physical and legal, existing between men and vvomen of French society. Marriage is a universal topic upon which all feminine reason may theorize, and when one forms a reading acquaintance with a woman who has expressed many individualistic views on the subject, one seeks to discover the causes of her idées and the philosophy that has resulted. -
Production Notes
PRODUCTION NOTES Runtime: 111 Mins Australian Publicity Contact: Transmission Films | Amy Burgess, National Publicity Manager [email protected] THE CAST Colette...............................................................................................................................Keira Knightley Willy.....................................................................................................................................Dominic West Missy............................................................................................................................Denise Gough Sido............................................................................................................................................Fiona Shaw Georgie Raoul-Duval.................................................................................................Eleanor Tomlinson Jules..........................................................................................................................................Robert Pugh Veber......................................................................................................................................Ray Panthaki THE FILMMAKERS Directed by.......................................................................................................Wash Westmoreland Screenplay by................................Richard Glatzer, Wash Westmoreland, Rebecca Lenkiewicz Story by.............................................................................................................................Richard -
PRPL Master List 6-7-21
Author Title Publication Info. Call No. Abbey, Edward, 1927- The serpents of paradise : a reader / Edward Abbey ; edited by New York : H. Holt, 813 Ab12se (South Case 1 Shelf 1989. John Macrae. 1995. 2) Abbott, David, 1938- The upright piano player : a novel / David Abbott. London : MacLehose, Abbott (East Case 1 Shelf 2) 2014. 2010. Abe, Kōbō, 1924-1993. Warau tsuki / Abe Kōbō [cho]. Tōkyō : Shinchōsha, 895.63 Ab32wa(STGE Case 6 1975. Shelf 5) Abe, Kōbō, 1924-1993. Hakootoko. English;"The box man. Translated from the Japanese New York, Knopf; Abe (East Case 1 Shelf 2) by E. Dale Saunders." [distributed by Random House] 1974. Abe, Kōbō, 1924-1993. Beyond the curve (and other stories) / by Kobo Abe ; translated Tokyo ; New York : Abe (East Case 1 Shelf 2) from the Japanese by Juliet Winters Carpenter. Kodansha International, c1990. Abe, Kōbō, 1924-1993. Tanin no kao. English;"The face of another / by Kōbō Abe ; Tokyo ; New York : Abe (East Case 1 Shelf 2) [translated from the Japanese by E. Dale Saunders]." Kodansha International, 1992. Abe, Kōbō, 1924-1993. Bō ni natta otoko. English;"The man who turned into a stick : [Tokyo] : University of 895.62 Ab33 (East Case 1 Shelf three related plays / Kōbō Abe ; translated by Donald Keene." Tokyo Press, ©1975. 2) Abe, Kōbō, 1924-1993. Mikkai. English;"Secret rendezvous / by Kōbō Abe ; translated by New York : Perigee Abe (East Case 1 Shelf 2) Juliet W. Carpenter." Books, [1980], ©1979. Abel, Lionel. The intellectual follies : a memoir of the literary venture in New New York : Norton, 801.95 Ab34 Aa1in (South Case York and Paris / Lionel Abel. -
Colettes France: Her Life and Loves Pdf, Epub, Ebook
COLETTES FRANCE: HER LIFE AND LOVES PDF, EPUB, EBOOK Jane Gilmour | 220 pages | 01 Oct 2013 | HARDIE GRANT BOOKS | 9781742705354 | English | South Yarra, Australia Colettes France: Her Life and Loves PDF Book Picnic Spots. The Tendrils of the Vine. More articles by Gillian Ching. Categories Book Reviews subscribe. Colette was by then an established writer The Vagabond had received three votes for the prestigious Prix Goncourt. She never gave Missy as much love as she would have desired, instead taking advantage of her and more or less appropriating Rozven, a Brittany villa, from her after they split up. Colette had no access to the sizable earnings of the Claudine books — the copyright belonged to Willy — and until she initiated a stage career in music halls across France, sometimes playing Claudine in sketches from her own novels, earning barely enough to survive and often hungry and unwell. She continued to write during those years, bringing out L'Etoile Vesper and Le Fanal Bleu , in which she reflected on the problems of a writer whose inspiration is primarily autobiographical. Just a moment while we sign you in to your Goodreads account. Rating details. Wikimedia Commons Wikiquote. Told through the locations in France where she lived, worked, an A lavishly illustrated biography of the lively and often controversial life of Colette, the French writer, artist, and intellectual. Knowing next to nothing about Colette, I learned about this woman's unusual life. Notify me. Beautiful book - felt like reading an adults information book. On sleepy summer Saturday afternoons, Mrs. Ann Oliveri rated it really liked it Sep 21, Retrieved 3 January Follow us.