6 Artisan Spring 2014
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68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
Paul Boyce Make up and Hair Designer
Paul Boyce Make Up and Hair Designer Credits include: MONSOON Director: Hong Khaou Drama Producers: Tracy O’Riordan, Ameenah Ayub Allen Featuring: Henry Golding, Parker Sawyers, Molly Harris Production Co: BFI / BBC Films / Moonspun Films THE LAST DRAGONSLAYER Director: Jamie Magnus Stone Fantasy Action Drama Producer: Laura Hastings-Smith Ellise Chappell, John Bradley, Ricky Make-Up & Hair Supervisor Featuring: Tomlinson Designer: Sue Michael Production Co: Blueprint Pictures / Sky One HOUDINI AND DOYLE Director: Jeff Renfroe Mystery Drama Series - Eps 9, 10 Producers: Suzanne Colvin, Adrian Sturges Michael Weston, Stephen Managan, Make-Up & Hair Supervisor Featuring: Rebecca Liddiard Designer: Sue Michael Production Co: Big Talk Productions / Fox / ITV EVE Directors: Adrian McDowall, Adrian Mead Sci-Fi Drama Jonathan Fox Bassett, Lynsey Miller Producers: Peter Gallagher, Jeremy Swimer Poppy Lee Friar, Jane Asher, Michael Featuring: Wildman Production Co: Leopard Drama / CBBC IN THE HEART OF THE SEA Director: Ron Howard Brian Grazer, Ron Howard, Marshall Period Action Adventure Producers: Herskovitz Make-Up & Hair, Prosthetic Artist Joe Roth, Paula Weinstein Chris Hemsworth, Cillian Murphy, Charlotte Designer: Fae Hammond Featuring: Riley Production Co: Spring Creek Productions / Warner Bros. WHITE SETTLERS Director: Simeon Halligan Horror Mystery Thriller Producer: Rachel Richardson-Jones Pollyanna McIntosh, Lee Williams, Joanne Featuring: Mitchell Production Co: Not A Number HYENA Director: Gerard Johnson Elizabeth Karlsen, Joanna -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Making Faces Article
Making Faces By Jess Cagle/Glendale recalls Baker, a horror-movie fan Seuss's How the Grinch Stole Driving through the town of who at the age of 10 scrapped his Christmas. Next year Baker creates Covina, Calif., circa 1960, you plan to become a doctor for the an entire simian society in a remake might have spotted seemingly dream of becoming a Hollywood of Planet of the Apes, with Mark healthy children in the distance makeup artist. "There was one guy I Wahlberg. Baker calls it "a film I playing on small lawns of modest made up with this horrible burn. He was born to do." homes. As you approached, you went home, and his father was At Cinovation, Baker's makeup- would have seen their wounds--the hysterical." effects company in Glendale, Calif., gashes in their faces and the bullet Four decades and five Oscars corpses dangle from the ceiling and holes in the sides of their heads. And later, Baker, 49, is still making the a towering grim reaper stands guard they would have kept on playing, impossible believable. In this week's outside his office, holding a sword. oblivious to your horror. Nutty Professor II: The Klumps, Baker is famously stubborn You would not have entered the Baker again transforms Eddie ("extremely committed to his artistic Twilight Zone. You would simply Murphy into the Klump clan. In belief system" is how Nutty II have caught young Rick Baker November he helps Jim Carrey give producer Brian Grazer puts it), having fun. "I liked people to a Bronx cheer to the holidays in Ron wears his hair in a ponytail and believe the makeup I did was real," Howard's live-action comedy Dr. -
Meryl Streep Emily Blunt James Corden Anna Kendrick Chris Pine Johnny Depp
Meryl Streep Emily Blunt James Corden Anna Kendrick Chris Pine Johnny Depp Diretto da Rob Marshall Sceneggiatura di James Lapine Musiche e testi di Stephen Sondheim Tratto dal Musical di Stephen Sondheim e James Lapine Prodotto da Rob Marshall, John DeLuca, Marc Platt, Callum McDougall Direttore della fotografia Dion Beebe Scenografie di Dennis Gassner Montaggio di Wyatt Smith Costumi di Colleen Atwood Social Network http://twitter.com/DisneyStudiosIt http://instagram.com/disneyitalia https:/fb.com/WaltDisneyStudiosIT Hashtag #IntoTheWoods Data di uscita: 2 aprile 2015 Distribuzione: The Walt Disney Company Italia Durata: 125 minuti Materiali stampa: www.image.net Attento alle cose che dici, i figli ascoltano. Attento alle cose che fai, i figli vedono. E imparano. Attento a ciò che desideri, i desideri sono figli. Attento alla strada che prendono, i desideri si avverano ma a caro prezzo… Finale/Children Will Listen L’INIZIO DEL VIAGGIO Dodici anni fa, dopo lo straordinario successo dell’adattamento cinematografico del musical di Broadway Chicago (vincitore di sei premi Oscar®, incluso quello per il Miglior film), il regista Rob Marshall incontrò Stephen Sondheim e si dichiarò interessato a dirigere una versione cinematografica di uno degli spettacoli teatrali firmati dal leggendario compositore. In cima alla lista di Sondheim c’era Into the Woods, uno dei suoi lavori più acclamati e toccanti, che secondo l’autore sarebbe stato perfetto per Marshall. Marshall e il suo partner produttivo John DeLuca erano appassionati del musical di Sondheim -
86Th Academy Awards
LIVE OSCARS SUNDAY March 2, 2014 7e|4p THE http://oscar.go.com/nominees OSCARS 86th Academy Awards Best Picture Actor–in a Leading Role Actress–in a Leading Role Actor–in a Supporting Role American Hustle Christian Bale “American Hustle” Amy Adams “American Hustle Barkhad Adbi “Captain Phillips” Captain Phillips Chiwetel Ejiofor “12 Years a Slave” Cate Blanchett “Blue Jasmine” Bradley Cooper “American Hustle” Dallas Buyers Club Bruce Dern “Nebraska” Sandra Bullock “Gravity” Michael Fassbender “12 Years a Slave” Gravity Leonardo DiCaprio “The Wolf of Wall Street Judi Dench “Philomena” Jonah Hill “The Wolf of Wall Street Her Matthew McConaughey “Dallas Buyers Club Meryl Streep “August: Osage County” Jared Leto “Dallas Buyers Club” Nebraska Philomena 12 Years a Slave The Wolf of Wall Street Actress–in a Supporting Role Animated Feature Film Cinematography Costume Design Sally Hawkins “Blue Jasmine” The Croods “The Grandmaster” Philippe Le Sourd “American Hustle” Michael Wilkinson Jennifer Lawrence “American Hustle” Despicable Me 2 “Gravity” Emmanuel Lubezki “The Grandmaster” William Chang Suk Ping Lupita Nyong’o “12 Years a Slave” Ernest and Celestine “Inside Llewyn Davis” Bruno Delbonnel “The Great Gatsby” Catherina Martin Julia Roberts “August: Osage County” Frozen “Nebraska” Phedon Papamichael “The Invisible Woman” Michael O’Connor June Squibb “Nebraska” The Wind Rises “Prisoners” Roger A. Deakins “12 Years a Slave” Patricia Norris Directing Documentary Feature Documentary Short Subject Film Editing “American Hustle” David O. Russell -
Innovation Magazine Spring 2016
SPRING 2016 SPRING 2016 SPECIAL ciweek 2016 PROGRAM EDITION FREE To Dream THE POWER of Dreaming Big CHASING DREAMS COVER PHOTO: and the Nasty Side of Mother Nature JAMIE FOXX IN FULL ELECTRO MAKEUP FOR THE AMAZING SPIDERMAN 2. THE ART OF MAKEUP and So Much More DREAM with Focus www.dmacc.edu/ciweek LAURA JOHNSON | Merit Resources When you partner with the INS Family of Companies for your business solutions, you’re freed up to focus on what you do best. We’ll equip and support you with a full suite of business solutions including Technology, HR and Contact Center services. Offering our unique combination of top-level talent, technology and tools, we’re your valued productivity partner on the road to success. INSFamilyOfCompanies.com THE INS FAMILY OF COMPANIES One experience for everything in your life Come to Microsoft and check out Surface Pro 3, Windows Phones, and more Microsoft at Jordan Creek Town Center 101 Jordan Creek Parkway West Des Moines, IA 50266 Some apps sold separately. Some features require Windows 8.1 Update, available through Windows Update. Internet access required; fees may apply. FEATURES 7 | The Power of Dreaming Big BY SCOTT SIEPKER 13 | Chasing Dreams and the Nasty Side of Mother Nature BY DR. REED TIMMER 19 | The Art of Makeup And So Much More BY HOWARD BERGER 25 | Dream with Focus BY JASON KIESAU 31 | Student Spotlight: Dreaming Reality BY JAMIN MYCAL HARDENBROOK PROGRAM CELEBRATE! INNOVATION MAGAZINE 34 | Welcome IS PUBLISHED BIANNUALLY PROVOST ANTHONY D. PAUSTIAN, Ph.D. BY DES MOINES AREA COMMUNITY COLLEGE WEST CAMPUS. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
The Academy of Science Fiction, Fantasy & Horror
The Academy of Science Fiction, Fantasy & Horror Films 334 West 54th Street Los Angeles, California 90037-3806 Phone: (323) 752-5811 e-mail: [email protected] Robert Holguin (President) Dr. Donald A. Reed (Founder) Publicity Contact: Karl Williams [email protected] (310) 493-3991 “Gravity” and “The Hobbit: The Desolation of Smaug” soar with 8 Saturn Award nominations, “The Hunger Games: Catching Fire,” scores with 7, “Iron Man 3,” “Pacific Rim,” “Star Trek Into Darkness and Thor: The Dark World lead with 5 nominations apiece for the 40th Annual Saturn Awards, while “Breaking Bad,” “Falling Skies,” and “Game of Thrones” lead on TV in an Epic Year for Science Fiction, Fantasy and Horror LOS ANGELES – February 26, 2014 – Alfonso Cuaron’s Gravity and Peter Jackson’s The Hobbit: The Desolation of Smaug both received 8 nominations as the Academy of Science Fiction, Fantasy & Horror Films today announced nominations for the 40th Annual Saturn Awards, which will be presented in June. Other major contenders that received major nominations were The Hunger Games: Catching Fire, Guillermo del Toro’s Pacific Rim, Star Trek Into Darkness, The Book Thief, Her, Oz The Great anD Powerful and Ron Howard’s Rush. Also making a strong showing was the folk music fable InsiDe Llewyn Davis from Joel and Ethan Coen highlighting their magnificent and original work. And Scarlett Johansson was the first Best Supporting Actress to be nominated for her captivating vocal performance in Spike Jones’ fantasy romance Her. For the Saturn’s stellar 40th Anniversary celebration, two new categories have been added to reflect the changing times; Best Comic-to-Film Motion Picture will see Warner’s Man of Steel duking it out against Marvel’s Iron Man 3, Thor: The Dark WorlD and The Wolverine! The second new category is Best Performance by a Younger Actor in a Television Series – highlighting the most promising young talent working in TV today. -
Makeup-Hairstyling-2019-V1-Ballot.Pdf
2019 Primetime Emmy® Awards Ballot Outstanding Hairstyling For A Single-Camera Series A.P. Bio Melvin April 11, 2019 Synopsis Jack's war with his neighbor reaches a turning point when it threatens to ruin a date with Lynette. And when the school photographer ups his rate, Durbin takes school pictures into his own hands. Technical Description Lynette’s hair was flat-ironed straight and styled. Glenn’s hair was blow-dried and styled with pomade. Lyric’s wigs are flat-ironed straight or curled with a marcel iron; a Marie Antoinette wig was created using a ¾” marcel iron and white-color spray. Jean and Paula’s (Paula = set in pin curls) curls were created with a ¾” marcel iron and Redken Hot Sets. Aparna’s hair is blow-dried straight and ends flipped up with a metal round brush. Nancy Martinez, Department Head Hairstylist Kristine Tack, Key Hairstylist American Gods Donar The Great April 14, 2019 Synopsis Shadow and Mr. Wednesday seek out Dvalin to repair the Gungnir spear. But before the dwarf is able to etch the runes of war, he requires a powerful artifact in exchange. On the journey, Wednesday tells Shadow the story of Donar the Great, set in a 1930’s Burlesque Cabaret flashback. Technical Description Mr. Weds slicked for Cabaret and two 1930-40’s inspired styles. Mr. Nancy was finger-waved. Donar wore long and medium lace wigs and a short haircut for time cuts. Columbia wore a lace wig ironed and pin curled for movement. TechBoy wore short lace wig. Showgirls wore wigs and wig caps backstage audience men in feminine styles women in masculine styles. -
KEITH EDMIER Mother Mold September 6 - November 4, 2017
KEITH EDMIER Mother Mold September 6 - November 4, 2017 Annunciation Lilies XI (Fra Filippo Lippi, c.1455-60) 2013 dental acrylic, polyurethane, acrylic paint, majolica, limestone 34.65 x 23.62 x 23.62 inches 88 x 60 x 60 cm (KE 13/020) Edmier imagines [Beverly Edmier, Teacher/Artist] 2017 plaster 11 x 6.5 x 6 inches 27.9 x 16.5 x 15.2 cm (KE 17/003.1) Edmier imagines [Tom Edmier, People Coach] 2017 plaster 11.5 x 4.5 x 4.5 inches 29.2 x 11.4 x 11.4 cm (KE 17/003.2) Edmier imagines [Keith Edmier, Age 13] 2017 plaster 11.5 x 4.25 x 4.5 inches 29.2 x 10.8 x 11.4 cm (KE 17/003.3) Edmier imagines [Dick Smith, Special Make-Up Effects Artist] 2017 plaster 13 x 7 x 7 inches 33 x 17.8 x 17.8 cm (KE 17/003.4) Edmier imagines [Linda Blair, Actor] 2017 plaster 9 x 4 x 3.75 inches 22.9 x 10.2 x 9.5 cm (KE 17/003.5) Edmier imagines [Alfred Hitchcock, Director] 2017 plaster 11.25 x 6.5 x 7.25 inches 28.6 x 16.5 x 18.4 cm (KE 17/003.6) Edmier imagines [Rick Baker, Special Make-Up Effects Artist] 2017 plaster 11.5 x 5.5 x 6.25 inches 29.2 x 14 x 15.9 cm (KE 17/003.7) Edmier imagines [Michael Jackson (Thriller), Musician] 2017 plaster 8.25 x 5.25 x 4.5 inches 21 x 13.3 x 11.4 cm (KE 17/003.8) Edmier imagines [Michael Jackson (Captain EO), Muscian] 2017 plaster 12.25 x 5.5 x 5.5 inches 31.1 x 14 x 14 cm (KE 17/003.9) Edmier imagines [Clint Eastwood, Actor/Director/Producer] 2017 plaster 12.5 x 7.5 x 7 inches 31.8 x 19.1 x 17.8 cm (KE 17/003.10) Edmier imagines [Jeff Goldblum, Actor] 2017 plaster 11.5 x 7 x 7 inches 29.2 x 17.8 x 17.8 cm (KE 17/003.11) -
Ultimate Movie Collectables London - Los Angeles
Ultimate Movie Collectables London - Los Angeles Prop Store - London Office Prop Store - Los Angeles Office Great House Farm 9000 Fullbright Ave Chenies Chatsworth, CA 91311 Rickmansworth USA Hertfordshire Ph: +1 818 727 7829 WD36EP Fx: +1 818 727 7958 UK Contact: Ph: +44 1494 766485 Stephen Lane - Chief Executive Officer Fx: +44 1494 766487 [email protected] [INTRODUCTION] Prop Store Office: London Prop Store Office: Los Angeles How do you best serve your greatest passion in life? the pieces that they sought, but also establish the standards for finding, You make it your business. acquiring and preserving the props and costumes used in Hollywood’s most beloved films. In 1998, UK native Stephen Lane did just that. Stephen’s love for movies led him ENTER: THE PROP STORE OF LONDON to begin hunting for the same props and Stephen and his team came to market already looking beyond the business costumes that were used to create his of simply collecting and selling movie props. Instead, the Prop Store team favorite films. It was the early days of the set out like a band of movie archaeologists, looking to locate, research internet and an entire world of largely and preserve the treasure troves of important artifacts that hid in dark, isolated collectors was just beginning to sometimes forgotten corners all over the world. And it’s now thanks to come together. As Stephen began making Stephen’s vision and the hard work of his dedicated team that so many of friends and connections all over the world— film history’s most priceless artifacts have found their way into either the relationships that continue today—he loving hands of private collectors or, as one of Stephen’s greatest movie realized that he was participating in the explosion of a hobby that would heroes would say, “into a museum!” soon reach every corner of the globe.