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Come and See an Exploration of the Passion of Jesus in St
Come and See An exploration of the Passion of Jesus in St. John Good Friday, 10 April 12 – 3 pm How to listen This short booklet accompanies a series of six short addresses by the Rt Revd D Steven Croft, Bishop of Oxford. Listen to each address via your web browser at oxford.anglican.org/livestream or download them to your device. Search ‘My extraordinary family’ wherever you get your podcasts. Each episode includes hymns and a reading and will be available from Maundy Thursday. You may want to listen to them and keep the traditional three hours; or space them out across a whole day set aside for prayer; or use from Maundy Thursday to Holy Saturday; or just use the final two as you keep watch at the cross. 2 Episode 1 The Cup Opening introduction Hymn: There is a Green Hill Far Away Performed by Tom and Mandy Green Reading: The Betrayal and Arrest of Jesus. John 18. 1-14. Read by Julia Hollander. (NRSV) After Jesus had spoken these words, he went out with his disciples across the Kidron valley to a place where there was a garden, which he and his disciples entered. Now Judas, who betrayed him, also knew the place, because Jesus often met there with his disciples. So Judas brought a detachment of soldiers together with police from the chief priests and the Pharisees, and they came there with lanterns and torches and weapons. Then Jesus, knowing all that was to happen to him, came forward and asked them, “Whom are you looking for?” They answered, “Jesus of Nazareth.” Jesus replied, “I am he.” Judas, who betrayed him, was standing with them. -
Omenka-Film-Issue.Pdf
VOLUME 2 ISSUE 3 ARTS ARCHITECTURE & DESIGN BUSINESS LUXURY AFRICA N5000 R362 $25 £17 €22 NIGERIAN THEATRE, TV & FILM: PAST, PRESENT & FUTURE NIGERIAN FILM AS AN ART DISTRIBUTION IN NOLLYWOOD THE ETISALAT PRIZE FOR LITERATURE: REPRESENTING THE DIVERSITY OF AFRICAN VOICES TAIWO AJAI-LYCETT, SADIQ DABA, WALE OJO, TUNDE KELANI, KUNLE AFOLAYAN KUNLE IDOWU, MICHAEL ‘TRUTH’ OGUNLADE, LALA AKINDOJU, O.C. UKEJE OBIJIE ORU, STANLEE OHIKHUARE, MIKE-STEVE ADELEYE THE FILM ISSUE OMENKA MAGAZINE VOLUME 2 ISSUE 3 2 OMENKA MAGAZINE OMENKA MAGAZINE VOLUME 2 ISSUE 3 VOLUME 2 ISSUE 3 CONTENTS ARTS ARCHITECTURE & DESIGN BUSINESS LUXURY AFRICA N5000 R362 $25 £17 €22 VOLUME 2 ISSUE 3 DEPARTMENTS ANTENNAE NEWS, EVENTS 10 Sink Hits at the Local Box Office 10 Annecy International Animated Film Festival to Show Three South African Films 11 Perivi John Katjavivi: Confronting The Mostly ‘Unseen’ in Post- Colonial Namibia 11 The Book of Negroes Sweeps Canadian Screen Awards 12 Free State Wins at Luxor African Film Festival Award 12 The 12th New African Film Festival FEATURES 14 A Concise History of Nigerian Theatre, TV & Film, and the Future of Drama 16 Nigerian Film as an Art 18 The Academia and the Media, Partners in Promoting Nollywood 20 Africa Rising on the International Scene 28 Charting New Territory with Animation 30 Ebele Okoye Weber on Animation in Nigeria 32 In Conversation with Richard Oboh 44 5 OMENKA MAGAZINE VOLUME 2 ISSUE 3 CONTENTS FOCUS PLAYING THE BOSS PROFILES, INTERVIEWS THE PRODUCERS AND DIRECTORS Icons of the Screen 128 Using Documentary to Impact 44 A Legend of the Reel Africa Positively 52 Sadiq Daba is Like Fine Wine 132 Thriving in a Male-Dominated Industry 58 Quintessential Wale Ojo 134 The Real Deal! The Unfolding Generation 138 Raising the Bar 64 A Fine Gentleman.. -
The Interpretation of Dreams Sigmund Freud (1900)
The Interpretation of Dreams Sigmund Freud (1900) PREFACE TO THE THIRD EDITION Wheras there was a space of nine years between the first and second editions of this book, the need of a third edition was apparent when little more than a year had elapsed. I ought to be gratified by this change; but if I was unwilling previously to attribute the neglect of my work to its small value, I cannot take the interest which is now making its appearance as proof of its quality. The advance of scientific knowledge has not left The Interpretation of Dreams untouched. When I wrote this book in 1899 there was as yet no "sexual theory," and the analysis of the more complicated forms of the psychoneuroses was still in its infancy. The interpretation of dreams was intended as an expedient to facilitate the psychological analysis of the neuroses; but since then a profounder understanding of the neuroses has contributed towards the comprehension of the dream. The doctrine of dream-interpretation itself has evolved in a direction which was insufficiently emphasized in the first edition of this book. From my own experience, and the works of Stekel and other writers, [1] I have since learned to appreciate more accurately the significance of symbolism in dreams (or rather, in unconscious thought). In the course of years, a mass of data has accumulated which demands consideration. I have endeavored to deal with these innovations by interpolations in the text and footnotes. If these additions do not always quite adjust themselves to the framework of the treatise, or if the earlier text does not everywhere come up to the standard of our present knowledge, I must beg indulgence for this deficiency, since it is only the result and indication of the increasingly rapid advance of our science. -
Scott, Familiar Strangers (Formatted for Electronic Submission)
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Familiar Strangers: The Georgian Diaspora in the Soviet Union Permalink https://escholarship.org/uc/item/9pd9r68h Author Scott, Erik Rattazzi Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Familiar Strangers: The Georgian Diaspora in the Soviet Union By Erik Rattazzi Scott A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Yuri Slezkine, Chair Professor Stephan Astourian Professor Victoria E. Bonnell Professor Victoria Frede Professor Leslie P. Peirce Spring 2011 Familiar Strangers: The Georgian Diaspora in the Soviet Union © 2011 By Erik Rattazzi Scott Abstract Familiar Strangers: The Georgian Diaspora in the Soviet Union By Erik Rattazzi Scott Doctor of Philosophy in History University of California, Berkeley Professor Yuri Slezkine, Chair The experience of the Georgian diaspora in the Soviet Union is a story of the paradoxes of Soviet empire. On the one hand, the arrival of the Red Army in Tbilisi in 1921 brought Georgia’s brief period of independence to an abrupt end. On the other hand, membership in the newly-constituted Soviet Union opened up new opportunities for Georgians and other ethnic minority groups. Such opportunities were seized upon most effectively by an internal Georgian diaspora within the Soviet Union, a small but highly mobile and visible community. The Georgians, who traveled to Moscow from the periphery of the Soviet empire, could be seen at the center of Soviet life at every stage of Soviet history. -
A Cultural-Historical Activity Theoretical Approach to Understanding Resistance Within African American Autobi
In Our Own Words: A Cultural-Historical Activity Theoretical Approach to Understanding Resistance within African American Autobiographies A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Lauren L. Causey IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Dr. Lee Galda, Adviser May 2013 © Lauren L. Causey 2013 i Acknowledgements I would like to thank my dissertation committee, Dr. Lee Galda, Dr. Cynthia Lewis, Dr. Yvonne Gentzler, and Dr. Yolanda Majors, for their guidance and oversight of this study. I feel strongly that this study would have suffered a kind of anemia if it were not for the sturdy frameworks they suggested, that allowed this to become a vibrant piece of scholarship. I would especially like to thank Dr. Lewis, for her mentorship, and for including me on the research projects she led, which helped give me the total package of life as a doctoral student. Dr. Galda’s influence on this dissertation and on the path I took through the Ph.D. program was overwhelmingly important. I have often felt that Dr. Galda goes “above and beyond” as an adviser, and I have benefited immensely from her frank advice over the past four years, just as I benefited from the homemade gumbo she once stashed in Peik Hall for me, which, even if for a brief spell, made the Minnesota winter more bearable. My gratitude for the time and attention she gave me cannot be overstated. I would like to thank the members of the Common Ground Consortium (CGC), as well as Mrs. -
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The Cinema of Federico Fellini and 8½
THE CINEMA OF FEDERICO FELLINI AND 8½ ROBERT J. CARDULLO (University of Kurdistan-Hewlêr, Erbil, Iraq) Sommario L’articolo ripercorre i grandi temi del cinema di Federico Fellini alla luce della sua biografia: nel nodo tra arte e vita, l’autore vede i segni di un rapido superamento delle strettoie del neorealismo, da cui il regista era partito, e un approdo ai grandi temi di un’immaginazione, qui definita ‘neo-romantica’, che si muove tra sogno e realtà, tragedia e commedia. In questa prospettiva 8½ rappresenta, attraverso la figura dell’alter ego Guido, una vera e propria summa delle ossessioni del regista riminese, un gioco di specchi in cui la ricerca dell’identità e l’aspirazione alla libertà sono fatalmente frustrate. Keywords: Fellini – biografia – immaginazione Fellini and Life I was going to begin this essay with some facts about Federico Fellini’s life. But any such account, I quickly realised, must be approximate. For Fellini enjoyed obfuscation, and his own recollections about his past varied according to whim. Indeed, his enemies often labelled him a bugiardo, a big liar; and his wife, Giulietta Masina, herself said that Federico blushed only when he told the truth. Yet his many friends generally discerned in him a rare sincerity. Both qualities – the obfuscatory or evasive, the sincere or revelatory – course through Fellini’s interviews, and these qualities are not unrelated to the intermingling in his films themselves of fantasy and verity, reality and illusion. “You could call hallucination a deeper reality,” Fellini once told the interviewer Dan Yakir. “In any event, I see no line between the imaginary and the actual” (35). -
21 OCTOBER Bfi.Org.Uk/Lff 020 7928 3232 See the World in a New Light
10 – 21 OCTOBER bfi.org.uk/lff 020 7928 3232 See the world in a new light. RBC is honoured to be a main sponsor of the 62nd BFI London Film Festival in partnership with American Express®. Film enriches our lives by connecting us to diverse perspectives and experiences. We are delighted to continue our support of this flourishing film festival, and celebrate the innovation, opportunity and creativity that it represents. To learn more about how we are helping to build vibrant communities through the arts, visit rbcwealthmanagement.com Capital Markets | Investor & Treasury Services | Wealth & Asset Management ® / TM Trademark(s) of Royal Bank of Canada. Used under licence. WELCOME CONTENTS The UK has always offered a welcoming platform for international artists and storytellers, and none more so than the BFI London Film Festival. It is a time when filmmakers from every corner HEADLINE GALAS 09 of the world gather here, among them some of the world’s greatest names in cinema, alongside those at the very beginning of their careers. All of them share a common purpose which is to 16 present their new work to an audience, often at an anxious moment as it is usually only the STRAND GALAS first or second time it’s been seen. Photo: Nancyhoney.com 22 Opening doors for everyone, audiences or filmmakers, is at the heart of the BFI’s purpose. SPECIAL PRESENTATIONS The Festival’s sheer breadth of audacious programming brings films that are a window on the world and make us reflect on the UK’s place in it – films that challenge our perspective and that pique our curiosity for fresh ideas and viewpoints. -
Record Holders of the Banned Soviet Cinema (1951-1991) in the Mirror of Film Criticism and Viewers' Opinions
ALEXANDER FEDOROV Record holders of the banned Soviet cinema (1951-1991) in the mirror of film criticism and viewers' opinions Fedorov, A. Record holders of the banned Soviet cinema (1951- 1991) in the mirror of film criticism and viewers' opinions. Moscow: “Information for all”. 2021. 102 p. The monograph provides a wide panorama of the opinions of film critics and viewers about full-length feature Soviet films (1951-1991), which were banned for a long time (over five years) from being shown in cinemas and on television or stopped while filming. For higher education teachers, students, graduate students, researchers, film critics and historians, journalists, as well as a wide range of readers interested in the history of cinematography, the problems of cinema, film criticism and film sociology. COPYRIGHT © 2021 BY ALEXANDER FEDOROV [email protected] ALL RIGHT RESERVED. 10 9 8 7 6 5 4 2 1 FEDOROV, ALEXANDER. 1954-. RECORD HOLDERS OF THE BANNED SOVIET CINEMA (1951-1991) IN THE MIRROR OF FILM CRITICISM AND VIEWERS' OPINIONS /ALEXANDER FEDOROV. INCLUDES BIBLIOGRAPHICAL REFERENCES. 1. SOVIET MOVIES. 2. BANNED FILMS. 3. FILM STUDIES. 4. CINEMA. 5. USSR. 6. FILM CRITICISM. 7. SCREEN. 8. IDEOLOGY. 9. VIEWERS. 10. OPINIONS. 11. RUSSIA. 12. FILM HISTORY. 13. RUSSIAN CINEMA. 14. AUDIENCE. 15. JOURNALS. 2 Table of contents Introduction …………………………………………………………………………………………………….... 4 1. Record holders of the banned Soviet feature films (1951-1991), who have been on the "shelf" for over five years or stopped while filming………………………….. 9 2. Soviet full-length feature films (1951-1991), released only to the republican film distribution …………………………………………………………..69 Appendices ………………………………………………………………………………………………………..73 Stereotypes of the Soviet cinematographic image of the war and Valentin Vinogradov’s film "Eastern Corridor" (1966) ………………………………………74 Alexander Ivanov: “How I played a major role in the destroyed movie "The Moment of Truth" ("In August of 1944")".......…………………………………………. -
Film Books Food Drink C E D V O N T C O P E S
A r t F w i w l w m . c B o o r n o e k r s h o F u o s e o . d o r d g r i n k Jan Feb Mar Apr May Jun Jul Aug Sep OCT NOV DEC Cornerhouse 70 Oxford Street Manchester M1 5NH Box Office 0161 200 1500 HIGHLIGHTS Information 0161 228 7621 WELCOME Book online www.cornerhouse.org The autumn gets off to an exciting start as we open a major new exhibition by Rashid Rana. Rana is well known internationally for his visually stunning artworks which challenge cultural stereotypes, but this will be his first public UK solo show. His exhibition Everything Is Happening At Once is showing as part of Asia Triennial Manchester 20 11 , taking place at venues across the city from Sat 1 October – Sun 27 November. We’ve also curated the very first ATM film programme – bringing you a selection of films from across South and East Asia, including six UK premieres and a retrospective of acclaimed Filipino filmmaker INFORMATION BOOKING Brillante Mendoza. Cornerhouse is Manchester’s Book online centre for contemporary visual www.cornerhouse.org Other highlights from our film programme this quarter include We Need to Talk art and independent film. (no booking fee) About Kevin , a gripping adaptation of Lionel Shriver’s award-winning novel; Tyrannosau r, the powerful directorial debut from actor Paddy Considine (see Cornerhouse also has a By phone p.22 for an article about the film); and The Ides of March , which sees George publications division – an 0161 200 1500 Clooney step back behind the camera to explore the murky world of US politics.