WGLT Program Guide, May, 1991
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• the VILLANOVAN • October 31, 1973
,r"-^'^.Tr'l'7'^.*^ 'yr^P^'. 1/ iwi P»g« 16 • THE VILLANOVAN • October 31, 1973 ''.''' - NovmbT 7, 1973 • THE VILLANOVAN • Pag# 3 Page 2 • THE VILLANOVAN • November 7, 1973 Claude Lewis NEWS ANALYSIS Ih-y, INTERFUTURE Villanova Joins 'Continued from page 3) Slated To McCdrthy Clarifies dings with his campus and com- Interfuture Group munity through such means as a Teach Course Sherman Situation, senior thesis, talks to community assisting a or • 535 groups, creating A new program in higher Headquartered at ' Fifth By T. DIMAIO local project, or leading an ac- education was announced today at Avenue, Suite 3103, New York " EKiring the spring semester of credited seminar for other un- news conferences at eleven college City 10017, the organization is 1974, the Sociology Department Retrenchment Plans dergraduates. and university campuses across guided by a board of trustees com- will be offering the "Black Urban - the country. posed of businessmen, scholars, By JOE TYRRELL Experience", a course taught by Seminars have been given by In- Called InterFuture, for "in- educators, and InterFuture In a recent interview, Fr. McCarthy clarified the situation of the Claude Lewis. Photo by Kevin Sear Board of Trustees. Fr. James Sherman, chairman of the trustees, terFuture Scholars on such issues tercultural studies of the future," alumni. resigned from the Board some weeks ago, but the move was not publicly as urban-rural population Claude Lewis, a columnist for Uri Gcller talks to VILLANOVAN reporter Pat McNamara after his the program enables select un- Over thirty students have par- announced. balance, environmental action the Evening and Sunday Bulletin, October 31 appearance at the Field House. -
B R I a N K I N G M U S I C I N D U S T R Y P R O F E S S I O N a L M U S I C I a N - C O M P O S E R - P R O D U C E R
B R I A N K I N G M U S I C I N D U S T R Y P R O F E S S I O N A L M U S I C I A N - C O M P O S E R - P R O D U C E R Brian’s profile encompasses a wide range of experience in music education and the entertainment industry; in music, BLUE WALL STUDIO - BKM | 1986 -PRESENT film, television, theater and radio. More than 300 live & recorded performances Diverse range of Artists & Musical Styles UNIVERSITY OF SOUTHERN CALIFORNIA Music for Media in NYC, Atlanta, L.A. & Paris For more information; www.bluewallstudio.com • As an administrator, professor and collaborator with USC working with many award-winning faculty and artists, PRODUCTION CREDITS - PARTIAL LIST including Michael Patterson, animation and digital arts, Medeski, Martin and Wood National Medal of Arts recipient, composer, Morton Johnny O’Neil Trio Lauridsen, celebrated filmmaker, founder of Lucasfilm and the subdudes (w/Bonnie Raitt) ILM, George Lucas, and his team at the Skywalker Ranch. The B- 52s Jerry Marotta Joseph Arthur • In music education, composition and sound, with a strong The Indigo Girls focus on establishing relations with industry professionals, R.E.M. including 13-time Oscar nominee, Thomas Newman, and 5- Alan Broadbent time nominee, Dennis Sands - relationships leading to PS Jonah internships in L.A. and fundraising projects with ASCAP, Caroline Aiken BMI, the RMALA and the Musician’s Union local 47. Kristen Hall Michelle Malone & Drag The River Melissa Manchester • In a leadership role, as program director, recruitment Jimmy Webb outcomes aligned with career success for graduates Col. -
Ic/Record Industry July 12, 1975 $1.50 Albums Jefferson Starship
DEDICATED TO THE NEEDS IC/RECORD INDUSTRY JULY 12, 1975 $1.50 SINGLES SLEEPERS ALBUMS ZZ TOP, "TUSH" (prod. by Bill Ham) (Hamstein, BEVERLY BREMERS, "WHAT I DID FOR LOVE" JEFFERSON STARSHIP, "RED OCTOPUS." BMI). That little of band from (prod. by Charlie Calello/Mickey Balin's back and all involved are at JEFFERSON Texas had a considerable top 40 Eichner( (Wren, BMI/American Com- their best; this album is remarkable, 40-1/10 STARSHIP showdown with "La Grange" from pass, ASCAP). First female treat- and will inevitably find itself in a their "Tres Hombres" album. The ment of the super ballad from the charttopping slot. Prepare to be en- long-awaited follow-up from the score of the most heralded musical veloped in the love theme: the Bolin - mammoth "Fandango" set comes in of the season, "A Chorus Line." authored "Miracles" is wrapped in a tight little hard rock package, lust Lady who scored with "Don't Say lyrical and melodic grace; "Play on waiting to be let loose to boogie, You Don't Remember" doin' every- Love" and "Tumblin" hit hard on all boogie, boogie! London 5N 220. thing right! Columbia 3 10180. levels. Grunt BFL1 0999 (RCA) (6.98). RED OCTOPUS TAVARES, "IT ONLY TAKES A MINUTE" (prod. CARL ORFF/INSTRUMENTAL ENSEMBLE, ERIC BURDON BAND, "STOP." That by Dennis Lambert & Brian Potter/ "STREET SONG" (prod. by Harmonia Burdon-branded electrified energy satu- OHaven Prod.) (ABC Dunhill/One of a Mundi) (no pub. info). Few classical rates the grooves with the intense Kind, BMI). Most consistent r&b hit - singles are released and fewer still headiness that has become his trade- makers at the Tower advance their prove themselves. -
WGLT Program Guide, January-February, 2003
Illinois State University ISU ReD: Research and eData WGLT Program Guides Arts and Sciences Spring 1-1-2003 WGLT Program Guide, January-February, 2003 Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/wgltpg Recommended Citation Illinois State University, "WGLT Program Guide, January-February, 2003" (2003). WGLT Program Guides. 186. https://ir.library.illinoisstate.edu/wgltpg/186 This Book is brought to you for free and open access by the Arts and Sciences at ISU ReD: Research and eData. It has been accepted for inclusion in WGLT Program Guides by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. catalyze exciting community events. Please let our business sponsors know that you 2002: THE YEAR IN REVIEW appreciate their support. by GLT General Manager Bruce Bergethon Those of you who have been watching GLT grow over the last decade understand that private support is crucial to our stability and improvement. The accompanying chart This was a year with many challenges for GLT and our parent institution, Illinois State clearly displays the increasing role that local funding has played in a budget that has University. In reflecting on 2002, what strikes me first is the sense of purpose and grown by 50% since 1992. forward motion now characterizing both GLT and ISU - a momentum that was dented, but not daunted, by significant fiscal threats and the replacement of key personnel. Fiscal Year 1992 Fiscal Year 1997 Fiscal Year 2002 Illinois State University's forward motion 764,000 900,000 1,066,000 is laid out in the strategic plan, "Educating Illinois," a document that 731,000 886,000 1,087,000 gets high marks as a dynamic planning Percentage of Revenue from tool from both internal and external constituencies. -
A Prairie Home Companion”: First Broadcast (July 6, 1974) Added to the National Registry: 2003 Essay by Chuck Howell (Guest Post)*
“A Prairie Home Companion”: First Broadcast (July 6, 1974) Added to the National Registry: 2003 Essay by Chuck Howell (guest post)* Garrison Keillor “Well, it's been a quiet week in Lake Wobegon, Minnesota, my hometown, out on the edge of the prairie.” On July 6, 1974, before a crowd of maybe a dozen people (certainly less than 20), a live radio variety program went on the air from the campus of Macalester College in St. Paul, MN. It was called “A Prairie Home Companion,” a name which at once evoked a sense of place and a time now past--recalling the “Little House on the Prairie” books, the once popular magazine “The Ladies Home Companion” or “The Prairie Farmer,” the oldest agricultural publication in America (founded 1841). The “Prairie Farmer” later bought WLS radio in Chicago from Sears, Roebuck & Co. and gave its name to the powerful clear channel station, which blanketed the middle third of the country from 1928 until its sale in 1959. The creator and host of the program, Garrison Keillor, later confided that he had no nostalgic intent, but took the name from “The Prairie Home Cemetery” in Moorhead, MN. His explanation is both self-effacing and humorous, much like the program he went on to host, with some sabbaticals and detours, for the next 42 years. Origins Gary Edward “Garrison” Keillor was born in Anoka, MN on August 7, 1942 and raised in nearby Brooklyn Park. His family were not (contrary to popular opinion) Lutherans, instead belonging to a strict fundamentalist religious sect known as the Plymouth Brethren. -
Tim Russell 31 the Explanation for Everything the Ludwig Conspiracy Latino Americans
HIGHBRIDGEHIGHBRIDGE AUDIOAUDIO Fall 2013 HIGHBRIDGEHIGHBRIDGE AUDIOAUDIO FallFall 20132013 COMING THIS FALL FROM HIGHBRIDGE CONTENTS NOW AVAILABLE BRINGING MULLIGAN HOME Fall 2013 ARTFUL NEW RELEASES 2 JUNIUS AND ALBERT’s aDVENTURES in THE CONFEDERACY DIGITAL CLASSICS 46 KILL ANYTHING THAT MOVES HER RECENT TITLES 50 THE PHILADELPHIA CHROMOSOME RENDEZVOUS INDEX 52 INSIDE THE BOX PERMANENT PRESENT TENSE IN TIMES OF FADING LIGHT DETROIT JULY 27 THE LONGEST ROAD AUGUST AMAZING GRACIE THE ESPERANZA FIRE THE CHAOS IMPERATIVE THE INTROVERT ADVANTAGE THE ROAD FROM GAP CREEK NPR AMERICAN CHRONICLES: EXPLORING SPACE THE TIME FETCH 19 IF YOU COULD BE MINE SEPTEMBER SOMEBODY UP THERE HATES YOU EVIL EYE TIM RUSSELL 31 THE EXPLANATION FOR EVERYTHING THE LUDWIG CONSPIRACY LATINO AMERICANS OCTOBER ANTON AND CECIL: CATS AT SEA 21 THE STAR OF ISTANBUL NPR MORE TINSEL TALES SURVIVAL LESSONS GUESTS ON EARTH TIES THAT BIND NOVEMBER YOU ARE NOT FORGOTTEN THE HUNTER AND OTHER STORIES PURGATORY 37 THE TELL JANUARY RED 1-2-3 24 REAL HAPPINESS AT WORK FEBRUARY LION PLAYS ROUGH © 2013 HighBridge Company Cover photograph © Getty Images. AVAILABLE NOW Bringing Mulligan Home THE OTHER SIDE OF THE GOOD WAR Dale Maharidge Read by Pete Larkin A son’s quest to find the members of his father’s Marine company leads to a deeper understanding of the devastating Pacific battles of WWII, and the haunted men who came home. Sgt. Steve Maharidge, like many of his generation, hardly Simultaneous release with ever talked about the war. The only sign he’d served in it PublicAffairs hardcover 9781586489991 was a single black-and-white photograph of himself and n Of appeal to veterans, history buffs, another soldier tacked to the wall of his basement, where and those interested in the effects of he would grind steel. -
Albert Paley As He Creates 13 Original Pieces for Installation on Park Avenue in New York City on June 14
WXXI-TV/HD | WORLD | CREATE | AM1370 | CLASSICAL 91.5 | WRUR 88.5 | THE LITTLE PROGRAMPUBLIC TELEVISION & PUBLIC RADIO FOR ROCHESTER LISTINGSJUNE 2013 PALEY ON PARK AVENUE: NEW YORK CITY WXXI is pleased to present its first truly multi-media series, Paley on Park Avenue: New York City, which follows world-renowned sculptor ALBERT PALEY as he creates 13 original pieces for installation on Park Avenue in New York City on June 14. WXXI was granted unprecedented access to Paley and his studios to document the creation of these pieces for The Fund for Park Avenue’s Temporary Public Art Collection. The journey is shared in this six-part series exclusively produced for the Web. PALEY ON PARK AVENUE: NEW YORK CITY VIEW ONLINE NOW AT WXXI.org/paleynyc LIFETIME ACHIEVEMENT OSCAR WINNER XEROX ROCHESTER D.A. PENNEBAKER INTERNATIONAL COMES TO THE LITTLE, JUNE 14-15 JAZZ FESTIVAL SEE THE LITTLE PAGE >> Special coverage of the fest on AM 1370, Club Venue at the Little Theatre 1, free live music under The Freed Maxick Jazz Tent at the Little, and more. SEE INSIDE >> thank WXXI applauds the extraordinary commitment made by our corporate supporters. YOU Your contributions provide critical support for valued programming that enriches the lives of families across our region. TO LEARN MORE about WXXI sponsorship opportunities, please contact: Alison Zero Jones 585-258-0282 [email protected] DEAR FRIENDS, EXECUTIVE Staff JUNE 2013 No rm Silverstein, President I’m proud to share the news that we’ll VOLUME 4, ISSUE 6 Susan Rogers, Executive Vice President and General Manager be producing this summer the 10th WXXI is a public non-commercial Je anne E. -
THE FIRST FORTY YEARS INTRODUCTION by Susan Stamberg
THE FIRST FORTY YEARS INTRODUCTION by Susan Stamberg Shiny little platters. Not even five inches across. How could they possibly contain the soundtrack of four decades? How could the phone calls, the encounters, the danger, the desperation, the exhilaration and big, big laughs from two score years be compressed onto a handful of CDs? If you’ve lived with NPR, as so many of us have for so many years, you’ll be astonished at how many of these reports and conversations and reveries you remember—or how many come back to you (like familiar songs) after hearing just a few seconds of sound. And you’ll be amazed by how much you’ve missed—loyal as you are, you were too busy that day, or too distracted, or out of town, or giving birth (guess that falls under the “too distracted” category). Many of you have integrated NPR into your daily lives; you feel personally connected with it. NPR has gotten you through some fairly dramatic moments. Not just important historical events, but personal moments as well. I’ve been told that a woman’s terror during a CAT scan was tamed by the voice of Ira Flatow on Science Friday being piped into the dreaded scanner tube. So much of life is here. War, from the horrors of Vietnam to the brutalities that evanescent medium—they came to life, then disappeared. Now, of Iraq. Politics, from the intrigue of Watergate to the drama of the Anita on these CDs, all the extraordinary people and places and sounds Hill-Clarence Thomas controversy. -
Report to the Community 2013
2013 REPORT TO THE COMMUNITY our community. our nation. our world. TABLE OF CONTENTS ABOUT US WYSO AWARDS | 12 MISSION VISION | 4 INCOME AND EXPENSES | 13 LETTER FROM THE GENERAL MANAGER | 5 WYSO LEADERS | 14 HIGHLIGHTS SUSTAINING MEMBERS | 15-17 OF 2013 | 6-7 UNDERWRITERS | 18 2013 BY THE NUMBERS | 8-9 “ONWARD AND UPWARD” | 19 WYSO STAFF AND VOLUNTEERS | 10-11 WYSO • 150 East South College Street • Yellow Springs, OH 45387-1607 • Phone: 769.1388 • Fax: 769.1382 • [email protected] This is a gathering of Community Voices producers from 2013 and previous years, with Dave Isay, founder of StoryCorps, second from right in the back row. WYSO isn’t just a public radio station. It’s thousands of diverse listeners standing together to be a part of something they truly love. To become WE ... part of what we like to call the “We.” This is how public radio should be. Every member, underwriter and listener plays a huge role in helping radio, books, art, news, music, WYSO build on its 55-year legacy of community journalism, activism community, big ideas, dedication, and engagement. It’s big world out there. Full of ideas, wonder and amazing stories to tell. dialogue, engagement. Together, we can learn, experience and share them all. WYSO • 150 East South College Street • Yellow Springs, OH 45387-1607 • Phone: 769.1388 • Fax: 769.1382 • [email protected] our community. our nation. our world. ABOUT US WYSO began with 19 watts of power on February 8, 1958 as a student-run station on the campus of Antioch College. -
WAMC Program Guide August 2013 - Volume 19 Issue 8 Big Changes to WAMC HD2 Lineup
WAMC Program Guide August 2013 - Volume 19 Issue 8 Big changes to WAMC HD2 Lineup Yo Yo Ma and the Secret of Teaching August Programming Notes Alan S. Chartock Katie Britton WAMC President and C.E.O. WAMC Program Director I recently had a chance to speak with one of my all WAMC HD 2: Hear the Diversity time heroes, Yo Yo Ma, certainly the finest cello player in the world and a citizen of our area. Variety is the spice of life. Wouldn’t you rather Whenever I spend any time with him I am impressed have an entire breakfast spread than just a piece of by his humility, his decency and his interest in other toast or one slice of bacon? Or have a closet full of people. Superstars can be arrogant, condescending items rather than the same shirt and pants every and intolerant. Believe me, I’ve interviewed some of day? Well it’s the same way with programming. this type and it can be very frustrating. But, Yo Yo, Why settle for just one WAMC channel? We have well he’s different. You would not think that you launched a revamped HD2 schedule, and the line- were sitting in his presence talking to the very best, up is going to blow you away. Wait! Don’t stop and yet also thinking that he cares about the person reading because you don’t have an HD radio! You that he is speaking with. Ma is a creative genius. He don’t have to have one; you can listen to the is responsible for selling out halls from Tanglewood programming on HD2 via our website. -
January 2019 Program Guide
JANUARY 2019 PROGRAM GUIDE Stations Help WAMC Go Green! from alan You may elect to stop receiving our paper Monthly column from Alan Chartock. WAMC, 90.3 FM, Albany, NY program guide, and view it on wamc.org. PAGE 2 WAMC 1400 AM, Albany, NY Call us to be removed from the mailing list: WAMK, 90.9 FM, Kingston, NY 1-800-323-9262 ext. 133 PROGRAM NOTES WOSR, 91.7 FM, Middletown, NY PAGE 3 WCEL, 91.9 FM, Plattsburgh, NY PROGRAM SCHEDULE WCAN, 93.3 FM, Canajoharie, NY Our weekly schedule of programming. WANC, 103.9 FM, Ticonderoga, NY WAMC Executive Staff PAGE 4 WRUN-FM, 90.3 FM, Remsen- Utica, NY Alan Chartock | President and CEO WAMQ, 105.1 FM, Great Barrington, Joe Donahue | Senior Director of LIVE AT THE LINDA BROADCAST MA News and Programming SCHEDULE WWES, 88.9 FM, Mt. Kisco, NY Stacey Rosenberry | Director of Opera- WANR, 88.5 FM, Brewster, NY tions and Engineering Listen to your favorite shows on air after WANZ, 90.1, Stamford, NY they have been at The Linda. Holly Urban | Chief Financial Officer PAGE 5 Translators At the linda Management Staff PAGE 5 W280DJ, 103.9 FM, Beacon, NY Carl Blackwood | The Linda Manager W247BM, 97.3 FM, Cooperstown, Jessica Denue | Grants Administrator program descriptions NY Melissa Kees | Underwriting Manager W292ES, 106.3 FM, Dover Plains, Ashleigh Kinsey | Digital Media PAGE 6 NY Administrator W243BZ, 96.5 FM, Ellenville, NY Ian Pickus | News Director our UNDERWRITERS W271BF, 102.1 FM, Highland, NY Amber Sickles | Membership Director PAGE 10 W246BJ, 97.1 FM, Hudson, NY W204CJ, 88.7 FM, Lake Placid, NY W292DX, 106.3 FM, Middletown, NY WAMC-FM broadcasts 365 days a year W215BG, 90.9 FM, Milford, PA WAMC to eastern New York and western New W299AG, 107.7 FM, Newburgh, NY Box 66600 England on 90.3 MHz. -
Sounding Sentimental: American Popular Song from Nineteenth-Century Ballads to 1970S Soft Rock Emily Margot Gale Vancouver, BC B
Sounding Sentimental: American Popular Song From Nineteenth-Century Ballads to 1970s Soft Rock Emily Margot Gale Vancouver, BC Bachelor of Music, University of Ottawa, 2005 Master of Arts, Music Theory, University of Western Ontario, 2007 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Music University of Virginia May, 2014 © Copyright by Emily Margot Gale All Rights Reserved May 2014 For Ma with love iv ABSTRACT My dissertation examines the relationship between American popular song and “sentimentality.” While eighteenth-century discussions of sentimentality took it as a positive attribute in which feelings, “refined or elevated,” motivated the actions or dispositions of people, later texts often describe it pejoratively, as an “indulgence in superficial emotion.” This has led an entire corpus of nineteenth- and twentieth-century cultural production to be bracketed as “schmaltz” and derided as irrelevant by the academy. Their critics notwithstanding, sentimental songs have remained at the forefront of popular music production in the United States, where, as my project demonstrates, they have provided some of the country’s most visible and challenging constructions of race, class, gender, sexuality, nationality, and morality. My project recovers the centrality of sentimentalism to American popular music and culture and rethinks our understandings of the relationships between music and the public sphere. In doing so, I add the dimension of sound to the extant discourse of sentimentalism, explore a longer history of popular music in the United States than is typical of most narratives within popular music studies, and offer a critical examination of music that—though wildly successful in its own day—has been all but ignored by scholars.