Download Article
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
William Carlos Williams' Indian Son(G)
The News from That Strange, Far Away Land: William Carlos Williams’ Indian Son(g) Graziano Krätli YALE UNIVERSITY 1. In his later years, William Carlos Williams entertained a long epistolary relationship with the Indian poet Srinivas Rayaprol (1925-98), one of a handful who contributed to the modernization of Indian poetry in English in the first few decades after the independence from British rule. The two met only once or twice, but their correspondence, started in the fall of 1949, when Rayaprol was a graduate student at Stanford University, continued long after his return to India, ending only a few years before Williams’ passing. Although Williams had many correspondents in his life, most of them more important and better known literary figures than Rayaprol, the young Indian from the southeastern state of Andhra Pradesh was one of the very few non-Americans and the only one from a postcolonial country with a long and glorious literary tradition of its own. More important, perhaps, their correspondence occurred in a decade – the 1950s – in which a younger generation of Indian poets writing in English was assimilating the lessons of Anglo-American Modernism while increasingly turning their attention away from Britain to America. Rayaprol, doubly advantaged by virtue of “being there” (i.e., in the Bay Area at the beginning of the San Francisco Renaissance) and by his mentoring relationship with Williams, was one of the very first to imbibe the new poetic idiom from its sources, and also one of the most persistent in trying to keep those sources alive and meaningful, to him if not to his fellow poets in India. -
ENGL 3852 Topics in Poetics W. Scott Howard 'After' Objectivism English
ENGL 3852 Topics in Poetics W. Scott Howard ‘After’ Objectivism English & Literary Arts Winter Quarter, 2018 [email protected] T & Th 10:00 – 11:50 https://portfolio.du.edu/showard Sie Complex 1110 SH 387-E / 303-871-2887 Description: This course concerns selected works by William Carlos Williams, Lorine Niedecker, George Oppen, William Bronk, Susan Howe, Rachel Blau DuPlessis, Fred Moten, and Lucy Ives, which we will study within and against the so-called Objectivist tradition, following their paths into artistic, cultural, and philosophical / theoretical / political contexts (c. 1931-present). Assignments will include a variety of individual and collaborative works blending creativity, research, and critique. Books: William Bronk. Life Supports: New and Collected Poems . Jersey City: Talisman, 1997. Rachel Blau DuPlessis. Surge: Drafts 96-114 . Cromer, UK: Salt, 2013. [Dana Gioia, ed. Twentieth-Century American Poetics . Boston: McGraw Hill, 2004.] Selected PDFs. Susan Howe. Spontaneous Particulars: The Telepathy of Archives . New York: New Directions, 2014. Lucy Ives. Orange Roses . Boise: Ahsahta Press, 2013. Fred Moten. The Little Edges . Middleton: Wesleyan University Press, 2014. Lorine Niedecker. Collected Works . Berkeley: University of California, 2002. George Oppen. Selected Poems . New York: New Directions, 2003. William Carlos Williams. Paterson . New York: New Directions, 1992. Invitations: Three Écrits @ 40% (5-7 pages each) Two Assemblages @ 20% (2-3 pages each) One Research Project* @ 40% (10-12 pages or the equivalent, depending upon media) * One Project involving research. Open topic, media, form and style. The project should engage in some way with your selection of materials from our studies, and should also address contexts and works beyond that scope. -
Transnational Imagination of China in Ezra Pound's and William Carlos
English Language, Literature & Culture 2021; 6(1): 7-13 http://www.sciencepublishinggroup.com/j/ellc doi: 10.11648/j.ellc.20210601.12 ISSN: 2575-2367 (Print); ISSN: 2575-2413 (Online) Transnational Imagination of China in Ezra Pound’s and William Carlos Williams’ Poetics Tang Wei 1, 2 1School of Foreign Languages, Nanjing University, Nanjing, China 2School of Foreign Languages, Nanchang University, Nanchang, China Email address: To cite this article: Tang Wei. Transnational Imagination of China in Ezra Pound’s and William Carlos Williams’ Poetics. English Language, Literature & Culture. Vol. 6, No. 1, 2021, pp. 7-13. doi: 10.11648/j.ellc.20210601.12 Received : February 9, 2021; Accepted : March 2, 2021; Published : March 10, 2021 Abstract: As a modernist movement in poetry emphasizing the clarity of expression through the use of precise visual images, Imagism drew inspiration from the poetic forms of different countries, among which an influential one was Chinese poetry. As the pioneer of the movement, Ezra Pound is noted for his profound interest in Chinese ideograph and skillful appropriation of Chinese poetry in his own works which inspire and influence a host of American poets of the Modern period including William Carlos Williams. Though Pound and Williams were both labelled as imagist poets, they departed from each other in their later poetics. Researchers have long noticed this departure, but paid scant attention to the influence of Chinese poetry on it. This paper is intended to conduct a study on the influence of Pound’s and Williams’ transnational imagination of China on their poetics which leads to two opposing directions in dealing with Chinese poetry and culture in modern American poetry. -
“Animal Spirits”
Swarthmore College Works English Literature Faculty Works English Literature 2016 “Animal Spirits” Peter Schmidt Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-english-lit Part of the English Language and Literature Commons Let us know how access to these works benefits ouy Recommended Citation Peter Schmidt. (2016). "“Animal Spirits”". William Carlos Williams Review. Volume 33, Issue 1-2. 147-171. DOI: 10.5325/willcarlwillrevi.33.1-2.0147 https://works.swarthmore.edu/fac-english-lit/331 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in English Literature Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. “Animal Spirits” Peter Schmidt William Carlos Williams Review, Volume 33, Numbers 1-2, 2016, pp. 147-171 (Article) Published by Penn State University Press DOI: https://doi.org/10.1353/wcw.2016.0019 For additional information about this article https://muse.jhu.edu/article/643077 Access provided by Swarthmore College (17 Aug 2017 14:23 GMT) “Animal Spirits” PETER SCHMIDT, SWARTHMORE COLLEGE ABSTRACT | In “Animal Spirits” looks in some depth at several of Williams’s poems about dogs or cats written over the course of his career, from “Sub Terra” (1917); “Poem (As the cat)” (from the 1930s); the dogs of Paterson; and “To a Dog Injured in the Street,” which exemplifies the elegiac poetics and representational paradoxes of Williams’s late triadic style. Cats for Williams exemplify energy in precise control, its perfection in form—and that was his lifelong quest. -
NEW OBJECTIVISTS NOUVEAUX OBJECTIVISTES NUOVI OGGETTIVISTI Cristina Giorcelli – Luigi Magno
NEW OBJECTIVISTS NOUVEAUX OBJECTIVISTES NUOVI OGGETTIVISTI edited by sous la direction de a cura di Cristina Giorcelli – Luigi Magno LOFFREDO EDITORE UNIVERSITY PRESS Nuovi oggettivisti_7bozza.indd 2 14/11/13 10:03 Nuovi oggettivisti_7bozza.indd 3 14/11/13 10:03 4 Pubblicato con il contributo del Dipartimento di Studi Euro-Americani e del Dipartimento di Lingue, Letterature e Culture Straniere, Università degli Studi Roma Tre – Via Ostiense, 236 e Via Valco di San Paolo, 19 – 00146 ROMA ISBN 978-8-887564-641-7 Finito di stampare nel mese di ottobre 2013 In copertina: Tony Smith, Marriage (1961) © LOFFREDO EDITORE UNIVERSITY PRESS s.r.l. Via Kerbaker 19 – Napoli 80126 (NA) www.loff redo.it universita@loff redo.it Nuovi oggettivisti_7bozza.indd 4 14/11/13 10:03 4 5 Pubblicato con il contributo del Dipartimento di Studi Euro-Americani Indice e del Dipartimento di Lingue, Letterature e Culture Straniere, Università degli Studi Roma Tre – Via Ostiense, 236 e Via Valco di San Paolo, 19 – 00146 ROMA I Cristina Giorcelli ISBN 978-8-887564-641-7 Introduction 11 Bob Perelman 1 + 1 = 1: Louis Zukofsky and Question of Unity 17 Bob Perelman Finito di stampare nel mese di ottobre 2013 A Guide to Homage to Sextus Propertius 31 The Job 42 Rome 43 Rachel Blau DuPlessis Objectivist Poetics and the Work of Drafts 45 In copertina: Tony Smith, Marriage (1961) Rachel Blau DuPlessis Draft 104: The Book 61 Draft 106: Meant to Say 66 Noura Wedell Transforming Service: Radical Documentary and the Promise of Objectivism 71 © LOFFREDO EDITORE UNIVERSITY PRESS s.r.l. -
Louis Zukofsky: Sources of US Modernism Timothy Morgan Cahill University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2009 Louis Zukofsky: sources of US modernism Timothy Morgan Cahill University of Wollongong Recommended Citation Cahill, Timothy Morgan, Louis Zukofsky: sources of US modernism, Doctor of Philosophy thesis, School of Journalism and Creative Writing, Faculty of Creative Arts, University of Wollongong, 2009. http://ro.uow.edu.au/theses/3424 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. Title Sheet Louis Zukofsky: Sources of US Modernism A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy from UNIVERSITY OF WOLLONGONG by Timothy Morgan Cahill, Bachelor of Creative Arts (Honours, 1st Class) Faculty of Creative Arts, School of Journalism and Creative Writing 2009 CERTIFICATION I, Timothy Morgan Cahill, declare that this thesis, submitted in fulfillment of the requirements for the award of Doctor of Philosophy, in the Faculty of Creative Arts, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualification at any other academic institution. Timothy Morgan Cahill 25 March 2009 CONTENTS ABSTRACT .......................................................................................................... 1 ACKNOWLEDGEMENTS ................................................................................... -
Incidentally Philip Lamantia : a Study of the Poetics of Surrealism
INCIDENTAWLY PHILIP I&aNTIA: A STUDY OF THE l?cECICS OF SURREALISM Stephen C. ktt B.A., University of Tormto, 1974 THE REQUIREMENTS FOR THE DEGREE OF in the Departzrrent SlNX FRASER UN-ITY October 1976 All rights reserved. This thesis may not be repruduced in whole or in part, by photoropy or other mans, without pedssim of the author. Nm: Stephen C. Bett Degree: Master of Arts (English) Title of Thesis: Incidentally Philip mtia: . A Study of the Poetics of Surrealism. Ekamining Camnittee: Chairrperson: Michael Steig Robin Blaser Senior Supervisor Peter Quartermain =tern& Examiner Associate Professor University of British ColWia I hereby grant to Simon Fraser University the right to lend my thesis or dissertation (the title of which is shown below) to usere of the Simon Fraser University Library, and to make partial or single copies only for-such users or in response to a request from the library of any other university, or other educational institution, on its 'own behalf or for one of its users. I further agree that permission for multiple copying of this thesis for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission, Title of Thesis/~issertation: TNCTllFNTAI I Y PHTl TP I AWTA. , Author : / (signature ) Stephen Bett (name ) (date) iii ABSTRACT This thesis attempts to locate and unravel the poetics of Surrealism. The chief cmcern is for the "image," the dynamic center of the poetry, and mst especially for its dialectical and aesthetic properties. -
The “Objectivists”: a Website Dedicated to the “Objectivist” Poets by Steel Wagstaff a Dissertation Submitted in Partial
The “Objectivists”: A Website Dedicated to the “Objectivist” Poets By Steel Wagstaff A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English) at the UNIVERSITY OF WISCONSIN‐MADISON 2018 Date of final oral examination: 5/4/2018 The dissertation is approved by the following members of the Final Oral Committee: Lynn Keller, Professor, English Tim Yu, Associate Professor, English Mark Vareschi, Assistant Professor, English David Pavelich, Director of Special Collections, UW-Madison Libraries © Copyright by Steel Wagstaff 2018 Original portions of this project licensed under a CC BY-SA 4.0 license. All Louis Zukofsky materials copyright © Musical Observations, Inc. Used by permission. i TABLE OF CONTENTS Acknowledgements ..................................................................................... vi Abstract ................................................................................................... vii Introduction ............................................................................................... 1 The Lives ................................................................................................ 31 Who were the “Objectivists”? .............................................................................................................................. 31 Core “Objectivists” .............................................................................................................................................. 31 The Formation of the “Objectivist” -
Introduction: a Social Reading of Postmodern Poetic Form 1
Notes Introduction: A Social Reading of Postmodern Poetic Form 1. In The Political Unconscious (1981), Fredric Jameson makes a stark distinction between intellectual and physical work. Nearly three decades later, in a postin- dustrial service economy, this stark distinction is less evident, though Jameson’s caution remains relevant: “One cannot without intellectual dishonesty assimilate the ‘production’ of texts . to the production of goods by factory workers: writ- ing and thinking are not alienated labor in that sense, and it is surely fatuous for intellectuals to seek to glamorize their tasks—which can for the most part be subsumed under the rubric of the elaboration, reproduction, or critique of ideology—by assimilating them to real work on the assembly line and to the experience of the resistance of matter in genuine manual labor” (45). 2. “Over the course of the Cold War, the United States devoted enormous resources to achieving and maintaining an advantage over the Soviet Union in most areas of military technology. Indeed, for the better part of half a century, reliance on qualitative superiority was at the heart of US military strategy, and its pur- suit was the central, defining feature of the entire American defense effort” (Friedberg 207). 3. Pointing to “the anticommunist crusade of the late 1940s and 1950s” as a major cause for the decline of American organized labor, Ellen Shrecker argues that “McCarthyism tamed American labor and brought it into the Cold War politi- cal consensus. Moreover, by preventing the nation’s unions, if so inclined, from building a broad-based social movement that challenged corporate values and championed social justice, McCarthyism narrowed political options for all Americans” (7). -
William Carlos Williams: an American Master
InSight: RIVIER ACADEMIC JOURNAL, VOLUME 4, NUMBER 2, FALL 2008 WILLIAM CARLOS WILLIAMS: AN AMERICAN MASTER Paul A. Lizotte, Ph.D.* Professor, Department of English and Communication, Rivier College It is difficult to generalize about William Carlos Williams as a poet and as a person. A physician his entire life, Williams at the same time had a long and distinguished poetic career. Born in 1883, he published his first volume of poetry in 1909 and continued publishing poetry, short fiction, novels, plays, and essays until his death in 1963. It can easily be argued that Williams is the most important American poet of the 20th century. Although his work did not gain widespread recognition until the 40’s and 50’s, Williams had an enormous influence on younger poets—Creeley, Duncan, Lowell, Ginsburg—so that in looking back it seems clear that Williams’ is the dominant tradition in 20th century American poetry. And yet, we are certainly far less familiar with Williams’ work than with that of T.S. Eliot or Robert Frost. People's acquaintance with Williams is usually limited to “The Red Wheelbarrow,” “This is just to say” (the poem about the plums), and perhaps “The Yachts.” Given the anthology selections, it is sometimes difficult to determine what it is about Williams—that minimalist poet of hard, angular surfaces, a collector, it seems, more of “found” poems than of “made” poems—that makes him so significant a force in the history of American poetry and so substantial a poet in his own right. There is no doubt about it—Williams is a difficult poet. -
The Labor of the Avant-Garde: Experimental Form and the Politics of Work in Post-War American Poetry and Fiction
The Labor of the Avant-Garde: Experimental Form and the Politics of Work in Post-War American Poetry and Fiction Aaron W. Winslow Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 © 2015 Aaron Winslow All rights reserved ABSTRACT The Labor of the Avant-Garde: Experimental Form and the Politics of Work in Post-War American Poetry and Fiction Aaron W. Winslow While literary critics have explored the politics of labor in pre-war modernist literature, the post-45 avant-garde has continued to be framed as a depoliticized repetition of previous avant-garde styles. Examining American avant-garde literature in its relation to the political and economic shifts from the 1960s through the late 1980s, my dissertation corrects this narrative to show that labor and labor politics were central categories in post-war experimental poetry and fiction. I argue that writers as disparate as Charles Olson, William S. Burroughs, Samuel R. Delany, and Susan Howe reworked disjunctive modernist forms to cognitively map emergent economic tendencies in the US. Parataxis, collage, surrealist imagery, aleatory compositional methods, non-linear plotting, and metafictional narrative conceits all constitute the stylistic techniques of an avant-garde engaged in an extended dialogue about work and the politics of work. The canon of experimental literature functioned as a counter-discourse that contested and reshaped discourses of labor by considering it alongside categories of race, gender, and sexuality. By using labor as an entry point into the avant-garde, my dissertation reconsiders the post-war literary canon, revealing an avant-garde that includes writers working across modes and genres. -
Poetics and Praxis 'After' Objectivism by W. Scott
Poetics and Praxis ‘After’ Objectivism by W. Scott Howard and Broc Rossell, eds. Contemporary North American Poetry Series Alan Golding, Lynn Keller, and Adalaide Morris, series editors Poetics and Praxis ‘After’ Objectivism is an important contribution to our understanding of a movement that refused to be labelled a movement. It will be useful for students of modernist and postmodern poetics interested in the evolution of issues first addressed in Zukofsky’s foundational essays, ‘Program: “Objectivists” 1931’ and ‘Sincerity and Objectification’ and in the various formal innovations launched by the practitioners. This is a new look at Objectivism’s influence and, equally, a look at the problematic nature of ‘influence' in general.”—Michael Davidson, author, On the Outskirts of Form: Practicing Cultural Poetics Poetics and Praxis ‘After’ Objectivism eXamines late twentieth- and early twenty-first- century poetics and praXis within and against the dynamic, disparate legacy of Objectivism and the Objectivists. This is the first volume in the field to investigate the continuing relevance of the Objectivist ethos to poetic praXis in our time. The book argues for a reconfiguration of Objectivism, adding contingency to its historical values of sincerity and objectification, within the conteXt of the movement’s development and disjunctions from 1931 to the present. Essays and conversations from emerging and established poets and scholars engage a network of communities in the U.S., Canada, and the U.K. shaped by contemporaneous oppositions, as well as genealogical (albeit discontinuous) historicisms. The book articulates Objectivism as an inclusively local, international, and interdisciplinary ethos, and reclaims Objectivist poetics and praXis as modalities for contemporary writers concerned with radical integrations of aesthetics, lyric subjectivities, contingent disruption, historical materialism, and social activism.