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William Forsythe a Quiet Evening of Dance Dates: Performance Times: Ticket Prices: Ticket Office Contact Details

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William Forsythe a Quiet Evening of Dance Dates: Performance Times: Ticket Prices: Ticket Office Contact Details CONTENTS • Key contacts • Introduction to the production • Billing & credits • Marketing assets • Brochure & web copy • Target audiences • Selling points • Social media • Digital advertising targeting • Box office information • Press release • Press pitches & strategy • Press reviews & quotes • A quote about William Forsythe • About the works: an essay by Sarah Crompton • Biographies • Tour dates Photos: Bill Cooper KEY CONTACTS Daniel King Marketing Manager +44 (0)20 7863 8104 +44 (0)77 0295 1571 [email protected] Charlotte Ansdell Senior Press Manager +44 (0)20 7863 8125 [email protected] IMPORTANT NOTE The information and assets described in this pack are available to download from http://media.sadlerswells.com. Please email [email protected] for a password. All copy must be used as provided. No changes are permitted without the agreement of Sadler’s Wells. All marketing materials, audience programmes, digital content and press releases must be proofed by Sadler’s Wells before being used. Please send all proofs, allowing adequate time for approval to [email protected] and [email protected]. INTRODUCTION TO THE PRODUCTION Sadler’s Wells presents a brand-new evening of works by William Forsythe. Mixing existing pieces with new creations, the evening features two reimagined repertory works, Dialogue (DUO2015), which was last seen in Sylvie Guillem’s final dance programme and Catalogue (Second Edition), the first edition of which premiered in October 2016; two new pieces, Epilogue and Seventeen/Twenty One, as well as Prologue, an excerpt of Seventeen/Twenty One. This programme premiered at Sadler’s Wells, 4 October 2018 to rave reviews. ★★★★★ “A rare and revelatory evening” The Guardian ★★★★★ “A richly satisfying programme: witty, unpredictable, superlatively danced” Financial Times ★★★★★ “Quiet it may be, but William Forsythe’s latest evening of dance at Sadler’s Wells resounds with an extraordinary cerebral and imaginative force” The Stage “Seventeen/Twenty One” is a humdinger of a work” New York Times BILLING AND CREDITS Note: follow this layout. A Sadler’s Wells London Production A Quiet Evening of Dance By William Forsythe and Brigel Gjoka, Jill Johnson, Christopher Roman, Parvaneh Scharafali, Riley Watts, Rauf “RubberLegz” Yasit and Ander Zabala. Co-produced with Théâtre de la Ville, Paris; Théâtre du Châtelet, Paris; Festival d’Automne à Paris; Festival Montpellier Danse 2019; Les Théâtres de la Ville de Luxembourg; The Shed, New York; Onassis Cultural Centre, Athens; deSingel international arts campus, Antwerp. First performed at Sadler’s Wells London on 4 October 2018. Winner of the FEDORA - VAN CLEEF & ARPELS Prize for Ballet 2018. Winner of Best Modern Choreography Award at The Critics’ Circle Awards 2020 THE FEDORA PRIZE A Quiet Evening of Dance won the FEDORA - VAN CLEEF & ARPELS Prize for Ballet 2018. This should be credited in all marketing and press information - logos and details can be downloaded from http://media.sadlerswells.com. Please email [email protected] for a password. BROCHURE & WEB COPY A Sadler’s Wells London Production A Quiet Evening of Dance By William Forsythe William Forsythe is undoubtedly one of the foremost choreographers of his generation. For this unusual configuration of new and existing work, Forsythe has imagined something akin to an evening of chamber music, designed to be listened to. The works range from sparse analytic condensation to baroque inspired counterpoint. The intricate phrasing of the dancers’ breath is the primary accompaniment for a distillation of the geometric origins of classical ballet. The evening is performed by some of Forsythe’s most trusted collaborators, who promise to provide insight into the workings of ballet and the mind of the man who has dedicated his work to this task. The programme includes two new pieces, Epilogue and Seventeen/Twenty One; two reimagined repertory works, Dialogue (DUO2015) and Catalogue (Second Edition), as well as Prologue, an excerpt of Seventeen/Twenty One. Produced by Sadler’s Wells London. Co-produced with Théâtre de la Ville-Paris, le Théâtre du Châtelet and Festival d’Automne à Paris; Festival Montpellier Danse 2019; Les Théâtres de la Ville de Luxembourg; The Shed, New York; Onassis Cultural Centre-Athens; deSingel international arts campus (Antwerp). First performed at Sadler’s Wells London on 4 October 2018. Winner of the FEDORA - VAN CLEEF & ARPELS Prize for Ballet 2018. Winner of Best Modern Choreography Award at The Critics’ Circle Awards 2020 MARKETING ASSETS All assets are available to download from: http://media.sadlerswells.com. Please email [email protected] for a password. Available images & photography • Lead marketing image © Bill Cooper • Production photos © Bill Cooper Available trailer & digital content • Production trailer (60 secs) The trailer is provided without credits or branding so you’re able to adapt it to your house style. Please follow these guidelines and send to [email protected] for approval. Production trailer edit MUST include: Text: A Sadler’s Wells London production Text: William Forsythe: A Quiet Evening of Dance Logo: Sadler’s Wells secondary logo Logos • Sadler’s Wells logos are available to download TARGET AUDIENCES • Fans of dance (contemporary, ballet and hip hop) • Fans of fine art and architecture • Fans of dancers / dance companies: Semperoper Ballett, Company Wayne McGregor, Sylvie Guillem, Paris Opera Ballet and Ballet Frankfurt • Fans of baroque and classical music • Dance teachers, dance students and dance schools SELLING POINTS • The production features three new works, as well as two reimagined repertory works. • A Quiet Evening of Dance won the prestigious Fedora Prize. • The production received 5-star reviews at its world premiere at Sadler’s Wells (UK) in October 2018, including 5 stars in The Guardian, Financial Times and The Stage. • Forsythe fuses elements of hip hop into his new works, with Rauf "Rubberlegz" Yasit performing. • For this programme, Forsythe works with seven of his most trusted collaborators. About William Forsythe • William Forsythe has been active in the field of choreography for over 45 years. • Forsythe’s works are prominently featured in the repertoire of virtually every major ballet company in the world, including the Mariinsky Ballet, New York City Ballet, Boston Ballet, San Francisco Ballet, National Ballet of Canada, Semperoper Ballett Dresden, The Royal Ballet in London and the Paris Opera Ballet. • Awards received by Forsythe and his ensembles include the New York Dance and Performance “Bessie” Awards, Olivier Awards, Hessische Kulturpreis/Hessian Culture Award, The Wexner Prize, Golden Lion of the Venice Biennale, Samuel H Scripps / American Dance Festival Award for Lifetime Achievement and The Grand Prix de la SACD amongst others. • Forsythe has been conveyed (is this the right word?) the title of Commandeur des Arts et Lettres (1999) by the government of France. • Forsythe has been commissioned to produce architectural, performance installations and film works by organisations including the Hayward, MoMa (New York), ICA (Boston) and the Venice Biennale, amongst others. • Forsythe is an honorary fellow at Trinity Laban in London and holds an honorary doctorate from The Juilliard School in New York. • Forsythe is a current professor of dance and artistic advisor for the Choreographic Institute at the University of Southern California Glorya Kaufman School of Dance. SOCIAL MEDIA HANDLES Sadler’s Wells Twitter: @Sadlers_Wells Facebook: /SadlersWells Instagram: @Sadlers_Wells The Company Instagram: @p.scharafali Instagram: eberginger Instagram: @rubberlegz DIGITAL ADVERTISING/WORD SUGGESTIONS American: Boston Ballet, New York City Ballet, Martha Graham, San Francisco Ballet. Contemporary dance: Merce Cunningham, Pina Bausch, Trisha Brown, Anne Teresa De Keersmaeker, Trinity Laban Conservatoire of Music and Dance, London Contemporary Dance School, Alvin Ailey American Dance Theater, Richard Alston Dance Company, Wayne McGregor, Siobhan Davies, contemporary dance, Martha Graham, Sasha Waltz, Sadler's Wells Theatre, Royal Academy of Dance, The Place, Rambert Dance Company, Meg Stuart, Wayne McGregor, Random Dance, London Contemporary Dance Theatre, Akram Khan (dancer), Matthew Bourne, William Forsythe. Ballet: The Australian Ballet, Ballet technique, Birmingham Royal Ballet, Alexei Ratmansky, Scottish Ballet, Royal Ballet School, Ballet, Boston Ballet, American Ballet Theatre, English National Ballet School, Northern Ballet, Joffrey Ballet, The Royal Ballet, Dutch National Ballet, Tamara Rojo, English National Ballet, San Francisco Ballet, Mariinsky Ballet, Classical ballet, National Ballet of Canada, New York City Ballet, Cuban National Ballet, Paris Opera Ballet, Royal Opera House, Bolshoi Ballet. Classical Music: London Symphony Orchestra, Guildhall School of Music and Drama, Trinity Laban Conservatoire of Music and Dance, London Philharmonic Orchestra, Royal Academy of Music, Sub Pop, BBC Radio 3, Barbican Centre, English National Opera, Royal Albert Hall, Classic FM (UK), BBC Radio 6 Music, BBC Symphony Orchestra, Cadogan Hall, Rough Trade Records, Royal Opera House. BOX OFFICE INFORMATION • Running time: 1 hour 40 minutes (inc. 20 minute interval) • Special effects: No strobe or haze effects. PRESS RELEASE Sadler’s Wells presents William Forsythe A Quiet Evening of Dance Dates: Performance times: Ticket prices: Ticket Office contact details:
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