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English National Ballet 2018-2019 Season
English National Ballet 2018-2019 Season www.ballet.org.uk • English National Ballet and English National Ballet School set to move into joint state-of- the-art home in Canning Town, East London • Christopher Wheeldon to create a new in-the-round version of Cinderella for English National Ballet and the Royal Albert Hall • ENB’s second bill featuring female choreographers, She Persisted includes a new work inspired by Ibsen’s A Doll’s House by First Artist Stina Quagebeur • She Persisted also features Pina Bausch’s Le Sacre du printemps and Annabelle Lopez Ochoa’s Broken Wings • Lest We Forget returns to mark the centenary of the end of the First World War • Akram Khan’s Giselle tours internationally to the Harris Theater, Chicago and to the Chekov International Festival at the Bolshoi Theatre, Moscow • Sir Kenneth MacMillan’s Manon performed on tour and at the London Coliseum • ENB in Paris, following the Company’s performances at the Palais Gariner, to be released via YouTube English National Ballet has today announced its 2018-2019 season at a press conference at London City Island, the site of its future home. English National Ballet’s 2018-2019 season begins as the Company prepares to move to its new purpose-built home at London City Island in Canning Town, a new neighbourhood from EcoWorld Ballymore. The Company is thrilled to announce it has been successful in its stage two application to Arts Council England’s Capital Large Grants programme, funded by the National Lottery, for a £3 million investment in its future home. -
Performance and Discourse of Musicality in Cuban Ballet Aesthetics
Smith ScholarWorks Dance: Faculty Publications Dance 6-24-2013 “Music in the Blood”: Performance and Discourse of Musicality in Cuban Ballet Aesthetics Lester Tomé Smith College, [email protected] Follow this and additional works at: https://scholarworks.smith.edu/dan_facpubs Part of the Dance Commons Recommended Citation Tomé, Lester, "“Music in the Blood”: Performance and Discourse of Musicality in Cuban Ballet Aesthetics" (2013). Dance: Faculty Publications, Smith College, Northampton, MA. https://scholarworks.smith.edu/dan_facpubs/5 This Article has been accepted for inclusion in Dance: Faculty Publications by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected] POSTPRINT “Music in the Blood”: Performance and Discourse of Musicality in Cuban Ballet Aesthetics Lester Tomé Dance Chronicle 36/2 (2013), 218-42 https://doi.org/10.1080/01472526.2013.792325 This is a postprint. The published article is available in Dance Chronicle, JSTOR and EBSCO. Abstract: Alicia Alonso contended that the musicality of Cuban ballet dancers contributed to a distinctive national style in their performance of European classics such as Giselle and Swan Lake. A highly developed sense of musicality distinguished Alonso’s own dancing. For the ballerina, this was more than just an element of her individual style: it was an expression of the Cuban cultural environment and a common feature among ballet dancers from the island. In addition to elucidating the physical manifestations of musicality in Alonso’s dancing, this article examines how the ballerina’s frequent references to music in connection to both her individual identity and the Cuban ballet aesthetics fit into a national discourse of self-representation that deems Cubans an exceptionally musical people. -
Press Release
04 January 2021 English National Ballet’s BalletActive English National Ballet’s on-demand video platform hosts a wide variety of ballet-based online classes for all levels and abilities. Whether trying ballet for the first time, rediscovering a passion for dance, maintaining your bal- let practice or just looking to build fitness at home, English National Ballet’s BalletActive has something for everyone. Building on the popular series of classes which ENB made available online during the UK’s first lockdown, BalletActive offers an even wider variety of classes from beginners to advanced level. The classes are especially designed for those participating at home and in smaller spa- ces, giving people the opportunity to actively engage with ballet-based exercise from home with a monthly or annual subscription.. The recently launched ‘Beginners Ballet’ series with English National Ballet dancer Sarah Kundi covers the basics of ballet, introducing first to fifth positions and starting at the barre. There are improver to advanced level Ballet Masterclasses run by the Company’s ballet mas- ter Renato Paroni de Castro and ballet mistress Mayumi Ganley, advanced level classes with ENB’s Artistic Director Tamara Rojo, Barre Fit classes, a contemporary series which explores the core fundamentals of contemporary dance, a beginners series for young people and much more. Also available on BalletActive is a range of yoga, meditation and strength and conditioning sessions available to complement ballet practice and help to build ballet strength. All classes on the BalletActive platform are pre-recorded, with new classes added periodically. New classes this month include seated workout classes for those with limited mobility, aimed to improve a range of motion, developing coordination and musicality, and a contemporary se- ries with Alleyne Dance, a multi-disciplinary dance company based in London. -
PRESS RELEASE Ballet
PRESS RELEASE Filip Barankiewicz The Artistic Director of The Czech National Ballet ballet ON-LINE WORLD PREMIERE OF THE CZECH NATIONAL BALLET CNB YOUTUBE CHANNEL PUPPET DOS SOLES SOLOS Two choreographies / double experience During 2020/2021 season The Czech National Ballet manages to stimualate creative energy and seeking new artistic impulses. The world online premiere of works by choreographers Douglas Lee and Alejandro Cerrudo ranks among them. We value every moment when we can freely create and thus contribute to the formation of a sensitive and supportive environment… Douglas Lee and Alejandro Cerrudo worked with The Czech National Ballet since August 2020. The dancers learned to exercise in face masks, disinfect their hands, split into small closed groups, take tests, protect themselves and others, watch their health and act as an evidence that the covid era shall not destroy the arts, the live theatre. In November 2020 these artists completed their new choreographies and the works were recorded. All choreographies are part of the Phoenix production which has entered the repertory of The Czech National Ballet (the third part of the premiere is Prelude und Liebestod by Cayetano Soto). We are ready to perform all three creations whenever audiences can return to our historical building. The live premiere is still to come and we hope to reconnect soon. On March 18, 2021 at 7pm we will be showing PUPPET (choreography by Douglas Lee) and on March 25, 2021 at 7pm DOS SOLES SOLOS (choreography by Alejandro Cerrudo); both works on YouTube channel of the Czech National Ballet. Douglas Lee: ‘My ballet is called Puppet. -
English National Ballet 2019-2020 Season Ballet.Org.Uk
Amended: June 2019 English National Ballet 2019-2020 Season ballet.org.uk • English National Ballet says ‘Thank You’ as it celebrates its 70th Anniversary • Akram Khan to create second full-length production for English National Ballet • Le Corsaire returns with performances at Milton Keynes Theatre and the London Coliseum • Christopher Wheeldon’s Cinderella to be performed in Manchester and Southampton • The Company’s first full Season after moving to their new home at London City Island • Mayor of London awards £1million grant through his Good Growth Fund to support English National Ballet’s ‘Bridging Neighbourhoods – Growing Talent’ project • English National Ballet appoints first Medical Director to maximise the benefits of the new building’s state-of-the-art fitness and rehabilitation facilities English National Ballet today announces plans for its 2019-2020 Season and updates on their new home at London City Island: 2020 marks English National Ballet’s 70th Anniversary with celebrations taking place throughout the 2019-2020 Season that give opportunities for the Company to say, ‘Thank You’ to its audiences, fans, friends and partners. The 70th Anniversary will be celebrated with three special Gala performances at the London Coliseum featuring extracts from a diverse range of repertoire spanning English National Ballet’s history. Tamara Rojo CBE, English National Ballet’s Artistic Director said: “Our 70th Anniversary Gala performances are a rare opportunity to showcase in one place a huge variety of brilliant work from our extraordinarily rich history. This will be a Gala that celebrates the sheer love of dance, both on and off the stage, that has been part of our vision from the beginning. -
Pag 01Ok.Qxd 20/06/2014 20:38 Pægina 1 EL CULTURAL1 Euro
pag 01ok.qxd 20/06/2014 20:38 PÆgina 1 EL CULTURAL1 Euro. Venta conjunta e inseparable con El Mundo, y en librerías especializadas 27 de junio - 3 de julio de 2014 www.elcultural.es Richard Hamilton El último autorretrato La distopía conquista la literatura Mérida absuelve a Salomé Paco Azorín abre el festival con una impactante revisión de la ópera de Strauss Pag 03.qxd 20/06/2014 21:13 PÆgina 3 PRIMERA PALABRA LUIS MARÍA ANSON de la Real Academia Española Felipe VI y la cultura elipe II, Felipe III y Fe- Graciano García, con saga- Se divirtió hablando con Pedro centenares de representantes lipe IV vivieron el Siglo de cidad impagable, situó a Don Almodóvar, el gran genio del de la cultura española, iberoa- FOro de la cultura españo- Felipe en la plataforma del Pre- cine español, con Maya Pli- mericana y mundial. la. Conocieron personalmente mio Príncipe de Asturias, lo sétskaya y Tamara Rojo, con Felipe VI no gobierna. o tuvieron noticia cercana de que ha permitido al actual Rey Paco de Lucía y Michael Ha- Pero reina. Y estoy seguro de los más grandes: Cervantes y comprender la significación neke. que alentará al Gobierno a que San Juan de la Cruz, Lope de profunda de la cultura en las le- Y el mundo de la Comuni- dedique sus mejores esfuerzos Vega y Santa Teresa, Veláz- tras, las artes plásticas, la mú- cación. Recuerdo a Indro Mon- al mundo de la cultura en el quez y Calderón, Fray Luis de sica, el cine, la ciencia… tanelli, mi inolvidado, mi gran que España ocupa lugar de re- León y Gracián, Góngora y He tenido la suerte de sen- amigo, departiendo con Don lieve internacional. -
British Ballet Charity Gala
BRITISH BALLET CHARITY GALA HELD AT ROYAL ALBERT HALL on Thursday Evening, June 3rd, 2021 with the ROYAL BALLET SINFONIA The Orchestra of Birmingham Royal Ballet Principal Conductor: Mr. Paul Murphy, Leader: Mr. Robert Gibbs hosted by DAME DARCEY BUSSELL and MR. ORE ODUBA SCOTTISH BALLET NEW ADVENTURES DEXTERA SPITFIRE Choreography: Sophie Laplane Choreography: Matthew Bourne Music: Wolfgang Amadeus Mozart – Gran Partita and Eine kleine Nachtmusik Music: Excerpts from Don Quixote and La Bayadère by Léon Minkus; Dancers: Javier Andreu, Thomas Edwards, Grace Horler, Evan Loudon, Sophie and The Seasons, Op. 67 by Alexander Glazunov Martin, Rimbaud Patron, Claire Souet, Kayla-Maree Tarantolo, Aarón Venegas, Dancers: Harrison Dowzell, Paris Fitzpatrick, Glenn Graham, Andrew Anna Williams Monaghan, Dominic North, Danny Reubens Community Dance Company (CDC): Scottish Ballet Youth Exchange – CDC: Dance United Yorkshire – Artistic Director: Helen Linsell Director of Engagement: Catherine Cassidy ENGLISH NATIONAL BALLET BALLET BLACK SENSELESS KINDNESS Choreography: Yuri Possokhov THEN OR NOW Music: Piano Trio No. 1, Op. 8 by Dmitri Shostakovich, by kind permission Choreography: Will Tuckett of Boosey and Hawkes. Recorded by musicians from English National Music: Daniel Pioro and Heinrich Ignaz Franz von Biber – Passacaglia for solo Ballet Philharmonic, conducted by Gavin Sutherland. violin, featuring the voices of Natasha Gordon, Hafsah Bashir and Michael Dancers: Emma Hawes, Francesco Gabriele Frola, Alison McWhinney, Schae!er, and the poetry of -
TAMARA ROJO, Bailarina Royal Ballet Royal ‘NUNCA IMAGINÉ CUANDO
78escritura 60-62 19/10/12 12:18 Página 2 • esfera cultural• TAMARA ROJO, bailarina Royal Ballet Royal ‘NUNCA IMAGINÉ CUANDO Foto cortesia del del Foto cortesia LLEGUÉ A INGLATERRA QUE UN DÍA FUERA A DIRIGIR UNA DE SUS GRANDES COMPAÑÍAS DE DANZA’ JUAN ANTONIO LLORENTE terra que un día fuera a dirigir una de sus grandes compañías de danza. –¿Dónde será la prueba de fuego? –Aunque la compañía de la que se va a responsabilizar se –Mi primera actuación al frente del English National Ballet será proclama como “clásica”, sus intereses como bailarina son en el Teatro Milton Keynes de Buckinghamshire County, el 17 de más amplios. ¿En qué márgenes cronológicos se mueve? octubre, con La Bella Durmiente que coreografió Kenneth Macmi- –En realidad eso es algo que no me planteo, aunque es verdad llan. Para mí es uno de los montajes más bonitos que existen de que esas distinciones se dan mucho en España, donde se estable- ese título, que en diciembre llevaremos al Coliseum de Londres, cen límites entre la danza clásica y la contemporánea. Pero eso no nuestra sede oficial, además de Cascanueces. sucede fuera. En este momento, en las grandes compañías, como el Royal Ballet, los bailarines se muestran en una gran variedad de re- –La del ballet es una sociedad de mitos y mitómanos. ¿Tiene pertorio. Desde, digamos, el clásico puro de Petipa y el Lago de los los suyos? Cisnes, a cosas más modernas como Balanchine, Kenneth Macmi- –(Sonríe). Sí, por supuesto. Hay gente que me ha influenciado, llan o Zoe Aston. Así, hasta llegar a propuestas que tengan más que pero sobre todo que me ha inspirado. -
Press Kit for Ballets Russes, Presented by Capri Releasing
PRESENTS BALLETS RUSSES A film by Dan Geller and Dayna Goldfine. A fifty-year journey through the lives of the revolutionary artists who transformed dance. Running Time: 120 Minutes Media Contact: Anna Maria Muccilli AM Public Relations 1200 Bay St., Suite 900 Toronto, Ontario, M5R 2A5 416.969.9930 x 231 [email protected] For photography, please visit: http://www.caprifilms.com/capri_pressmaterial.html Geller/Goldfine P R O D U C T I O N S Ballets Russes Synopsis Ego, politics, war, money, fame, glamour, love, betrayal, grace… and dance. Ballets Russes is a feature-length documentary covering more than fifty years in the lives of a group of revolutionary artists. It tells the story of the extraordinary blend of Russian, American, European and Latin American dancers who, in collaboration with the greatest choreographers, composers and designers of the first half of the 20th century, transformed ballet from mere music hall divertissement to a true art form. From 1909, when Russian impresario Serge Diaghilev premiered his legendary Ballet Russe company in Paris, to 1962 when Serge Denham’s Ballet Russe de Monte Carlo performed for the last time in Brooklyn, Ballets Russes companies brought their popular, groundbreaking and often controversial choreographies to big cities and small towns around the world. Along the way, these artistic visionaries left their mark on virtually every other area of art and culture – from stage design, painting and music to Hollywood and Broadway. Through their inclusive cosmopolitanism, they also put the first African-American and Native American ballerinas on the stage. Using intimate interviews with surviving members of the Ballets Russes companies (now in their 70s, 80s and 90s) as well as rare archival materials and motion picture footage, Ballets Russes is both an ensemble character film and an historical portrait of the birth of an art form. -
The [Hi]Stories of Chotto Desh
The [Hi]stories of Chotto Desh DESH – and Chotto Desh, its younger version adapted for family audiences – began with a promise, one made by a son to his mother. Years ago, early in his career, Akram Khan had promised Mrs. Anwara Khan he would make a piece on the country of her birth, Bangladesh. Akram intended to keep his promise, but life kept happening, other projects kept coming in the way… Then one day, it all started coming together. Akram met visual artist Tim Yip, someone he had admired for long. Tim, agreeing to collaborate with Akram on his next work, suggested it should be an exploration of his parents’ roots: Bangladesh. It was time to keep a promise. To go on a journey. And that is what we did. The entire creative team met for the first time in Bangladesh, travelling together for ten days through November 2010 to discover many of the voices, faces, places that compose the country. Now, in this strange, unprecedented moment of physical isolation and danger, when memory and emotional nearness and beauty are our magic wands for sanity, we remember them. Now, when Chotto Desh will be streamed in an attempt to share something that gave us so much joy and warmth, it seems fitting to share also our memories of those voices and faces and places, the ones that compose DESH and Chotto Desh in ways both visible and invisible. Dhaka, the unstoppable metropolis, of multi-coloured streets, hurtling traffic and intrepid pedestrians. The busy villages, the vast countryside, the carom-playing children. -
Scottish Ballet a Streetcar Named Desire
may program pages.qxp_Layout 1 4/19/17 8:59 AM Page 29 Wednesday through Friday, May 10–12, 2017, 8pm Zellerbach Hall Scottish Ballet A Streetcar Named Desire Directed by Nancy Meckler Choreographed by Annabelle Lopez Ochoa Music and Sound by Peter Salem Original play by Tennessee Williams Design by Niki Turner Lighting Design by Tim Mitchell Principals Christopher Harrison Bethany Kingsley-Garner. Eve Mutso* Soloists Andrew Peasgood Luke Schaufuss Nicholas Shoesmith Araminta Wraith Victor Zarallo First Artists Laura Joffre Sophie Laplane Evan Loudon Rimbaud Patron Constant Vigier Artists Javier Andreu Aisling Brangan Matthew Broadbent Grace Horler Pascal Johnson Roseanna Leney Daniela Oddi Melissa Parsons Grace Paulley Simon Schilgen Claire Souet Eado Turgeman Christopher Hampson, chief executive/artistic director Steven Roth, executive director Hope Muir, assistant artistic director Amy Dolan, company manager/international tour producer George Thomson, technical director Tim Palmer, production manager Matthew Strachan, chief electrician Iain Levee, assistant electrician Chris Holmes, chief stage technician Stevie Winning, technician Brian Prentice, sound operator/company pianist Sheelagh McCabe, stage manager Zoe Hayward, deputy stage manage Mary Mullen, head of wardrobe Ariane Robinson, wardrobe technician Scottish Ballet's production of A Streetcar Name Desire is made possible through special arrangement with The University of the South, Sewanee, Tennessee. * guest artist This performance is made possible, in part, by Patron Sponsors -
William Forsythe a Quiet Evening of Dance Dates: Performance Times: Ticket Prices: Ticket Office Contact Details
CONTENTS • Key contacts • Introduction to the production • Billing & credits • Marketing assets • Brochure & web copy • Target audiences • Selling points • Social media • Digital advertising targeting • Box office information • Press release • Press pitches & strategy • Press reviews & quotes • A quote about William Forsythe • About the works: an essay by Sarah Crompton • Biographies • Tour dates Photos: Bill Cooper KEY CONTACTS Daniel King Marketing Manager +44 (0)20 7863 8104 +44 (0)77 0295 1571 [email protected] Charlotte Ansdell Senior Press Manager +44 (0)20 7863 8125 [email protected] IMPORTANT NOTE The information and assets described in this pack are available to download from http://media.sadlerswells.com. Please email [email protected] for a password. All copy must be used as provided. No changes are permitted without the agreement of Sadler’s Wells. All marketing materials, audience programmes, digital content and press releases must be proofed by Sadler’s Wells before being used. Please send all proofs, allowing adequate time for approval to [email protected] and [email protected]. INTRODUCTION TO THE PRODUCTION Sadler’s Wells presents a brand-new evening of works by William Forsythe. Mixing existing pieces with new creations, the evening features two reimagined repertory works, Dialogue (DUO2015), which was last seen in Sylvie Guillem’s final dance programme and Catalogue (Second Edition), the first edition of which premiered in October 2016; two new pieces, Epilogue