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ANNUAL Report 2011
ANNUAL REPORT REPORT annual 2011 2011 Incorporated in France as a “Société Anonyme” with registered capital of 120,596,816.40 euros 632 012 100 R.C.S. Paris Headquarters: 41 rue Martre 92117 Clichy – France Tel.: +33 1 47 56 70 00 Fax: +33 1 47 56 86 42 Registered office: 14 rue Royale 75008 Paris – France www.loreal.com www.loreal-finance.com YOUR CONTACTS INDIVIDUAL SHAREHOLDERS AND FINANCIAL ANALYSTS AND FINANCIAL MARKET AUTHORITIES INSTITUTIONAL INVESTORS Jean Régis Carof Françoise Lauvin [email protected] Tel.: +33 1 47 56 86 82 [email protected] Carolien Renaud-Feitz [email protected] Investors Relations Department L’Oréal Headquarters From France: toll-free number for 41, rue Martre shareholders: 0 800 666 666 92117 Clichy Cedex – France From outside France: +33 1 40 14 80 50 JOURNALISTS Service Actionnaires L’Oréal Corporate Media Relations BNP Paribas Securities Services Stéphanie Carson Parker Service Emetteurs Tel.: +33 1 47 56 76 71 Grands Moulins de Pantin [email protected] 9, rue du Débarcadère 93761 Pantin Cedex – France Corporate Media Relations L’Oréal Headquarters 41, rue Martre 92117 Clichy Cedex – France Published by the Administration and Finance Division and by the Image and Corporate Information Department. This is a free translation into English of the L’Oréal 2011 Annual Report issued in the French language and is provided solely for the convenience of English speaking readers. In case of discrepancy the French version prevail. Photograph credits: Josemar Alves (p.57), Syed Muhammad Anas (p.17, 51), Chung Anh (p.57, 70), David Arky/Tetra Images/GraphicObsession/ Photononstop (p.66), David Arraez (p.57), Leandro Bergamo (p.9, 21, 46, 63), Jean-Christian Bourcart/Interlinks Image (p.17), Anthony Bradshaw/ Getty Images (p.55), Alain Buu (p.11, 79), Stéphane Coutelle/D. -
Hip-Hop Sneaker Collaborations
Intertext Volume 28 Issue 1 Article 10 5-1-2020 Hip-Hop Sneaker Collaborations Wallace Burgess Follow this and additional works at: https://surface.syr.edu/intertext Part of the Fiction Commons, and the Nonfiction Commons Recommended Citation Burgess, Wallace (2020) "Hip-Hop Sneaker Collaborations," Intertext: Vol. 28 : Iss. 1 , Article 10. Available at: https://surface.syr.edu/intertext/vol28/iss1/10 This Article is brought to you for free and open access by SURFACE. It has been accepted for inclusion in Intertext by an authorized editor of SURFACE. For more information, please contact [email protected]. Burgess: Hip-Hop Sneaker Collaborations Hip-Hop Sneaker collaborations WALLACE BURGESS hat’s the most expensive pair of shoes you’ve ever bought? $150 running shoes that you wore until they fell Wapart? $250 Italian leather loafers? How about a used pair of the Air Yeezy 2s for $4,600? (“Air Yeezy 2 Solar Red”). I hope you’re a size 13. As absurd as that price tag sounds, these are not just a pair of expensive shoes. That’s because the Air Yeezy 2 is rapper Kanye West’s second collaboration with the sneaker brand Nike and is a perfect example of how popular the collaborations between hip-hop figures and shoe compa- nies are. Although it was once unusual for hip-hop artists to negotiate a deal to brand and design sneakers, such joint efforts have resulted in some of the most coveted and highly-priced shoes in the world. According to Stephen Albertini’s “An Abridged History of Photograph by Hannah Frankel. -
Adidas Olympic Games Heritage
adidas Olympic Games Heritage 1920 Herzogenaurach Adi Dassler Adi Dassler made his first ‘handmade’ training shoe in his parents’ 20-square metre washroom. 1928 Amsterdam Lina Radke Eight years on and adi's shoes made their debut at the Amsterdam Olympic Games with immediate success as Karoline Radke-Batschauer “Lina Radke” won Gold in the first ever Women’s 800m competition in World Record time. 1932 Los Angeles Arthur Jonath As the Great Depression gripped the world, Hollywood welcomed the Olympic Games and Adi Dassler crafted a new track spike, featuring stitched “stripes” and reinforced eye-stays. Two athletes won medals in Adi’s shoes: Germany’s Arthur Jonath and American Wilhelmina von Bremen both clinched gold in their respective 100m finals. 1936 Berlin Jesse Owens As politics and sport collided in Berlin, Adi Dassler remained focused on making the best footwear products for athletes including James Cleveland “Jesse” Owens. The young American was the most successful athlete in Berlin, winning four gold medals in front of Adolf Hitler in shoes that boasted specially positioned spikes and low-cut upper. 1948 London Emil Zátopek Post World War II the Olympic Games were seen as a way of reuniting the world through athletic competition and the spirit of true sportsmanship. In a glimpse of things to come, Emil Zátopek, the young “Czech Locomotive”, ran to Gold in the 10,000m and Silver in the 5,000m wearing Dassler’s lightweight shoes. In the same year, “adidas” was registered as the brand with the three stripes. 1952 Helsinki Bob Mathias In one of the greatest performances of all time, Emil Zátopek pulled off an incredible triple at the Helsinki Olympic Games winning Gold in the 5,000m, 10,000m, and the marathon over the course of seven days. -
Stella Mccartney Fonde Sa Marque Éponyme
LA FICHE MAISON En 2001, Stella McCartney fonde sa marque éponyme. Avant-gardiste, Stella McCartney met en avant ses convictions environnementales et affirme ses positions en décidant de n'utiliser aucune matière d'origine animale. Sa marque devient ainsi la pionnière, mais aussi la figure de la mode éco-responsable. Connue pour ses nombreuses collaborations, notamment avec la marque de sportswear Adidas, Stella McCartney évolue aussi dans la mode féminine et masculine, la maroquinerie, la parfumerie, les lunettes, la lingerie et a aussi une ligne pour enfants. LES PIÈCES EMBLÉMATIQUES Stellawear #stansmith Stella Falabella Tote Bag La collection de lingerie a été Stella McCartney et Adidas Le Falabella est littéralement lancée en 2008. Reflétant les collaborent de façon le best-seller de la maison. besoins de la femme, c'est permanente depuis 2005. C'est Lancé en 2010 et une lingerie fine, confortable en 2018 que la première Stan exclusivement conçu en cuir et féminine, conçue en Smith est lancée, composée végétal il a été décliné dans matière biodégradable; uniquement de cuir vegan. de nombreuses versions (tiny, mini, crossbody, etc.). ACTUELLEMENT "A" T-shirt "E" T-shirt "G" T-shirt La collection printemps 2021 "A to Z Manifesto", imaginée pendant le premier confinement de l'épidémie de la Covid-19 est une collaboration avec 26 artistes différents, chacun travaillant sur une lettre de l'alphabet qui discute des valeurs de la marque. FEVRIER 2021 LA FICHE MAISON LE STYLE LES VALEURS Effortless Engagement Elégant Durabilité Ethique Responsabilité Stella McCartney Gabriele Maggio Fondatrice de la marque en CEO depuis 2019 2001 QUELQUES ANECDOTES Pour les Jeux Olympiques de 2012 Stella McCartney est nommée Directrice création de la délégation britannique et c'est la première fois de l'histoire qu'une créatrice réalise les tenues des sportifs pour un tel évènement. -
Taking a Closer Look at the Moral Fabric of Athletic Footwear an INDUSTRY ANALYSIS
Taking a Closer Look at the Moral Fabric of Athletic Footwear AN INDUSTRY ANALYSIS © 2020 Center for a Humane Economy. All Rights Reserved. SUMMARY Signicant developments in plant-based fabrics, plastics, and other synthetic products have spurred a sharp reduction in the amount of leather in footwear in the last decade, particularly in athletic shoes. The total number of shoes containing leather has declined by tens of millions in recent years. When you hear the name Stella McCartney, you might initially think of a high-end fashion show with models striding down the runway, cameras clicking, from New York to Paris to Milan. McCartney is also known for items suited to a dierent kind of runway — the track and eld kind. Her latest collection of shoes and athletic wear for adidas launched in March 2009, marking over a decade of collaboration between the fashion icon and the tness powerhouse. McCartney’s athletic wear line does not just strive for good-looking apparel. It’s also animal-friendly. Her line shuns leather, fur, feathers, wool, or other animal products. The McCartney brand equals cruelty-free. Adding to the sustainability credentials of these products, about 70 % of the fabrics McCartney uses come from recycled materials. Last year adidas released a cruelty-free shoe assembled with heat rather than glue that also addresses the international disposal of millions of pairs headed for landlls. According to Eric Leidtke, adidas’ executive board member responsible for global brands, “Futurecraft Loop is [the] rst running shoe that is made to be remade.” The key to its recyclability is the shoe’s design, which utilizes only a single ingredient – thermoplastic polyurethane – rather than the typical 12-15 materials which make recycling so dicult. -
The Millennial Eyes - a Study of Consumers’ Response Towards Sustainable Fashion Collaborations’ Communication
THE MILLENNIAL EYES - A STUDY OF CONSUMERS’ RESPONSE TOWARDS SUSTAINABLE FASHION COLLABORATIONS’ COMMUNICATION Thesis for two year Master, 30 ECTS Master Programme in Fashion Management and Marketing Cecilia Sion Yasmine Nehmé Thesis for two year Master, 302020. ECTS5.0 6 Master Programme in Fashion Management and Marketing Cecilia Sion Yasmine Nehmé Thesis for two year Master, 30 ECTS Master Programme in Fashion Management and Marketing Cecilia Sion Yasmine Nehmé Thesis for two year Master, 30 ECTS Master Programme in Fashion Management and Marketing Cecilia Sion Yasmine Nehmé Thesis for two year Master, 30 ECTS Master Programme in Fashion Management and Marketing Cecilia Sion Yasmine Nehmé Acknowledgements As long as we can remember fashion has always been an intriguing and delightful topic for us to immerse in. Both of us have a background within the fashion field. One of us (Cecilia) has a Bachelor Degree in Fashion Design and the other (Yasmine) has a Bachelor Degree in Textile Engineering, and by combining both of our expertise as well as our knowledge that we have been enriched with during our studies of Fashion Management and Marketing on Masters level, this thesis around Sustainable Fashion Collaborations was developed. We would like to express our gratitude to our supervisor Anita Radon for the support and guidance that she has given us throughout the writing of this thesis. We would also like to thank our seminar group who has given us valuable feedback as well as our participants who took some of their precious time to contribute with their knowledge on our topic. Lastly, we would like to thank our families and friends for their constant support and motivating words during our writing process. -
If the Shoe Fits: a Historical Exploration of Gender Bias in the U.S. Sneaker Industry
Bard College Bard Digital Commons Senior Projects Spring 2019 Bard Undergraduate Senior Projects Spring 2019 If the Shoe Fits: A Historical Exploration of Gender Bias in the U.S. Sneaker Industry Rodney M. Miller Jr Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2019 Part of the Behavioral Economics Commons, Economic History Commons, Fashion Business Commons, Finance Commons, Other Economics Commons, and the Sales and Merchandising Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Miller, Rodney M. Jr, "If the Shoe Fits: A Historical Exploration of Gender Bias in the U.S. Sneaker Industry" (2019). Senior Projects Spring 2019. 80. https://digitalcommons.bard.edu/senproj_s2019/80 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. If the Shoe Fits: A Historical Exploration of Gender Bias in the U.S. Sneaker Industry Senior Project Submitted to The Division of Social Studies of Bard College by Rodney “Merritt” Miller Jr. Annandale-on-Hudson, New York May 2018 ii iii Acknowledgements To my MOM, Jodie Jackson, thank you for being the best mom and support system in the world. -
OPEN EYE STRETCH Beautiful Thinking No
OPEN EYE STRETCH beautiful thinking No. 27 | June 2016 As with many good things in life, it started with a beer. More specifically, it started last summer with a discussion about the launch of Beer Beauty, a range of Carlsberg beer-infused personal care products for men, followed up by the brand’s Beer’d Beauty male facial grooming range. FOR Would we buy it? Did we like it? Would it work? If not, why not? Even if beer is full of Vitamin B and silicium, both commonly found as actives in beauty products, do we believe it? Did it make sense? And then we noticed Beer Beauty was just one in a stream of new products and collaborations crossing our desks with ever greater frequency. From the weird to the truly wonderful, brands are extending themselves in ever more ways. If it isn’t stalwart confectionery brand Kit Kat partnering with YouTube and Google in a series of technology/ chocolate mashups, it's Ferrari Land Europe, and let’s not get started on the Kardashian/Jenner clan output… With ever more products, services, collaborations, E-W and ranges on virtual and actual shelves, what does it take to meaningfully extend your brand in a connected, omnichannel world? How can brands do it? And why would they want to? Beyond that, just what does it take to be a truly stretchy brand? What brands can leap over their product line and category to transform themselves into something else entirely? ORD Join us for a look over the horizon... beautiful thinking CHAPTER 01 MIGRATION DO BRANDS TRAVEL WELL? Businesses love to grow. -
Adidas Unveils Shoe Specifically Designed for the Female Runner, Available in Both Adidas Women’S and Adidas by Stella Mccartney Styles
INFORMATION adidas Redefines Performance Footwear for Women with UltraBOOST X - adidas unveils shoe specifically designed for the female runner, available in both adidas Women’s and adidas by Stella McCartney styles - Herzogenaurach, Germany, February 7, 2017: adidas Running has today introduced the UltraBOOST X, a shoe designed to give female runners their greatest ever running experience. Available in both adidas Women’s and adidas by Stella McCartney styles, UltraBOOST X is a new interpretation of its ground-breaking predecessor and adidas’ pinnacle performance shoe, tailored to adapt to the unique shape of the female foot. Crafted to reflect the foots natural form, UltraBOOST X provides a perfect, sock-like fit. To create the new designs, adidas’ innovation team used the ARAMIS system - a form of motion tracking technology - to pinpoint exactly where the female foot needs the most support when running. INFORMATION Constructed with a free-floating arch, UltraBOOST X delivers more stability than ever before, enabling extra support and freedom of movement when running. The design of the toe area offers breathability, while the full length BOOST™ midsole in the cushioned heel enables thousands of energy-infused BOOST™ foam capsules to maximise energy return with every stride. The shoe’s innovative lacing system supports quick-fire movements and the STRETCHWEB outsole was specifically designed for the female gait to provide complete traction in urban running conditions. Andre Maestrini, General Manager adidas Running: “Based on research of the female foot, we tailored the leading technology of UltraBOOST specifically for women, delivering the most innovative and technical running shoe in an industry-leading silhouette. -
Annual Report 20 Annual Report 2020
ANNUAL REPORT 20 ANNUAL REPORT 2020 OUR PURPOSE THROUGH SPORT, WE HAVE THE POWER TO CHANGE LIVES OUR MISSION TO BE THE BEST SPORTS BRAND IN THE WORLD OUR ATTITUDE IMPOSSIBLE IS NOTHING 2 ANNUAL REPORT 2020 ADIDAS ANNUAL REPORT 2020 TO OUR SHAREHOLDERS Letter from the CEO 008 Business Performance by Segment 161 Executive Board 013 Outlook 168 Supervisory Board 017 Risk and Opportunity Report 172 Supervisory Board Report 021 Illustration of Risks 181 Illustration of Opportunities 188 Declaration on Corporate Governance 031 Management Assessment of Performance, Compensation Report 040 Risks and Opportunities, and Outlook 190 Our Share 063 CONSOLIDATED FINANCIAL GROUP MANAGEMENT REPORT STATEMENTS OUR COMPANY Consolidated Statement of Financial Position 194 Strategy 069 Consolidated Income Statement 196 Global Brands 074 Consolidated Statement of Global Sales 079 Comprehensive Income 197 Global Operations 084 Consolidated Statement of Changes in Equity 198 Our People 089 Consolidated Statement of Cash Flows 199 Culture 094 Notes 201 Sustainability 101 Notes to the Consolidated Statement of Financial Position 221 Our Approach 101 Notes to the Consolidated Income Statement 274 Our Progress 104 Additional Information 281 Environmental Impacts 104 Social Impacts 112 Shareholdings 292 Working Conditions in Our Supply Chain 114 Responsibility Statement 295 Non-Financial Statement 124 Reproduction of the Independent Auditor’s Report 296 GROUP MANAGEMENT REPORT Limited Assurance Report of the FINANCIAL REVIEW Independent Auditor Regarding the Internal -
Annual Report 2010
288 mm × 210 mm Annual Report 2010 version: Mon, 11-02-28, 11:44 AM 1st corr 2nd corr page 3 - En_00_Umschlag.indd 286 mm × 210 mm Targets 2010 Results 2010 Outlook 2011 Low- to mid-single-digit currency-neutral sales increase Net sales reach € 11.990 billion Mid- to high-single-digit currency-neutral sales increase Group currency-neutral sales increase 9% Bring major new concepts, technology evolutions and Major 2010 product launches: Bring major new concepts, technology evolutions and revolutions to market, such as: adidas: revolutions to market, such as: adidas: – adiStar Salvation running shoe adidas: – adiZero F50 football boot – adiZero F50 football boot – adiZero F50 Runner running shoe – miCoach training system – miCoach training system – adiPower Predator football boot Reebok: Reebok: Reebok: – ZigTech training shoe – ZigTech training shoe – RealFlex footwear TaylorMade-adidas Golf: – RunTone running shoe – EasyTone Plus footwear – R9 SuperTri driver TaylorMade-adidas Golf: – ClassicLite footwear and apparel collection Rockport: – R9 SuperTri driver TaylorMade-adidas Golf: – TruWalk footwear collection – Burner SuperFast driver and fairway woods – R11 and R11 TP driver Reebok-CCM Hockey: Rockport: Rockport: – 11K skate – TruWalk men’s and women’s footwear – Naomi women’s footwear collection Reebok-CCM Hockey: Reebok-CCM Hockey: – Reebok 11K skate and CCM U+ Crazy Light skate – CCM U+ Crazy Light II stick On a currency-neutral basis, sales to increase: On a currency-neutral basis: On a currency-neutral basis, sales to increase: -
Branding and Gender
Karlstad University Berntson, Annie Jarnemo, Christina Philipson, Minna Branding and Gender - How adidas communicate gender values Business administration Master’s Thesis Term: Spring 2006 Supervisor: Patrik Gottfridsson Karlstads universitet 651 88 Karlstad Tfn 054-700 10 00 Fax 054-700 14 60 [email protected] www.kau.se Foreword ______________________________________________________________________________________ FOREWORD We would like to thank the people who have contributed with support during the writing of our thesis. A special thank to our supervisor Patrik Gottfridsson and also Ulrika Jansson, for their stimulating insights and discussions that have enriched our thesis. We should also like to thank our respondents Pernilla Molander, Jonas Carlström from adidas, and also Janne Svensson at Clara advertising agency for their input of valuable information and material. Finally, our thanks to everyone who had to endure our weekends of toil. We wish you all pleasant reading! Karlstad, 2006 Annie Berntson Christina Jarnemo Minna Philipson Abstract ______________________________________________________________________________________ ABSTRACT This thesis discusses how adidas differentiate their communication to reach women and make the adidas brand more appealing to females. The adidas brand has always had their main focus on sportswear for men. This has led to the brand being perceived as masculine and it makes it hard for the female consumer to identify with adidas. We have analysed six adidas adverts from the last five years to see what adidas have communicated to women. The main purpose of this thesis is to understand why adidas have not succeeded in communicating with women in the last five years. The theoretical chapter is divided into three parts; Brands, Communication and Consumer Behaviour.