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Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
Issue How Detroit Let Siena Liggins Unleash Her Queer Superpowers on Her Debut Album
as a MICHIGAN'S LGBTQ+ NEWS SOURCE SINCE 1993 SUMMER OF PRIDE BOY FROM MICHIGAN John Grant on His Most Personal Album Yet PLUS LIVE SHOWS RETURN A Local Assault on 11 Must-See Artists Two Gay Men. Now, Coming To Town How to Heal The Queer Music Issue How Detroit Let Siena Liggins Unleash Her Queer Superpowers on Her Debut Album PRIDESOURCE.COM JULY 8, 2021 | VOL. 2928 | FREE 18 24 28 2 BTL | July 8, 2021 www.PrideSource.com 4 5 Queer Things You Can Do Right Now 6 Spotify Commissions Ruth Ellis Center Mural to Celebrate Queer Community VOL. 2928 • JULY 8, 2021 ISSUE 1178 10 Affirmations Telethon and Funding Campaign Raises $125,775, Jay Kaplan PRIDE SOURCE MEDIA GROUP Wins Jan Stevenson Award www.pridesource.com 10 How Do We Heal After an Anti-LGBTQ+ Hate Crime? Phone 734-263-1476 PUBLISHERS 12 Outed on the Job: Lesbian Prison Officer Sues Michigan Prison System Benjamin Jenkins Following ‘Horrible’ Harassment [email protected] 18 Publishers Emeritus: Jan Stevenson & Susan Horowitz 12 Transmissions: Musing on Loss DIRECTOR OF OPERATIONS 13 Parting Glances: OZ Updated Tom Wesley [email protected] 14 Michigan Supreme Court to Decide on Elliott-Larsen Civil Rights Case EDITORIAL Editorial Director 16 As Masc Lesbian As She Wants to Be Chris Azzopardi [email protected] 18 At Long Last, Live Shows Return to Michigan News & Feature Editor Eve Kucharski 20 John Grant on His Most Personal Album Yet [email protected] 22 Keep Your Pride Season Going News & Feature Writers With These 8 Queer Artists (and Allies Lawrence Ferber, Ellen Knoppow, Jason A. -
Descent V 1999
w< >l F=Fli >w , ^ >< c Q. (5 (/) >< Q Q 3 ifl 1 u -i — — n 3 "0 3 ^ ?r S (11 • ii ir-ji I- ^ .*> a - i J The ajna Offensive is pro 1 ^ I <4 ( present a series of aui interpretations of visual / Recently the realization set in with me about my current surroundings and lack of inspirational environs, and the difference between those and newly rediscovered potentials. the self-limitations one imposes. since leaving europe it has been this way it seems, in general, the fountain of vision/creativity has been tapped a bit by a _ and shallow production outlook... it became clearer recently what was ULTRA fistic and characteristic expression and what wasn't. unfortunately, over the "ABANDONED"/ THIS LACK OF CREATIVE INFLUXLUX HAS SPILLED OVER TO MY WORK WITH THIS MAGAZINE, IT .AND FORGOTTEN' T SEVERAL NOT SO IMPORTANT (UPONON REFLECTION) IDEAS AND ATTITUDESATTITU CLOUDED OVER 7" OF MY WORK HERE, LUCKILY TYLER HAS KEPT•'-'•- THE- '- FIRE BURNING - HEART OF HANK YOU SO VERY MUCH MR. DAVIS. SO, THE DEATH ISSUE DO LLY HAVE IMPRESSIONS FROM HANS BELMER, MUCH TO DO WITH THE MAGAZINE ITSELF BUT IT'S RATHER A DOCUMENT OF PERSONAL LIMITED TO 300 COPIES ISSUES. AS I EMBARK AWAY FROM THE WEST COAST AGAIN FOR AN'T REALLY + 26 LETTERED AND SIGNED EDITIONS ENVISION WHAT IS NEXT FOR THIS PUBLICATION... OR OTHERWISE.... HER THAN ANNOUNCE OR $8 US/$10 OVERSEAS PREDICT THE NEXT MOVE AS WE HAVE IN THE PAST ;W NATURALLY THIS TIME, THE WAY IT SHOULD BE. IT'S ALWAYS A SLOW, PA IEND DESCRIBED IT) BUT MAYBE IT ALWAYS WAS SO BECAUSE VIOUS EXPECTATIONS. -
The Evolution of Ornette Coleman's Music And
DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style. -
S T U D E N Special Contributor
S T U D E N Tiffanie Amirante Andrea udala Denise Pricket!t Janice Barnet Laura Jane Gresey Gatherine Quigg Genevieve Betken Dee Hanson Jyoti Raghu Charles Boswell Jeanne H son Holly Rushakoff Casey Brookshier Jessica Huth Steve Shepard Neil Bucalo Kathy Kleiva Barbara Singer Joyce Butak Kristin Kolesiak Phillip Stahnke James Cates Barb Kottmeier Kathleen Struif Carol Coutts-Siepka Barbie Markay Frank Tebbe John Czapiga Anahid Melkoni Doriann Thompson Steven Davis Laurin Navratil Rosemary Vitale Erika Dobson Darraugh Nolan Kyle Van Wickevoort Tracey Dorus Mary Patanella Flora Wu Nanette Fabros Christine Pomroy Beth Zimmermann Kim Zurek Special Contributor Martin . Ry� The Harper Anthology of Academic Writing Issue IX 1997 William Rainey Harper College T h e Harper Anthology Human language has the potential to be insensitive, ugly, even brutish. And yet we want to think, too, Foreword that Aristotle was right, that words are indeed what set human beings apart from the balance of the ani mal kingdom. We want to trust that just around the corner from the vulgar phrase lurks a sentence that resonates with ravishing poetry. We hope, as we pass ungraspable utterances, that we will come upon the sounds of words that are clear, frank, and true. The HarperAnt hology Selection Committee is determined and optimistic about unearthing lan guage that possesses clarity, frankness, and truth; we believe that human beings will, in obedience to cer tain internal impulses, fashion words uniquely and express themselves transparently, sometimes beauti fully. Most of all, we believe that good writing poetic, lyrical, illustrative, substantive, altogether soulful writing-is perennial, like baseball. -
Open Forum on Decency Open Forum Committee On
S. PRT. 109–42 OPEN FORUM ON DECENCY OPEN FORUM BEFORE THE COMMITTEE ON COMMERCE, SCIENCE, AND TRANSPORTATION UNITED STATES SENATE ONE HUNDRED NINTH CONGRESS FIRST SESSION NOVEMBER 29, 2005 Printed for the use of the Committee on Commerce, Science, and Transportation ( U.S. GOVERNMENT PRINTING OFFICE 25–225 PDF WASHINGTON : 2006 For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2250 Mail: Stop SSOP, Washington, DC 20402–0001 VerDate 0ct 09 2002 10:40 Jan 05, 2006 Jkt 025225 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 S:\WPSHR\GPO\DOCS\25225.TXT JACK PsN: JACKF SENATE COMMITTEE ON COMMERCE, SCIENCE, AND TRANSPORTATION ONE HUNDRED NINTH CONGRESS FIRST SESSION TED STEVENS, Alaska, Chairman JOHN MCCAIN, Arizona DANIEL K. INOUYE, Hawaii, Co-Chairman CONRAD BURNS, Montana JOHN D. ROCKEFELLER IV, West Virginia TRENT LOTT, Mississippi JOHN F. KERRY, Massachusetts KAY BAILEY HUTCHISON, Texas BYRON L. DORGAN, North Dakota OLYMPIA J. SNOWE, Maine BARBARA BOXER, California GORDON H. SMITH, Oregon BILL NELSON, Florida JOHN ENSIGN, Nevada MARIA CANTWELL, Washington GEORGE ALLEN, Virginia FRANK R. LAUTENBERG, New Jersey JOHN E. SUNUNU, New Hampshire E. BENJAMIN NELSON, Nebraska JIM DEMINT, South Carolina MARK PRYOR, Arkansas DAVID VITTER, Louisiana LISA J. SUTHERLAND, Republican Staff Director CHRISTINE DRAGER KURTH, Republican Deputy Staff Director DAVID RUSSELL, Republican Chief Counsel MARGARET L. CUMMISKY, Democratic Staff Director and Chief Counsel SAMUEL E. WHITEHORN, Democratic Deputy Staff Director and General Counsel LILA HARPER HELMS, Democratic Policy Director (II) VerDate 0ct 09 2002 10:40 Jan 05, 2006 Jkt 025225 PO 00000 Frm 00002 Fmt 5904 Sfmt 5904 S:\WPSHR\GPO\DOCS\25225.TXT JACK PsN: JACKF C O N T E N T S Page Open Forum held on November 29, 2005 ............................................................. -
Mill Valley Oral History Program a Collaboration Between the Mill Valley Historical Society and the Mill Valley Public Library
Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library JIMMY DILLON An Oral History Interview Conducted by Debra Schwartz in 2015 © 2015 by the Mill Valley Public Library TITLE: Oral History of Jimmy Dillon INTERVIEWER: Debra Schwartz DESCRIPTION: Transcript, 36 pages INTERVIEW DATE: October 26th, 2015 In this musically infused and engagingly narrated oral history, guitarist, songwriter, and musical educator Jimmy Dillon recounts his devotion to music since the age of 12 when he decided he wanted to be a guitarist. Born in 1951 in Los Angeles, “in the golden age of rock ‘n’ roll,” Jimmy moved to Michigan with his family as a teenager, where he started gigging with his first band, The Fugitives. In 1969, after finishing high school, he moved back to California with his sister Chloe, settling in Sausalito. Jimmy dates his “love affair with Marin County” back to this moment. He recalls the music scene of the early 1970s in San Francisco and Marin, as well as his own first bona fide Marin band, The Edge. Jimmy recounts his 20-year musical relationship with Clarence Clemons and his deep love of the blues, which prompted him to write a play (or “bluesical”) entitled Ascension of the Blues, documenting the West African origins of the blues, its maturation in the United States, and subsequent diffusion throughout the world. Throughout this oral history, Jimmy describes how his career in music has taken him around the world, how he moved back to Michigan and later to Maui, but how, through all these migrations and displacements, Mill Valley — and Mt. -
Making Metadata: the Case of Musicbrainz
Making Metadata: The Case of MusicBrainz Jess Hemerly [email protected] May 5, 2011 Master of Information Management and Systems: Final Project School of Information University of California, Berkeley Berkeley, CA 94720 Making Metadata: The Case of MusicBrainz Jess Hemerly School of Information University of California, Berkeley Berkeley, CA 94720 [email protected] Summary......................................................................................................................................... 1! I.! Introduction .............................................................................................................................. 2! II.! Background ............................................................................................................................. 4! A.! The Problem of Music Metadata......................................................................................... 4! B.! Why MusicBrainz?.............................................................................................................. 8! C.! Collective Action and Constructed Cultural Commons.................................................... 10! III.! Methodology........................................................................................................................ 14! A.! Quantitative Methods........................................................................................................ 14! Survey Design and Implementation..................................................................................... -
2L Nov 99 Label
VEMBER 1999 OREGON MUSIC / NO NW COMP GRINDSTONED THRILL IS GONE FLUMMOXED LINDA photo Buko HORNBUCKLE OREGON LABEL GUIDE LOCAL #99 Presents A CENTUARY OF MUSICAL LEADERSHIP LOCAL 99 THE AMERICAN FEDERATION OF MUSICIANS CELEBRATING 100 YEARS OF CHAMPIONING THE RIGHTS OF MUSICIANS IT’S NOT TOO LATE TO BECOME A MEMBER OF THE GREATEST MUSICAL ORGANIZATION ON EARTH ! LOCAL 99 WOULD LIKE TO CONGRATULATE ALL THE NOMINEES FROM THE OREGON MUSIC HALL OF FAME Remember... “The more you’re involved-the more power to ya!” The American Federation of Musicians Local #99 325 N.E. 20th Portland, Oregon 97218 503/235-8791 or FAX/235-2488 e-mail; [email protected] www.afm99.org DRUM SHOP 1985 Nu Shooz has a regional hit. it he presented a rosy picture for local acts. “The oppor- on former hitmakers. In it John Smith says he wasn’t too fter years of toiling in the downtown Port tunities at this time for a local band to receive commer- impressed with the record business (“Show me the land nightclubs, Nu Shooz finally made the cial airplay in Portland are perhaps unmatched elsewhere money.”) and there definately won’t be any Nu Shooz Acover of Two Louies in April of 1982. That in the country.” reunion tours. photograph shows John Smith, Valerie Day, Saxman Less than two months later, April 5, 1986 “I Can’t John says he’ s found a new career doing music for Danny Schauffler and then frontman, David Musser. Nu Wait” peaked at #3 on Billboard’s Top 100 Singles chart. -
Insight on Screen Tbivision.Com | April/May 2019 | MIPTV Issue
Insight on screen TBIvision.com | April/May 2019 | MIPTV Issue Television Business International Diverse voices Walliams' Worst Mixing up kids TV From book to screen TBIKids Page 4 Page 8 pOFC TBI Kids AprMay19.indd 1 27/03/2019 22:36 65 x 22’ 104 x 7’ 104 x 7’ 26 x 24’ Studio 100 TM © 2019 m4e © & 15 x 24’ 26 x 24’ VISIT US @ MIPTV BOOTH R7.C15 [email protected] I www.studio100media.com I www.m4e.de KidspXX Studio100 AprMay19.indd 1 01/03/2019 11:39 TBI Kids | This Issue Contents April/May 2019 Contact us Editor Manori Ravindran [email protected] Direct line +44 (0) 20 3377 3832 Twitter @manori_r Managing editor Kaltrina Bylykbashi [email protected] Direct line +44 (0) 20 7017 5390 Twitter @bylykbashi Contributor Ann-Marie Corvin 4 Sales manager Michael Callan [email protected] Direct line +44 (0) 20 7017 5295 Art director Matthew Humberstone [email protected] Direct line +44 (0) 20 7017 5336 Marketing executive Abigail Dede [email protected] Direct line +44 (0) 20 7017 6018 Editorial director Stuart.Thomson [email protected] Direct line +44 (0) 20 7017 5314 12 Commercial director Patricia Arescy [email protected] 4. Diversity in kids’ TV Direct line +44 (0) 20 7017 5320 Diversity in children’s TV has a long way to go before it becomes mainstream. Ann-Marie Corvin reports @TBImagazine 8. In-depth: e World’s Worst Children David Walliams’ well-loved books get their first TV remake in the latest co- Published by KNect365 TMT, Maple House, production between King Bert and 9 Story 149 Tottenham Court Road, London W1T 7AD Tel: +44 (0)20 7017 5000 e-mail: [email protected] web: www.tbivision.com 10. -
Paint It Black
EQUITY RESEARCH | October 4, 2016 MUSIC IN THE AIR PAINT IT BLACK Avoiding the prisoner’s dilemma and assessing the risks to music’s UBLE DO M nascent turnaround ALBU The complicated web of competing interests in the music industry poses a threat to the budding turnaround that we expect to almost double global music revenue over the next 15 years. In this second of a “double album“ on the music industry’s return to growth, we assess the risks and scenarios that could derail our thesis, from the risk of “windowing” and exclusivity turning off fans to an acceleration in declines for physical CDs and downloads that would come too fast for streaming to fill the void in the near term. Lisa Yang Heath P. Terry, CFA Masaru Sugiyama Simona Jankowski, CFA Heather Bellini, CFA +44(20)7552-3713 (212) 357-1849 +81(3)6437-4691 (415) 249-7437 (212) 357-7710 lisa.yang@ gs.com heath.terry@ gs.com masaru.sugiyama@ gs.com simona.jankowski@ gs.com heather.bellini@ gs.com Goldman Sachs Goldman, Sachs & Co. Goldman Sachs Goldman, Sachs & Co. Goldman, Sachs & Co. International Japan Co., Ltd. Goldman Sachs does and seeks to do business with companies covered in its research reports. As a result, investors should be aware that the firm may have a conflict of interest that could affect the objectivity of this report. Investors should consider this report as only a single factor in making their investment decision. For Reg AC certification and other important disclosures, see the Disclosure Appendix, or go to www.gs.com/research/hedge.html. -
Anime Karaoke Song List
Anime Karaoke Song List English Spice & Wolf - Tabu no Tochuu - Natsumi Kiyoura Sword Art Online - Crossing Field - Lisa Sword Art Online - Crossing Field - Short - AmaLee Vocaloid - Just be Friends Vocaloid - Shining Ray Miku Hatsune Yuri!!! on Ice - History Maker angel beats -brave song - Girls Dead Monster Attack on Titan - Guren No Yumiya Bad Apple Black Butler - I'm alive - Becca Bleach - Ichirin no Hana Deadman Wonderland - One Reason Dot Hack - Obsession Final Fantasy X2 - 1000 Words(English) - Jade Final Fantasy X-2 - Real Emotion - Jade Fruits Basket - Let's Stay Together Kingdom Hearts - Simple and Clean Utada- Melancholy of Haruhi Suzumiya - Haruhi Super Driver - Hirano Aya Naruto - Wind - Akebashi No Game No Life - This Game Panty & Stocking - Fly Away Panty and Stocking - Fallen Angel Pokémon - Theme Song - Jason Paige RWBY - I Burn - Jeff Williams w Casey Lee Williams RWBY - Mirror Mirror Jeff Williams feat Casey Lee Williams RWBY - Red Like Roses Part I- Jeff Williams feat Casey Lee Williams RWBY - This Will Be The Day - Jeff Willaims feat Casey Lee Williams RWBY - This Will Be The Day - Jeff Williams feat. Casey Lee Williams RWBY_ - Let's Just Live - Jeff Willaims feat Casey Lee Williams Sailor Moon - Sailor Moon English Theme [Karaoke] - YouTube Sailor Moon Theme (English) Karaoke Sakura Kiss English Karaoke Shuffle! - You- Uria Soul Eater – Papermoon English with Vocals Samurai Flamenco - Just One Life - SpyAir Mystic Messenger - Mysterious Messenger RWBY - Caffeine - Jeff & Casey Lee Williams Feat. Lamar Hall. Japanese