DOCSLIB.ORG

Chaz Bobby Seale in Da Club Willie Nelson

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Chaz Bobby Seale in Da Club Willie Nelson MUSICARTPOLITICSCULTURE DJrap DREDG CHAZ IDIOT PILOT L.A.’S GRAFF-ART LEGEND AUTOLUX BOBBY SEALE DJ CRAZE PANTHER FOR LIFE USA $3.99 | CANADA $4.99 | ISSUE 4 THE REBIRTH MR. LIF IN DA CLUB SIERRA CLUB’S HEAD-HONCHO PLATINUM PIED PIPERS TELEPOPMUSIK WILLIE NELSON WWW.WAVMAG.COM JOHN KELLEY BIOWILLIE SAYS “FILL ‘ER UP!” WHAT HAVE YOU DONE?!? TABLE OF CONTENTS MUSICARTPOLITICSCULTURE well i’ll be...here we are now 4 issues deep 05 Q|U|I|C|K|B|I|T|E|S PUBLISHERS into this thing...and my what a wayz you all 40*(/3(:/)9662 have allowed us to come. if you remember 104:<336: 07 ;/,4<23(:/@)96: correctly, our first issue was just 18 very quick JOHN KELLEY EDITOR-IN-CHIEF months ago, glossy cover, newsprint innards. >(:044<23(:/@ now look at what you’ve gone and created! 08 DREDG ASSOCIATE EDITORS this baby is growing quite nicely into a well- 40*(/3(:/)9662 TPJHO'^H]THNJVT rounded adult. we knew we could count on 10 DJ CRAZE 104:<336: you beautiful lot to parent and nurture this QPT'^H]THNJVT thing correctly. i know we’ve still got a long 12 :0465,.9(@ PLATINUM PIED PIPERS ZPTVUP[H'^H]THNJVT ways to go, but it’s those minds, YOUR minds, ART DIRECTOR & WEB DESIGN that are going to help us shape the future 14 :/(+04<23(:/@ we want to live in, and we here at WAV AUTOLUX ZOHKP'^H]THNJVT feel blessed to have been surrounded by 9,:0+,5;(9;0:; 1(:654(:*6> such a progressive and conscious thinking 16 TIGA MARKETING crowd. you’re alive and you’re AWARE and ;/,>(=.96<7 you’re beautiful! let’s make happen all the PUMV'^H]THNJVT 19 INNAWAY things we so passionattly believe ought to 4(92,;05.(+=,9;0:05.(::6*0(;, ;0:/(*(9;,9 happen. great things. uninhibited creative 21 [PZOH'^H]THNJVT justice. for everyone. ANDREW OCTOPUS MARKETING CONSULTANT beginning with music... 4(;;/(59(/(5 TH[['RPUNZPaL\ZHJVT 22 BOBBY SEALE ^^^RPUNZPaL\ZHJVT The beautiful Charissa Savario, aka DJ Rap, PUBLICITY GODDESS 16@+655,33 gets down and diggity for us. if you’ve been 25 APSCI /`WHL[OYHS79 QV`'O`WHL[OYHSJVT locked in a closet for the past 15 years ^^^O`WHL[OYHSJVT and have yet to be introduced, allow us 27 8-BIT STAFF WRITERS the pleasure. Also, electronic noise rock 40*(/3(:/)9662 >(:044<23(:/@ scream melodic beat the shit out of each :*6;;:/(7096 28 REV RATZ 104:<336: other ayayayaya...wut ARE they Idiot Pilot )6)-9,=033, (p.36), the method behind the music video 1(2,4*.,, 402,;/,76,; mayhem that is Olivier Gondry’s brain 30 PONY UP! DISTRIBUTION (p.16), hip hop hooray...the Platinum Pied +PZ[PJVY0UNYHT<IPX\P[` (YTHKPSSV2LU[5L^Z Piper’s finally got their way (p.12), Blonde 31 ASK STEEZO CONTRIBUTORS Redhead-esque atmospheric psych-pop- +9:./0320(>,36=,@6<1; rockers Autolux (we don’t know what that ;(@369*(936:/,99,9(*/,::4(5 32 DJ RAP 16,69+,33*69+6=(90*:;<3;A means either, but we dug ‘em...check p.14), 96),9;(3;4(5@6<»9,;/,4(516,@ º;/,3666665.(946-;/,3(>» sit on a road case in Dredg’s tour van (p.08), :/(7096)9,5+(=6.<3:;,7/(50, 36 9,(.69:;,,A6-6:/0AA616,31(@ Pony Up, but whatever you do, don’t call IDIOT PILOT 1<30(5:;,7/(50,9,(.69(+(4>0330: these Canadian kittens cute, and sooooo (5+9,>7,53(5+(33,.9(;0=,9 *(96305,*6990.(5*(;,)9(5+65 much more including Telepopmusik, Apsci, 40 THE REBIRTH THANX!!! 8Bit...it just doesn’t endddd.... ;0:/(*(9;,9@6<»9,(4(A05.50*(16,(5+ (33(;4<:0*-69(4,90*(+,=05:0,99((5+ 42 96:((5+(33(;(?0:6-1<:;0*,(-964(5 MR. LIF :/3646(5+.,;<5+,9.96<5+*64;/0: Not to mention the conversation we recently >6<3+(5,=,9/(77,5,+>0;/6<;@6<5(5:0 had with the big tree behind the Sierra Club *0:5,96:16@+655,3,90*(5;,)0':0,99( 44 ECOLIBRIUM *3<)(3,?.9,,5)<9.(5+4:679*65.9(;A (p.44), Carl Pope, the culture we ingested .093*699(+6*(9,;;6;0.(62.6;/, 7(9;0A(5*9,>05*3<+05.=(3,90,*(::,<: while hanging out with grafitti god Chaz (+90(5630=0,9 1(4,:63((5+*/(+0 46 )9,(33@><;*(50:(@(5+6-*6<9:, for the past few months (p.56), cooking BEAT THE PRESS 4(4((5+7(7(),(9036=,@6< tips from Black Panther’s co-founder Bobby PLEASE SEND ALL CORRESPONDENCE, Seale (p.22)...oh, just flip the pages, you’ll SUBMISSIONS & QUERIES TO: 48 FAST FRIENDS by J. MASCOW >(=4HNHaPUL see. then tell your friends, and we’ll all be :)L]LYS`+Y 3VZ(UNLSLZ*( one big happy family! 50 SPIN THIS! OR EMAIL: SL[[LYZ'^H]THNJVT oh...and by the way, Willie Nelson’s pumping EMAIL FOR ADVERTISING: gas now (p.50). 54 HK]LY[PZL'^H]THNJVT Lost Angeles Times [OL]PL^ZHUKVWPUPVUZL_WYLZZLK^P[OPU [OLZLWHNLZKVUV[ULJLZZHYPS`YLMSLJ[ thanx again!!! you all rock! 55 FUN TIME! [OVZLVM>(=THNHUK]PJH]LYZH ;OPZPZZPTWS`HMVY\TMVYL_WYLZZPVU les dooo dis, HSSJSHPTZHUKZ[H[LTLU[ZOLYLPUHYLUV[OPUN 56 CHAZ I\[[OH[Z[H[LTLU[ZOLYLPU`V\JHUPU[LYWYL[ [OLTHZMHJ[Z`V\JHUPU[LYWYL[[OLTHZ MPJ[PVUHSS^LHZRPZ[OH[`V\PU[LYWYL[[OLT 60 TELEPOPMUSIK www.wavmag.com >(=4HNHaPUL 61 PRESS PASS: SATOSHI Q|U|I|C|K|B|I|T|E|S hinges on consensual approval from the G8 line-up. Confirmed artists so far: The Kills, Jurassic 5 DJ Cut Chemist has members, including the US, Britain, Japan, Diamanda Galas, Blonde Redhead, The finally entered the world of Canada, Russia, Germany, Italy, and France. Fucking Champs, Battles, 400 Blows, Acid original productions. In Mothers Temple, and Battles. Tickets are priced between Jurassic 5 tour dates www.g8.gov.uk at $210 and, due to the fact that everyone this summer, he will be stays on site in chalets, available only in packs wrapping up his solo album of 4-8. with the working title of “The Digital Music powerhouse Litmus Test” scheduled for a DownloadPunk.com has atpfestival.com fall release. announced that 1% of all revenues will be donated cutchemist.com “to a select group of deserving charities.” They George Lucas wish he penned this instead of also offer the option to fans Attack of the Clones. Watch Chewbroccoli, Recently, a group of 125 independent and all featured labels of Obie Wan Canoli and Darth Tater square off record labels announced the formation of donating 1% of their in the “Grocery Store Wars”, a stupendous a new trade group called the American purchase price to their choice of featured cut up of assorted veggies pitted against Association of Independent Music charities. Some of the labels that have already GM foods… no really, just give it a minute! (A2IM). Their goal is to give independents signed on are Hopeless, Nitro, Stomp, Sub City, storewars.org more market power in the ever-evolving and Vice Records. technology driven music business, partly by representing their interests in Washington. San Diego Street Scene 2005, the two day Some of the labels involved include TVT, Talking the Talk, Driving the Drive. Energy annual event held in the city’s bar-tarred Beggars Group, and Tommy Boy Records. conservation plans abound in the US downtown Gaslamp District, is scheduled Congress; 15 House and Senate members for July 29th and 30th. Their best lineup to musicindie.org are now proud owners of hybrid vehicles, date boasts WAV favs Autolux, The Locust, 6 of which, surprisingly enough, are the Perceptionists, The (International) Noise Republicans, and one of which, California Conspiracy, Kasabian, and headliners Apple has unleashed a program for Senator Barbara Boxer, owns two...one The White Stripes, The Killers, The Pixies, environmentally friendly disposal and recycling at home and one in Washington. Snoop Dogg, and The Flaming Lips. of iPods. By bringing in your old iPod into any retail Apple location, they’ll also give ase.org you 10% off the purchase of a new one. Jack White side project in the works. He’s been writing with Brendan Benson as rock n’ street-scene.com roll powerhouse frankenband the Raconteurs. With Jack Lawrence on bass and Patrick Keller on drums, the record features dual vocals, ¡¡YEAH!! In September, dual lead guitars, and dual songwriting Dave Chappelle is duties leading to tracks that Jack calls “really throwing his very own large.” The debut record is due next year. “Dave Chappelle Block Party” to celebrate the music and culture of New Following the wildly successful first round York. ¿¡WHAT?! Hosted by of video director DVDs released in 2003, Dave and directed by which included Spike Jonze, Michel Gondry, famed video director Michel Gondry, apple.com/environment/recycling/ and Chris Cunningham, Palm Pictures performers include Mos Def, Erykah Badu, and the Directors Label are gearing up to Common, Kanye West, Talib Kweli, Dead Prez, unleash round 2. Volumes 4-7 will showcase and the Roots. ¡¡OKAY!! Built To Spill are, in fact, built to last. One of directors Anton Corbijn (Nirvana, Metallica, the most critically acclaimed alt-rock bands the Killers), Jonathan Glazer (UNKLE, around, they’ve been without a full-length Radiohead, Massive Attack), Mark Romanek release since their 1993 debut. BTS have (Johnny Cash, Jay-Z, Beck), and Stepháne Al Gore takes a stab at cable media.
Load more

Recommended publications
  • Merchant, Jimmy Merchant, Jimmy
    Fordham University Masthead Logo DigitalResearch@Fordham Oral Histories Bronx African American History Project 4-7-2006 Merchant, Jimmy Merchant, Jimmy. Interview: Bronx African American History Project Fordham University Follow this and additional works at: https://fordham.bepress.com/baahp_oralhist Part of the African American Studies Commons Recommended Citation Merchant, Jimmy. 7 April 2006. Interview with the Bronx African American History Project. BAAHP Digital Archive at Fordham. This Interview is brought to you for free and open access by the Bronx African American History Project at DigitalResearch@Fordham. It has been accepted for inclusion in Oral Histories by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Interviewee: Jimmy Merchant Interviewers: Alessandro Buffa, Loreta Dosorna, Dr. Brian Purnell, and Dr. Mark Naison Date: April 7, 2006 Transcriber: Samantha Alfrey Mark Naison (MN): This is the 154th interview of the Bronx African American History Project. We are here at Fordham University on April 7, 2006 with Jimmy Merchant, an original and founding member of Frankie Lymon and the Teenagers, who has also had a career as an artist. And with us today, doing the interviews, are Alessandro Buffa, Lorreta Dosorna, Brian Purnell, and Mark Naison. Jimmy, can you tell us a little about your family and where they came from originally? Jimmy Merchant (JM): My mom basically came from Philadelphia. My dad – his family is from the Bahamas. He – my dad – was shifted over to the south as a youngster. His mother was from the Bahamas and she moved into the South – South Carolina, something like that – and he grew up there.
    [Show full text]
  • 112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12
    112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12 Gauge Dunkie Butt 12 Gauge Dunkie Butt 2 Live Crew Sports Weekend 2nd II None If You Want It 2nd II None Classic 220 2Pac Changes 2Pac All Eyez On Me 2Pac All Eyez On Me 2Pac I Get Around / Keep Ya Head Up 50 Cent Candy Shop 702. Where My Girls At 7L & Esoteric The Soul Purpose A Taste Of Honey A Taste Of Honey A Tribe Called Quest Unreleased & Unleashed Above The Law Untouchable Abyssinians Best Of The Abyssinians Abyssinians Satta Adele 21. Adele 21. Admiral Bailey Punanny ADOR Let It All Hang Out African Brothers Hold Tight (colorido) Afrika Bambaataa Renegades Of Funk Afrika Bambaataa Planet Rock The Album Afrika Bambaataa Planet Rock The Album Agallah You Already Know Aggrolites Rugged Road (vinil colorido) Aggrolites Rugged Road (vinil colorido) Akon Konvicted Akrobatik The EP Akrobatik Absolute Value Al B. Sure Rescue Me Al Green Greatest Hits Al Johnson Back For More Alexander O´Neal Criticize Alicia Keys Fallin Remix Alicia Keys As I Am (vinil colorido) Alicia Keys A Woman´s Worth Alicia Myers You Get The Best From Me Aloe Blacc Good Things Aloe Blacc I Need A Dollar Alpha Blondy Cocody Rock Althea & Donna Uptown Top Ranking (vinil colorido) Alton Ellis Mad Mad Amy Winehouse Back To Black Amy Winehouse Back To Black Amy Winehouse Lioness : The Hidden Treasures Amy Winehouse Lioness : The Hidden Treasures Anita Baker Rapture Arthur Verocai Arthur Verocai Arthur Verocai Arthur Verocai Augustus Pablo King Tubby Meets Rockers Uptown Augustus Pablo In Fine Style Augustus Pablo This Is Augustus Pablo Augustus Pablo Dubbing With The Don Augustus Pablo Skanking Easy AZ Sugar Hill B.G.
    [Show full text]
  • January 2014 Members in the News
    January 2014 Members in the News Ayala on Many Blood Brother on Independent Lens - Jan 20 - Projects Local Connection! 2013 was a busy year for Claude LaVallee, Additional Editor for Editor John Ayala. Besides the feature documentary Blood editing a series for NASA at Brother, is happy to announce that this Cortina Productions, he 2013 Sundance Grand Jury Prize and edited a trailer that helped Audience Award winner will premiere Hillary Linder's feature on PBS's Independent Lens, on documentary, Indivisible Monday, January 20, 2014, 10:00- launch a successful 11:30PM ET (check local listings). Kickstarter campaign. He is Blood Brother, directed by Steve also Co-Producing and Editing The Commentator, Hoover, follows his best friend, Rocky a feature length documentary that follows filmmaker Braat's unexpected journey of love and Jorgen Leth (The Five Obstructions) returning to the hardship upon encountering HIV-infected children in an classic Paris-Roubaix bicycle race in Northern Indian hostel. Braat's motivations for eventually staying with France, where he shot his film A Sunday In Hell more the kids are complex, but this story is an undeniable than 30 years ago. It features camera by Albert testament to the power of love. Though raw and poignant, Maysles, and a score by Blonde Redhead. The film this documentary is unconventionally dynamic, having been is currently being scored and will make its premiere sensitively infused with Hoover's music video aesthetic. this Spring. For more information and to see clips from John's projects visit www.ayalagrocery.com "It is, in one way, a movie about self-sacrifice, but really, it is a delicate, delicate character study.
    [Show full text]
  • The Peelers Song List
    The Peelers Song List Below is an example of the variety of songs The Peelers have played. Songs are mostly combined in mash-ups and/or medleys or both. Many of the following songs are more appropriate at special occasions; not all songs listed will be in the current set list rotation. Pop/Rock/Country/80s/90s/2000s A Little Respect - Erasure All About That Bass - Meghan Trainor Another Night - The Real McCoy Billie Jean - Michael Jackson Blister in the Sun - Violent Femmes Blurred Lines – Robin Thicke Break Your Heart - Taio Cruz Brown Eyed Girl - Van Morrison Canned Heat - Jamiroquai Car Wash - Rose Royce Careless Whisper - WHAM! Centerfold - J. Geils Band Crazy – Britney Spears Cruel Summer – Bananarama Crush – Jennifer Paige Dick in a Box - Justin Timberlake Done For Me – Charlie Puth Don't Do Me Like That - Tom Petty Don't Stop Believin' - Journey Don't You Want Me - The Human League Don't You Forget About Me - Simple Minds Dynomite - Taio Cruz Faith – George Michael Feel It Still – PTM Feel Like Makin’ Love – Bad Company Finesse – Bruno Mars Freak Out – Le Chic 500 Miles – The Proclaimers Forever Young - Alphaville Friends in Low Places - Garth Brooks Get Down Tonight – KC and the Sunshine Band Get Lucky – Daft Punk Good Vibrations - Marky Mark Groove is in the Heart - Deee-Lite Hard to Handle – Black Crowes HandClap – Fitz and the Tantrums Havana – Camila Cabello Heaven – Brian Adams Hey Ya – Outkast Hollaback – Gwen Stefani Hot Hot Hot - Buster Poindexter Hungry Like The Wolf – Duran Duran I’ll Melt With You - Modern English I Love Rock and Roll – Joan Jett Into the Groove - Madonna Jessie's Girl - Rick Springfield Just Can’t Get Enough - Depeche Mode Larger than Life – Backstreet Boys Mary Jane's Last Dance - Tom Petty Mr.
    [Show full text]
  • DJ Skills the Rise of the Hip-Hop DJ 3
    The Rise of the Hip-Hop DJ 1 74 The Rise of The Hip-hop DJ DJs were Hip-hop’s original architects, and remain crucial to its contin- ued development. Hip-hop is more than a style of music; it’s a culture. As with any culture, there are various artistic expressions of Hip-hop, the four principal expressions being: • visual art (graffiti) • dance (breaking, rocking, locking, and popping, collectively known in the media as “break dancing”) • literature (rap lyrics and slam poetry) • music (DJing and turntablism) Unlike the European Renaissance or the Ming Dynasty, Hip-hop is a culture that is very much alive and still evolving. Some argue that Hip-hop is the most influential cultural movement in history, point- ing to the globalization of Hip-hop music, fashion, and other forms of expression. Style has always been at the forefront of Hip-hop. Improvisation is called free styling, whether in rap, turntablism, breaking, or graf- fiti writing. Since everyone is using the essentially same tools (spray paint for graffiti writers, microphones for rappers and beat boxers, their bodies for dancers, and two turntables with a mixer for DJs), it’s the artists’ personal styles that set them apart. It’s no coincidence that two of the most authentic movies about the genesis of the move- ment are titled Wild Style and Style Wars. There are also many styles of writing the word “Hip-hop.” The mainstream media most often oscillates between “hip-hop” and “hip hop.” The Hiphop Archive at Harvard writes “Hiphop” as one word, 2 DJ Skills The Rise of the Hip-Hop DJ 3 with a capital H, embracing KRS-ONE’s line of reasoning that “Hiphop Kool DJ Herc is a culture with its own foundation narrative, history, natives, and 7 In 1955 in Jamaica, a young woman from the parish of Saint Mary mission.” After a great deal of input from many people in the Hip-hop community, I’ve decided to capitalize the word but keep the hyphen, gave birth to a son who would become the father of Hip-hop.
    [Show full text]
  • It Is Christmas Eve at a Waffle House Just Off Interstate 24 in Murfreesboro, TN, Just 20 Miles Outside of Nashville
    A SCATTERED, SMOTHERED & COVERED CHRISTMAS A Waffle House Christmas Musical written by Kaine Riggan (It is Christmas Eve at a Waffle House just off Interstate 24 in Murfreesboro, TN, just 20 miles outside of Nashville. As the lights come up, wee see one gentleman sitting in a booth drinking coffee and having a bowl of chili. A quirky little waitress names Rita enters, obviously in a good mood. She is somewhere between plain and attractive and somewhere between thirty-five and fifty-five, although it is somewhat difficult to judge where in either category she clocks in. She pours out the old coffee (regular) and starts a new pot. She picks up a second pot (decaf) and smells it and decides to keep it. Suddenly, she notices the audience for the first time.) RITA Well shoot fire! If I’d known all ya’ll were gonna be here tonight, I’d a spent more time on this hair. (She quickly adjusts her hairdo) What do you think Harold? Is that better or should I just wear my bad hair day bonnet? (referring to her Waffle House paper hat) (HAROLD mumbles a grouchy, unintelligible response) Oh, chip up, Harold. It’s Christmas Eve! Don’t you just love Christmas Eve? (HAROLD starts to mumble again but she talks right over his response) Awe, there’s just something about this place on Christmas Eve. It’s magical… like there’s something special in the air. HAROLD (acknowledging himself) Sorry! RITA That is not exactly what I had in mind (shouting towards the kitchen) Bert, get in here and change this chili out.
    [Show full text]
  • The Twenty Greatest Music Concerts I've Ever Seen
    THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there.
    [Show full text]
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
    [Show full text]
  • Cue Point Aesthetics: the Performing Disc Jockey In
    CUE POINT AESTHETICS: THE PERFORMING DISC JOCKEY IN POSTMODERN DJ CULTURE By Benjamin De Ocampo Andres A Thesis Presented to The Faculty of Humboldt State University In Partial Fulfillment of the Requirements for the Degree Master of Arts in Sociology Committee Membership Dr. Jennifer Eichstedt, Committee Chair Dr. Renee Byrd, Committee Member Dr. Meredith Williams, Committee Member Dr. Meredith Williams, Graduate Coordinator May 2016 ABSTRACT CUE POINT AESTHETICS: THE PERFORMING DISC JOCKEY IN POSTMODERN DJ CULTURE Benjamin De Ocampo Andres This qualitative research explores how social relations and intersections of popular culture, technology, and gender present in performance DJing. The methods used were interviews with performing disc jockeys, observations at various bars, and live music venues. Interviews include both women and men from varying ages and racial/ethnic groups. Cultural studies/popular culture approaches are utilized as the theoretical framework, with the aid of concepts including resistance, hegemony, power, and subcultures. Results show difference of DJ preference between analog and digital formats. Gender differences are evident in performing DJ's experiences on and off the field due to patriarchy in the DJ scene. ii ACKNOWLEDGEMENTS First and Foremost, I would like to thank my parents and immediate family for their unconditional support and love. You guys have always come through in a jam and given up a lot for me, big up. To "the fams" in Humboldt, you know who you are, thank you so much for holding me down when the time came to move to Arcata, and for being brothers from other mothers. A shout out to Burke Zen for all the jokes cracked, and cigarettes smoked, at "Chinatown." You help get me through this and I would have lost it along time ago.
    [Show full text]
  • Radio Essentials 2012
    Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat.
    [Show full text]
  • The George-Anne Student Media
    Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 8-10-2006 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (2006). The George-Anne. 3134. https://digitalcommons.georgiasouthern.edu/george-anne/3134 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Survival tips for new GSU students l NEWS,P.3A Studies claim that coffee cures I BRIEF, p. SA George-Anne staff goals: Who's it going to be? we pledge our loyalty to you [ Zach Stafford is among the quarterbacks Volume 79 Number 20 I OPINION, p. 4A who hope to start the first game I SPORTS, p. 8A George Anne - 08/10/2006 DAiL^eCEIVED *GrgeAn08102006 1 Hour Reserve (In Libraryiry Use Only) I ^^ ^^ AUG 1 0 2006 HENDERSON LIBRARY VjJJWINXJn!s~\r\JN JN r, GEORGIA SOUTHERN THE UNIVERSITY THURSDAY, AUGUST io, 2006 'ShuttleGus' aims to keep students safe LCfgKMG Two GSU students develop a safe rides program for Statesboro, hoping to keep students from driving home drunk from the bars By Jenny Miller fall 2005.. and the University of Georgia's safe for our country and our community, Assistant news editor Matt Jones, a graduate student, rides program called Watch Dawgs.
    [Show full text]
  • ENDER's GAME by Orson Scott Card Chapter 1 -- Third
    ENDER'S GAME by Orson Scott Card Chapter 1 -- Third "I've watched through his eyes, I've listened through his ears, and tell you he's the one. Or at least as close as we're going to get." "That's what you said about the brother." "The brother tested out impossible. For other reasons. Nothing to do with his ability." "Same with the sister. And there are doubts about him. He's too malleable. Too willing to submerge himself in someone else's will." "Not if the other person is his enemy." "So what do we do? Surround him with enemies all the time?" "If we have to." "I thought you said you liked this kid." "If the buggers get him, they'll make me look like his favorite uncle." "All right. We're saving the world, after all. Take him." *** The monitor lady smiled very nicely and tousled his hair and said, "Andrew, I suppose by now you're just absolutely sick of having that horrid monitor. Well, I have good news for you. That monitor is going to come out today. We're going to just take it right out, and it won't hurt a bit." Ender nodded. It was a lie, of course, that it wouldn't hurt a bit. But since adults always said it when it was going to hurt, he could count on that statement as an accurate prediction of the future. Sometimes lies were more dependable than the truth. "So if you'll just come over here, Andrew, just sit right up here on the examining table.
    [Show full text]