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'A Mind to Copy': Inspired by Meissen
‘A Mind to Copy’: Inspired by Meissen Anton Gabszewicz Independent Ceramic Historian, London Figure 1. Sir Charles Hanbury Williams by John Giles Eccardt. 1746 (National Portrait Gallery, London.) 20 he association between Nicholas Sprimont, part owner of the Chelsea Porcelain Manufactory, Sir Everard Fawkener, private sec- retary to William Augustus, Duke of Cumberland, the second son of King George II, and Sir Charles Hanbury Williams, diplomat and Tsometime British Envoy to the Saxon Court at Dresden was one that had far-reaching effects on the development and history of the ceramic industry in England. The well-known and oft cited letter of 9th June 1751 from Han- bury Williams (fig. 1) to his friend Henry Fox at Holland House, Kensington, where his china was stored, sets the scene. Fawkener had asked Hanbury Williams ‘…to send over models for different Pieces from hence, in order to furnish the Undertakers with good designs... But I thought it better and cheaper for the manufacturers to give them leave to take away any of my china from Holland House, and to copy what they like.’ Thus allowing Fawkener ‘… and anybody He brings with him, to see my China & to take away such pieces as they have a mind to Copy.’ The result of this exchange of correspondence and Hanbury Williams’ generous offer led to an almost instant influx of Meissen designs at Chelsea, a tremendous impetus to the nascent porcelain industry that was to influ- ence the course of events across the industry in England. Just in taking a ca- sual look through the products of most English porcelain factories during Figure 2. -
Non-Invasive On-Site Raman Study of Blue
Non-invasive on-site Raman study of blue-decorated early soft-paste porcelain: The use of arsenic-rich (European) cobalt ores – Comparison with huafalang Chinese porcelains Philippe Colomban, Ting-An Lu, Véronique Milande To cite this version: Philippe Colomban, Ting-An Lu, Véronique Milande. Non-invasive on-site Raman study of blue-decorated early soft-paste porcelain: The use of arsenic-rich (European) cobalt ores – Comparison with huafalang Chinese porcelains. Ceramics International, Elsevier, 2018, 10.1016/j.ceramint.2018.02.105. hal-01723496 HAL Id: hal-01723496 https://hal.sorbonne-universite.fr/hal-01723496 Submitted on 5 Mar 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Non-Invasive on-site Raman study of blue-decorated early soft-paste porcelain: the use of Arsenic-rich (European) cobalt ores – Comparison with huafalang Chinese porcelains Philippe Colomban, 1 Ting-An Lu1, Véronique Milande2 1 Sorbonne Universités, UPMC Univ. Paris 06, MONARIS UMR8233, CNRS, 4 Place Jussieu, 75005 Paris, France 2 Département du Patrimoine et des Collections de la Cité de la Céramique, 92310 Sèvres, France corresponding author : [email protected] Tel+33144272785 ; fax +33144273021 Abstract Both European and Asian historical records report that Jesuits were at the origin of enamelling technology transfers from France (and Italy) to Asia during the 17th century. -
The Wilman Collection
The Wilman Collection Martel Maides Auctions The Wilman Collection Martel Maides Auctions The Wilman Collection Martel Maides Auctions The Wilman Collection Lot 1 Lot 4 1. A Meissen Ornithological part dessert service 4. A Derby botanical plate late 19th / early 20th century, comprising twenty plates c.1790, painted with a central flower specimen within with slightly lobed, ozier moulded rims and three a shaped border and a gilt line rim, painted blue marks square shallow serving dishes with serpentine rims and and inscribed Large Flowerd St. John's Wort, Derby rounded incuse corners, each decorated with a garden mark 141, 8½in. (22cm.) diameter. or exotic bird on a branch, the rims within.ects gilt £150-180 edges, together with a pair of large square bowls, the interiors decorated within.ects and the four sides with 5. Two late 18th century English tea bowls a study of a bird, with underglaze blue crossed swords probably Caughley, c.1780, together with a matching and Pressnumern, the plates 8¼in. (21cm.) diameter, slop bowl, with floral and foliate decoration in the dishes 6½in. (16.5cm.) square and the bowls 10in. underglaze blue, overglaze iron red and gilt, the rims (25cm.) square. (25) with lobed blue rings, gilt lines and iron red pendant £1,000-1,500 arrow decoration, the tea bowls 33/8in. diameter, the slop bowl 2¼in. high. (3) £30-40 Lot 2 2. A set of four English cabinet plates late 19th century, painted centrally with exotic birds in Lot 6 landscapes, within a richly gilded foliate border 6. -
Meissen Masterpieces Exquisite and Rare Porcelain Models from the Royal House of Saxony to Be Offered at Christie’S London
For Immediate Release 30 October 2006 Contact: Christina Freyberg +44 20 7 752 3120 [email protected] Alexandra Kindermann +44 20 7 389 2289 [email protected] MEISSEN MASTERPIECES EXQUISITE AND RARE PORCELAIN MODELS FROM THE ROYAL HOUSE OF SAXONY TO BE OFFERED AT CHRISTIE’S LONDON British and Continental Ceramics Christie’s King Street Monday, 18 December 2006 London – A collection of four 18th century Meissen porcelain masterpieces are to be offered for sale in London on 18 December 2006 in the British and Continental Ceramics sale. This outstanding Meissen collection includes two white porcelain models of a lion and lioness (estimate: £3,000,000-5,000,000) and a white model of a fox and hen (estimate: £200,000-300,000) commissioned for the Japanese Palace in Dresden together with a white element vase in the form of a ewer (£10,000-15,000). “The porcelain menagerie was an ambitious and unparalleled project in the history of ceramics and the magnificent size of these models is a testament to the skill of the Meissen factory,” said Rodney Woolley, Director and Head of European Ceramics. “The sheer exuberance of these examples bears witness to the outstanding modelling of Kirchner and Kändler. The opportunity to acquire these Meissen masterpieces from the direct descendants of Augustus the Strong is unique and we are thrilled to have been entrusted with their sale,” he continued. The works of art have been recently restituted to the heirs of the Royal House of Saxony, the Wettin family. Commenting on the Meissen masterpieces, a spokesperson for the Royal House of Saxony said: “The Wettin family has worked closely, and over many years with the authorities to achieve a successful outcome of the restitution of many works of art among which are these four Meissen porcelain objects, commissioned by our forebear Augustus the Strong. -
Philippa H Deeley Ltd Catalogue 17 Oct 2015
Philippa H Deeley Ltd Catalogue 17 Oct 2015 1 A Pinxton porcelain teapot decorated in gilt with yellow cartouches with gilt decoration and hand hand painted landscapes of castle ruins within a painted botanical studies of pink roses, numbered square border, unmarked, pattern number 300, 3824 in gilt, and three other porcelain teacups and illustrated in Michael Bertould and Philip Miller's saucers from the same factory; Etruscan shape 'An Anthology of British Teapots', page 184, plate with serpent handle, hand painted with pink roses 1102, 17.5cm high x 26cm across - Part of a and gilt decoration, the saucer numbered 3785 in private owner collection £80.00 - £120.00 gilt, old English shape, decorated in cobalt blue 2 A Pinxton porcelain teacup and saucer, each with hand painted panels depicting birds with floral decorated with floral sprigs and hand painted gilt decoration and borders, numbered 4037 in gilt landscapes with in ornate gilt surround, unmarked, and second bell shape, decorated with a cobalt pattern no. 221, teacup 6cm high, saucer 14.7cm blue ground, gilt detail and hand painted diameter - Part of a private owner collection £30.00 landscape panels - Part of a private owner - £40.00 collection £20.00 - £30.00 3 A porcelain teapot and cream jug, possibly by 8A Three volumes by Michael Berthoud FRICS FSVA: Ridgway, with ornate gilding, cobalt blue body and 'H & R Daniel 1822-1846', 'A Copendium of British cartouches containing hand painted floral sparys, Teacups' and 'An Anthology of British Teapots' co 26cm long, 15cm high - -
The Business Organisation of the Bourbon Factories
The Business Organization of the Bourbon Factories: Mastercraftsmen, Crafts, and Families in the Capodimonte Porcelain Works and the Royal Factory at San Leucio Silvana Musella Guida Without exaggerating what was known as the “heroic age” of the reign of Charles of Bourbon of which José Joaquim de Montealegre was the undisputed doyen, and without considering the controversial developments of manufacturing in Campania, I should like to look again at manufacturing under the Bourbons and to offer a new point of view. Not only evaluating its development in terms of the products themselves, I will consider the company's organization and production strategies, points that are often overlooked, but which alone can account for any innovative capacity and the willingness of the new government to produce broader-ranging results.1 The two case studies presented here—the porcelain factory at Capodimonte (1740-1759) and the textile factory in San Leucio (1789-1860)—though from different time periods and promoted by different governments, should be considered sequentially precisely because of their ability to impose systemic innovations.2 The arrival of the new sovereign in the company of José Joaquin de Montealegre, led to an activism which would have a lasting effect.3 The former was au fait with economic policy strategy and the driving force of a great period of economic modernization, and his repercussions on the political, diplomatic and commercial levels provide 1 For Montealegre, cf. Raffaele Ajello, “La Parabola settecentesca,” in Il Settecento, edited by Giovanni Pugliese Carratelli (Naples, 1994), 7-79. For a synthesis on Bourbon factories, cf. Angela Carola Perrotti, “Le reali manifatture borboniche,” in Storia del Mezzogiorno (Naples, 1991), 649- 695. -
View Or Download the Dealers List Here
DEALERS Compiled by Robin Hildyard FSA (Last updated July 2021) “CHINA-MEN. This business is altogether shopkeeping, and some of them carry on a very considerable trade, joining white flint glass, fine earthenware and stoneware, as well as teas, with their china ware. They usually take with an apprentice from 20 to 50£, give a journeyman 20 to 30£ a year and his board, and employ a stock of 500£ and often more” A General Description of all Trades digested in alphabetical order Printed by T.Walker at the Crown & Mitre, opposite Fetter Lane, Fleet Street 1747. --------------------------------------------------------------- “The Earthen-Ware Shop is a Dependant on the Pot-House. They buy their Goods from several Houses in England, from Holland, and at the Sales of the East-India Company. They generally deal in Tea, Coffee and Chocolate” R.Campbell, The London Tradesman, London 1747 ----------------------------------------------- This list, which can never be complete, includes retailers with their shops and warehouses, factory shops, auctioneers, suppliers of tools and materials to the pottery trade, independent enamellers, gilders and printers together with their suppliers, japanners, glass cutters, glass engravers, glass enamellers, china menders, toymen, jewellers, confectioners, wine merchants and other trades likely to be involved in selling, embellishing or hiring china, earthenware or glass. ----------------------------------------------------------- ANONYMOUS: 1735, at the Glass Sellers Arms, next door to the Globe Tavern in Fleet Street, to be sold very cheap, “very cheap China Ware” and glass etc. (Daily Journal 30 Aug. 1735, Buckley notes Ceramics Dept. library 9B10). This is Benjamin Payne (qv), and see also under Mr.Ward at this address in 1736. -
FINE EUROPEAN CERAMICS Including the Collezione Fiordalisi of Neapolitan Porcelain Thursday 7 December 2017
FINE EUROPEAN CERAMICS Including the Collezione Fiordalisi of Neapolitan porcelain Thursday 7 December 2017 SPECIALIST AND AUCTION ENQUIRIES EUROPEAN CERAMICS Sebastian Kuhn Nette Megens Sophie von der Goltz lot 44 FINE EUROPEAN CERAMICS Including the Collezione Fiordalisi of Neapolitan porcelain Thursday 7 December 2017 at 2pm New Bond Street, London VIEWING ENQUIRIES CUSTOMER SERVICES PHYSICAL CONDITION OF Sunday 3 December Nette Megens Monday to Friday 8.30am LOTS IN THIS AUCTION 11am - 5pm Head of Department to 6pm PLEASE NOTE THAT ANY Monday 4 December +44 (0) 20 7468 8348 +44 (0) 20 7447 7447 REFERENCE IN THIS 9am - 4.30pm [email protected] CATALOGUE TO THE PHYSICAL Tuesday 5 December Please see page 2 for bidder CONDITION OF ANY LOT IS FOR 9am - 4.30pm Sebastian Kuhn information including after-sale GENERAL GUIDANCE ONLY. Wednesday 6 December Department Director collection and shipment INTENDING BIDDERS MUST 9am - 4.30pm +44 (0) 20 7468 8384 SATISFY THEMSELVES AS TO Thursday 7 December [email protected] THE CONDITION OF ANY LOT by appointment AS SPECIFIED IN CLAUSE 14 OF Sophie von der Goltz THE NOTICE TO BIDDERS SALE NUMBER Specialist CONTAINED AT THE END OF 24224 +44 (0) 20 7468 8349 THIS CATALOGUE. [email protected] CATALOGUE As a courtesy to intending Rome bidders, Bonhams will provide a £25.00 Emma Dalla Libera written indication of the physical Director condition of lots in this sale if a BIDS request is received up to 24 hours +44 (0) 20 7447 7447 +39 06 485900 before the auction starts. This +44 (0) 20 7447 7401 fax [email protected] written Indication is issued To bid via the internet please subject to Clause 3 of the Notice visit bonhams.com International Director European Ceramics & Glass to Bidders. -
Oriental & European Ceramics & Glass
THIRD DAY’S SALE WEDNESDAY 24th JANUARY 2018 ORIENTAL & EUROPEAN CERAMICS & GLASS Commencing at 10.00am Oriental and European Ceramics and Glass will be on view on: Friday 19th January 9.00am to 5.15pm Saturday 20th January 9.00am to 1.00pm Sunday 21st January 2.00pm to 4.00pm Monday 22nd January 9.00am to 5.15pm Tuesday 23rd January 9.00am to 5.15pm Limited viewing on sale day Measurements are approximate guidelines only unless stated to the contrary Enquiries: Andrew Thomas Enquiries: Nic Saintey Tel: 01392 413100 Tel: 01392 413100 Email: [email protected] Email: [email protected] 661 662 A large presentation wine glass and a pair of wine glasses Two late 18th century English wine glasses, one similar the former with bell shaped bowl engraved with the arms of and an early 19th century barrel-shaped tumbler the first Weston, set on a hollow knopped stem and domed fold over two with plain bowls and faceted stems, 13.5 cm; the third foot, 27 cm high, the pair each with rounded funnel shaped engraved with floral sprays and on faceted stem, 14 cm; the bowl engraved with an eagle’s head set on a double knopped tumbler engraved with urns, paterae and swags with the stem and conical foot, 23 cm high. initials ‘GS’,11 cm (4). *£200 - 250 *£120 - 180 663 A George Bacchus close pack glass paperweight set with various multi coloured canes and four Victoria Head silhouettes, circa 1850, 8 cm diameter, [top polished]. *£300 - 500 664 665 A Loetz Phanomen glass vase of A Moser amber crackled glass vase of twelve lobed form with waisted neck shaped globular form, enamelled with and flared rim, decorated overall with a a crab, a lobster and fish swimming trailed and combed wave design, circa amongst seaweed and seagrass, circa 1900-05, unmarked, 19 cm high. -
The Elegant Home
The Elegant Home The Home Elegant Ӏ Los Angeles Ӏ March 25 and March 26, 2019 25 and March March Bonhams The Elegant Home 7601 W. Sunset Boulevard Los Angeles CA 90046 Los Angeles | March 25 and March 26, 2019 25350 +1 (323) 850 7500 +1 (323) 850 6090 fax Featuring bonhams.com Paintings, Silver, Furniture, Carpets, Works of Art and Clocks AUCTIONEERS SINCE 1793 The Elegant Home Los Angeles SALE BIDS ILLUSTRATIONS REGISTRATION Monday March 25, 2019 at 10am +1 (323) 850 7500 Front cover: Lot 432 (detail) IMPORTANT NOTICE Tuesday March 26, 2019 at 10am +1 (323) 850 6090 fax Inside front cover: Lot 780 (detail) Please note that all customers, Day 1: Lot 350 (detail) irrespective of any previous activity VIEWINGS To bid via the internet please visit Day 2: Lot 512 with Bonhams, are required to Friday March 22, 12pm-5pm www.bonhams.com/25350 Inside back cover: Lot 118 complete the Bidder Registration Saturday March 23, 12pm-5pm Back cover: Lot 114 Form in advance of the sale. The Sunday March 24, 12pm-5pm Please note that bids must be form can be found at the back submitted no later than 4pm on of every catalogue and on our VENUE the day prior to the auction. New website at www.bonhams.com 7601 W. Sunset Boulevard bidders must also provide proof and should be returned by email or Los Angeles, California 90046 of identity and address when post to the specialist department bonhams.com submitting bids. or to the bids department at [email protected] SALE NUMBER Please contact client services with 25350 any bidding inquiries. -
February 2018 Newsletter
San Francisco Ceramic Circle An Affiliate of the Fine Arts Museums of San Francisco February 2018 P.O. Box 26773, San Francisco, CA 94126 www.patricianantiques.com/sfcc.html SFCC FEBRUARY LECTURE A Glittering Occasion: Reflections on Dining in the 18th Century Sunday, FEBRUARY 25, 2017 9:45 a.m., doors open for social time Dr. Christopher Maxwell 10:30 a.m., program begins Curator of European Glass Gunn Theater, Legion of Honor Corning Museum of Glass About the lecture: One week later than usual, in conjunction with the Casanova exhibition at the Legion of Honor, the lecture will discuss the design and function of 18th-century tableware. It will address the shift of formal dining from daylight hours to artificially lit darkness. That change affected the design of table articles, and the relationship between ceramics and other media. About the speaker: Dr. Christopher L. Maxwell worked on the redevelopment of the ceramics and glass galleries at the Victoria and Albert Museum, with a special focus on 18th-century French porcelain. He also wrote the V&A’s handbook Eighteenth-Century French Porcelain (V&A Publications, 2010). From 2010 to 2016 he worked with 18th-century decorative arts at the Royal Collections. He has been Curator of European Glass at the Corning Museum of Glass since 2016. Dr. Maxwell is developing an exhibition proposal on the experience of light and reflectivity in 18th-century European social life. This month, our Facebook page will show 18th-century table settings and dinnerware. The dining room at Mount Vernon, restored to the 1785 color scheme of varnished dark green walls George Washington’s Mount Vernon, VA (photo: mountvernon.org SFCC Upcoming Lectures SUNDAY, MARCH 18, Gunn Theater: Gunn Theater: Jody Wilkie, Co-Chairman, Decorative Arts, and Director, Decorative Arts of the Americas, Christie’s: “Ceramics from the David Rockefeller collection.” SUNDAY, APRIL 15, Sally Kevill-Davies, cataloguer of the English porcelain at the Fitzwilliam Museum, Cambridge, will speak on Chelsea porcelain figures. -
Vincenzo Gemito (1852-1929) October 2019 Sculptor of the Neapolitan Soul from 15 October 2019 to 26 January 2020
PRESS KIT Vincenzo Gemito (1852-1929) October 2019 Sculptor of the Neapolitan soul from 15 October 2019 to 26 January 2020 Tuesday to Sunday 10am to 6pm INFORMATIONS Late opening Friday until 9pm www.petitpalais.paris.fr . Museo e Certosa di San Martino, Photo STUDIO SPERANZA STUDIO Photo Head of a young boy Naples. Fototeca del polo museale della campaniaNaples. Fototeca Vincenzo Gemito, PRESS OFFICER : Mathilde Beaujard [email protected] / + 33 1 53 43 40 14 Exposition organised in With the support of : collaboration with : Vincenzo Gemito (1852-1929), Sculptor of the Neapolitan soul- from 15 October 2019 to 26 January 2020 SOMMAIRE Press release p. 3 Guide to the exhibition p. 5 The Exhibition catalogue p. 11 The Museum and Royal Park of Capodimonte p. 12 Paris Musées, a network of Paris museums p. 19 About the Petit Palais p. 20 Practical information p. 21 2 Vincenzo Gemito (1852-1929), Sculptor of the Neapolitan soul- from 15 October 2019 to 26 January 2020 PRESS RELEASE At the opening of our Neapolitan season, the Petit Pa- lais is pleased to present work by sculptor Vincenzo Gemito (1852-1929) that has never been seen in France. Gemito started life abandoned on the steps of an or- phanage in Naples. He grew up to become one of the greatest sculptors of his era, celebrated in his home- town and later in the rest of Italy and Europe. At the age of twenty-five, he was a sensation at the Salon in Paris and, the following year, at the 1878 Universal Ex- position.