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Movie Museum REVISED NOVEMBER 2013 COMING ATTRACTIONS
Movie Museum REVISED NOVEMBER 2013 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY 2 Hawaii Premieres! Hawaii Premiere! 2 Hawaii Premieres! Veterans Day HAPPINESS NEVER LIFE BEGINS TODAY BEHIND THE DECEPTIVE PRACTICE: Hawaii Premiere! COMES ALONE aka La vida empieza hoy CANDELABRA The Mysteries and Mentors DOG NAIL CLIPPER (2012-France) (2010-Spain) (2013-US) of Ricky Jay aka Koirankynnen leikkaaja French w/Eng subtitles, w.s. Spanish w/Eng subtitles, w.s. in widescreen (2012-US) in widescreen (2004-Finland) Gad Elmaleh, Sophie Marceau. with Pilar Bardem. with Michael Douglas, Matt Documentary on world- Finnish w/Eng subtitles, ws 12:00, 3:45 & 7:30pm only 12:00, 3:45 & 9:15pm only Damon, Scott Bakula, Debbie renowned magician Ricky Jay. with Peter Franzén. ---------------------------------- ---------------------------------- Reynolds, Rob Lowe. 12:00, 3:45 & 7:30pm only 12 & 8pm only LIFE BEGINS TODAY HACHI-KO ---------------------------------- ---------------------------------- aka La vida empieza hoy (1987-Japan) Directed by HAPPINESS NEVER HACHI-KO (2010-Spain) in Japanese with English Steven Soderbergh. COMES ALONE (1987-Japan) Spanish w/Eng subtitles, w.s. subtitles & in widescreen (2012-France) Japanese w/Eng subtitles, ws with Pilar Bardem. with Kaoru Yachigusa. 12:00, 2:15, 4:30, 6:45 French w/Eng subtitles, w.s. with Kaoru Yachigusa. 2:00 & 5:45pm only 1:45, 5:30 & 7:30pm & 9:00pm 1:45 & 5:30pm only 2, 4 & 6pm 7 8 9 10 11 Hawaii Premiere! Hawaii Premiere! 2 Hawaii Premieres! ROMAN DE GARE 1 LITRE OF TEARS I HIRED A CONTRACT LACKAWANNA BLUES JACK IRISH: (2007-France) Ichi rittoru no namida KILLER (2005-US) in widescreen BAD DEBTS French w/Eng subtitles & ws. -
73Rd-Nominations-Facts-V2.Pdf
FACTS & FIGURES FOR 2021 NOMINATIONS as of July 13 does not includes producer nominations 73rd EMMY AWARDS updated 07.13.2021 version 1 Page 1 of 20 SUMMARY OF MULTIPLE EMMY WINS IN 2020 Watchman - 11 Schitt’s Creek - 9 Succession - 7 The Mandalorian - 7 RuPaul’s Drag Race - 6 Saturday Night Live - 6 Last Week Tonight With John Oliver - 4 The Marvelous Mrs. Maisel - 4 Apollo 11 - 3 Cheer - 3 Dave Chappelle: Sticks & Stones - 3 Euphoria - 3 Genndy Tartakovsky’s Primal - 3 #FreeRayshawn - 2 Hollywood - 2 Live In Front Of A Studio Audience: “All In The Family” And “Good Times” - 2 The Cave - 2 The Crown - 2 The Oscars - 2 PARTIAL LIST OF 2020 WINNERS PROGRAMS: Comedy Series: Schitt’s Creek Drama Series: Succession Limited Series: Watchman Television Movie: Bad Education Reality-Competition Program: RuPaul’s Drag Race Variety Series (Talk): Last Week Tonight With John Oliver Variety Series (Sketch): Saturday Night Live PERFORMERS: Comedy Series: Lead Actress: Catherine O’Hara (Schitt’s Creek) Lead Actor: Eugene Levy (Schitt’s Creek) Supporting Actress: Annie Murphy (Schitt’s Creek) Supporting Actor: Daniel Levy (Schitt’s Creek) Drama Series: Lead Actress: Zendaya (Euphoria) Lead Actor: Jeremy Strong (Succession) Supporting Actress: Julia Garner (Ozark) Supporting Actor: Billy Crudup (The Morning Show) Limited Series/Movie: Lead Actress: Regina King (Watchman) Lead Actor: Mark Ruffalo (I Know This Much Is True) Supporting Actress: Uzo Aduba (Mrs. America) Supporting Actor: Yahya Abdul-Mateen II (Watchmen) updated 07.13.2021 version 1 Page -
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
Accepted Manuscript Version
Research Archive Citation for published version: Kim Akass, and Janet McCabe, ‘HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007’, Mise au Point, Vol. 10, 2018. DOI: Link to published article in journal's website Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: This manuscript version is made available under the terms of the Creative Commons Attribution-NonCommercial- NoDerivatives License CC BY NC-ND 4.0 ( http://creativecommons.org/licenses/by-nc-nd/4.0/ ), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. Enquiries If you believe this document infringes copyright, please contact Research & Scholarly Communications at [email protected] 1 HBO and the Aristocracy of TV Culture : affiliations and legitimatising television culture, post-2007 Kim Akass and Janet McCabe In its institutional pledge, as Jeff Bewkes, former-CEO of HBO put it, to ‘produce bold, really distinctive television’ (quoted in LaBarre 90), the premiere US, pay- TV cable company HBO has done more than most to define what ‘original programming’ might mean and look like in the contemporary TV age of international television flow, global media trends and filiations. In this article we will explore how HBO came to legitimatise a contemporary television culture through producing distinct divisions ad infinitum, framed as being rooted outside mainstream commercial television production. In creating incessant divisions in genre, authorship and aesthetics, HBO incorporates artistic norms and principles of evaluation and puts them into circulation as a succession of oppositions— oppositions that we will explore throughout this paper. -
Nominations List 2006 Emmys
2006 Primetime Emmy Nominations Nominations 9 78th Annual Academy Awards American Masters Lost Six Feet Under Outstanding Casting For A Drama Series Big Love • HBO • Anima Sola and Playtone in association with HBO Entertainment Junie Lowry Johnson, C.S.A., Casting Director Libby Goldstein, Casting Director Boston Legal • ABC • David E. Kelley Productions in association with 20th Century Fox Television Studios Ken Miller, C.S.A., Casting by Nikki Valko, C.S.A., Casting by Grey’s Anatomy • ABC • Touchstone Television Linda Lowy, Casting by John Brace, Casting by House • FOX • Heel and Toe Productions, Shorez Productions and Bad Hat Harry Productions in association with Universal Television Studios Amy Lippens, C.S.A., Casting by Stephanie Laffin, Casting by Lost • ABC • Grass Skirt Productions, LLC in association with Touchstone Television April Webster, C.S.A., Casting by Veronica Collins Rooney, C.S.A., Casting by Mandy Sherman C.S.A., Casting by Outstanding Cinematography For A Single-Camera Series CSI: Crime Scene Investigation • Gum Drops • CBS • An Alliance Atlantis production in association with Paramount Television Michael Slovis, Director of Photography Everybody Hates Chris • Everybody Hates Funerals • UPN • Paramount Studios, 3Arts Entertainment, Chris Rock Enterprises, Inc. Mark Doering-Powell, Director of Photography Lost • Man Of Science, Man Of Faith • ABC • Grass Skirt Productions, LLC in association with Touchstone Television Michael Bonvillain, Director of Photography The Sopranos • The Ride • HBO • Chase Films and Brad -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair, -
Queering Aging: Dialectical Analysis of Mediated Representations of Sexuality Ryan Lescure San Francisco State University, [email protected]
Teaching Media Quarterly Volume 3 | Issue 2 Article 4 2015 Queering Aging: Dialectical Analysis of Mediated Representations of Sexuality Ryan Lescure San Francisco State University, [email protected] Gust A. Yep San Francisco State University, [email protected] Follow this and additional works at: http://pubs.lib.umn.edu/tmq Recommended Citation Lescure, Ryan, and Gust A. Yep. "Queering Aging: Dialectical Analysis of Mediated Representations of Sexuality." Teaching Media Quarterly 3, no. 2 (2015). http://pubs.lib.umn.edu/tmq/vol3/iss2/4 Teaching Media Quarterly is published by the University of Minnesota Libraries Publishing. Lescure and Yep: Queering Aging: Dialectical Analysis of Mediated Representations Teaching Media Quarterly Volume 3, Edition 2 (Spring 2015): Queer Media Queering Aging: Dialectical Analysis of Mediated Representations of Sexuality Overview and Rationale With a focus on aging sexual minorities, a population often overlooked by both queer theory and mediated representations, this classroom activity invites students to critically examine the intersection of queerness and television. First, students will get a brief introduction to queer theory and dialectical thinking. Second, students will view the made-for-television HBO film Behind the Candelabra. Third, students will engage in a queer dialectical analysis of the intersection of queerness and aging in the TV program. Influenced by poststructuralism, critical theory, feminism, and cultural studies, queer theory provides an open theoretical system to view, understand, and analyze social relations (Berlant & Warner, 1995; Jagose, 1996; Yep, 2003). More specifically, queer theory is both a conceptual model and a set of analytical tools to deconstruct power relations (i.e., the ways power functions and operates in our relationships) and the violence of normativity (i.e., the potentially harmful effects of social norms on bodies, identities, and communities) (Yep & Schönfeldt-Aultman, 2012). -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
The Daily Gamecock, Friday, December 6, 2013
University of South Carolina Scholar Commons December 2013 Winter 12-6-2013 The aiD ly Gamecock, Friday, December 6, 2013 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2013_dec Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, Friday, December 6, 2013" (2013). December. 2. https://scholarcommons.sc.edu/gamecock_2013_dec/2 This Newspaper is brought to you by the 2013 at Scholar Commons. It has been accepted for inclusion in December by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. dailygamecock.com UNIVERSITY OF SOUTH CAROLINA FRIDAY, DECEMBER 6, 2013 VOL. 113, NO. 69 • SINCE 1908 Gender-neutral housing support surveyed SG, BGLSA poll students; “We’re asked for gender, male or female, and But a gender-neutral plan would need top several very important decisions are made based university administrators’ approval, said Kirsten USC says it hasn’t made plans on that — who your roommates can be and what Kennedy, director of University Housing. Thad Moore your living environment’s going to be — and In theory, the survey could be USC’s first [email protected] there’s a lot of students who don’t feel comfortable step toward designating some suites or halls as with that choice,” said Brandon White, Student gender-neutral, meaning students’ gender and sex Government’s secretary of organizational wouldn’t be considered in their room assignments. Do you think USC should have gender-neutral outreach. “People cannot learn if they do not like In practice, however, gender-neutral housing housing? Student Government and USC’s BGLSA where they’re living.” doesn’t look to be coming to USC any time soon. -
Terence Winter Revisited Series Boardwalk Empire Were Esurprised to Learn That It Would Be Shortened from Its Initially Proposed Run of Seven Seasons to five
85 EDGE inte rview arlier this year, fans of the New Jersey-based HBO Terence Winter Revisited series Boardwalk Empire were Esurprised to learn that it would be shortened from its initially proposed run of seven seasons to five. Editor at Large Tracey Smith , who interviewed series creator Terence Winter for EDGE in 2013, doubled back this fall to get his take on the Nucky Thompson experience, find out what¹s coming next, and talk a bit more about what keeps his creative juices flowing. EDGE: Shortening this series to five seasons was a big decision. How did that conversation go between you and fellow executive producer Howard Korder? TW: Somewhere around the middle of Season 4, Howard and I looked at each other and said, “I get the feeling that we’re kind of headed toward a conclusion here.” It was completely inadvertent in our storytelling, but we felt like if we were listening to Nucky and what he was saying and where he was taking us, that he was trying desperately to get out of this business o B h and to wind down. The more we / y a l o talked about it, the more we said, p . B l “Yeah, we don’t have a whole lot more l a c a to explore with this character.” We m y b didn’t want to just milk it, and the last o t o h thing we want to do is to become p VISIT US ON THE WEB www.edgemagonline.com 86 INTERVIEW repetitive. We’re EDGE: Give me the two highlights that stand out for you lucky enough to personally on this project? not be in a situation where, TW: One would be Martin Scorsese becoming involved— like network TV, getting to work alongside my cinematic hero, who was for example, you the reason I got into this business in the first place. -
The Inventory of the Michael Douglas Collection #1839
The Inventory of the Michael Douglas Collection #1839 Howard Gotlieb Archival Research Center Douglas, Michael #1839 3/31/16, 4/7/16 Preliminary Listing I. Wardrobe. A. Costumes. Box 1-2 1. “The American President.” Box 3-8 2. “Behind the Candelabra.” Box 9 3. “Disclosure.” 4. “A Perfect Murder.” 5. “Romancing The Stone.” Box 9-14 6. “The Game.” Box 15-20 7. “The In-Laws.” Box 21-25 8. “It Runs In The Family.” Box 26 9. “Jewel Of The Nile.” Box 27-32 10. “Traffic.” Box 33-37 11. “Wonder Boys.” Box 38 12. “Wall Street.” B. Hanging Costumes. Pkg. 1-2 1. “The American President.” Pkg. 3-35 2. “Behind the Candelabra.” Pkg. 36-57 3. “The Game.” Pkg. 58-78 4. “The In-Laws.” Pkg. 79-116 5. “It Runs In The Family.” Pkg. 117 6. “Wall Street.” Box 39-56 C. Personal. Pkg. 118-124 D. Hanging Personal. II. Printed Materials. A. Files. Box 57-88 1. Clippings (not on their spreadsheets). Box 88 2. General. B. Blueprints/Maps. C. Internet printouts. D. Postcards. Box 89-91 E. Magazines. Box 92-94 F. Programs. Box 95 G. Newspapers. Box 95-96 H. Reviews. Box 96 I. Clippings. J. Booklets. K. Pamphlets. L. Fliers. Box 97 M. Posters. Pkg. 125-141 N. Oversized posters. Douglas, Michael (3/31/16, 4/7/16) Page 1 of 46 III. Film and Video. Box 98-131 A. VHS. Box 131 B. 8 mm cassettes. C. Mini-DVs. Box 132 D. DV-Cams. Box 133 E. DVDs. Box 134 F. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp.