Perspectives from the Puerto Rican Diaspora in Hartford
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Puerto Ricans at the Dawn of the New Millennium
puerto Ricans at the Dawn of New Millennium The Stories I Read to the Children Selected, Edited and Biographical Introduction by Lisa Sánchez González The Stories I Read to the Children documents, for the very first time, Pura Belpré’s contributions to North Puerto Ricans at American, Caribbean, and Latin American literary and library history. Thoroughly researched but clearly written, this study is scholarship that is also accessible to general readers, students, and teachers. Pura Belpré (1899-1982) is one of the most important public intellectuals in the history of the Puerto Rican diaspora. A children’s librarian, author, folklorist, translator, storyteller, and puppeteer who began her career the Dawn of the during the Harlem Renaissance and the formative decades of The New York Public Library, Belpré is also the earliest known Afro-Caribeña contributor to American literature. Soy Gilberto Gerena Valentín: New Millennium memorias de un puertorriqueño en Nueva York Edición de Carlos Rodríguez Fraticelli Gilberto Gerena Valentín es uno de los personajes claves en el desarrollo de la comunidad puertorriqueña Edwin Meléndez and Carlos Vargas-Ramos, Editors en Nueva York. Gerena Valentín participó activamente en la fundación y desarrollo de las principales organizaciones puertorriqueñas de la postguerra, incluyendo el Congreso de Pueblos, el Desfile Puertorriqueño, la Asociación Nacional Puertorriqueña de Derechos Civiles, la Fiesta Folclórica Puertorriqueña y el Proyecto Puertorriqueño de Desarrollo Comunitario. Durante este periodo también fue líder sindical y comunitario, Comisionado de Derechos Humanos y concejal de la Ciudad de Nueva York. En sus memorias, Gilberto Gerena Valentín nos lleva al centro de las continuas luchas sindicales, políticas, sociales y culturales que los puertorriqueños fraguaron en Nueva York durante el periodo de a Gran Migracíón hasta los años setenta. -
Spanish Language Broadcasting Collection
Spanish Language Broadcasting Collection NMAH.AC.1404 IrMarie Fraticelli, Edwin A. Rodriguez, and Justine Thomas This collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Gilda Mirós, (bulk 1950 - 2016, undated) (bulk 1950 - 2016, undated).................................................................................................................... 4 Series 2: Hector Aguilar, 1940 - 2002, undated.................................................... -
View Centro's Film List
About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession. -
Allá Y Acá: Locating Puerto Ricans in the Diaspora(S)
Diálogo Volume 5 Number 1 Article 4 2001 Allá y Acá: Locating Puerto Ricans in the Diaspora(s) Miriam Jiménez Román Follow this and additional works at: https://via.library.depaul.edu/dialogo Part of the Latin American Languages and Societies Commons Recommended Citation Jiménez Román, Miriam (2001) "Allá y Acá: Locating Puerto Ricans in the Diaspora(s)," Diálogo: Vol. 5 : No. 1 , Article 4. Available at: https://via.library.depaul.edu/dialogo/vol5/iss1/4 This Article is brought to you for free and open access by the Center for Latino Research at Via Sapientiae. It has been accepted for inclusion in Diálogo by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Allá y Acá: Locating Puerto Ricans in the Diaspora(s) Cover Page Footnote This article is from an earlier iteration of Diálogo which had the subtitle "A Bilingual Journal." The publication is now titled "Diálogo: An Interdisciplinary Studies Journal." This article is available in Diálogo: https://via.library.depaul.edu/dialogo/vol5/iss1/4 IN THE DIASPORA(S) Acá:AlláLocatingPuertoRicansy ©Miriam ©Miriam Jiménez Román Yo soy Nuyorican.1 Puerto Rico there was rarely a reference Rico, I was assured that "aquí eso no es Así es—vengo de allá. to los de afuera that wasn't, on some un problema" and counseled as to the Soy producto de la migración level, derogatory, so that even danger of imposing "las cosas de allá, puertorriqueña, miembro de la otra compliments ("Hay, pero tu no pareces acá." Little wonder, then, that twenty- mitad de la nación. -
Tax Woes for Puerto Rican Day Parade
1 BRONX TIMES Sept. 6-12, 2012 wwwbxtimes.com 1 BRONX Sept. 6-12, 2012 To Advertise Call: 718-615-2520 Online: www.yournabe.com Free inside today nity classifieds s 26,29,31 Business Opps Pg 31 Instruction Pgs 27-29,31 Merchandise Pg 31 Important p Wanted • Financing / Loans • Career Training • Garage / Yard Sales The Bronx’s elp Wanted • Business For Sale • Education Services • Merchandise Wanted elp Wanted • Misc. Business Opps • Tutoring • Merchandise For Sale J\e`fijZXe\e • And More • And More • And More d Pg 30 Real Estate Pg 32 Services Pg 32 Automotive Pg 32 l, Commercial • Rentals • Beauty Care • Autos For Sale ntial Services • Properties For Sale • Handymen • Autos Wanted • Open Houses • Home Improvement • And More jldd\ijX] ovement • Commercial RE • And More torage • And More To Place Your Ad Health Call 718-615-2520 ?fYY`\j DICAL ➤ MEDICAL ➤ MEDICAL ➤ MEDICAL ➤ SALES Number One P WANTED HELP WANTED HELP WANTED HELP WANTED HELP WANTED 24 pages of SALES OPPORTUNITIES Dental Assistant RN's, LPN's, BEAUTY Dist. for PAUL Dialysis Nurses/ Techs & MITCHELL, seeks exp'd, Xik_i Orthodontist Office aggressive, self-motivated Psych Techs (With Exp) sales rep to service salons Work experience and references required, in Bronx. Est. territory. tification a plus. Must be highly energized, For Lincoln, Metropolitan & Kings Sal/Comm. PT, 3 days jl]]\i\ m player with positive attitude and excellent County Hospitals, Woodhull 914-921-1555 x 106 ustomer service and communication skills. Medical Center & multiple full Salary based on experience. Health, service clinics in Manhattan. Call 401k benefits available. -
Puerto Ricans in Orlando and Central Florida
Centro de Estudios Puertorriqueños Hunter College (CUNY) Policy rePort | VOLUMe 1 | No. 1 |sPriNg 2006 Puerto Ricans in Orlando and Central Florida Jorge Duany Félix V. Matos-roDríguez Puerto Ricans in Orlando and Central Florida Jorge Duany Department of sociology and Anthropology University of Puerto rico, río Piedras This report was sponsored by the Orlando Regional Chamber of Commerce and Orange County Government. Félix V. Matos-roDríguez centro de estudios Puertorriqueños Hunter college, city University of New york Contents Summary of Main Findings . 2 Acknowledgments . 5 Introduction . 5 Changing Settlement Patterns . 8 Historical Background . 12 Centro de Estudios Puertorriqueños A Contemporary Socioeconomic Portrait . 15 Hunter College (CUNY) Political Incorporation . 22 695 Park Avenue, Room E-1429 New York, New York 10021 Cultural Identities . 24 212.772.5686 Toward a New Research Agenda . 26 www.centropr.org Conclusion . 29 Notes . 30 References . 33 Biographical Sketches . 39 ...2... ...1... SUMMARY OF MAIN FINDINGS • Between 1990 and 2000, the city of orlando experienced the largest increase (142 percent) in the number of Puerto ricans • During the 1990s, Florida displaced New Jersey as the second largest stateside. today, orlando is the fourth-largest metropolitan concentration of Puerto ricans in the U.s. mainland (after New york). area for Puerto ricans in the United states, after New york city, Florida’s Puerto rican population grew from slightly more than 2 percent Philadelphia, and chicago. of all stateside Puerto ricans in 1960 to more than 14 percent in the year • Puerto rican migration to central Florida is not highly selective by sex. 2000. Furthermore, the number of Puerto rican residents in Florida island-born and mainland-born residents have very similar proportions rose from 482,027 in 2000 to 571,755 persons in 2003. -
José Gabriel Muñoz Interview Transcript
Raíces Digital Archive Oral History Transcript José Gabriel Muñoz - Cuatrista October 20, 2019 [0:11] José Gabriel Muñoz: My name is José Gabriel Muñoz and I play the Puerto Rican cuatro. It’s used mostly for the folkloric music of Puerto Rico. [0:20] I grew up listening to the music in my household. My dad would always play the music. I was born in Puerto Rico so I had those roots of the music and the culture was always in my family. And my dad would always play the music so growing up, I was always listening to it, it was always basically a part of me. [41:00] But when I was about fourteen years old I saw someone play it in front of me for the first time, and it happened to be a young man, my same age, about fourteen-thirteen, fourteen, at the time, and that’s when it became palpable and real to me. Up until then it was listening to eight-tracks and cassettes, you know, the old guard of the music, as I would call it. [1:03] And so, many young people, as myself at the time, would interpret that as just music for old people, music of my grandfathers, of my older uncles and such. It wasn’t the here and now, hip type music. Up until I watched this young man play, right in front of me, and it became alive to me, and from that moment on is where the interest grew. [1:32] Nicole Wines: Can you talk a little bit about the instrument itself? [1:38] JGM: The instrument comes from the lute family, it is my understanding. -
Wright on Fernández, 'The Young Lords: a Radical History'
H-Socialisms Wright on Fernández, 'The Young Lords: A Radical History' Review published on Sunday, April 18, 2021 Johanna Fernández. The Young Lords: A Radical History. Chapel Hill: University of North Carolina Press, 2020. 480 pp. $30.00 (cloth), ISBN 978-1-4696-5344-0. Reviewed by Chris Wright (Hunter College, CUNY)Published on H-Socialisms (April, 2021) Commissioned by Gary Roth (Rutgers University - Newark) Printable Version: https://www.h-net.org/reviews/showpdf.php?id=55947 The Young Lords Johanna Fernández’s The Young Lords: A Radical History could hardly have been published at a more auspicious time. The fateful year 2020 saw not only the outbreak of a global pandemic but also, in the United States, a rejuvenation of Black Lives Matter and renewed national attention to issues of racial and economic justice. The pandemic and its economic consequences have further skewed a lopsided distribution of income, with US billionaires gaining over a trillion dollars in the last nine months of 2020 even as millions of people were thrown out of work and wages continued to stagnate. Popular resistance, in part inspired by Bernie Sanders’s two presidential campaigns, seems to be gaining momentum, as the nation continues its headlong rush into an era of tumult likely reminiscent of both the 1930s and the 1960s-70s. The memory of the Young Lords resonates in our time of troubles. Others have written about the Young Lords, including members Iris Morales Through( the Eyes of Rebel Women: The Young Lords 1969–1976 [2016]) and Miguel Meléndez (We Took the Streets: Fighting for Latino Rights with the Young Lords [2003]), but Fernández’s work, which focuses on the New York organization, is an exhaustive study grounded in archival research and extensive interviews with surviving Lords. -
Improvisation in Latin Dance Music: History and Style
City University of New York (CUNY) CUNY Academic Works Publications and Research John Jay College of Criminal Justice 1998 Improvisation in Latin Dance Music: History and style Peter L. Manuel CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/jj_pubs/318 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] CHAPTER Srx Improvisation in Latin Dance Music: History and Style PETER MANUEL Latin dance music constitutes one of the most dynamic and sophisticated urban popular music traditions in the Americas. Improvisation plays an important role in this set of genres, and its styles are sufficiently distinctive, complex, and internally significant as to merit book-length treatment along the lines of Paul Berliner's volume Thinking in Jazz (1994 ). To date, however, the subject of Latin improvisation has received only marginal and cursory analytical treat ment, primarily in recent pedagogical guidebooks and videos. 1 While a single chijpter such as this can hardly do justice to the subject, an attempt will be made here to sketch some aspects of the historical development of Latin im provisational styles, to outline the sorts of improvisation occurring in main stream contemporary Latin music, and to take a more focused look at improvi sational styles of one representative instrument, the piano. An ultimate and only partially realized goal in this study is to hypothesize a unified, coherent aesthetic of Latin improvisation in general. -
On out of Focus Nuyoricans, Noricuas, and Performance Identities
Liminalities: A Journal of Performance Studies Vol. 10, No. 3/4 (2014) On Out of Focus Nuyoricans, Noricuas, and Performance Identities Urayoán Noel Nuyorican poetics have long been bound up in questions of visibility and invisibility. This is partly a sociological matter reflective of the reality of a New York Puerto Rican community that has historically struggled for (counter)institutional visibility even against the backdrop of a variety of hyper- visible and powerful yet stereotype-defining media representations, from the punchlines of West Side Story to the ethnographic solemnity of Oscar Lewis’s La Vida; A Puerto Rican Family in the Culture of Poverty—San Juan and New York (1966). In Miguel Algarín’s foundational formulation of the Nuyorican aesthetic, performed poetry (and the various other kinds of spoken word and performance that flourished at his Nuyorican Poets Cafe) emerges as an alternative to the impasses of communal visibility/invisibility; his essay “Nuyorican Literature” (1981) theorizes Nuyorican poetics in terms of communal performance, of reading aloud, of the public sharing of poetry as a means of collective healing.1 As a founding Nuyorican poet and author of the Nuyorican movement’s foundational epic “Puerto Rican Obituary” (1969), Pedro Pietri (1943-2004) shared Algarín’s community- and performance-centric conception of poetry, but Pietri’s own poetics also opened up towards conceptualist, experimental, and Urayoán Noel is Assistant Professor of English and Spanish at NYU. He is the author of In Visible Movement: Nuyorican Poetry from the Sixties to Slam (University of Iowa Press, 2014) and of several books of poetry. -
Contextualizing Latina Experience in the Space of Radical US History
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2014 "La Feminista Nuyorquina" Contextualizing Latina Experience in the Space of Radical U.S. History: Dominican, Puerto Rican, and Cuban Presence in New York City Maribi Henriquez Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/224 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] “La Feminista Nuyorquina” Contextualizing Latina Experience in the Space of Radical U.S. History: Dominican, Puerto Rican, and Cuban Presence in New York City by Maribi Henriquez A master's thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York. 2014 ii. © 2014 MARIBI HENRIQUEZ All Rights Reserved iii. This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the requirement for the degree of Master of Arts. ______________________________ ______________________________ Thesis Adviser Date Michele Wallace Approved ______________________________ ______________________________ Executive Officer Date Matthew K. Gold THE CITY UNIVERSITY OF NEW YORK iv. Abstract “La Feminista Nuyorquina” By Maribi Henriquez Adviser: Michele Wallace International migrations of women to the United States had a pronounced urban bias because cities offered women the best chances to work for wages, whether they came alone or in family groups. -
Salsa Superstar Gilberto Santa Rosa, Olympic-Gold Medalist Mónica Puig, the Town of Hormigueros, Northeast Ohio and More at Th
PRESS RELEASE FOR IMMEDIATE DISTRIBUTION Contact: Andres Chavez 646.842.1720 [email protected] SALSA SUPERSTAR GILBERTO SANTA ROSA, OLYMPIC-GOLD MEDALIST MÓNICA PUIG, THE TOWN OF HORMIGUEROS, NORTHEAST OHIO AND MORE AT THE 60TH ANNIVERSARY OF THE NATIONAL PUERTO RICAN DAY PARADE 2017 NPRDP Scholarship Program Breaks Record for Dollars Awarded Monday, March 27, San Juan, PR ― The National Puerto Rican Day Parade (NPRDP) announced that the upcoming Parade scheduled for June 11th, 2017 on Fifth Avenue, will mark 60 years of celebrating Puerto Rican history, tradition, and achievement. Since 1958, the NPRDP has unified the Puerto Rican community, as the Puerto Rican Parade of New York, which was expanded to the national level in 1995 as the National Puerto Rican Day Parade. At the press conference hosted by NPRDP’s Board of Directors at the Taller de Fotoperiodismo of Puerto Rico (an organization that provides professional and educational support to members of the press), and under its theme: “One Nation, Many Voices”, the Board announced that the Grand Marshal of the Parade will be, multiple Latin Grammy Award-winning singer, actor and producer Gilberto Santa Rosa, “El Caballero de la Salsa” (“The Knight of Salsa”). The Board of Directors also announced that Hormigueros, a rural town in Western Puerto Rico, was selected as the honored Puerto Rico Township for 2017. The municipality also known as “El Pueblo del Milagro” (Township of the Miracle), will be represented by its mayor, the Hon. Pedro J. García Figueroa, at America’s largest cultural celebration, June 11th on 5th Avenue. “The National Puerto Rican Parade is arguably the soul of the Puerto Rican community.