FUJICHROME Velvia 100F Professional [RVP100F]

AF3-148E COLOR REVERSAL FILMS FUJICHROME Velvia 100F Professional [RVP100F] 1. FEATURES AND USES 2. SPEED FUJICHROME Velvia 100F Professional [RVP100F] is Light Source Speed Filter an ISO 100 daylight-type color reversal film for professional use. In addition to providing the world’s highest Daylight ISO 100/21° None Tungsten Lamps No.80A** level of color saturation and color fidelity, this film ISO 32/16°* boasts a speed rating of ISO 100 and an RMS* granu- (3200K) (LBB-12***) larity of 8, which is equivalent to that of PROVIA 100F. * Indicates the effective speed resulting from designated filter use. ** Wratten Filter The result is a film that is ideally suited for a wide range *** Fuji Light Balancing Filter (not available in certain markets.) of subjects which demand highly saturated colors and high image quality, from nature and landscape photog- 3. FILM SIZES, EMULSION NUMBER, raphy to commercial, product and interior photography. BASE MATERIAL AND THICKNESS Features Sizes Emulsion Base Base Number Material Thickness • ISO 100 Speed • ISO speed rating of 100 for wide applicability, as well as • Rolls* the world’s highest level of 135 .... 36-exp. .... 36-exp. (5-roll and 127 µm color saturation and an RMS 20-roll packs) Cellulose granularity of 8 35 mm × 30.5 m (100 ft.) Triacetate • Color • New cyan, magenta, and 120 .... 12-exp. Reproduction yellow couplers providing the .... 12-exp. (5-roll packs) 98 µm with Ultra-high world’s highest color satura- 220 .... 24-exp. (5-roll packs) #401 – Color Saturation tion level • Sheets* • World’s Highest • World’s highest level of color 4 × 5 in. (10.2 × 12.7 cm) Level of Color fidelity thanks to newly devel- .... 10 sheets and 50 sheets 8 × 10 in. (20.3 × 25.4 cm) Polyester 175 µm Fidelity oped technologies, enabling the .... 10 sheets and 50 sheets reproduction of subtle colors 9 × 12 cm ............... 10 sheets beyond the capability of past 13 × 18 cm ............. 10 sheets films, including cyan blue, blue QuickLoad 4 × 5 in. .. 20 sheets green, yellow green, lemon * Some sizes are not available in certain markets. yellow, purple, and moss green • Super-fine Grain • RMS granularity of 8, one of 4. EXPOSURE GUIDE FOR VARIOUS the finest level equivalent to LIGHT CONDITIONS that of PROVIA 100F Use a meter for exposure determination. If a meter is not • Improved Color • New couplers incorporated for Image Stability sharply improved color image available, refer to the following table. stability (anti-fading character- Seashore or Cloudy istics) compared with existing Light Snow Scenes Bright Hazy Cloudy Day or reversal films Conditions under Bright Sunlight Sunlight Bright Open Sun Shade • Excellent Push-/ • Push-/Pull-processing from Lens f/16 f/11 f/8 f/5.6 f/4 Pull-processing -1/2 stop up to +1 stop with Aperture Suitability minimal changes in color (Exposure time: 1/250 sec.) balance and gradation, and NOTES even up to +2 stops (EI 400), • The foregoing settings are for 2 hours after sunrise and 2 hours depending on the subject, before sunset. allowing easy and precise • Provide a lens opening 1/2-stop smaller during the summer correction of exposure and and 1/2-stop larger during the winter (except for snow scenes). density, and providing support • Excessively bright (or dark) or backlighted subjects may require for a wide range of shooting plus (or minus) 1-stop lens opening adjustments. situations Daylight * RMS stands for “Root Mean Square”, a widely used standard Under normal daylight conditions, color balancing filters method for measuring the degree of grain in photographic film. are not necessary, but the following exposure condi- The lower the RMS number, the smaller the apparent grain. tions may require the indicated filters. – 1 – FUJIFILM PRODUCT INFORMATION BULLETIN • FUJICHROME Velvia 100F Professional [RVP100F] • A UV filter No. 2C* (SC-39 or SC-40)** or other ap- Fluorescent White Daylight Cool White Warm White propriate ultraviolet absorbing filter is recommended Lamp Type (W) (D) (CW) (WW) for scenes that are shone upon by strong ultraviolet Color light, such as seaside locations, snow scenes, and Compensat- 10B+5M 25R 15M+5B No. 80C+10M ing Filters* bright distant views. Exposure +1/2 stop +1 stop +2/3 stop +1 stop • Excessively high or low color temperatures may re- Corrections** quire the following filters and exposure corrections. (Exposure time: 1/2 sec.) Exposure * Wratten Color Compensating Filters or Fuji Color Compensating Subject Conditions Filter Correction Filters are recommended. NOTE: No. 80C is a Wratten Color Conversion Filter. High Color Temperature: ** Exposure correction values when using a filter relative to unfil- Cloudy weather landscapes or No.81A* +1/3 tered exposure results. A “+” followed by a number indicates the portraits in open shade in clear (LBA-2)*** stop**** required increase in lens opening. weather. NOTES Low Color Temperature: No.82A* or +1/3 to Morning and evening twilight No.82C* (LBB-2 +2/3 • Use a shutter speed slower than 1/30 second. scenes and portraits. or LBB-4)*** stop**** • For shutter speeds of 2 minutes or more, exposure adjustments will be necessary to compensate for reciprocity law failure. * Wratten Filter ** Fuji Sharp-cut Filter Tungsten Lamps *** Fuji Light Balancing Filter (not available in certain markets.) • A Wratten Filter No.80A (or Fuji Light Balancing Filter **** A “+” followed by a number indicates the required increase in LBB-12) is required when using 3200K tungsten light- lens opening. ing. A 1 2/3-stop larger lens opening is also required. • If household tungsten lighting (room lamps, etc.) Electronic Flash constitutes the main source of illumination, in addi- • Electronic flash produces light similar to daylight, so tion to the above filter a Wratten Filter No.82A (or Fuji filters are not needed. However, the possibility of un- Light Balancing Filter LBB-2) is required, plus an ap- desirable effects on color balance, due to various erture increase of 1/3 stop (total 2 stops). factors (differences in equipment, use duration, etc.) should be taken into consideration. Test exposures Mixed Light Sources Under mixed light conditions, the basic filter configura- are recommended. tion should suit the main light source. In the case of • The use of a flash meter is advisable, but the follow- cameras with TTL metering, there is no need for addi- ing formula can also be used to obtain a satisfactory tional exposure compensation for any CC filter(s) used. lens opening. Lens Electronic Flash Guide Number (at ISO 100) Aperture = 5. LONG AND MULTIPLE EXPOSURE (F-number) Electronic Flash-to-Subject Distance (meters or feet) COMPENSATION • Set the film speed at ISO 100. Since the amount of No exposure correction or color balance compensation light reflected onto the subject from surrounding sur- is required for exposures within a shutter speed range of faces will differ with the conditions, refer to the flash 1/4000 second to 1 minute. However, for exposures of 2 unit instructions. minutes or longer, ‘reciprocity law failure’-related color balance and exposure compensations are required. Daylight Photoflood / Photo-Reflector Lamps • Daylight-type photoflood or photo-reflector lamp out- Exposure Time 1/4000 sec. – 1 min. 2 min. 4 min. 8 min. Color Compen- put may be lower than that indicated by an exposure 2.5B 2.5B 2.5B sating Filter meter, so it is advisable to compensate for this by in- None creasing exposure time or lens opening. Whenever Exposure + 1/3 + 1/2 + 2/3 Corrections* stop stop stop possible, test exposures are recommended. * Exposure correction values when using a filter relative to unfiltered • Other factors requiring consideration when determin- exposure results. A “+” followed by a number indicates the re- ing the exposure time are lamp configuration, use quired increase in the lens opening. duration and line voltage, as they may affect lamp Multiple Exposures output and color balance No exposure correction or color balance compensation Fluorescent Lamps is required for up to four consecutive multiple exposures using an electronic flash. In the case of eight consecu- • The use of the following combinations of color com- tive multiple exposures, a 2.5G color compensating filter pensating filters is advisable when photographing is required with a 1/3- stop larger lens opening. under fluorescent lighting. • For exacting work, however, test exposures are rec- NOTE Exposure correction values given above for long and multiple exposures are for a reversal film with an aver- ommended because lamp brand and age may affect age emulsion when processed under standard pro- light output and color balance. cessing conditions. Therefore, use the data only as a guide. For exacting work, test exposures are recommended under actual shooting conditions. – 2 – FUJICHROME Velvia 100F Professional [RVP100F] • FUJIFILM PRODUCT INFORMATION BULLETIN • Before use, films taken from cold storage should be 6. EXPOSURE PRECAUTIONS allowed to stand at room temperature for over 3 With artificial light, such as electronic flash, photoflood, hours for refrigerated film, and over 6 hours for frozen fluorescent, tungsten, high intensity discharge lamp film. Long rolls such as 100 feet (30.5 m) will require (metal halide, sodium, mercury vapor), etc., the lamp additional time. Opening a package/box of film that output and color temperature may be affected by such is cold may cause harmful condensation. factors as brand, age of equipment and line voltage. Processed Film Reflectors and diffusers can also influence light intensity As with materials used in other products, the materials and color temperature. used in photographic products will change over time. Since film is usually used for the long-term recording of 7. FILM HANDLING memorable events, as much effort as possible is made to use materials that exhibit the least amount of change • Expose film before the expiration date indicated on over time, but the effects of light, heat, oxygen in the air, the film package and process as soon as possible contaminating gases, humidity and mold cannot be after exposure.

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