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Data Sheet Color Reversal Films

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Data Sheet Color Reversal Films DATA SHEET COLOR REVERSAL FILMS FUJICHROME PROVIA 1600 PROFESSIONAL RSP 1 FEATURES AND USES Base Material .......... Cellulose Triacetate Base Thickness ....... 127 µm FUJICHROME PROVIA 1600 PROFESSIONAL [RSP] is an ultra-high speed daylight-type color reversal film 3 EXPOSURE INDEX AND PROCESSING designed for push-processing. It is optimized for REQUIREMENTS effective speeds of EI 1600 and EI 3200 with Process For best results, the use of an exposure meter is CR-56P and E-6P. recommended. The speeds and recommended Highly suited for low light photography, this film is processing times indicated below are to be used with appropriate to indoor and nighttime sports as well as ISO-compatible exposure meters. nightfall illuminated and available light photography. PROVIA 1600 has excellent properties for making Tungsten Recommend- color transparency originals for photomechanical CR-56P/ Daylight Lamps ed First E-6P Push reproduction and photographic duplication as well as (3200K) Developer Process projection originals. It also produces high quality direct not LBB-12** (or Times Daylight Code printing on FUJICHROME PROFESSIONAL PAPER. required No. 80A***) (minutes) 800/30° 250/25°* P-1 9 Features Results Exposure 1600/33° 500/28°* P-2 12 ● ● Index Improved Granularity Lower loss in granu- (EI) 3200/36° 1000/31°* P-3 15 and Sharpness larity, sharpness and maximum density with 4800/38° 1600/33°* P-4 16.5 push-processing ● Fine image reproduc- *** Indicates the effective speed resulting from designated tion at ultra-high filter use. speeds *** Fuji Light Balancing Filter *** Kodak Filter ● Excellent Suitability ● Fine color reproduction for Artificial Light of nighttime exposures at stadiums and other This film is designed to yield best results when indoor sports arenas exposed at EI 1600 or 3200 speeds and processed in since color balance “Fuji Push Process CR-56P” or E-6P. Exposure at EI shifts are sharply 800 and EI 4800 is also possible. However, since reduced maximum density, color balance, gradation and other ● ● Wide Push-Processing Excellent results in EI* film performance parameters may differ with P-1, P-2, Latitude 1600 or 3200 push- P-3, P-4 processing it is recommended that test expo- processing using sures be made and the results evaluated. Three dif- Process CR-56P** or E-6P** ferent speeds are indicated on the cartridge. Be sure ● Can be used at EI 800 to mark the speed at which exposures were made. or 4800 if necessary Notes on Processing Specifications ** EI is the acronym for Exposure Index and exposure meter ISO designation dials should be adjusted to this value. Of the three exposure indices indicated on the film ** Push Processes based on the standard FUJI CR-56 or E-6 processing chemicals. cartridge, be sure to mark the one which was used during camera exposure and request the respective processing. For P-4 push-processing, write “P-4/16 2 FILM SIZES, EMULSION NUMBER, BASE min. 30 sec.” on the cartridge. MATERIAL AND THICKNESS ● If no such marking is provided the film will be pro- Emulsion cessed at EI 1600/P-2. Sizes Number ● If the film is cut or otherwise modified, quality Rolls • 135 ....... 36-exp. #411~ cannot be guaranteed and there will be cases where processing will not be possible. 1 FUJIFILM DATA SHEET ● FUJICHROME PROVIA 1600 PROFESSIONAL RSP 4 EXPOSURE GUIDE AND EXPOSURE UNDER Excessively high or low subject color temperatures VARIOUS LIGHT CONDITIONS may require the following filter additions and exposure corrections. Use a meter for exposure determination. If not avail- Exposure able refer to the following table. Subject Conditions Filter Correction EI 1600 High Color Temperature: Cloudy weather landscapes LBA-2** +1/3 Cloudy Day Light Bright Hazy Cloudy or portraits and clear (No. 81A)* stop*** or Open Conditions Sunlight Sunlight Bright weather open shade. Shade LBB-2** or Low Color Temperature: Lens LBB-4** f/22 f/16 f/11 Morning and evening twilight +1/3 to +2/3 Aperture (No. 82A or stop*** scenes and portraits. Exposure No. 82C)* 1/1000 1/1500 Time (sec.) *** Kodak Filters ● The foregoing settings are for 2 hours after sunrise and 2 *** Fuji Light Balancing Filters *** “+” = Lens opening hours before sunset. ● Provide lens opening 1/2 stop smaller during the summer and 1/2 stop larger during the winter. ● Excessively bright (or dark) or backlighted subjects may Electronic Flash require plus or minus 1 stop lens opening adjustments. ● Since electronic flash characteristics are similar to daylight, no filters are required. Effective light output EI 1600 and color balance will differ with equipment type, Daytime Indoor Evening age and other factors, requiring thereby initial Indoor and Indoor Scenes and Stage Night Night Scenes (Fluores- Nighttime exposure tests. Scenes Scenes Scenes (on a cent Game ● Adjust lens openings for electronic flash according Clear Day) Lamps) Scenes to following formula. Lens f/4–5.6 Aperture Lens ISO 1600 Electronic Flash Guide Number Aperture = —————————————————— Exposure 1/1251/60 1/125 1/60 Electronic Flash-to-Subject Distance Time (sec.) (f-number) (meters or feet) NOTE Since light intensities for indoor or night scenes vary widely from location to location, the data ● Set the film speed at ISO 1600. Since the amount above should be used only as a guide. of light reflected onto the subject from surrounding surfaces will differ with the conditions, refer to flash Daylight unit instructions. Under daylight conditions color balancing filters are Photo-Reflector Lamps (Daylight Photoflood not necessary, but the following exposure conditions Lamps) may require the indicated filters. ● Daylight photoflood lamps tend to result in under- Exposure Subject Conditions Filter Correction exposure, so it is sometimes essential to increase exposure light output beyond that indicated by an Fair weather open shade and shaded landscapes. exposure meter. ● Color balance and light output will differ with lamp Bright distant scenes, snow UV Filter configuration, use duration and applied voltage. It is landscapes, seaside scenes, (Fuji SC-40 None aerial scenes and open or 41 or essential that exposure conditions be determined in landscapes. No. 2B*) relation to the particular lighting equipment employed. Close-ups of plants and subjects having bright colors. 2 FUJICHROME PROVIA 1600 PROFESSIONAL RSP ● FUJIFILM DATA SHEET Fluorescent Lamps EI 1600 Exposure Time 1/10000 ● 4 16 32 Color balance corrections should be made using (sec.) to 1 the filter combinations suggested below because effective light intensity and color balance varies with Color Compensating 7.5R 10M + 5R lamp make and age. Filters None ● For exacting work, test exposures are recom- Exposure +1/2 mended. +2/3 stop Corrections* stop (Exposure Time: 1/5 second) Cool Warm * Exposure correction values include filter exposure factors. Fluorescent White Daylight White White These values are added to unfiltered exposure meter read- Lamp Type (W) (D) (CW) (W.W) ings. “+” = Lens opening. LBB-8 Color 30M 20M +5M Compensating 40R 6 EXPOSURE PRECAUTIONS +10B +10R (No. 80C Filters* +5M) For artificial light sources such as electronic flash, photoflood lamps, fluorescent lamps, tungsten lamps, Exposure +1 +1 +1 +11/2 Corrections** stop stop stop stop mercury lamps and the like, effective light output and color temperatures will vary with the type, the applied ** Fuji Color Compensating Filters (or Kodak CC Filters) recom- voltage and the age of the equipment. Also, light mended. intensity or color temperature differences may be ** Exposure correction values include filter exposure factors. These values are added to unfiltered exposure meter read- caused by variations in auxiliary lighting equipment ings. “+” = Lens opening. such as reflectors and diffusers. NOTES • Use 1/30th or slower shutter speeds. • For shutter speeds longer than 4 seconds, exposure 7 FILM HANDLING adjustments will be necessary to compensate for reciprocity. ● Expose film before the expiration date indicated on the film package and process promptly after Tungsten Lamps exposure. ● A Fuji Light Balancing Filters LBB-12 (or Kodak Filter ● When loading and unloading roll film avoid direct No. 80A) is recommended with photoflood lamps. sunlight. If there is no shade, turning one’s back A 12/3 stop larger lens opening is also recom- toward the sun will shade the film. mended. ● With household tungsten Lamps, a Fuji Light ● Camera-loaded film should be exposed and Balancing Filter LBB-2 (or Kodak Filter No. 82A) will processed promptly. compensate for inherent color temperatures lower than photoflood lamps. A 2 stop larger lens opening ● Under certain conditions the X-ray equipment used is recommended. to inspect carry-on baggage at airport terminals will adversely affect photographic film (cause fogging). Mixed Light Sources The adverse effects of this are increased with the strength of the X-rays, the speed of the film, and Under mixed light conditions, derive the basic filter the cumulative number of inspection exposures. configuration of the main light source. Since this film retains an ultra-high speed and is especially sensitive to X-rays and other radiation, it 5 LONG EXPOSURE COMPENSATION is essential that at each inspection the film be No exposure or color balance compensation is re- removed from the baggage and that airport security quired for exposures within a 1/10000 to 1 second personnel be asked to inspect the film manually. shutter speed range. However for exposures of 4 ● seconds or longer, reciprocity-related color balance Film fogging may occur in hospitals, factories, and exposure compensations are required. laboratories and other locations using X-rays and other radiation sources. 3 FUJIFILM DATA SHEET ● FUJICHROME PROVIA 1600 PROFESSIONAL RSP 8 FILM STORAGE Processed Film Storage Unprocessed Film Storage Light, high temperatures and humidities cause color changes in processed films. Therefore, place such ● Storing exposed or unexposed, unprocessing film films in mounts or sleeves and store in dark, dry, cool under high temperature and humidity conditions will and well ventilated locations under the following cause adverse speed, color balance and physical conditions.
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