AF3-796E COLOR REVERSAL FILMS FUJICHROME PROVIA 100 Professional [RDPII] ¥ Included in each of the sheet film boxes are speed and color 1. FEATURES AND USES compensating filter values. Use these values in exposure determination. FUJICHROME PROVIA 100 Professional [RDPII ] is a top quality daylight-type color reversal film with an ISO 3. FILM SIZES, EMULSION NUMBERS, rating of 100. It provides exceptional sharpness and BASE MATERIAL AND THICKNESS granularity for an ISO 100 film. Emulsion Faithful color reproduction, rich, realistic gradation and Sizes optimum gradation balance make this versatile film Number suited for product, fashion and landscape photogra- Rolls 135 ....... 36-exp. phy. ....... 36-exp. (5-roll and 20-roll pack) Features Results 35 mm x 30.5 m (100 ft) 120 ....... 12-exp. ¥ Excellent Sharpness ¥ Exceptionally fine grain ....... 12-exp. (5-roll pack) and Granularity and sharp images for an 220 ....... 24-exp. (5-roll pack) ISO 100 reversal film ¥ Faithful Color Repro- ¥ Faithful hues and high Sheets 4 x 5 in.(10.2 x 12.7 cm) 10 sheets #101~ and 50 sheets duction and Rich, saturation, realistic, 5 x 7 in.(12.7 x 17.8cm) 20 sheets Realistic Gradation subtle color tone and gra- 8 x 10 in.(20.3 x 25.4 cm) 10 sheets dation and 50 sheets ¥ Excellent Long ¥ Minimal loss in color bal- 11 x 14 in.(27.9 x 35.6cm) 10 sheets Exposure and ance or sensitivity in ex- 9 x 12 cm 10 sheets Multiple Flash tended exposures of 13 x 18 cm 10 sheets Performance nighttime or astronomical Quickload 4 x 5 in 20 sheets subjects ¥ Minimal color shift with Base Material .......... Cellulose Triacetate multiple exposures Base Thickness ....... Rolls 135; 127 µm 120; 105 µm ¥ Process CR-56 or E-6 ¥ Can be processed any- 220; 105 µm Suitability where in the world as with other FUJICHROME Sheets ; 205 µm films 4. EXPOSURE GUIDE AND EXPOSURE ¥ Excellent Push-/Pull- ¥ Allows development time UNDER VARIOUS LIGHT CONDITIONS Processing Suitabil- corrections for under- and ity over-exposures with mini- Use a meter for exposure determination. If a meter is mal variations in color not available refer to the following table. balance and gradation, especially in a range Seashore Bright Hazy Cloudy Cloudy down to 1/2 stop and up or Snow Sunlight Sunlight Bright Day or Light Scenes Open to 1 stop Conditions under Shade Bright Sun 2. SPEED Lens f/16 f/11 f/8 f/5.6 f/4 Aperture Light Source Speed Filter (Exposure Time 1/250 th Sec.) Daylight ISO 100/21° None NOTES Tungsten Lamps ¥ The foregoing settings are for 2 hours after sunrise and 2 (3200K) ISO 32/16° LBB-12**(or No. 80A***) hours before sunset. ¥ Provide lens opening 1/2 stop smaller during the summer * Indicates the effective speed resulting from designated fil- and 1/2 stop larger during the winter. ter use. ¥ Excessively bright (or dark) or backlighted subjects may re- ** Fuji Light Balancing Filter quire plus or minus 1 stop lens opening adjustments. *** Kodak Filter 1 FUJIFILM DATA SHEET ¥ FUJICHROME PROVIA 100 Professional [RDPII] Daylight Photo-Reflector Lamps (Daylight Photoflood Lamps) Under daylight conditions color balancing filters are not necessary, but the following exposure conditions may ¥ Daylight photoflood lamps tend to result in under- require the indicated filters. exposure, so it is sometimes essential to increase exposure light output beyond that indicated by an Exposure exposure meter. Subject Conditions Filter Correction ¥ Color balance and light output will differ with lamp Fair weather open shade and configuration, use duration and applied voltage. It shaded landscapes. is essential that exposure conditions be deter- UV Filter mined in relation to the particular lighting equip- Bright distant scenes, snow (Fuji SC-40 landscapes, seaside scenes, or 41 or None ment employed. aerial scenes and open No. 2B or landscapes. No. 2C*) Fluorescent Lamps Close-ups of plants and subjects having bright colors. ¥ Color balance corrections should be made using the filter combinations suggested below because Excessively high or low subject color temperatures effective light intensity and color balance varies may require the following filter additions and exposure with lamp make and age. corrections. ¥ For exacting work, test exposures are recom- Exposure mended. Subject Conditions Filter Correction (Exposure Time: 1/4 second) Cool Warm High Color Temperature: Fluorescent White Daylight White White Cloudy weather landscapes or LBA-2** +1/3 Lamp Type (W) (D) (CW) (W.W) portraits and clear weather (No. 81A)* stop *** open shade. LBB-10 Color + 5M Compensating 25M 30R 35M LBB-2** or + 20B + 10M (No. 80C Low Color Temperature: Filters* + Morning and evening twilight LBB-4** +1/3 to +2/3 5M) scenes and portraits. (No. 82A or stop *** No. 82C)* Exposure +1 stop +1 stop +1 stop +2 stops Corrections** * Kodak Filters ** Fuji Light Balancing Filters * Fuji Color Compensating Filters (or Kodak CC Filters) rec- *** "+" = Lens opening ommended. ** Exposure correction values include filter exposure factors. Electronic Flash These values are added to unfiltered exposure meter read- ings. "+" = Lens opening. ¥ Since electronic flash characteristics are similar to NOTES ¥ Use 1/30th or slower shutter speeds. daylight, no filters are required. Effective light out- ¥ For shutter speeds longer than 32 seconds, expo- put and color balance will differ with equipment sure adjustments will be necessary to compensate for reciprocity. type, age and other factors, requiring thereby ini- tial exposure tests. Tungsten Lamps ¥ Adjust lens openings for electronic flash according to following formula. ¥ A Fuji Light Balancing Filters LBB-12 (or Kodak Fil- Lens ISO 100 Electronic Flash Guide Number ter No. 80A) is recommended with photoflood Aperture = (f-number) Electronic Flash-to-Subject Distance lamps. A 1 2/3 stop larger lens opening is also rec- (meters or feet) ommended. ¥ With household tungsten Lamps, a Fuji Light Bal- ancing Filter LBB-2 (or Kodak Filter No. 82A) will ¥ Set the film speed at ISO 100. Since the amount compensate for inherent color temperatures lower of light reflected onto the subject from surround- than photoflood lamps. A 2 stop larger lens open- ing surfaces will differ with the conditions, refer to ing is recommended. flash unit instructions. Mixed Light Sources Under mixed light conditions, derive the basic filter configuration for the main light source. 2 FUJICHROME PROVIA 100 Professional [RDPII] ¥ FUJIFILM DATA SHEET 5. LONG AND MULTIPLE EXPOSURE ¥ Under certain conditions the X-ray equipment COMPENSATIONS used to inspect carry-on baggage at airport termi- nals will adversely affect photographic film (cause No exposure or color balance compensation is re- fogging). The adverse effects of this are increased quired for exposures within a 1/4000 to 16 seconds with the strength of the X-rays, the speed of the shutter speed range. However for exposures of 32 film, and the cumulative number of inspection ex- seconds or longer, reciprocity-related color balance posures. and exposure compensations are required. Therefore it is recommended that at each inspec- tion the film be removed from the baggage and Exposure 1/4000 to that airport security personnel be asked to inspect Time 32 sec. 2 min. 8 min. 16 sec the film manually. Color Compensating None 2.5 R ¥ Film fogging may occur in hospitals, factories, Filters Not laboratories and other locations using X-rays and None recom- mended other radiation sources. Exposure +1/2 stop +1 stop Corrections* 8. FILM STORAGE Multiple Exposures Unprocessed Film Storage Make the following color and exposure compensations ¥ Storing exposed or unexposed, unprocessing film for electronic flash multiple exposures. under high temperature and humidity conditions will cause adverse speed, color balance and physi- Number of 1248 Flashes cal property changes. Store film under the follow- ing conditions. Color * Refrigerated Storage: Below 15°C (59°F) - Compensating 2.5Y °C °F Filters * Extended Term Storage: Below 0 (32 ) None ¥ Exposure New building materials, newly manufactured furni- - +1/2 stop Corrections* ture, paints and bonding agents may produce nox- ious vapors. Do not store film, loaded camera or * Exposure correction values include filter exposure factors. film holders near these substances. These values are added to unfiltered exposure meter read- ¥ When refrigerated film is removed for use, allow it ings. "+" = Lens opening. to reach room temperatures before opening (at least one hour). Opening while temperatures are 6. EXPOSURE PRECAUTIONS still low may cause trouble due to moisture con- densation. For artificial light sources such as electronic flash, pho- toflood lamps, fluorescent lamps, tungsten lamps, Processed Film Storage mercury lamps and the like, effective light output and color temperatures will vary with the type, the applied Light, high temperatures and humidities cause color voltage and the age of the equipment. Also, light in- changes in processed films. Therefore, place such tensity or color temperature differences may be films in mounts or sleeves and store in dark, dry, cool caused by variations in auxiliary lighting equipment and well ventilated locations under the following con- such as reflectors and diffusers. ditions. * General Storage Conditions: Below 25°C (77°F) at 30 to 60% RH * Extended Storage Conditions: 7. FILM HANDLING Below 10°C (50°F) at 30 to 50% RH ¥ Expose film before the expiration date indicated on the film package and process promptly after ex- NOTE As with all color dyes, those used in this film will dis- color or fade with time posure. ¥ When loading and unloading roll film avoid direct 9. PROCESSING sunlight. If there is no shade, turning one's back toward the sun will shade the film. This film is intended for processing in Fujifilm Process ¥ Camera-loaded film should be exposed and pro- CR-56, or Kodak Process E-6. cessed promptly. 3 FUJIFILM DATA SHEET ¥ FUJICHROME PROVIA 100 Professional [RDPII] 10.