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Seanad Éireann
Vol. 207 Friday, No. 8 28 January 2011 DÍOSPÓIREACHTAÍ PARLAIMINTE PARLIAMENTARY DEBATES SEANAD ÉIREANN TUAIRISC OIFIGIÚIL—Neamhcheartaithe (OFFICIAL REPORT—Unrevised) Friday, 28 January 2011. Business of Seanad ………………………………385 Order of Business …………………………………385 Business of Seanad ………………………………403 Sittings of Seanad: Motion ……………………………403 Allocation of Time: Motion ……………………………403 Legal Proceedings: Motion ……………………………404 Finance Bill 2011: Second Stage ……………………………405 Adjournment Matters: School Placement ………………………………472 School Accommodation ……………………………473 SEANAD ÉIREANN ———— Dé hAoine, 28 Eanáir 2011. Friday, 28 January 2011. ———— Chuaigh an Cathaoirleach i gceannas ar 10.30 a.m. ———— Paidir. Prayer. ———— Business of Seanad An Cathaoirleach: I have notice from Senator Maria Corrigan that, on the motion for the Adjournment of the House today, she proposes to raise the following matter: The need for the Minister for Education and Skills to outline the steps being taken to alleviate the difficulties being experienced by parents seeking secondary school placements in Knocklyon and Rathfarnham in Dublin 16. I have also received notice from Senator Brendan Ryan of the following matter: The need for the Minister for Education and Skills to outline the reasons the long-standing application for a permanent building of six classrooms and two resource rooms remains unsuccessful at St. Sylvester’s infant school, Malahide, County Dublin. I have also received notice from Senator Brian Ó Domhnaill of the following matter: The need for the Minister for the Environment, Heritage and Local Government to give approval to Donegal County Council to seek tenders for the Dungloe and Glenties sewer- age scheme. I regard the matters raised by the Senators as suitable for discussion on the Adjournment and they will be taken at the conclusion of business. -
Brian Ó Nualláin/O'nolan
Brian Ó Nualláin/O’Nolan Scholarly Background & Foreground* Breandán Ó Conaire St Patrick’s College, Dublin City University ‘Ní fhéadaim cuimhneamh ar aon scríbhneoir mór anois a bhféadfá fear léannta a thabhairt air’ (I cannot think of any major writer at present who could be called a man of learning). – Seán Ó Ríordáin 1 ‘Brian Ó Nualláin, afterwards alias Myles na gCopaleen, alias Flann O’Brien, and, as it turned out, the most gifted bilingual genius of half a century’ – Cearbhall Ó Dálaigh, Irish President (1974–76)2 Family Background From his early years, Brian O’Nolan lived in a family environment in which education, literature, the Irish language, culture, and learning held significant importance. This milieu was reflected in the skills, talents, and accomplishments of members of the extended family. His paternal grandfather Daniel Nolan from Munster was a national teacher and taught music at the Model School in Omagh, Co. Tyrone. He was an excellent singer and an accomplished violinist. He had a special fondness for theatre and opera, performances of which he frequently attended with his young wife. A special concert was organised in his honour in Omagh prior to his transfer to Belfast in the early 1880s. In July 1867 Daniel married Jane Mellon3 a former pupil at the Omagh school and fourth daughter of James Mellon, a strong farmer from Eskeradooey in Co. Tyrone. The marriage took place at Knockmoyle Catholic Church in Cappagh parish where Jane was born. The parish priest, Rev. Charles McCauley, was the celebrant. In the national census entries for 1901 and for 1911, when Jane, also known as ‘Sinéad,’ lived with the O’Nolan family in Strabane, her competence in both Irish and English was recorded. -
"The Given Note": Traditional Music and Modern Irish Poetry
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "The Given Note": traditional music and modern Irish poetry Author(s) Crosson, Seán Publication Date 2008 Publication Crosson, Seán. (2008). "The Given Note": Traditional Music Information and Modern Irish Poetry, by Seán Crosson. Newcastle: Cambridge Scholars Publishing. Publisher Cambridge Scholars Publishing Link to publisher's http://www.cambridgescholars.com/the-given-note-25 version Item record http://hdl.handle.net/10379/6060 Downloaded 2021-09-26T13:34:31Z Some rights reserved. For more information, please see the item record link above. "The Given Note" "The Given Note": Traditional Music and Modern Irish Poetry By Seán Crosson Cambridge Scholars Publishing "The Given Note": Traditional Music and Modern Irish Poetry, by Seán Crosson This book first published 2008 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2008 by Seán Crosson All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-84718-569-X, ISBN (13): 9781847185693 Do m’Athair agus mo Mháthair TABLE OF CONTENTS Acknowledgements ................................................................................. -
2001-; Joshua B
The Irish Labour History Society College, Dublin, 1979- ; Francis Devine, SIPTU College, 1998- ; David Fitzpat- rick, Trinity College, Dublin, 2001-; Joshua B. Freeman, Queen’s College, City Honorary Presidents - Mary Clancy, 2004-; Catriona Crowe, 2013-; Fergus A. University of New York, 2001-; John Horne, Trinity College, Dublin, 1982-; D’Arcy, 1994-; Joseph Deasy, 2001-2012; Barry Desmond, 2013-; Francis Joseph Lee, University College, Cork, 1979-; Dónal Nevin, Dublin, 1979- ; Cor- Devine, 2004-; Ken Hannigan, 1994-; Dónal Nevin, 1989-2012; Theresa Mori- mac Ó Gráda, University College, Dublin, 2001-; Bryan Palmer, Queen’s Uni- arty, 2008 -; Emmet O’Connor, 2005-; Gréagóir Ó Dúill, 2001-; Norah O’Neill, versity, Kingston, Canada, 2000-; Henry Patterson, University Of Ulster, 2001-; 1992-2001 Bryan Palmer, Trent University, Canada, 2007- ; Bob Purdie, Ruskin College, Oxford, 1982- ; Dorothy Thompson, Worcester, 1982-; Marcel van der Linden, Presidents - Francis Devine, 1988-1992, 1999-2000; Jack McGinley, 2001-2004; International Institute For Social History, Amsterdam, 2001-; Margaret Ward, Hugh Geraghty, 2005-2007; Brendan Byrne, 2007-2013; Jack McGinley, 2013- Bath Spa University, 1982-2000. Vice Presidents - Joseph Deasy, 1999-2000; Francis Devine, 2001-2004; Hugh Geraghty, 2004-2005; Niamh Puirséil, 2005-2008; Catriona Crowe, 2009-2013; Fionnuala Richardson, 2013- An Index to Saothar, Secretaries - Charles Callan, 1987-2000; Fionnuala Richardson, 2001-2010; Journal of the Irish Labour History Society Kevin Murphy, 2011- & Assistant Secretaries - Hugh Geraghty, 1998-2004; Séamus Moriarty, 2014-; Theresa Moriarty, 2006-2007; Séan Redmond, 2004-2005; Fionnuala Richardson, Other ILHS Publications, 2001-2016 2011-2012; Denise Rogers, 1995-2007; Eddie Soye, 2008- Treasurers - Jack McGinley, 1996-2001; Charles Callan, 2001-2002; Brendan In September, 2000, with the support of MSF (Manufacturing, Science, Finance – Byrne, 2003-2007; Ed. -
The Novel and the Short Story in Ireland
The Novel and the Short Story in Ireland: Readership, Society and Fiction, 1922-1965. Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy by Anthony Halpen April 2016 Anthony Halpen Institute of Irish Studies The University of Liverpool 27.03.2016 i ABSTRACT The Novel and the Short Story in Ireland: Readership, Society and Fiction, 1922-1965. Anthony Halpen, The Institute of Irish Studies, The University of Liverpool. This thesis considers the novel and the short story in the decades following the achievement of Irish independence from Britain in 1922. During these years, many Irish practitioners of the short story achieved both national and international acclaim, such that 'the Irish Short Story' was recognised as virtually a discrete genre. Writers and critics debated why Irish fiction-writers could have such success in the short story, but not similar success with their novels. Henry James had noticed a similar situation in the United States of America in the early nineteenth century. James decided the problem was that America's society was still forming - that the society was too 'thin' to support successful novel-writing. Irish writers and critics applied his arguments to the newly-independent Ireland, concluding that Irish society was indeed the explanation. Irish society was depicted as so unstructured and fragmented that it was inimical to the novel but nurtured the short story. Ireland was described variously: "broken and insecure" (Colm Tóibín), "often bigoted, cowardly, philistine and spiritually crippled" (John McGahern) and marked by "inward-looking stagnation" (Dermot Bolger). -
The Capuchin Annual and the Irish Capuchin Publications Office
1 Irish Capuchin Archives Descriptive List Papers of The Capuchin Annual and the Irish Capuchin Publications Office Collection Code: IE/CA/CP A collection of records relating to The Capuchin Annual (1930-77) and The Father Mathew Record later Eirigh (1908-73) published by the Irish Capuchin Publications Office Compiled by Dr. Brian Kirby, MA, PhD. Provincial Archivist July 2019 No portion of this descriptive list may be reproduced without the written consent of the Provincial Archivist, Order of Friars Minor Capuchin, Ireland, Capuchin Friary, Church Street, Dublin 7. 2 Table of Contents Identity Statement.......................................................................................................................................... 5 Context................................................................................................................................................................ 5 History ................................................................................................................................................ 5 Archival History ................................................................................................................................. 8 Content and Structure ................................................................................................................................... 8 Scope and content ............................................................................................................................. 8 System of arrangement .................................................................................................................... -
Irish Literature: a Brief Survey William T
University of Rhode Island DigitalCommons@URI Technical Services Department Faculty Publications Technical Services 1990 Irish Literature: A Brief Survey William T. O'Malley University of Rhode Island, [email protected] Follow this and additional works at: http://digitalcommons.uri.edu/lib_ts_pubs Part of the Library and Information Science Commons Citation/Publisher Attribution O'Malley, William T., "Irish Literature: A Brief Survey" (1990). Technical Services Department Faculty Publications. Paper 23. http://digitalcommons.uri.edu/lib_ts_pubs/23 This Article is brought to you for free and open access by the Technical Services at DigitalCommons@URI. It has been accepted for inclusion in Technical Services Department Faculty Publications by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. Irish Literature Remarks at Cranston Leisure Center, 20 October 1990. I am delighted to take part in your series of talks on 'books and more books'. The wide range of topics is evidence of your vivacity and openness to the world of ideas. When I was asked to speak to you on Irish Literature, I was intensely eager to accept at this time because the invitation coincided with the realization that this year is the 50th anniversary of the death of the great Irish poet William Butler Yeats. Yeats was the dominant figure, during his lifetime, not only on the Irish scene, but on the broader stage of English language letters. Also of interest, is the connection between Yeats and the movement now known as the Irish Literary Renaissance which he founded, and Rhode Island. More on that subject anon. -
Flashes of Modernity: Stage Design at the Abbey Theatre, 1902- 1966
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title Flashes of modernity: stage design at the Abbey Theatre, 1902- 1966 Author(s) McCormack, Christopher Publication Date 2018-08-31 Publisher NUI Galway Item record http://hdl.handle.net/10379/14988 Downloaded 2021-09-28T08:53:59Z Some rights reserved. For more information, please see the item record link above. FLASHES OF MODERNITY: STAGE DESIGN AT THE ABBEY THEATRE, 1902-1966 A Doctoral Thesis Submitted to the O’Donoghue Centre for Drama, Theatre and Performance at National University of Ireland Galway By Christopher McCormack Supervised by Dr. Ian R. Walsh August 2018 2 ABSTRACT Responding to Guy Julier’s call for a “knowing practice” of design studies, this doctoral thesis reveals Ireland’s negotiation with modernity through stage design. I use historian T.J. Clark’s definition of modernity as “contingency,” which “turn[s] from the worship of ancestors and past authorities to the pursuit of a projected future”. Over the course of 60 years that saw the transformation of a pre-industrialised colony to a modernised republic, stage designs offered various possibilities of imagining Irish life. In the same period, the Abbey Theatre’s company shuttled itself from small community halls to the early 19th-century Mechanics’ Theatre, before moving to the commercial Queen’s Theatre, and finally arriving at the modern building that currently houses it. This thesis shines new light on that journey. By investigating the design references outside theatre, we can see how Abbey Theatre productions underlined new ways of envisioning life in Ireland. -
Critical Introductions to Pioneering Works of Social Realism from the Early Abbey Theatre
UNLV Retrospective Theses & Dissertations 1-1-2008 Critical introductions to pioneering works of social realism from the early Abbey Theatre John C Kerrigan University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Kerrigan, John C, "Critical introductions to pioneering works of social realism from the early Abbey Theatre" (2008). UNLV Retrospective Theses & Dissertations. 2450. http://dx.doi.org/10.25669/ufnq-hjzo This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. -
Annual Report 2016
Cork County Council Annual Report 2016 Table of Contents Page Statement from County Mayor & Chief Executive 3 Public Representatives & their electoral areas 4 Members of Committees and Subsidiary Bodies 7 Municipal Districts 10 Safety, Health & Welfare at Work 10 Road Transport & Safety 11 Water Services Directorate 12 Housing Directorate 15 Environment Directorate 16 County Library & Arts Services 18 Planning 22 Cork County Fire & Building Control 23 Community & Organisational Development 27 Economic Development, Enterprise & Tourism 28 Cork County Local Economic & Community Plan 31 Finance 32 Municipal Districts Operations & Rural Development 34 Corporate Services (including appendices) 36 - 64 • Appendix 1 Members Expenses • Appendix 2 Conferences Attended • Appendix 3 Training Conferences Attended • Appendix 4 Other Travel • Appendix 5 Annual Service Delivery Plan 2016 Outcome Review Annual Report 2016 – Tuarascáil Bhliantúil 2016 2 Cllr. Séamus McGrath Tim Lucey Mayor of Cork County Chief Executive Cork County Council Message from Cllr. Séamus McGrath, Mayor of the County of Cork, and Tim Lucey, Chief Executive of Cork County Council We present the Council’s Annual Report 2016 outlining the work of Cork County Council in delivering public services and infrastructural projects during the year. As a Council, we continue to deliver significant efficiencies and maintain consistently high levels of same while adhering to a reduction in our cost base. 2016 has seen the Council increase awareness of the role and functions of our 8 Municipal Districts. The Municipal Districts play an important role in the leadership of their regions and are a significant driver of local, community and economic development. 2016 continued to be a challenging period for Cork County Council due to the ongoing economic environment. -
Participatory Music in the Irish Gaeltacht Éamonn Costello
studying culture in context Participatory music in the Irish Gaeltacht Éamonn Costello Excerpted from: Ón gCos go Cluas From Dancing to Listening Fiddle and Dance Studies from around the North Atlantic 5 Edited by Liz Doherty and Fintan Vallely First published in 2019 by The Elphinstone Institute, University of Aberdeen, MacRobert Building, King’s College, Aberdeen, AB24 5UA ISBN: 978-1-85752-073-6 About the author: Éamonn Costello is from An Cheathrú Rua in the Conamara Gaeltacht. He plays button accordion and uilleann pipes, and has guested on collaborations with a number of musicians and groups, including Mactíra (2000), Frozen Fish: 6-pack (2006), and Papua Merdeka: Tribal Songs of Love and Freedom (2004). In 2010, along with Cathal Clohessy, from Limerick, on fiddle, he released a critically acclaimed duet album of traditional music called ‘Bosca Ceoil and Fiddle’. His BA is in Irish Music and Dance from the University of Limerick and his MA in Ethnomusicology from University College Cork. He lectures at the University of Limerick where his research concerns the aesthetics of Sean-nós song. Copyright © 2019 the Elphinstone Institute and the contributors While copyright in the volume as a whole is vested in the Elphinstone Institute, copyright in individual contributions remains with the contributors. The moral rights of the contributors to be identified as the authors of their work have been asserted in accordance with the Copyright, Designs and Patents Act 1988. This work is licensed under the Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. -
Recent Publications
Recent publications RECENT PUBLICATIONS BY MEMBERS OF THE STAFF AND BY RESEARCH STUDENTS WORKING UNDER THEIR SUPERVISION The publications information has been derived solely from the College’s Research Support System. Every effort has been made to ensure that the information is accurate and complete. Please notify the Research Support Systems Administrator (email: [email protected]) of any errors or omissions which will be corrected in next year’s Calendar. Faculty of Arts and Humanities School of Drama, Film and Music DRAMA Causey, Matthew, Theatre and performance in digital culture: from simulation to embeddedness, London, Routledge (2006), xiv + 214 pp. Rockett, Kevin, ‘Dion Boucicault, staging, and early cinema’, Princeton University Library Chronicle, lxviii, 1-2 (2006), 33-59 National cinemas and world cinema, studies in Irish film 3, eds Kevin Rockett and John Hill, Dublin, Four Courts Press (2006), 5 + 149 pp. Singleton, Brian, ‘Sick, dying, dead, dispersed: the evanescence of patriarchy in contemporary Irish women’s theatre’, Women in Irish drama: a century of authorship and representation, ed. Melissa Sihra, Basingstoke, UK, Palgrave Macmillan (2007), 186-200 ‘Hunters, heroes and the hegemonically masculine fantasies of desperate housewives’, Reading desperate housewives: beyond the white picket fence, eds Janet McCabe and Kim Akass, London and New York, I.B. Tauris (2006), 106-16 ‘Am I talking to myself? Men, masculinities and the monologue in contemporary Irish theatre’, Monologues: theatre, performance, subjectivity, ed. Clare Wallace, Prague, Litteraria Pragensia (2006), 260-77 Wilmer, Stephen, Humour and humanity: contemporary plays from Finland, Helsinki, Like (2006), 442 pp. [S.E. Wilmer and Pirkko Koski] The dynamic world of Finnish theatre, Helsinki, Like (2006), 182 pp.