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JRR Tolkien's Correspondence with Arthur Ransome
This is a repository copy of "You Tempt me Grievously to a Mythological Essay": J. R. R. Tolkien’s Correspondence with Arthur Ransome. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/78180/ Version: Published Version Book Section: Hall, ATP (2013) "You Tempt me Grievously to a Mythological Essay": J. R. R. Tolkien’s Correspondence with Arthur Ransome. In: Tyrkkö, J, Timofeeva, O and Salenius, M, (eds.) Ex Philologia Lux: Essays in Honour of Leena Kahlas-Tarkka. Société Néophilologique , 261 - 280. ISBN 9789519040462 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ ‘You tempt me grievously to a mythological essay’: J. R. R. Tolkien’s correspondence with Arthur Ransome Alaric Hall University of Leeds Samuli Kaislaniemi University of Helsinki Abstract On December 13th 1937, the celebrated children’s author Arthur Ransome wrote to J. -
Leeds Studies in English
Leeds Studies in English New Series XLIV 2013 Magic and Medicine Early Medieval Plant-Name Studies Edited by Carole Biggam Editorial assistant Alaric Hall Leeds Studies in English <www.leeds.ac.uk/lse> School of English University of Leeds 2013 Leeds Studies in English <www.leeds.ac.uk/lse> Leeds Studies in English is an international, refereed journal based in the School of English, University of Leeds. Leeds Studies in English publishes articles on Old and Middle English literature, Old Icelandic language and literature, and the historical study of the English language. After a two-year embargo, past copies are made available, free access; they can be accessed via <http://www.leeds.ac.uk/lse>. Editorial Board: Catherine Batt, Chair Marta Cobb Victoria Cooper, Editorial Assistant Alaric Hall, Editor Paul Hammond Ananya Jahanara Kabir Oliver Pickering Slavica Rankovič N. Kıvılcım Yavuz, Reviews Editor Notes for Contributors Contributors are requested to follow the MHRA Style Guide: A Handbook for Authors, Editors, and Writers of Theses, 2nd edn (London: Modern Humanities Research Association, 2008), available at <http://www.mhra.org.uk/Publications/Books/StyleGuide/download.shtml>. Where possible, contributors are encouraged to include the digital object identifiers or, where a complete free access text is available, stable URLs of materials cited (see Style Guide §11.2.10.1). The language of publication is English and translations should normally be supplied for quotations in languages other than English. Each contributor will receive a free copy of the journal, and a PDF of their article for distribution. Please email all contributions to <[email protected]>. -
Taking on the World the Tendency to Focus on the Material World Arts
NEWSLETTER Fall 2007 Volume 1, Issue 2 Taking on the World The tendency to focus on the material World Arts. With Michael Carrasco, Talinn production of the “West,” and the dichotomy of Grigor, and Susan Lee as faculty teaching center and periphery that such privileging in such diverse areas as Pre-Columbian art engenders, has been an issue of art historical and architecture, Middle Eastern modern debate since the 1970s. How do we expand architecture and (post) Colonial discourse, the canon to reflect the history of art and the and the Arts of Asia, this is an exciting time changing demographic of the classroom? for art history at FSU. What methodologies best elucidate the unique issues of divergent cultures? The spring course offerings in World Arts will include: Arts of Asia, Islamic Art and In our efforts to accurately reflect trends in art Architecture, World Arts: Representations historical scholarship, we have expanded our and Reality, Methods and Theories of World course offerings to include a concentration in Arts, and Japanese Prints. Go International! Earn art history credit this summer with any of and the Uffizi Gallery. Ph.D. candidate these exciting study abroad opportunities Frank Nero leads 6- and 12- week offered through International Programs programs. The recently expanded itinerary www.international.fsu.edu: now includes an extended visit to Giotto's Arena Chapel in Padua; an outing to the The London Study Centre: located in the “ideal” renaissance city of Pienza, planned historic Thanet House in the Bloomsbury in the mid-fifteenth century by Pope Pius II District, a block from the British Museum. -
Elves on the Brain: Chaucer, Old English, and <Italic>Elvish</Italic>
ELVES ON THE BRAIN: CHAUCER, OLD ENGLISH, AND ELVISH Abstract: Because Chaucer, through the mouthpiece of Harry Bailey, described himself as elvish in line 703 of the prologue to The Tale of Sir Thopas, the precise meanings of the Middle English word elvish have at- tracted a fair amount of commentary. Besides a reassessment of previous work by J. A. Burrow in 1995, the word has recently enjoyed a thorough consideration by Richard Firth Green. Green emphasised that to understand the reference in the prologue to Sir Thopas, we must also consider the se- mantics of elvish elsewhere in Chaucer’s work, in lines 751 and 842 of The Canon’s Yeoman’s Tale. He argued further that Chaucer’s usage of elvish is liable to have drawn connotations from the meanings of its root elf – and ably elucidated these. However, some useful evidence for the meanings of elvish has been passed over. One revealing Middle English attestation re- mains to be adduced. Moreover, Old English attests once to elvish’s etymon ælfisc, as well as to another adjectival derivative of the elf-word, ylfig. The evidence of these Old English words is more complex, but also more re- vealing, than has been realised. Taken together, this new evidence affords new perspectives on the history of elvish, on what it may have meant to Chaucer, and on the significance of elves in medieval English-speaking cul- tures. In particular, while Chaucer doubtless kept elves in mind as he used elvish, in ways which Green’s research illuminates, the word seems certain- ly in Old and Middle English to have had developed senses not strictly re- lated to its literal meaning, along the lines of ‘delusory’, while the apparent sense of elvish in the prologue to Sir Thopas, ‘abstracted’, finds parallels in the Old English ylfig. -
Elliot Goldenthal
ELLIOT GOLDENTHAL COMPOSER AWARDS ASCAP Awards (2014) Founders Award ACADEMY AWARD WINNER (2003) FRIDA Best Music, Original Score ACADEMY AWARD NOMINATION (2003) FRIDA Best Music, Original Song ACADEMY AWARD NOMINATION (1997) MICHAEL COLLINS Best Music, Original Score ACADEMY AWARD NOMINATION (1995) INTERVIEW WITH THE VAMPIRE: Best Music, Original Score THE VAMPIRE CHRONICLES GOLDEN GLOBE WINNER (2003) FRIDA Best Original Score GOLDEN GLOBE NOMINATION (1997) MICHAEL COLLINS Best Original Score GOLDEN GLOBE NOMINATION (1995) INTERVIEW WITH THE VAMPIRE: Best Music, Original Score THE VAMPIRE CHRONICLES GRAMMY AWARD NOMINATION (2008) ACROSS THE UNIVERSE Best Compilation Soundtrack Album for Motion Picture GRAMMY AWARD NOMINATION (1997) A TIME TO KILL Best Instrumental Composition Written for a Motion Picture GRAMMY AWARD NOMINATION (1996) BATMAN FOREVER Best Instrumental Composition Written for a Motion Picture WORLD SOUNDTRACK AWARD WINNER (2003) FRIDA Soundtrack Composer of the Year WORLD SOUNDTRACK AWARD WINNER (2003) FRIDA Best Original Soundtrack of the Year 15233 Ventura Boulevard, Suite 200, Sherman Oaks, California 91403 Tel. 818-380-1918 Fax 818-380-2609 Goldenthal Page 1 of 4 ELLIOT GOLDENTHAL COMPOSER AWARDS (continued) WORLD SOUNDTRACK AWARD NOMINATION (2003) FRIDA Best Original Song Written for a Film WORLD SOUNDTRACK AWARD NOMINATION (2002) FINAL FANTASY: THE SPIRITS Best Original Song Written for a Film WITHIN MOTION PICTURES OUR SOULS AT NIGHT Ritesh Batra, dir. Netflix A MIDSUMMER NIGHT’S DREAM Julie Taymor, dir. Londinium Films THE TEMPEST Julie Taymor, dir. Miramax Films PUBLIC ENEMIES Michael Mann, dir. Universal Pictures ACROSS THE UNIVERSE Julie Taymor, dir. Columbia Pictures S.W.A.T. Clark Johnson, dir. Columbia Pictures THE GOOD THIEF Neil Jordan, dir. -
Sherlock Holmes Films
Checklist of Sherlock Holmes (and Holmes related) Films and Television Programs CATEGORY Sherlock Holmes has been a popular character from the earliest days of motion pictures. Writers and producers realized Canonical story (Based on one of the original 56 s that use of a deerstalker and magnifying lens was an easily recognized indication of a detective character. This has led to stories or 4 novels) many presentations of a comedic detective with Sherlockian mannerisms or props. Many writers have also had an Pastiche (Serious storyline but not canonical) p established character in a series use Holmes’s icons (the deerstalker and lens) in order to convey the fact that they are acting like a detective. Derivative (Based on someone from the original d Added since 1-25-2016 tales or a descendant) The listing has been split into subcategories to indicate the various cinema and television presentations of Holmes either Associated (Someone imitating Holmes or a a in straightforward stories or pastiches; as portrayals of someone with Holmes-like characteristics; or as parody or noncanonical character who has Holmes's comedic depictions. Almost all of the animation presentations are parodies or of characters with Holmes-like mannerisms during the episode) mannerisms and so that section has not been split into different subcategories. For further information see "Notes" at the Comedy/parody c end of the list. Not classified - Title Date Country Holmes Watson Production Co. Alternate titles and Notes Source(s) Page Movie Films - Serious Portrayals (Canonical and Pastiches) The Adventures of Sherlock Holmes 1905 * USA Gilbert M. Anderson ? --- The Vitagraph Co. -
Jón the Fleming: Low German in Thirteenth-Century Norway and Fourteenth-Century Iceland
Alaric Hall LWPLP, 18, 2013 Jón the Fleming: Low German in thirteenth-century Norway and fourteenth-century Iceland Alaric Hall The University of Leeds, UK Abstract Low German influence is one of the most prominent characteristics of Old Norse in the later medieval period, but the processes whereby this took place are little evidenced. However, Laurentius saga, Einarr Hafliða- son’s fourteenth-century Icelandic biography of Bishop Laurentius Kálf- sson, provides anecdotal evidence for this that has been overlooked by researchers. The anecdotes concern the linguistic (mis)adventures of a Low German-speaker in thirteenth-century Norway—the otherwise un- known Jón flæmingi (Johannes the Fleming)—and, perhaps uniquely in medieval Scandinavian texts, they also provide a representation of L2 Norse. Problematic and brief though this source is, it affords us valu- able perspectives both on fourteenth-century Icelandic metalinguistic discourses and on the processes whereby Low German influence took place in thirteenth- to fourteenth-century Norse. Contrary to some re- cent assumptions, Laurentius saga suggests that Low German and Old Norse were not seen as mutually intelligible; it provides some support for the idea that Low German influence was responsible not only for loan words into Old Norse, but also for morphological levelling; and empha- sises that in seeking vectors of Low German influence on Old Norse we should look not only to Hanseatic traders, but also to the Church. 1 Introduction Perhaps the most dramatic changes that took place in the North Germanic languages during the Middle Ages were massive Low German influence on the lexicon (Simensen, 2002–5) and, in the Continental varieties, the pro- found reduction of morphological complexity (Mørck, 2002–5).1 However, 1I use the term Low German here inclusively, to denote all the West Germanic varieties spoken along the North Sea and Baltic coasts, from Flanders in the West to the eastern Baltic. -
Miscellany Presented to Kuno Meyer by Some of His Friends and Pupils On
g: fyxmll mmretjsitg ^ilravg leltic Collection THE GIFT OF 3ame$ Morgan fiart """""'*" "'"""^ PB 14.M6lia6 3 1924 026 503 148 The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924026503148 MISCELLANY PRESENTED TO KUNO MEYER BY SOME OF HIS FRIENDS AND PUPILS ON THE OCCASION OF HIS APPOINTMENT TO THE CHAIR OF CELTIC PHIL0LOGY IN THE UNIVERSITY OF BERLIN EDITED BY OSBOEN BERGIN and CARL MARSTRANDER HALLE A.S. MAX NIEMEYEB 1912 MISCELLANY PRESENTED TO KUNO MEYER BY SOME OF HIS FKIENDS AND PUPILS ON THE OCCASION OF HIS APPOINTMENT TO THE CHAIR OF CELTIC PHILOLOGY IN THE UNIVERSITY OF BERLIN EDITED BY OSBOKN BERGIN and CARL MARSTRANDER HALLE A. S. MAX NIEMEYEB 1912 Contents. Page Alfred A ns combe, Lucius Eex and Eleutherius Papa .... 1 George Henderson, Arthurian motifs in Gadhelic literature . 18 Christian Sarauw, Specimens of Gaelic as spoken in the Isle of Skye 34 Walter J. Purton, The dove of Mothar-I-Eoy 49 J. H. Lloyd, Prom the Book of Clanaboy 53 R. ThurneysenI, Das Futurum von altirisch agid 'er treibt' .... 61 E. Priehsch, „Grethke, war umb heffstu mi" etc., das „Bauer-Lied" Simon Dachs 65 E. An wyl, The verbal forms in the White Book text of the four branches of the Mabinogi 79 H. Gaidoz, Le mal d'amour d'Ailill Anguba et le nom de Laennec . 91 G. Dottin, Sur I'emploi de .i 102 E. Ernault, Les nouveaux signes orthographiques dans le breton du Mirouer Ill J. -
Transactions the Leicestershire
TRANSACTIONS THE LEICESTERSHIRE anfc SOCIETY. VOL. VII. — PART III. LEICESTER: CLARKE AND HODGSON. 5, GALLOWTREE GATE, 1891. Contents. PAGE. LIST OF OFFICERS, &c. 1890 .. .. .. .. 201 SUBSCRIBING MEMBERS .. .. .. .. ... 203 MEMBERS DECEASED IN 1890-91 .. .. .. .. 205 RULES .. .. .. .. .. .. 205 ANNUAL MEETING, 2;th January, 1890 .. .. .. 207 THIRTY-FIFTH ANNUAL REPORT .. .. .. .. 207 TREASURER'S ACCOUNT .. .. .. .. .. 208 BI-MONTHLY MEETING, 3ist March, 1890 .. .. .. 210 BI-MONTHLY MEETING, igth May, i8go .. .. .. 211 ANNUAL SUMMER MEETING, SHREWSBURY, I7th and iSth June, 1890.. 212 VISIT TO URICONIUM, HAUGHMOND ABBEY, BATTLEFIELD, &c. .. 215 BI-MONTHLY MEETING, 28th July, i8go .. .. .. 217 BI-MONTHLY MEETING, 2gth September, i8go .. .. .. 218 HALLATON CHURCH, AND THE RECENT DISCOVERIES THERE, by Colonel Bellairs .. .. .. .. .. ..218 BI-MONTHLY MEETING, 24th November, 1890 .. .. .. 222 THE FAMILY OF GOODACRE, OF LEICESTERSHIRE, by Hugh Goodacre, Esq. 223 THE PARISH REGISTERS OF ST. NICHOLAS, LEICESTER, (Continued from page 200), by the Rev. T. W. Owen, M.A. .. .. .. 227 SOME FURTHER NOTES ON THE FAMILY OF BAINBRIGGE, OF LOCKINGTON, by the Rev. W. G. D. Fletcher, M.A., F.S.A. .. .. .. 233 THE LEICESTERSHIRE ARCHITECTURAL AND ARCHAEOLOGICAL SOCIETY, 1890. patrons. His Grace the DUKE OF RUTLAND, K.G., G.C.B. The Eight Eev. the LORD BISHOP OF PETERBOROUGH, D.D. The High Sheriff of Leicestershire. The Worshipful the Mayor of Leicester. The Most Noble the Marquis of Granby, M.P. The Eight Honourable the Earl Howe, C.B. The Eight Honourable the Earl of Denbigh. The Right Honourable the Earl Ferrers. The Eight Honourable the Earl of Dysart. The Eight Honourable the Earl of Lanesborough. The Kight Honourable Lord Braye. The Eight Eev. -
The Celtic Names of Dinckley and Sankey in Lancashire
The Celtic Names of Dinckley and Sankey in Lancashire Andrew Breeze Dinckley is in Lancashire; so was Sankey Brook until local govern ment reform in 1974 divided it between Lancashire and Cheshire. Both have Celtic names of obscure origin. This note suggests etymologies for them, perhaps shedding light on the region’s landscape and society before the Anglo-Saxon occupation.1 Dinckley, near Blackburn Dinckley (SD 6836) is a small parish (about a mile square) with no village, on the south side of the Ribble five miles north of Blackburn. It is recorded as Dunkythele and Dinkedelay in 1246 and Dinkedelegh in 1257, forms explained as perhaps from Celtic din ‘fort’ and coed ‘wood’ (meaning ‘fort by a wood’) plus Old English leah ‘wood’.2 But what follows challenges this, suggesting another interpretation. There is no problem here with Celtic din ‘fort’. Yet the rest of the name is hardly Celtic coed ‘wood’ + English leah ‘wood’, as this does not explain the final e in the second element -kythe-, -kede-, and -kede-. So much was pointed out by the anonymous referee of this paper’s first draft. He or she thus suggested a parallel between -kythele and Kidwelly ‘land of Cadwal’ in Carmarthenshire (though admitting that the absence of w in the Lancashire name is 1 The author records his warm appreciation of the comments of an anonymous referee on an earlier version of this paper. 2 Eilert Ekwall, The concise Oxford dictionary of English place-names (4th edn, Oxford, i960), p. 145; Richard Coates and Andrew Breeze, Celtic voices, English places (Stamford, 2000), pp. -
Abrief History
A Brief History of GreAt BritAin A Brief History of GreAt BritAin WilliAm e. Burns A Brief History of Great Britain Copyright © 2010 by William E. Burns All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Burns, William E., 1959- A brief history of Great Britain / William E. Burns. p. cm. — (Brief history) Includes bibliographical references and index. ISBN 978-0-8160-7728-1 1. Great Britain—History. 2. Ireland—History. I. Title. DA30.B88 2009 941—dc22 2009008217 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Joan M. McEvoy Composition by Hermitage Publishing Services Maps by Patricia Meschino Cover printed by Art Print, Taylor, Pa. Book printed and bound by Maple-Vail Book Manufacturing Group, York, Pa. Date printed: December, 2009 Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. Dedicated to the Frobish crew, Bill, Jerry, and Jim Contents List of Illustrations viii List of Maps ix Acknowledgments xi Introduction xiii 1 Early Settlements, Celts, and Romans (Prehistory to ca. -
Monday 03 July 2017: 09.00-10.30
MONDAY 03 JULY 2017: 09.00-10.30 Session: 1 Great Hall KEYNOTE LECTURE 2017: THE MEDITERRANEAN OTHER AND THE OTHER MEDITERRANEAN: PERSPECTIVE OF ALTERITY IN THE MIDDLE AGES (Language: English) Nikolas P. Jaspert, Historisches Seminar, Ruprecht-Karls-Universität Heidelberg DRAWING BOUNDARIES: INCLUSION AND EXCLUSION IN MEDIEVAL ISLAMIC SOCIETIES (Language: English) Eduardo Manzano Moreno, Instituto de Historia, Consejo Superior de Investigaciones Científicas (CSIC), Madrid Introduction: Hans-Werner Goetz, Historisches Seminar, Universität Hamburg Details: ‘The Mediterranean Other and the Other Mediterranean: Perspective of Alterity in the Middle Ages’: For many decades, the medieval Mediterranean has repeatedly been put to use in order to address, understand, or explain current issues. Lately, it tends to be seen either as an epitome of transcultural entanglements or - quite on the contrary - as an area of endemic religious conflict. In this paper, I would like to reflect on such readings of the Mediterranean and relate them to several approaches within a dynamic field of historical research referred to as ‘xenology’. I will therefore discuss different modalities of constructing self and otherness in the central and western Mediterranean during the High and Late Middle Ages. The multiple forms of interaction between politically dominant and subaltern religious communities or the conceptual challenges posed by trans-Mediterranean mobility are but two of the vibrant arenas in which alterity was necessarily both negotiated and formed during the medieval millennium. Otherness is however not reduced to the sphere of social and thus human relations. I will therefore also reflect on medieval societies’ dealings with the Mediterranean Sea as a physical and oftentimes alien space.