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Jan Van Eyck Yearbook 2008 1 Jan Van Eyck Yearbook 2008 JAN VAN EYCK YEARBOOK 2008 1 Jan van Eyck Yearbook 2008 Researchers & Projects ............................... 9 Fine Art ................................................. 13 Design ................................................... 27 Theory ................................................... 43 Projects .................................................. 58 Programme 2008 ...................................... 77 Events ....................................................... 83 Productions ................................................107 Institute ....................................................123 Simon Hempel, researcher Fine Art Theo Cowley, researcher Fine Art Ekstasen/ecstasies, ongoing research project Detail of Block, 2008; Block, 2008; installation view, Movement as mask, cloth as emotion, Jan van Eyck Academie (4 – 10 November) 4 5 5 4 5 4 Ruth Buchanan, researcher Fine Art Still from Build a wall or be a room, video with colour/sound/English subtitles, 9’23”, 2008; still from Satisfaction, video with colour/sound, 11’45”, 2008 Kristin Posehn, researcher Fine Art Katja Gretzinger, researcher Design Untitled (study for Settlers House), photographs printed on self-adhesive vinyl, mounted on the front and back cover of Architectural Digest magazine, 8” x 11” x 2” photographs 6 7 7 6 7 6 Theo Cowley, researcher Fine Art Composition de rhétorique, architect paper, 48 pieces, 2008 RESEARCHERS & PROJECTS Koen Brams Director 1964, Turnhout, BE With Dirk Pültau. In: De witte Het heimelijke in het werk raaf, 23(136), pp. 21-23. van Jef Cornelis. (30 October). Book/Catalogue contributions Het heimelijke in het werk In: Video out of joint. Organised Conversations with Guillaume van Jef Cornelis. Bij de films by Argos, Ghent University & Bijl. With Dirk Pültau. In: over Daniel Buren (1971) Koninklijke Academie voor Guillaume Bijl. Installations en Sonsbeek buiten de Schone Kunsten. Ghent, BE: & compositions, pp. 35-50. perken (1971). In: De witte raaf, Film-Plateau. Cologne, DE: Walther König 23(136), pp. 8-11. On container. The (public) Verlag; Ghent, BE: Stedelijk Kunst en jeugd. Een place of the intellectual Museum voor Actuele Kunst gesprek met Joëlle Tuerlinckx. in the Flanders of 1989 & (S.M.A.K.). With Dirk Pültau. In: De witte the archaeology of (post-) Conversations with raaf, 23(135), pp. 1-2. modernity. (30 October). Guillaume Bijl. With Dirk De geschiedenis van With Dirk Pültau. In: Video Pültau. In: Guillaume Bijl. het NICC. Aflevering 1: out of joint. Organised by Installations & compositions, De bezetting van het ICC. Argos, Ghent University & pp. 357-369. Cologne, DE: Gesprek met Christine Koninklijke Academie voor Walther König Verlag; Ghent, Clinckx en Patries Wichers Schone Kunsten. Ghent, BE: BE: Stedelijk Museum voor (Hit & run). Gesprek met Film-Plateau. Actuele Kunst (S.M.A.K.). Danny Devos. With Dirk The secret in the work An all too timely invitation Pültau. In: De witte raaf, of Jef Cornelis. In: Histories [Une invitation trop 23(133), pp. 12-15. of landmark exhibitions. pressante]. In: From art school Portret van de kunstenaar Contemporary art shows since to professional practice [De l’école als een jongeman. Interview 1968. (10 –11 October). d’art à l’engagement artistique]. met Philippe van Snick. With Organised by Jan van Eyck Paris, FR: AICA Press. Dirk Pültau. In: De witte raaf, Academie & Tate Modern. De tentoonstellingen 22(132), pp. 15-16. London, GB: Tate Modern. van Daniel Buren in de Gesprek met Phillipe van IJsbreker (1983 –1984) and 11 11 Wide White Space Gallery Snick. With Dirk Pültau. In: De De langste dag (1986) by Jef (Antwerpen, 1969 –1974). witte raaf, 22(131), pp. 13-15. Cornelis. (25 February). Koen Brams in gesprek Kunst en vriendschap. Een Ghent, BE: Art Cinema OffOff. met Anny De Decker [The gesprek met Joëlle Tuerlinckx. exhibitions by Daniel With Dirk Pültau. In: De witte Discussions Buren in the Wide White raaf, 22(131), pp. 5-7. Skulpturprojekte Münster Space Gallery (Antwerp, 1977 –2007. Koen Brams in 1969 –1974)]. In: Ik ben Artis Lectures conversation with Kasper jaarboek/I am Artis yearbook. Towards another history of art in König. (8 February). With Artis Den Bosch, September Belgium from 1975 to the present. Kasper König. Organised 2006 – September 2007. ’s The case of the Searchlight- by Etablissement d’en face Hertogenbosch, NL: Artis. documentary about Daniel Buren projects. Brussels, BE: Café (1971). (19 November). Bern, Greenwich. Articles CH: Hochschule der Künste Kunst en jeugd (2). Een Bern. gesprek met Joëlle Tuerlinckx. Koen Brams — projects. Brussels, BE: Café Greenwich FINE ART Babak Afrassiabi and Nasrin Tabatabai .......13 Ruth Buchanan Ines Lechleitner ..........................................22 Orla Barry ................................................14 (Te Ati Awa/Taranaki) ................................18 Jean-Baptiste Maitre ...................................23 Aglaia Konrad ...........................................14 Theo Cowley ...............................................19 Kobe Matthys (Agency) ..............................23 Glen Rubsamen .........................................15 Andjeas Ejiksson .......................................19 Karolin Meunier .........................................24 Hinrich Sachs ............................................15 Simon Hempel ...........................................20 Peter Müller...............................................25 Imogen Stidworthy .....................................16 Thibaut Jacquerie .......................................20 Kristin Posehn ...........................................25 Anke Brüchner ...........................................16 Eleni Kamma ............................................21 Stéphane Querrec .......................................26 Donatella Bernardi .....................................17 Rachel Koolen ............................................22 Delphine Rigaud ........................................26 13 13 Babak Afrassiabi and Nasrin Tabatabai / Pages Advising researchers Fine Art In her work Nasrin Tabatabai traces the excesses of his- of various activities, such as Nasrin Tabatabai has always been dealing tory: contingencies of specific the publication of a bilingual Tehran, IR with notions of migration, its socio-political processes Farsi/English magazine, video experience and subjectivity, and events that refuse to and installation works and Organised events and how these should be be endowed with historical ‘editorial re-appropriations’. Instances of translation. dealt with within representa- certainty and instead release With Pages they try to pursue Workshop with participation tion and art. Her recent video traumatic intervals within possibilities of reflection of Jan van Eyck Academie works, however, are about history and its narration. In between various localities researchers and Iranian artists the equivocal experience of building his work around this and conditions of artistic and and authors. Tehran, IR. history within certain — non- excess, he addresses history cultural discourses. While Western — socio-political from inside the gaps (ideo- always maintaining a link Book/Catalogue contributions contexts. She explores this logical, social, political and, to the contextual and his- Excerpts: From sunset cinema through a focus on the multi- finally, the psychological) torical realities of the issues to undecided utopias. plicity of affairs and stories that that bear the desires, fanta- addressed in each project In: Emily Pethick, Marina surround politically ‘decisive’ sies and acts that constitute and editions of the magazine, Vishmidt & Tanja Widmann events in history, and the way history’s ‘underbelly’. Like they generate spaces and (Eds). An ambiguous case. Casco they, in turn, come to instigate anything else in life, images instances of criticality and issues, 11, pp. 47-56, 125-134. a continuity of ambivalent of history have surpluses that negotiation regarding the Rotterdam, NL: Episode; interpretations of history. What take them beyond the histori- aesthetics and politics defin- Utrecht, NL: CASCO. is inevitable to any depiction cal and let them flicker from ing current artistic and cultural Instance of a purloined of these at once imaginary, their a-temporal abyss. practice and production. voice & instance of purloined rumourous or bluntly true Beside their individual pages. In: Alessandro stories, is the representational practices, Nasrin Tabatabai Babak Afrassiabi Ludovico & Nat Muller (Eds). ambivalence and indecisive- and Babak Afrassiabi have, Isfahan, IR The Mag.net reader 3. Processual ness affecting this depiction. since 2004, initiated a long- publishing. Actual gestures. In his recent video — and term collaborative practice London, GB: OpenMute. other — works Babak Afrassiabi called Pages. Pages consists Fine Art — Actual gestures. London, GB: OpenMute Fine Art Fine Art Old house, Nasrin Tabatabai. local and distributing the Eventual spaces. (19 (17 December 2008 –14 Editorials Lectures Group exhibitions Art Brussels. (18 – 21 April). In: On the move. Verkehrskultur international and vice versa. October). In: La otra. Feria de January 2009). Cairo, EG. Aglaia Konrad & John Lagae Sculpture house. In: Opening Die Lucky Bush. (23 May –17 Brussels, BE: Brussels Expo. II. Münster, DE: Westfälischer (29 February). In: Art Sheffield arte contemporáneo. Bogota, CO. Art Sheffield 08. Yes, no, other (Eds). Desert cities. Christoph week 2008. (7 –11 January). August). Exhibition project. A certain
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