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Yearbook 2005/ Jan Van Eyck Academie, Maas Tricht, Nl

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Yearbook 2005/ Jan Van Eyck Academie, Maas Tricht, Nl ...................................................CONTENT .....................................................................................YEARBOOK 2005 ..................................................CONTENT YEARBOOK 2005 / JAN VAN EYCK ACADEMIE, MAASTRICHT, NL (ADVISING) RESEARCHERS REFLECTIONS ON PAST AND JAN VAN EYCK ACADEMIE RESEARCH PROJECTS PROGRAMME FUTURE THINGS INSTITUTE YEARBOOK 2005/ Kasper ANDREASEN [39, 114, 115, 116, 118, 144, 148, 169] Filiep TACQ [39, 120, 167] Institutes like the Jan van Eyck Academie almost have the The Jan van Eyck Academie is an institute for research and AVANT-GARDE [7] Zafer ARACAGÖK [12, 13, 133, 134, 135, 181, 182] Saliou TRAORÉ [144, 164] obligation to look forward, into the future, rather than The Spectre of the Avant-Garde [7] Monika BAKKE [19, 20, 21, 182] Armando Andrade TUDELA [144, 157] production in the fields of fine art, design and theory, based looking back. The opening week of 2005 – from 10 January Avant-garde, film and propaganda [11] Orla BARRY [155] Toni URODA [177] in Maastricht in the south of the Netherlands. The academy Avant-garde, theory and cultural praxis [11, 12] to14 January 2005 – had hardly inaugurated the academic Ralph BAUER [43, 169] Francisco VALDES [165] offers individuals and institutes the opportunity to submit Avant-garde, architecture and responsibility [12] BAVO [11, 12, 13, 39, 41, 42, 94, 97, 182, 183] Robrecht VANDERBEEKEN [12, 189] year, or the application procedure for 2006 was started up. JAN VAN EYCK Avant-garde, popular media and censorship [12, 13] research or production proposals. Besides, the Jan van Eyck Stéphanie BENZAQUEN [57, 143, 183, 184] Daniël van der VELDEN [12, 43, 80, 120, 167, 168] The institute is indeed continuously engaged in recruitment, Koen BRAMS [59, 120, 155] Joël VERMOT / HARRISSON [120, 177] itself also initiates projects for which artists, designers and starting up new projects, welcoming new researchers. It is AIR, ART, ARCHITECTURE [15] Kristien Van den BRANDE [45, 170] Annelys de VET [41, 168] theoreticians can apply. In order to realise these projects the Breath-Taking. Air, Art, Architecture [19] Norman BRYSON [118, 143, 151, 179] Richard VIJGEN [120, 178] undeniably something the institute loves to do: after all, the academy offers the necessary made-to-measure artistic, Sabeth BUCHMANN [55, 179] Inga ZIMPRICH [120, 121, 122, 143, 144, 145, 165] unknown – the new project, the next researcher – implies THE CITY [23] Peggy BUTH [157] uncharted promises. Looking back cannot be anything but technical and auxiliary preconditions and develops contacts Authoring the City [39, 40, 41] Lorenzo CHIESA [11, 13, 93, 94, 184] PROGRAMME 2005 [191] confrontational: some expectations turn out not to have been with external partners. Since the academy is not led by pre- Lend Me Your Dream/Lend Me Your Fantasy [41, 42] Min CHOI [39, 82, 121, 170] January – December [193-200] ACADEMIE, MAAS determined leitmotivs, the subject matters of the various Trichtlinnburg. An Urban Affair [42, 43, 44] Sulki CHOI [39, 82, 121, 170] Studio visits [200] met, some research scripts were tossed aside and substituted Visualizing the Visual [44, 45] Sulki & Min CHOI [171] by others, some projects not only got different titles, but their research projects of the international artists, designers and Tina CLAUSMEYER [39, 45, 80, 145] POLICY BODIES [205] content turned out differently from what was originally theoreticians are heterogeneous. These miscellaneous pro- FILM & TELEVISION [47] Marijke COBBENHAGEN [44, 172] Board [205] planned. (This conclusion does not need to be disappoint- jects form the basis for several events which are organised The Cut [55] Wim CUYVERS [41, 45, 166] Policy Board [205] Designing Truth [55] Marc De KESEL [12, 93, 96, 133, 180, 181] Editorial Board [205-206] ing: after all, the Jan van Eyck first and foremost works with each week: lectures, seminars, screenings, exhibitions. Film and Biopolitics [55] Marthe Van DESSEL [42, 44, 172] Selection Committees [206-207] people, not objects; plus, people who research, who are External interested parties are welcome to attend these activi- TRICHT, NL / The Scheme of the Veil [57] Helmut DRAXLER [55, 61, 180] Researchers’ Meeting [207] exploring, do experiment. And that, in turn, should not be ties. The result is a dynamic and critical exchange between On the Television Work of Jef Cornelis [59, 60, 61] Jonathan DRONSFIELD [185] Personnel Meeting [207] seen as an excuse…) Oliver FELTHAM [12, 94, 185] the different agents from within and without the Jan van Eyck. GAME DESIGN [63] Nikolaus GANSTERER [43, 143, 144, 145, 158] THE ARTISTIC APPARATUS [208] Over the past years, against its nature, the Jan van Eyck has Innovative Game Design [67] Geoffrey GARRISON [11, 39, 55, 143, 144, 158] Researchers [208] done its utmost to face the challenge of thoroughly reviewing Jan van Eyck Academie Stephan GEENE [55, 59, 180] Advising Researchers [208-209] what the institute has done. Over the next years – most defi- IDENTITY [69] Christopher GEMERCHAK [186] Academieplein 1 nitely in 2006 – the institute will do so even more. We should History vs. Future [79] Natascha HAGENBEEK [159] ORGANISATION [210] 6211 KM Maastricht Logo Parc [79, 80] Yolande HARRIS [144, 186] Researchers’ Secretariat [210] perhaps also regard the things we have realised as a kind of The Netherlands Meta Haven: Sealand Identity Project [80] Paul HENDRIKSE [144, 145, 159] Departmental Secretariat [210] promise – the promise that what has been realised can be The Physical Jan van Eyck [83] Chantal HENDRIKSEN [44, 172] Workshops [210-211] returned to and further developed. In that sense, the Jan van T +31 (0)43 350 37 37 Benda HOFMEYR [11, 12, 41, 187] Library [211] Eyck is not building a collection, or accumulating objects, F +31 (0)43 350 37 99 PSYCHOANALYSIS [85] Willem van der HULST [159] Documentation centre [211-212] Circle for Lacanian ideology Critique (CLiC) [91] but could be seen as a kind of patrimony, a heritage, which, [email protected] Ils HUYGENS [11, 57, 59, 187] Production bureau [212] A Community of Scoundrels [93] Sarah INFANGER [120, 173] Internal and external communication [212-213] moreover, is quite often of a virtual, discursive nature. Visit [email protected] Politics and Jouissance [94] Lina ISSA [160] Administration [213] the Jan van Eyck website, or read this book – the yearbook Psychoanalysis, Urban Theory and the City of Late-Capitalism [94, 95, 96] Alevtina KAKHIDZE [118, 144, 160] Catering [213] 2005 – not merely to find out what the institute did in 2005, Johanna KIRSCH [144, 161] Cleaning [213] PUBLISHING [99] but also as a way to acquaint yourself with the things the Jan Jouke KLEEREBEZEM [81, 120, 121, 122, 166, 167] Human Resources [213] Bookmark [113] Aglaia KONRAD [39, 155] van Eyck will do in 2006 and in the future. Camouflage Comics [113] Vinca KRUK [79, 80, 144, 145, 173] FINANCES [215] How They Met Themselves [114] Will KWAN [43, 143, 161] General [215] Koen Brams, April 2006 Interlude. The Reader’s Traces [114] Zuzana LAPITKOVÁ [39, 43, 143, 144, 174] Subsidising and sponsoring of projects [215] Research as Authorship [114-118] Lucia MACARI [161] Balance [215, 216] Research projects The Drawings [118] Tamara MALETIC [39, 83, 121, 174] Infrastuctureand housing [216] The Tomorrow Book [118] Sébastien MANIGLIER [45, 174] Facilities [216] The Xerox Book (1968) [120] Lene MARKUSEN [143, 144, 162] Curricula vitae Thinktank [121] Kobe MATTHYS [45, 175] APPENDIX [217] UbiScribe [121, 122] Adriaan MELLEGERS [80, 144, 145, 175] Personnel/Appointment [217] Programme When the Story Finishes Light Sadness Grasps Me [122, 123] META HAVEN [39, 80, 144, 176] Termination of employment [217] Eva MEYER [57, 181] Students on work placement [217] Institutional information THEORY, MUSIC AND NOISE [125] Dan MICHAELSON [39, 83, 121, 174] Board [217] Gilles Deleuze. The Passage from Noise to Voice [133] Charlotte MOTH [143, 144, 145, 162, 163] Balance [218] Resonance, Mimesis, Noise and Refrain [133] Sabine MÜLLER [45, 176] Songs for a Neighbour [135] John MURPHY [121, 156] COLOPHON [220] André NUSSELDER [11, 96, 188] VISUAL CULTURE [137] Dirk PAUWELS [45, 176] Art’s Birthday 2005 [143] Falke PISANO [143, 144, 163] / Chardin and the Text of Still Life [143] Andreas QUEDNAU [45, 176] Dreaming in the Plural [143] Aarnoud ROMMENS [13, 113, 188] Japanese Curators Visit the Jan van Eyck [143, 144] Hinrich SACHS [39, 44, 55, 156, 157] Motion Path [144] Johan SCHOKKER [11, 94, 188] Serendipity [144] Aaron SCHUSTER [95, 189] Stepping Out [144] Stefanie SEIBOLD [143, 144, 164] The Practice of Drawing [151] Ingrid STOJNIC [113, 177] Visibility [151] POLICY PLAN JAN VAN EYCK ACADEMIE .....................................................................................YEARBOOK 2005 JAN VAN EYCK ACADEMIE .........................................................................................................RESEARCH PROJECTS AVANT-GARDE AVANT-GARDE, FILM AND PROPAGANDA THE SPECTRE OF THE AVANT-GARDE AVANT-GARDE, THEORY AND CULTURAL PRAXIS AVANT-GARDE, ARCHITECTURE AND RESPONSIBILITY AVANT-GARDE, POPULAR MEDIA AND CENSORSHIP BAVO.JANVANEYCK.NL .........................................................................................................RESEARCH PROJECTS AVANT-GARDE AVANT-GARDE, FILM AND PROPAGANDA THE SPECTRE OF THE AVANT-GARDE AVANT-GARDE, THEORY AND CULTURAL PRAXIS The Spectre of the Avant-Garde, organised by BAVO AVANT-GARDE, FILM AND PROPAGANDA (researchers in the Theory department), presented
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